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"Not That Funny"
Single by Fleetwood Mac
from the album Tusk
B-side"Save Me a Place" (UK)
"Think About Me" (EU)
Released7 March 1980 (UK)[1]
Recorded1979
StudioThe Village Recorder, Los Angeles, California
Genre
Length3:11
LabelWarner Bros.
SongwriterLindsey Buckingham
Producers
Fleetwood Mac singles chronology
"Sara"
(1980) 		"Not That Funny"
(1980) 		"Think About Me"
(1980)

"Not That Funny" is a song by British-American rock band Fleetwood Mac, released in 1980. Composed and sung by guitarist Lindsey Buckingham, it was written as a response to the punk movement in the late 1970s.[5] The song shares some lyrics with "I Know I'm Not Wrong", another Buckingham penned song that appeared on the Tusk album.[6] In select European countries, "Not That Funny" was issued as the third single from the Tusk album, although the song failed to chart. Since its release, the song has been performed live on several Fleetwood Mac tours.

Background

[edit]

"Not That Funny" was derived from an unused Buckingham song titled "Needles and Pins", originally recorded in June 1978. "Needles and Pins" later split into two different songs, "Not That Funny" and "I Know I'm Not Wrong", both of which share the "don't blame me" lyrics found in the chorus and the "here comes the nighttime" lyrics found in the bridge.[7] Carol Ann Harris, who was in a romantic relationship with Buckingham at the time of the song's recording, commented in her memoir that she witnessed an angrier shift in Buckingham's temperament when he wrote the song, which she believed was a radical departure from his disposition compared to the making of other songs like "That's All for Everyone".[8]

Buckingham performed his vocal part on the ground in a push-up position to achieve the desired vocal take. He also insisted on recording the vocals in a replica of his own personal bathroom, which was installed in Studio D of the Village Recorder studio in Los Angeles. To satisfy Buckingham's request, Ken Caillat, who served as the album's co-producer and engineer, taped a microphone to the bathroom's tile floor.[9] Each chorus features slightly different lyrics, which comprise terse statements centered around chastisement.[10] Buckingham commented that the song's lyrics were directed at Stevie Nicks, celebrity culture within the entertainment industry, and the band's image.[11]

Some of the electric guitars were detuned and recorded at high speed before being slowed down to 30 inches per second.[7] Buckingham multitracked the electric guitar parts on a Stratocaster and treated the instrument with a variable speed oscillator (VSO) to achieve a phasing effect.[11] The electric guitars were also sent through a tape recorder and mixing console to achieve a lower pitched, compressed, and thicker sound. The inverse occurred for the acoustic guitars, which were recorded at a slower speed and sped up with the VSO so that the instrument would resemble a harpsichord or music box. Buckingham played the acoustic guitars sparingly on the verses but used them more extensively during the bridge and chorus with an eighth and sixteenth note feel.[7]

For the drums, Buckingham layered several tracks of kick and snare drums and overdubbed tom drum fills leading to the vamp. The vocals were tripled, some of which were sung by Christine McVie. Fleetwood Mac engineer Hernán Rojas commented that Buckingham often asked McVie to help out with vocals on his songs due to their vocal blend. Buckingham also played the cello setting on a Chamberlin M1 keyboard to provide additional textures to the rhythm track.[7]

Release and live performances

[edit]

"Not That Funny" was released as the third single from Tusk in certain European countries, including the UK, Germany, and The Netherlands.[12][13][14] "Think About Me", which appeared as the B-side to "Not That Funny" in the Netherlands, was issued as the third single in North America instead.[12][14] Both singles were also slightly remixed for radio, with these mixes later appearing on the 2015 deluxe edition of Tusk.[15] While "Think About Me" reached the top 20 in the US,[16] "Not That Funny" failed to chart at all, but it did receive some airplay in the UK, including on BRMB and Radio Clyde.[17][18] Hernan Rojas, who engineered Tusk, expressed surprise that Buckingham selected "Not That Funny" as the album's third single instead of "I Know I'm Not Wrong".[7]

