Recent from talks
Naqsh-e Jahan Square
Knowledge base stats:
Talk channels stats:
Members stats:
Naqsh-e Jahan Square
The Naqsh-e Jahan Square (Persian: میدان نقش جهان, romanized: Maidān-e Naqsh-e Jahān, lit. 'Image of the World Square'), also known as the Shah Square (میدان شاه) prior to 1979, and sometimes known as the Imam Square, is a square situated at the center of Isfahan, Iran. Constructed between 1598 and 1629, it is now an important historical site, and one of UNESCO's World Heritage Sites. It is 160 metres (520 ft) wide by 560 metres (1,840 ft) long – an area of 89,600 square metres (964,000 sq ft). The square is surrounded by buildings from the Safavid era. The Shah Mosque is situated on the south side of this square. On the west side is the Ali Qapu Palace. Sheikh Lotfollah Mosque is situated on the eastern side of this square and at the northern side Qeysarie Gate opens into the Isfahan Grand Bazaar. Today, Namaaz-e Jom'eh (the Muslim Friday prayer) is held in the Shah Mosque.
The square is depicted on the reverse of the Iranian 20,000 rials banknote. Stores are owned by trust of Ostandari Isfahan.[clarification needed]
In 1598, when Abbas the Great decided to move the capital of his empire from the north-western city of Qazvin to the central city of Isfahan, he initiated what would become one of the greatest programmes in Iranian history: the complete remaking of the city. By choosing the central city of Isfahan, with the Zāyande roud ("The life-giving river"), lying as an oasis of intense cultivation in the midst of a vast area of arid landscape, he distanced his capital from any future assaults by the Ottomans, the arch rival of the Safavids, and the Uzbeks, and at the same time gained more control over the Persian Gulf, which had recently become an important trading route for the Dutch and British East India Companies.
The chief architect of this colossal task of urban planning was Shaykh Bahai (Baha' ad-Din al-'Amili), who focused the programme on two key features of Shah Abbas's master plan: the Chaharbagh avenue, flanked at either side by all the prominent institutions of the city, such as the residences of all foreign dignitaries, and the Naqsh-e Jahan Square ("Exemplar of the World"). Prior to the shah's ascent to power, Iran had a decentralised power-structure, in which different institutions battled for power, including both the military (the Qizilbash) and governors of the different provinces making up the empire. Abbas wanted to undermine this political structure, and the recreation of Isfahan, as a Grand capital of Iran, was an important step in centralising the power.
The Maidan was where the shah and the people met. During the day, much of the square was occupied by the tents and stalls of tradesmen, who paid a weekly rental to the government. There were also entertainers and actors. For the hungry, there were readily available cooked foods or slices of melon, while cups of water were handed out for free by water-carriers paid for by the shop-keepers. At the entrance to the Imperial Bazaar, there were coffee-houses, where people could relax over a cup of fresh coffee and a water-pipe. These shops can still be found today, although the drink in fashion for the past century has been tea, rather than coffee. At dusk, the shop-keepers packed up, and the huzz and buzz of tradesmen and eager shoppers bargaining over the prices of goods would be given over to dervishes, mummers, jugglers, puppet-players, acrobats and prostitutes.
When Italian traveler Pietro Della Valle visited Isfahan in 1617, he described the square as "without doubt superior to everything in Constantinople or wheresoever in Christendom," recording its appearance towards the end of its construction in his travelogue:
"[The Maidan] is completely surrounded by finely designed symmetrical buildings, uninterrupted either by streets or anything else, made with large porticoes and floors underneath for shops with diverse merchandise set out in order from place to place; and above, with balconies and windows, filled with a thousand pretty ornaments. This harmony of architecture on so large a scale is so agreeable to the eye that, though the houses of Piazza Navona are higher and more richly decorated in our way, ... I dare to place [the Maidan] before the Piazza Navona. Around the Maidan, on all four sides, not far from the porticoes, flows a big channel of water, beautifully straight, lined with parapets, and accompanied on the inside by a very smooth promenade made of stone. And beyond the flowing water, towards the porticoes, extends a very dense and even row of green trees, which, when they put forth their foliage in a few days' time, will I believe be the most beautiful sight in the world."
