Mr. Bungle

Mr. Bungle is an American experimental rock band formed in Eureka, California, in 1985. Having gone through many incarnations throughout its career, the band is best known for its experimental rock period. During this time, it developed a highly eclectic style, cycling through several musical genres, often within the course of a single song, including heavy metal, avant-garde jazz, ska, disco, and funk, further enhanced by frontman Mike Patton's versatile singing style. This period also saw the band utilizing unconventional song structures and samples; playing a wide array of instruments; obscuring the members' identities and dressing up in masks, jumpsuits, and other costumes; and performing a diverse selection of cover songs during live performances.

The band was founded as a death metal project while the members were in high school. It is named after a character in the 1960 children's educational film Beginning Responsibility: Lunchroom Manners, as featured in the 1981 HBO special The Pee-wee Herman Show. Mr. Bungle released four demo tapes in the mid-to-late 1980s. On the back of Patton's success as frontman of Faith No More, the band was signed to Warner Bros. Records in 1990 and released three studio albums between 1991 and 1999 in the eclectic, experimental style it became known for. The band toured in 1999 and 2000 to support its third album before going on an indefinite hiatus that was confirmed as a dissolution in 2004. It reunited as a thrash metal band for a series of shows in February 2020 to perform its 1986 demo album The Raging Wrath of the Easter Bunny with Anthrax guitarist Scott Ian and former Slayer drummer Dave Lombardo. The band then returned to the studio to re-record the demo as a professional album, released in October of that year.

Mr. Bungle has gone through numerous lineup changes, with Patton, guitarist Trey Spruance, and bassist Trevor Dunn the sole consistent members. The band was based in San Francisco during its tenure with Warner Bros. During much of the band's existence, it was in a public dispute with Red Hot Chili Peppers, particularly between Patton and Chili Peppers vocalist Anthony Kiedis.

Mr. Bungle emerged after its members were kicked out of their respective previous bands. "It was kinda like a merger between two bands," Mike Patton recalled. "One really horrible gothic metal band, which our guitarist and original drummer were in, and one really horrible metal band which did Metallica covers, which is the one Trevor and me came from." Mr. Bungle initially described themselves as a death metal band, but also dabbled in speed metal, thrash metal, and hardcore punk. The members came very close to naming the band Summer Breeze before settling on the name Mr. Bungle. The Mr. Bungle name was inspired by a 1950s propaganda film that they had seen as a segment of The Pee-wee Herman Show. The members previously used the name to refer to a classmate that they thought to be "a total goober" before adopting it as their band's name.

Within a year of formation, the band expanded their sound to include ska. Trevor Dunn noted in 1991: "After about a year we got tired of playing speed metal and wanted to do something a little more creative. So we just stopped and started writing our own style of music, which was influenced by bands like Camper Van Beethoven, Oingo Boingo, Bad Manners and kind of funky, ska-oriented stuff. Then we added a two-piece horn section and a new drummer, so now we don't really have any kind of limit on the music we play." Trey Spruance corroborated this: "When I was 15, I was in a death metal group," Spruance reminisced. "We had this idea that we were going to play a bunch of ska tunes for a bunch of metalheads. We just had this idea, you know: 'Okay, we're going to play this ska music, and that'll be amazing.' Half of the audience hated us, but there was definitely a joy in confronting that wall between styles."

Given that the band's background was exclusively in heavy music at that point, some band members experienced difficulties expanding their sound early on. In particular, Spruance noted that Mike Patton had to teach him to play the ska stroke for a performance at their high school talent show. Spruance later explained, "Oh, what I remember was... this was our first... like, we had only done, uh, death metal up to that point. And so this was our first time trying to ever play ska. And I'd never played... on guitar, like, I'd never played... I didn't know how to do that skanking guitar shit at all. But Patton could do, like with one finger on the thread mark, he could do the, the rhythmic part of it pretty well. Like, he could... he taught me how to do it. So, I just sort of awkwardly... I would fill in and make the chord and he actually played guitar, but would just kind of use it percussively. And we played these Camper Van Beethoven songs, and I don't... I dunno if we played The Specials, but that's what we were listening to."

Mr. Bungle played their first show in November 1985 at the Bayside Grange Hall in Bayside, California. The band's first demo, The Raging Wrath of the Easter Bunny, was recorded during Easter of 1986. It featured a fast, lo-fi death/thrash metal sound, with touches of ska. Instruments utilized on the album included a train whistle, saxophone, bongos and a kazoo. The Raging Wrath of the Easter Bunny was followed in 1987 by the Bowel of Chiley demo; it featured a much greater ska presence, as well as the sounds of jazz, swing and funk. Bradley Torreano noted at AllMusic that the recording was "essentially the sound of some very talented teenagers trying to make their love of jazz and ska come together in whatever way they can." In 1988, Mike Patton became the lead vocalist for Faith No More, getting the job after the band heard him on the first Mr. Bungle demo. Patton continued to be a member of both bands simultaneously and Mr. Bungle released its third demo, Goddammit I Love America!, later in 1988, which was musically similar to Bowel of Chiley. Mike Patton described its style as "funkadelic, thrashing, circus, ska." OU818, their final demo tape, was recorded in June 1989. OU818, was the first release to feature both tenor sax player Clinton "Bär" McKinnon and drummer Danny Heifetz. At the time of this release, Mike Patton described Mr. Bungle as a "weirdo funk band".

During 1990, the band members left Eureka for San Francisco in search of greater musical opportunities. Trey Spruance said the change in location influenced the band's style, remarking "[we were interested in] Slayer and Mercyful Fate. Later it was The Specials and Fishbone. Then we moved to San Francisco and got all sophisticated. Now we are improv snobs who rule the avant-garde universe by night, and poor, fucked-up hipsters by day." Having established a following in Northern California, Mr. Bungle was signed to Warner Bros. Records in 1990, with the label releasing all three of their studio albums during the 1990s. It has been speculated that Patton's success as frontman of Faith No More was the primary reason Warner Bros. signed the band. The Los Angeles Times stated in a 1991 article that "Under normal circumstances, you'd have to describe Mr. Bungle's chances of landing a major label deal as... a long shot."