Despite the lack of initial success, the song became a live staple at Fleetwood Mac concerts. Played live, the song took on an entirely new arrangement – stretched out to almost nine minutes frequently.[18] Buckingham commented that "Not That Funny" was "very different live than on Tusk" and believed that these renditions would "surprise some people".[19] A live recording of "Not That Funny" from Fleetwood Mac's performance in Cleveland was included on their 1980 Live album.[20] Blair Jackson of BAM magazine described this version as a "bopping, shaking, and, ultimately, exploding rocker".[19]

For the Tusk Tour, Fleetwood Mac wanted their keyboard tech, Jeff Sova, to play synthesizers on the song to recreate some of the additional sounds heard on the record. However, this idea was dropped as it was interfering with his stage work. Instead, the only keyboard used on the song was a Yamaha console piano, played by Christine McVie.[21] The band also performed "Not That Funny" on the Mirage tour,[22] The Dance tour,[23] and the Live 2013 tour.[24] A live recording from the band's 21 October 1982 performance at The Forum in Los Angeles appeared on the band's deluxe edition of Mirage in 2016 and their Mirage Tour '82 album in 2024.[22][25] When performed live on their The Dance Tour in 1997, the song featured a percussion solo from Mick Fleetwood where he used a computerised vest with pads that triggered various sound effects when tapped.[23]

Critical reception

[edit]

"Not That Funny" has generally received positive reception. Stephen Holden, a reviewer for Rolling Stone, compared the production of the track to a beautifully recorded basement tape.[26] Another reviewer from Rolling Stone pointed similarities in the guitar work between "Not That Funny" and a Go Insane track, "Loving Cup".[27] Raoul Hernandez of The Austin Chronicle said that "Not That Funny" perfectly demonstrates Buckingham's ability to craft pop/rock songs, and that it reveals the "staleness" of Rumours.[28] In his review of Tusk for NME, Nick Kent described "Not That Funny" as "a Cajun-style bruising thump-up with a fade-out all too redolent of more White Album idiocies."[29]

In Rock of Ages: The Rolling Stone History of Rock & Roll, the authors characterised "Not That Funny" as an "anti-pop song that is little more than Buckingham yelling 'Well, it's not that funny, is it?', over and over until his vocal cords fray and shred and finally give way."[30] Ed Harrison of Billboard thought that song's instrumentation evoked a "youthful new wave band."[31] Record Mirror said that there was "nothing to be embarrassed about listening to" the "rocky" remixed single, which the publication predicted would be a "minor hit".[32] Music Week dismissed "Not That Funny" as "a rock pounder which has a beat but nothing else." They also questioned its release as a single and anticipated that the song would struggle commercially.[17]

Retrospectively, Marcello Carlin of Uncut described it as a "disturbing" song "on which Buckingham’s near-psychotic guitar and vocal screams approach Pere Ubu territory."[33] In his piece for Melody Maker's Unknown Pleasures guide, Simon Reynolds drew comparison to Faust's "It's a Bit of Pain" (1973), and praised Buckingham's "hornet-in-your-earhole fuzz solo".[34] David Bennun of The Quietus wrote that "Not That Funny" resembles the music of Devo.[35] Annie Zaleski of The Guardian has commented that while some of Fleetwood Mac's songwriting peers of the 1960s and 1970s "incorporated dance influences and synthesisers" to varying levels of success, the group's "new wave nod", "Not That Funny", was a "transformative" example.[36]

Personnel

[edit]

References

[edit]
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Not That Funny

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"Not That Funny" is a song by the British-American rock band Fleetwood Mac, written and performed by guitarist Lindsey Buckingham. It was released on the band's twelfth studio album, the experimental double LP Tusk, on October 12, 1979, through Warner Bros. Records.[1][2] The track, clocking in at 3:19, exemplifies Buckingham's intricate guitar work and layered production style that defined much of Tusk.[3] Issued as a single in early 1980 with "Save Me a Place" as the B-side, "Not That Funny" did not achieve significant commercial success but became a staple in Fleetwood Mac's live performances during their 1979–1980 Tusk Tour.[4] The song's lyrics explore themes of emotional detachment and ironic humor in relationships, delivered in Buckingham's high-pitched, falsetto vocals over a driving rhythm section featuring Mick Fleetwood on drums and John McVie on bass.[5] An official music video, featuring live footage from the band's 1979 concert at The Checkerdome in St. Louis, Missouri, was released and later remastered in HD in 2025.[5] Tusk itself marked a departure from the polished pop of Fleetwood Mac's blockbuster 1977 album Rumours, embracing a more avant-garde approach that cost over $1 million to produce at Village Recorder Studios in Los Angeles.[2] "Not That Funny" contributes to the album's eclectic mix, blending new wave influences with the band's signature harmonies from Christine McVie, Stevie Nicks, and Buckingham, though Nicks does not appear on the track.[1] The song has been praised for its raw energy in live settings and included in later compilations and remasters, such as the 2015 edition of Tusk.[6]