— Pietro Della Valle, Travels of Pietro Della Valle
Hub AI
Naqsh-e Jahan Square AI simulator
(@Naqsh-e Jahan Square_simulator)
Naqsh-e Jahan Square
The Naqsh-e Jahan Square (Persian: میدان نقش جهان, romanized: Maidān-e Naqsh-e Jahān, lit. 'Image of the World Square'), also known as the Shah Square (میدان شاه) prior to 1979, and sometimes known as the Imam Square, is a square situated at the center of Isfahan, Iran. Constructed between 1598 and 1629, it is now an important historical site, and one of UNESCO's World Heritage Sites. It is 160 metres (520 ft) wide by 560 metres (1,840 ft) long – an area of 89,600 square metres (964,000 sq ft). The square is surrounded by buildings from the Safavid era. The Shah Mosque is situated on the south side of this square. On the west side is the Ali Qapu Palace. Sheikh Lotfollah Mosque is situated on the eastern side of this square and at the northern side Qeysarie Gate opens into the Isfahan Grand Bazaar. Today, Namaaz-e Jom'eh (the Muslim Friday prayer) is held in the Shah Mosque.
The square is depicted on the reverse of the Iranian 20,000 rials banknote. Stores are owned by trust of Ostandari Isfahan.[clarification needed]
In 1598, when Abbas the Great decided to move the capital of his empire from the north-western city of Qazvin to the central city of Isfahan, he initiated what would become one of the greatest programmes in Iranian history: the complete remaking of the city. By choosing the central city of Isfahan, with the Zāyande roud ("The life-giving river"), lying as an oasis of intense cultivation in the midst of a vast area of arid landscape, he distanced his capital from any future assaults by the Ottomans, the arch rival of the Safavids, and the Uzbeks, and at the same time gained more control over the Persian Gulf, which had recently become an important trading route for the Dutch and British East India Companies.
The chief architect of this colossal task of urban planning was Shaykh Bahai (Baha' ad-Din al-'Amili), who focused the programme on two key features of Shah Abbas's master plan: the Chaharbagh avenue, flanked at either side by all the prominent institutions of the city, such as the residences of all foreign dignitaries, and the Naqsh-e Jahan Square ("Exemplar of the World"). Prior to the shah's ascent to power, Iran had a decentralised power-structure, in which different institutions battled for power, including both the military (the Qizilbash) and governors of the different provinces making up the empire. Abbas wanted to undermine this political structure, and the recreation of Isfahan, as a Grand capital of Iran, was an important step in centralising the power.
The Maidan was where the shah and the people met. During the day, much of the square was occupied by the tents and stalls of tradesmen, who paid a weekly rental to the government. There were also entertainers and actors. For the hungry, there were readily available cooked foods or slices of melon, while cups of water were handed out for free by water-carriers paid for by the shop-keepers. At the entrance to the Imperial Bazaar, there were coffee-houses, where people could relax over a cup of fresh coffee and a water-pipe. These shops can still be found today, although the drink in fashion for the past century has been tea, rather than coffee. At dusk, the shop-keepers packed up, and the huzz and buzz of tradesmen and eager shoppers bargaining over the prices of goods would be given over to dervishes, mummers, jugglers, puppet-players, acrobats and prostitutes.
When Italian traveler Pietro Della Valle visited Isfahan in 1617, he described the square as "without doubt superior to everything in Constantinople or wheresoever in Christendom," recording its appearance towards the end of its construction in his travelogue:
"[The Maidan] is completely surrounded by finely designed symmetrical buildings, uninterrupted either by streets or anything else, made with large porticoes and floors underneath for shops with diverse merchandise set out in order from place to place; and above, with balconies and windows, filled with a thousand pretty ornaments. This harmony of architecture on so large a scale is so agreeable to the eye that, though the houses of Piazza Navona are higher and more richly decorated in our way, ... I dare to place [the Maidan] before the Piazza Navona. Around the Maidan, on all four sides, not far from the porticoes, flows a big channel of water, beautifully straight, lined with parapets, and accompanied on the inside by a very smooth promenade made of stone. And beyond the flowing water, towards the porticoes, extends a very dense and even row of green trees, which, when they put forth their foliage in a few days' time, will I believe be the most beautiful sight in the world."
— Pietro Della Valle, Travels of Pietro Della Valle
Recent media