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On the Waterfront

On the Waterfront is a 1954 American crime drama film, directed by Elia Kazan and written by Budd Schulberg. It stars Marlon Brando, and features Karl Malden, Lee J. Cobb, Rod Steiger, Pat Henning and Eva Marie Saint in her film debut. The musical score was composed by Leonard Bernstein. The black-and-white film was inspired by "Crime on the Waterfront" by Malcolm Johnson, a series of articles published in November–December 1948 in the New York Sun which won the 1949 Pulitzer Prize for Local Reporting, but the screenplay by Budd Schulberg is directly based on his own original story. The film focuses on union violence and corruption among longshoremen, while detailing widespread corruption, extortion, and racketeering on the waterfronts of Hoboken, New Jersey.

On the Waterfront was a critical and commercial success and is considered one of the greatest films ever made and is said to revolve around the subject matter of alienation at the lowest social level. It received twelve Academy Award nominations and won eight, including Best Picture, Best Actor for Brando, Best Supporting Actress for Saint, and Best Director for Kazan. In 1997, it was ranked by the American Film Institute as the eighth-greatest American movie of all time; in AFI's 2007 list, it was ranked 19th. It is Bernstein's only original film score not adapted from a stage production with songs.

In 1989, On the Waterfront was one of the first 25 films to be deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for preservation in the United States National Film Registry.

New York prizefighter Terry Malloy's career was cut short when he purposely lost a fight at the request of mob boss Johnny Friendly. Terry now works for Friendly's labor union as a longshoreman while his older, more educated brother Charley is Friendly's right-hand man. Terry is coerced into luring fellow worker Joey Doyle onto a rooftop, where he believes Friendly's henchmen want to talk Joey out of testifying to the Waterfront Crime Commission. When they instead murder Joey by throwing him off the roof, Terry confronts Friendly, but is threatened and bribed into acquiescence.

Joey's sister Edie and priest Father Barry try to inspire the dockworkers to stand up to Friendly. Terry attends the meeting as a snitch, but when it is violently broken up by Friendly's men, he helps Edie escape and misses Father Barry convincing one worker to testify. After the testimony, the worker is killed in a staged workplace accident.

Terry's unwillingness to testify is softened by his growing feelings for Edie, and her and Father Barry’s pursuit of justice. He confesses his role in Joey's death to both. Shocked by this, Edie distances herself from him.

Friendly sends Charley with a job offer to keep Terry quiet. Knowing refusal will get Terry killed, Charley urges him to comply. When Terry expresses regret about throwing his best fight and blames Charley for setting up the fix, Charley hands him a gun and tells him to run. Terry finds Edie and they kiss. After hearing someone in the street, they find Charley murdered.

Determined to kill Friendly, Terry is convinced by Father Barry to instead testify in court. Following the hearing, Friendly loses his powerful connections and faces indictment.

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1954 film by Elia Kazan
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