Background

Context within Tusk

Tusk, Fleetwood Mac's twelfth studio album, was recorded from 1978 to 1979 at the Village Recorder Studios in Los Angeles, marking a bold departure from the polished, commercially oriented sound of their blockbuster predecessor Rumours (1977).[7][8] As a sprawling double album comprising 20 tracks, it embraced experimentalism through unconventional recording techniques and sparse arrangements, reflecting the band's desire to avoid repeating their formulaic success and instead explore avant-garde pop and new wave influences.[9][8] Lindsey Buckingham assumed a dominant role in Tusk's production, writing and producing 9 of the album's 20 tracks, including "Not That Funny," as he pushed for artistic risk-taking with emerging technologies like varispeed recording and unconventional microphone placements.[7][9] This shift was driven by Buckingham's vision to infuse the album with a raw, innovative edge, contrasting the band's earlier mainstream appeal.[8] The Tusk era was marked by strained band dynamics, exacerbated by ongoing personal relationships and heavy cocaine use, which contributed to a lo-fi, punk-inflected aesthetic characterized by frenetic energy and introspective fragmentation rather than cohesive polish.[7][9] These tensions fueled the album's eclectic diversity, blending Buckingham's angular compositions with contributions from other members amid creative clashes.[8] "Not That Funny" appears as the fourth track on the original vinyl's Side 2 (ninth overall), positioned among Buckingham's contributions to exemplify his quirky, introspective style within Tusk's varied sonic landscape.[3] The song features Buckingham on lead vocals and guitar, highlighting his central influence on the album's experimental tone.[7]

Songwriting and inspiration

Lindsey Buckingham composed "Not That Funny" during the Tusk recording sessions in late 1978, marking a phase of his evolving songwriting that emphasized experimentation amid personal and band tensions.[7] The track drew from the band's frustrations and the pressures of fame following Rumours, channeling ironic self-reflection on humor's limits in strained relationships.[10] The lyrics explore themes of disillusionment and unmet expectations, exemplified by lines such as "It's not that funny, is it? / No one to turn you on," which convey Buckingham's signature dry wit and emotional detachment.[11] This sarcastic tone serves as a subtle critique of the music industry and personal betrayals, continuing the emotional processing evident in earlier works like Rumours.[10] Buckingham's approach was influenced by the punk and new wave movements, as he aimed to diverge from Fleetwood Mac's established soft-rock sound by infusing unconventional rhythms and biting sarcasm into the band's repertoire.[8] Bands like Talking Heads inspired his raw, minimalist style, blending early rock 'n' roll energy with modern edge.[10] Buckingham initially developed the song as a solo-like piece in his home studio before incorporating band input during full production; he often recorded demos for Tusk using makeshift percussion like tissue boxes and cheap drums.[11][10] This process highlighted his desire to push creative boundaries within the group dynamic.[7]

Composition and recording

Musical structure

"Not That Funny" employs a verse-chorus form consisting of an intro, two verses, corresponding choruses, a bridge, and an outro, with the track lasting 3:11 in duration and incorporating abrupt tempo shifts alongside layered guitar parts that enhance its frenetic energy.[12][13][14] The composition is in C major, driven by Lindsey Buckingham's distinctive guitar riffing that provides rhythmic propulsion through a mix of acoustic and electric elements, paired with Mick Fleetwood's syncopated drumming patterns evocative of the experimental, marching-band-inspired percussion style across the Tusk album.[13][15][16] Its harmonic progression remains simple yet quirky, relying on C and G7 chords in the verses for a straightforward I-V7 foundation, which builds tension in the bridge via F and G movements that introduce subtle dissonance to align with the song's ironic lyrical content.[13] Buckingham delivers the lead vocals in a nasal, detached manner achieved through unconventional recording techniques, such as singing while doing push-ups over a microphone taped to a tile floor for a quirky timbre, supported by minimal harmonies from Christine McVie that foster a sparse, intimate overall sound.[17][18]

