Music of Australia

The music of Australia has an extensive history made of music societies. Indigenous Australian music forms a significant part of the unique heritage of a 40,000- to 60,000-year history which produced the iconic didgeridoo. Contemporary fusions of indigenous and Western styles are exemplified in the works of Yothu Yindi, No Fixed Address, Geoffrey Gurrumul Yunupingu and Christine Anu, and mark distinctly Australian contributions to world music.

Australian music's early western history, was a collection of British colonies, Australian folk music and bush ballads, with songs such as "Waltzing Matilda" and The Wild Colonial Boy heavily influenced by Anglo-Celtic traditions, Indeed many bush ballads are based on the works of national poets Henry Lawson and Banjo Patterson.

Contemporary Australian music ranges across a broad spectrum with trends often concurrent with those of the US, the UK, and similar nations—notably in the Australian rock and Australian country music genres. Tastes have diversified along with post–World War II multicultural immigration to Australia, whilst classical music derives from European influences.

In the 1990s and early 2000s, the most recent and possibly only original genre of music to emerge from Australia outside of indigenous music came from Newcastle and Sydney as a genre known as Breakcore.[1]

Indigenous Australian music refers to the music of Aboriginals and Torres Strait Islanders. Music forms an integral part of the social, cultural and ceremonial observances of these peoples, and has been so for over 60,000 years. Traditional indigenous music is best characterised by the didgeridoo, the best-known instrument, which is considered by some to be the world's oldest. Archaeological studies of rock art in the Northern Territory suggest people of the Kakadu region were playing the instrument 15,000 years ago.

Contemporary indigenous Australian music has covered numerous styles, including rock and roll, country, hip hop, and reggae.

Jimmy Little is regarded as the first Aboriginal performer to achieve mainstream success, with his debut 1964 song "The Royal Telephone" highly popular and successful. In 2005, Little was presented with an honorary doctorate in music by the University of Sydney. Despite the popularity of some of his work, Little failed to launch indigenous music in the country—from the 1970s onwards, groups such as Coloured Stone, Warumpi Band, and No Fixed Address helped improve the image of the genre. It was Yothu Yindi that brought indigenous music to the mainstream, with their 1991 song "Treaty", from the album Tribal Voice, becoming a hit. It reached No. 11 on the ARIA Singles Chart. The band's performances were based on the traditional Yolngu dance, and embodied a sharing of culture. The success of Yothu Yindi—winners of eight ARIA Awards—was followed in by Kev Carmody, Tiddas, Archie Roach and Christine Anu, and numerous other indigenous Australian musicians.

Indigenous Australian music is unique, as it dates back more than 60,000 years to the prehistory of Australia and continues the ancient songlines through contemporary artists as diverse as: David Dahwurr Hudson, Warumpi Band, Wild Water, Saltwater Band, Nabarlek, Nokturnl, the Pigram Brothers, Blekbala Mujik, and Ruby Hunter.