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Nudge Nudge
Nudge Nudge
from Wikipedia

Nudge Nudge sketch at Monty Python Live (Mostly) in 2014

"Candid Photography", better known as "Nudge Nudge", is a sketch from the third Monty Python's Flying Circus episode, "How to Recognise Different Types of Trees From Quite a Long Way Away" (series 1, ep. 3) featuring Eric Idle (author of the sketch) and Terry Jones as two strangers who meet in a pub.

Sketch description

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Idle (playing a character sometimes referred to as "Arthur Nudge") sits too close to an unassuming pub patron played by Terry Jones. Idle asks Jones a series of questions about his romantic relationships that seem odd and cryptic, but that are eventually revealed to be complex double entendres. Jones becomes irritated by the line of questioning and asks Idle, directly, what he is implying. Idle forwardly admits that he really wants to know whether Jones has ever "slept with a lady." When Jones directly answers "Yes," Idle asks him, "What's it like?" This conclusion makes it one of the few Monty Python sketches to end on a clear punch line.

In other Monty Python material

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The sketch appears in the 1971 spin-off feature film, And Now for Something Completely Different and the 1982 concert film Monty Python Live at the Hollywood Bowl. It was also performed when the Pythons appeared on The Midnight Special and was recorded for the 1976 concert album Monty Python Live at City Center.

In its original airing on Monty Python's Flying Circus, the sketch was preceded by a short link in which Idle, Terry Jones and Michael Palin portray schoolboys being interviewed for television by John Cleese. During the interview, Palin and Jones say they would like to see the sketch that Idle has written.

In And Now for Something Completely Different, the sketch is followed by a cut to a scene in a gym, where Terry Gilliam dressed as a nun on an ergometer replies (dubbed by a female voice), "I think it's overrated." Then, the "Self-Defence Against Fresh Fruit" sketch is played in the setting.

Idle's character in the pub makes several cameo appearances in later episodes, referred to as "Arthur Name".

In Monty Python Live (Mostly), the sketch segues from "Albatross". In the background, a piano version of "Never Be Rude to an Arab" is heard. Eventually the sketch segues into a new opening title song for Blackmail which incorporates samples of Idle's Nudge, Nudge dialogue.

History

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Originally written by Eric Idle for Ronnie Barker in another comedy show,[1] the sketch was then rejected as a script.[2] Eric Idle openly admits the script is confusing, the joke being mostly in the delivery.[citation needed]

Reception

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The phrases, "nudge nudge" and "wink wink", are part of the English lexicon as idiomatic phrases implying sexual innuendo.[3][4]

Idle says he learned that Elvis Presley was a fan of the sketch,[5] and would call his friends "squire" in reference to it.[6]

Idle reprised the sketch in TV advertisements for the Breakaway chocolate bar.[7] A reference to this is clearly heard on Monty Python Live at Drury Lane, where Idle mentions the product. Idle and Cleese also both advertised the Cadbury Nudge chocolate bar in Australia from 1976.[7]

References

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from Grokipedia
"Nudge Nudge", officially titled "", is a comedic sketch from the British television series , first broadcast on 19 October 1969 as part of episode 3, titled "How to Recognise Different Types of Trees From Quite a Long Way Away." In the sketch, written by , two men—one a persistent innuendo-maker played by Idle and the other a confused played by —engage in a conversation filled with suggestive remarks about the latter's wife, punctuated by repetitive phrases like "nudge nudge" and "know what I mean?" to imply sexual undertones. The dialogue builds through escalating double entendres, such as questions about the wife's interests and habits, culminating in the iconic line "A nod's as good as a wink to a blind bat, eh?" Originally penned by for the program Frost on Sunday to be performed by and , the script was rejected before being adapted for . The sketch gained further prominence in the 1971 anthology film And Now for Something Completely Different, where it was included among other early material, and it became a staple in the troupe's live performances, such as the 1974 show Monty Python Live at . Beyond the stage and screen, "nudge nudge" evolved into a widely recognized idiom signifying sly sexual innuendo, often extended to "nudge nudge, wink wink" to emphasize the suggestive intent. This phrase entered British vernacular shortly after the sketch's debut, appearing in newspapers like the Belfast Telegraph in 1970 and the West Lothian Courier in 1971 to denote cheeky implications. Its cultural endurance is evident in audio releases, such as the 1970 Monty Python's Flying Circus album track "Nudge Nudge Wink Wink" and the 1977 compilation The Monty Python Instant Record Collection, which helped propagate the humor to international audiences. The sketch is one of the more popular Monty Python sketches.