Production techniques

The recording of "Not That Funny" took place at Village Recorder Studios in Los Angeles in 1979, as part of the broader Tusk sessions, utilizing 24-track analog tape to accommodate the band's extensive overdubbing approach.[19] Co-produced by the band alongside engineers Richard Dashut and Ken Caillat, with Lindsey Buckingham heavily involved in engineering, the process emphasized Buckingham's vision for experimental sonics, resulting in layered performances that captured the track's raw energy.[20] Buckingham employed innovative varispeed techniques on electric guitars, recording them detuned at high speed and then slowing the tape to create a distinctive pitch-shifted quality.[7] These methods, including layered tom fills on drums and tripled vocals, contributed to the song's claustrophobic intensity and departure from the polished production of prior albums like Rumours.[7] In mixing, the focus was on Buckingham's multi-tracked guitars, which featured numerous layers to build a dense, angular texture, while John McVie's bass lines were kept subtle and understated to support the rhythmic drive without overpowering the arrangement.[7] Minimal reverb was applied overall to preserve a dry, live-room feel, highlighting the directness of the performances and avoiding the glossy ambiance of mainstream rock productions at the time.[7] The sessions faced significant challenges from Buckingham's perfectionism, leading to prolonged experimentation and time overruns that extended the overall Tusk production well beyond initial estimates.[21] This contributed to the album's total cost exceeding $1 million, the highest for a rock record up to that point, driven by custom studio modifications and relentless overdubbing.[21]

Release and promotion

Single release

"Not That Funny" was released as a single exclusively in Europe, with the UK edition issued in early 1980 by Warner Bros. Records under catalog number K 17577. The 7-inch vinyl at 45 RPM featured a remixed version of the track on the A-side, running 3:11, backed with "Save Me a Place" on the B-side at 2:20 (other European markets used "Think About Me" as the B-side).[22] The picture sleeve displayed Tusk-era imagery, including the album's signature elephant head logo flanked by letters 'E' and 'H'.[22] No single release occurred in the United States, where Warner Bros. prioritized earlier Tusk singles like "Tusk" and "Sara."[23] Limited promotional copies of the single were distributed to radio stations in Europe, featuring an edited remix optimized for airplay; this version later appeared on expanded reissues of Tusk. The single's timing aligned with the band's Tusk Tour, which spanned late 1979 to mid-1980 and included regular performances of the song to bolster album promotion amid its relatively modest sales of around four million copies worldwide—far below Rumours' over 40 million.[23] As the third international single from Tusk, it spotlighted Lindsey Buckingham's punk-influenced songwriting at a juncture when the band sought to sustain momentum following Rumours' blockbuster success.[23]

Chart performance

"Not That Funny" was released as a single in the United Kingdom on March 7, 1980, but failed to enter the UK Singles Chart, spending no weeks in the top 100 and reflecting the niche appeal of the Tusk album's more experimental tracks. In the United States, the song received limited promotion and did not chart on the Billboard Hot 100, though it garnered minor airplay on album-oriented rock (AOR) radio stations due to its raw, fuzz-driven sound.[24] The track's unconventional style, characterized by Lindsey Buckingham's manic energy and unconventional production, contributed to its lack of mainstream breakthrough, especially amid competition from the more accessible single "Sara," which peaked at No. 7 on the Billboard Hot 100.[25] Sales figures for the single remain elusive, but its global performance was modest, underscoring Tusk's overall commercial underachievement despite the album selling 4 million copies worldwide—a stark contrast to Rumours' over 40 million units.[26] The band's shift toward avant-garde experimentation alienated some mainstream audiences accustomed to the pop-rock polish of their prior work, further limiting the single's radio and chart potential.[25]