Sketch Overview

Description

"Nudge Nudge," formally titled "," is a comedy sketch from the British television series , in which a persistent man, played by , approaches a reserved , portrayed by , at a pub bar. The man initiates a one-sided conversation probing the squire's personal life, particularly his marital relations, through a series of ambiguous questions loaded with sexual double entendres. He punctuates his inquiries with repetitive gestures and phrases like "nudge nudge," "wink wink," and "know what I mean?" to underscore the implied lewdness, while the squire responds with increasing bewilderment and literal interpretations, heightening the comedic tension. Central to the sketch's dialogue are exchanges that build escalating misunderstandings, such as the man asking, "Is your wife a... goer... eh? Know what I mean? Nudge nudge," met with the squire's flustered reply, "Well, she sometimes 'goes', yes." Further examples include the man's probing, "Is your uh, is your wife a , ay?" to which the squire responds, "She likes , yes!" and adds, "As a matter of fact she’s very fond of ." Later, the man asks, "Your wife interested in er... photographs, eh?"—alluding to risqué "candid" images—with follow-ups like "snap snap, grin grin, wink wink, nudge nudge, say no more?", which the squire misconstrues as "Holiday snaps, eh?" These lines culminate in the man's direct yet naive query, "You've slept with a ," followed by "What's it like?" prompting an absurdly exaggerated . The structure relies on rapid-fire innuendos that spiral from subtle hints to overt awkwardness, refusing the any respite. The comedic style centers on verbal delivered through Idle's enthusiastic, oblivious persistence, creating humor from the squire's failed attempts to navigate the uncomfortable social dynamic. This one-sided persistence amplifies the awkwardness, as the man's winks and nudges contrast sharply with the squire's stiff , turning everyday banter into a of miscommunication. Thematically, the sketch explores British and repressed sexuality as targets of within culture, where overt clashes with societal norms of restraint, exposing the discomfort of unspoken desires through exaggerated persistence.

Characters and Performance

In the original television performance of the "Nudge Nudge" sketch from (Series 1, Episode 3), portrays the inquisitive man, a cheeky and persistent character who engages a stranger with suggestive probing. plays the defensive squire, a more reserved figure whose reactions provide the foil for the escalating humor. Idle's portrayal includes distinctive physical mannerisms, such as exaggerated winks and elbow nudges directed at Jones, which physically punctuate the character's leering intent and amplify the comedic awkwardness. The performance style hinges on the stark contrast between the actors' deliveries: Idle's rapid-fire, enthusiastic barrage of lines conveys an overeager, sex-obsessed , while Jones responds with stiff, bewildered restraint that borders on nonplussed confusion. This dynamic builds the sketch's tension through escalating frustration, relying on precise timing and escalating absurdity to heighten the innuendo-laden exchange. The actors' facial expressions and —Idle's animated grins and Jones's furrowed bewilderment—drive much of the visual comedy, making the interplay feel intimately confrontational. Visually, the sketch unfolds in a straightforward pub interior, featuring minimal props like a wooden bar and stools to evoke a typical British without distracting from the performers. The staging emphasizes the two-character focus, with the camera maintaining tight framing on the duo to capture their gestures and reactions, underscoring how the emerges from and physical interplay rather than elaborate sets or effects. Idle's high-energy commitment and Jones's control are pivotal, ensuring the sketch's rhythm remains taut and the punchlines land with maximum impact.

Background and Development

Origins

The "Nudge Nudge" sketch originated from longstanding traditions emphasizing innuendo-laden banter, a hallmark of performances from the onward, where performers like used coded wordplay and double entendres to mock social norms while navigating censorship. This style persisted into mid-20th-century theater and television sketches. In the cultural context of Britain, the sketch reflected a burgeoning satirical wave that lampooned social awkwardness and lingering sexual taboos during the era's and liberalization of broadcasting. Idle, having honed his comedic sensibilities through the society—known for its irreverent, university-bred sketches—drew on this environment to craft humor that subverted polite conversation with persistent, veiled references to intimacy. Inspired by a real-life encounter with a man making suggestive remarks in a , wrote the sketch and submitted it to the ITV program Frost on Sunday, envisioning it for performers and , whose routines often featured similar . However, the script was rejected. and also rejected it.

Writing Process

Eric Idle authored the "Nudge Nudge" sketch, initially writing it as a script for the ITV variety show Frost on Sunday, where it was intended for performance by comedians and . The script was rejected by the production team, prompting Idle to rework it for . In adapting the material for the troupe, amplified the inherent absurdity of the dialogue's suggestive miscommunications to align with the group's surreal comedic style, transforming it from a straightforward routine into a hallmark of escalating awkwardness. The revised version was finalized for inclusion in the third episode of the first series, titled "How to Recognise Different Types of Trees From Quite a Long Way Away," which originally aired on 19 October 1969. During rehearsals, the Monty Python team offered minor collaborative input, such as refining timing and delivery to enhance the sketch's rhythmic repetition, while Idle maintained primary authorship credit. This integration emphasized the episode's overarching themes of linguistic and social miscommunication. The sketch's title evolved from its working name "Candid Photography"—reflecting the initial dialogue's reference to suggestive photographs—to "Nudge Nudge," spotlighting the iconic repetitive catchphrase that drives the humor.