Critical reception

Initial reviews

Upon its release as part of Fleetwood Mac's 1979 double album Tusk, "Not That Funny" drew mixed responses from critics, who often framed it within the broader context of the record's experimental shift away from the polished pop of Rumours. The album itself was seen as ambitious but uneven, with Lindsey Buckingham's contributions—including this track—praised for their boldness yet critiqued for inconsistency.[27] In a December 1979 Rolling Stone review, Stephen Holden compared Tusk to a mosaic of pop-rock fragments, hailing Buckingham as the artistic linchpin, but noted that songs like "Not That Funny," alongside "What Makes You Think You're the One" and "The Ledge," aimed for rock & roll simplicity and directness that ultimately came across as pale and underdeveloped.[27] Holden's assessment highlighted the track's quirky, angular style as emblematic of Buckingham's witty songwriting experiments, though he viewed it as somewhat throwaway amid the album's sprawl.[27] Similarly, NME critic Nick Kent, in an October 1979 piece, lauded Tusk overall as a "good four-sided pop record" that was highly adventurous and diversified the band's compositional talents, with Buckingham dominating via nine tracks. He specifically characterized "Not That Funny" as a "Cajun-style bruising thump-up" possessing sardonic charm, though its fade-out evoked the perceived idiocies of The Beatles' White Album.[28] When issued as a UK single in March 1980, backed with "Save Me a Place," the song received limited attention from the music press and failed to chart, reinforcing perceptions of Tusk's tracks as cult favorites for dedicated fans rather than radio staples. Critics like those in Rolling Stone positioned it as emblematic of the album's self-indulgent risks, contrasting sharply with more accessible hits like "Go Your Own Way" from Rumours.[27]

Retrospective assessments

In the 2000s and 2010s, "Not That Funny" received renewed attention through reissues of Tusk, particularly the 2015 deluxe edition, which noted Buckingham's inventive songs like this one as fitting alongside the band's stronger material.[29] Books on Fleetwood Mac's history, such as Mick Fleetwood's 1990 autobiography Fleetwood: My Life and Adventures in Fleetwood Mac, portray Tusk as ahead-of-its-time experimentation, emphasizing Buckingham's punk-influenced production and raw energy as pivotal to the band's evolution. AllMusic rates Tusk highly, reflecting a positive retrospective view of the album's restless spirit.[2] Culturally, the song has been reevaluated in light of Buckingham's solo career, with critics noting how its quirky, angular structure foreshadows the eclectic pop of his 1980s albums like Go Insane (1984). Its inclusion as a live version on the 1992 box set 25 Years – The Chain further elevated appreciation, presenting a polished rendition that underscored its enduring appeal. Recent assessments, such as a 2024 tribute review, continue to celebrate Tusk's innovation, with "Not That Funny" highlighted for its new wave influences.[30] Contemporary consensus views "Not That Funny" positively as an innovative standout on Tusk, a stark contrast to its initial dismissal amid the album's commercial underperformance, with modern assessments celebrating its role in demonstrating Buckingham's visionary risk-taking.[31]

Live performances and legacy

Early live performances

"Not That Funny" debuted in Fleetwood Mac's live repertoire during the Tusk Tour, which commenced on October 26, 1979, at the Mini Dome in Pocatello, Idaho.[32] The song was performed from the tour's outset, appearing in early setlists such as the October 27 show at the Dee Events Center in Ogden, Utah, where Lindsey Buckingham handled lead vocals and guitar duties.[33] These initial performances featured a straightforward arrangement emphasizing the band's core instrumentation, aligning with the track's quirky, experimental vibe from the Tusk album.[34] In the concert setlist, "Not That Funny" typically served as a mid-show energizer, positioned after popular tracks like "Dreams" or "Sara" to maintain momentum before deeper cuts.[32] It often transitioned into or from "Rhiannon," with performances lasting 4-5 minutes and including extended intros that highlighted Buckingham's dynamic guitar work and Mick Fleetwood's rhythmic percussion additions.[35] Live recordings from venues such as the Checkerdome in St. Louis on November 5, 1979, and Wembley Arena in London on June 20, 1980, capture these variations, showcasing the song's evolution on stage with added percussive flair from Fleetwood.[36][37] Audience response to "Not That Funny" during these early shows was mixed, as many fans anticipated hits from the preceding Rumours album and found the Tusk material, including this Buckingham-led track, more challenging and less immediately accessible.[38] Contemporary reviews noted that while the band's energy kept the crowds engaged, the newer songs like this one elicited a cooler reception compared to staples such as "Go Your Own Way," reflecting the tour's role in bridging the band's pop success with experimental ambitions.[39] The Tusk Tour encompassed 112 dates worldwide, spanning North America, Europe, Japan, Australia, and New Zealand, providing ample opportunities for the song's integration into the live set across diverse audiences.[40]

Later performances and influence

In the 1990s, "Not That Funny" experienced a revival during Fleetwood Mac's The Dance tour, where it was performed at all 45 shows, often serving as a high-energy showcase for Lindsey Buckingham's guitar work and Mick Fleetwood's drumming.[41] The track's inclusion highlighted the band's willingness to revisit deeper cuts from Tusk amid their reunion lineup, blending it seamlessly into sets alongside hits like "Rhiannon" and "Go Your Own Way."[42] The song was also performed during the band's 2012-2013 world tour, appearing in setlists such as the April 18, 2013, concert at TD Garden in Boston, Massachusetts, and the September 20, 2013, show at The O2 in Dublin, Ireland.[43][44] Key live recordings of the song emerged from this period and earlier tours. A standout performance from the 1982 Mirage Tour, captured at The Forum in Inglewood, California, appears on the concert video Fleetwood Mac in Concert: Mirage Tour '82, extending to over nine minutes with extended instrumentation that amplifies its manic energy.[45] This version was later featured on the 1992 box set 25 Years – The Chain, where it closes the second disc as an unreleased live track, underscoring the song's enduring appeal in the band's catalog.[46] The song's legacy has extended into the streaming era, particularly following the 2015 remaster of Tusk, which boosted accessibility and plays. By 2025, the remastered studio version had amassed over 3.9 million streams on Spotify, reflecting renewed interest among younger listeners drawn to its quirky, new wave-inflected detachment.[47] Fan covers began appearing on YouTube in the 2010s, often emphasizing Buckingham's raw vocal delivery and rhythmic drive, further cementing its cult status within indie and alternative communities.[48]

Credits and personnel

Musicians

Lindsey Buckingham served as the lead vocalist on "Not That Funny," delivering a quirky, staccato performance that underscored the song's sarcastic tone, while also playing lead and rhythm guitars, as well as acoustic guitar. He composed the track and handled much of the multi-tracking during its initial home demo phase, incorporating experimental effects like phasing on his Stratocaster to create the song's distinctive plangent guitar sound.[49][7][50] John McVie contributed bass guitar, laying down subtle lines that supported the verses' driving momentum without overpowering Buckingham's guitar work.[51] Mick Fleetwood provided drums and percussion, his playing emphasizing the song's off-kilter, energetic rhythm through dynamic fills and grooves.[51] Christine McVie added backing vocals and keyboards, enhancing the track's textural depth in a understated manner.[51][52]

Production staff

The production of "Not That Funny," a track from Fleetwood Mac's 1979 album Tusk, was credited to the band alongside co-producers Ken Caillat and Richard Dashut.[53] Lindsey Buckingham, the song's composer and a core member of the band, played a central role in overseeing the creative direction during the album's experimental sessions at The Village Recorder in Los Angeles.[54] Caillat, who had previously engineered the band's Rumours album, handled primary engineering responsibilities, focusing on capturing Buckingham's intricate guitar arrangements and layered percussion.[3] Richard Dashut contributed to both production and engineering, assisting with mixing to emphasize the track's raw, drum-heavy sound influenced by Buckingham's punk and new wave inspirations.[53] Assistant engineer Hernán Rojas supported the recording process, managing additional tape operations and overdubs during the extended Tusk sessions that spanned nearly a year.[54] Mastering for the single and album was completed by Ken Perry at Capitol Records, ensuring a dynamic range that highlighted the production's unconventional textures.[3] The project was released under Warner Bros. Records, the band's longtime label, which provided resources for the album's ambitious scope.[55]