Broadcast and Appearances

Original Airing

The "Nudge Nudge" sketch featured in the third episode of the first series of , titled "How to Recognise Different Types of Trees From Quite a Long Way Away," which originally aired on BBC1 on October 19, 1969. This episode marked an early milestone in the series' surreal style, opening with absurd instructional segments on identifying trees from afar and transitioning into a series of disconnected vignettes exploring themes of recognition, , and social awkwardness. Directed by , the episode ran for approximately 30 minutes and integrated the "Nudge Nudge" sketch towards the end, following a children's segment and preceding the , after initial sketches centered on identification like the recurring "The larch" gag. The sketch itself lasted about 2.5 minutes, capturing the troupe's signature and in a setting. The broadcast reached an estimated audience of around 3 million viewers in the UK, aligning with the modest viewing figures for early episodes of the series, which began with about 1.5 million and gradually increased to 3-4 million by later installments in the first season.

Subsequent Uses in Monty Python

Following its original television broadcast, the "Nudge Nudge" sketch was included in the 1971 anthology film And Now for Something Completely Different, where Eric Idle and Terry Jones reprised their roles in a faithful recreation of the pub encounter filled with innuendo. The sketch also featured prominently in the troupe's live stage shows, serving as a recurring favorite performed by Idle as the inquisitive patron and Jones as the bemused straight man, beginning with their early tours in 1970–1971 and continuing through later productions. In 1974, a live recording from performances at London's Theatre Royal, Drury Lane, captured the sketch for the album Monty Python Live at Drury Lane, preserving the energetic exchange and audience laughter in a polished stage rendition. The 1980 live shows at the Hollywood Bowl similarly incorporated "Nudge Nudge" into the setlist, with the performance later compiled into the 1982 concert film Monty Python Live at the Hollywood Bowl, highlighting its enduring appeal as a crowd-pleaser amid other classics. Video releases of these stage shows, including home media editions of the Hollywood Bowl film and Drury Lane audio synced with visuals in later compilations, further disseminated the sketch to fans. The sketch saw a revival during the 2014 reunion tour Monty Python Live (Mostly) at London's , where Idle and Jones updated the dialogue with contemporary ad-libs—such as references to modern technology and culture—while retaining the core innuendos and to engage a of audiences. This variation emphasized the sketch's adaptability, blending nostalgia with fresh humor in the troupe's final live outings.

Reception and Legacy

Critical Reception

The "Nudge Nudge" sketch has been included in retrospective lists of 's funniest sketches, such as the British Film Institute's selection, where it is noted for Eric Idle's hilarious enthusiastic delivery as a sex-obsessed bachelor using relentless double entendres to riff on British repressiveness and love for . Academic commentary in and studies has explored the sketch's satirical edge. Works like Monty Python and Philosophy: Nudge Nudge, Think Think! (2006) reference it to illustrate how Python's probes ethical and social pretensions through exaggerated everyday interactions.

Cultural Impact

The phrase "nudge nudge, wink wink" has become a staple English signifying or suggestive implication, entering common usage in the 1970s following the sketch's broadcast. It is defined in the as an expression used to draw attention to a sexual or conspiratorial in the preceding statement, with early documentation reflecting its rapid adoption into colloquial speech. Phrase histories trace its evolution from the context to broader cultural shorthand for cheeky insinuation. The phrase has permeated media, appearing in parodies and references across television. In , it is invoked in episodes like "Uncut Femmes" (Season 32, 2021), where characters deliver lines echoing "Nudge, nudge, wink, wink, say no more!" to highlight absurd humor. Similarly, has employed it in promos and episodes, such as a 2022 Cold War-themed clip using "nudge-nudge, wink-wink" to underscore satirical commentary. In advertising, reprised Monty Python-style in a 1978 Australian Cadbury's Nudge chocolate bar commercial, directly quoting "Nudge nudge, wink wink. Say no more!" to promote the product. Literature has also adopted it, as seen in Nigel Rees's 1980 quotebook Nudge Nudge, Wink Wink: A Quotebook of Love and Sex, which compiles erotic and romantic sayings, and in titles like Tessie L'Amour's 2011 Nudge Nudge Wink Wink (Say No More Book 1). The sketch's innuendo-driven style contributed to Monty Python's legacy of quotable catchphrases, influencing subsequent British 's use of verbal and suggestive humor. It helped establish Python's reputation for phrases that endure in sketch formats, as noted in analyses of post-1970s comedy trends. As of 2025, the sketch remains prominent in retrospectives, with popular clips—such as the original episode excerpt—amassing millions of views collectively, underscoring its viral staying power. Occasional theatrical revivals, including adaptations like Wink Wink • Nudge Nudge at venues such as Funhouse Lounge, continue to reinterpret its themes for contemporary audiences. In October 2025, official social media accounts shared clips of the sketch, receiving significant engagement and highlighting its enduring appeal.

References

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