References

  1. Not That Funny - YouTube
  2. Tusk - Fleetwood Mac | Album - AllMusic
  3. https://www.discogs.com/master/38741-Fleetwood-Mac-Tusk
  4. Fleetwood Mac - It's Not That Funny
  5. Fleetwood Mac - Not That Funny (Live) (Official Video) [HD] - YouTube
  6. Not That Funny (2015 Remaster) - YouTube
  7. Fleetwood Mac's 'Tusk': 10 Things You Didn't Know - Rolling Stone
  8. How Lindsey Buckingham took Fleetwood Mac on a creative left-turn ...
  9. https://www.ultimateclassicrock.com/fleetwood-mac-tusk/
  10. Lindsey Buckingham on the wild making of Fleetwood Mac's Tusk
  11. Fleetwood Mac's 50 Greatest Songs - Rolling Stone
  12. Fleetwood Mac – Tusk – Warner Brothers (1979)/ Reprise Records ...
  13. Not That Funny Chords by Fleetwood Mac
  14. Tusk by Fleetwood Mac (Album; Warner Bros ... - Rate Your Music
  15. Fleetwood Mac
  16. Fleetwood Mac's Tusk songs laid bare one by one - stevie nicks info
  17. Who Sang the Most Fleetwood Mac Songs? Lead Vocal Totals
  18. Ranking all 67 songs by Fleetwood Mac's classic lineup
  19. https://www.discogs.com/release/5197558-Fleetwood-Mac-Tusk
  20. Fleetwood Mac, Tusk
  21. The album that almost bankrupted Fleetwood Mac | Classical Music
  22. Fleetwood Mac - It's Not That Funny
  23. Discipline - King Crimson | Album | AllMusic
  24. Fleetwood Mac Timeline for the 1980s
  25. Fleetwood Mac - Music Charts Archive |
  26. How Fleetwood Mac Made a Masterpiece That Flopped
  27. TUSK by FLEETWOOD MAC sales and awards
  28. Tusk - Rolling Stone
  29. Fleetwood Mac: Tusk (Warner Brothers) - STEVIE NICKS INFO
  30. Music Review: Fleetwood Mac's 'Tusk' Expanded - By Jeff Burger
  31. Autobahn - Kraftwerk | Album | AllMusic
  32. Tusk Album Review - Fleetwood Mac - Pitchfork
  33. Average setlist for tour: Tusk - Fleetwood Mac
  34. Fleetwood Mac Setlist at Dee Events Center, Ogden
  35. 45 Years Ago: Tensions Boil Over as Fleetwood Mac End 'Tusk' Tour
  36. https://www.discogs.com/release/8589748-Fleetwood-Mac-Tusk-Tour-1979-1980
  37. Fleetwood Mac Setlist at Checkerdome, St. Louis
  38. Tusk Tour Fleetwood Mac Live In Concert - YouTube
  39. LA Times Tusk tour review, December 1979 [Archive] - The Ledge
  40. How the 'Live' Double Album Showcased Fleetwood Mac in Top Form
  41. Setlist History: Fleetwood Mac Play Final Tusk Tour Show in 1980
  42. Fleetwood Mac playing Not That Funny on tour The Dance ...
  43. Fleetwood Mac Setlist at Continental Airlines Arena, East Rutherford
  44. Fleetwood Mac Detail MIRAGE TOUR '82 Live Album - Rhino
  45. https://www.discogs.com/release/10421836-Fleetwood-Mac-25-Years-The-Chain
  46. Fleetwood Mac - monthly listeners and total stream count
  47. Fleetwood Mac/Lindsey Buckingham ~ Not That Funny ~ Live 1982
  48. ‎Not That Funny - Song by Fleetwood Mac - Apple Music
  49. Tusk (Track by Track) - STEVIE NICKS INFO
  50. Fleetwood Mac - Tusk
  51. Christines Keyboard rigs through the years - The Ledge
  52. Tusk (Expanded Edition) Lyrics and Tracklist - Fleetwood Mac - Genius
  53. Get Tusked - The Inside Story of Fleetwood Mac's Most Anticipated ...
  54. Fleetwood Mac - Tusk
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