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Opéra-ballet
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Opéra-ballet (French: [ɔ.pe.ʁa.ba.lɛ]; plural: opéras-ballets)[1] is a genre of French Baroque lyric theatre that was most popular during the 18th century,[2] combining elements of opera and ballet,[3] "that grew out of the ballets à entrées of the early seventeenth century".[4] It differed from the more elevated tragédie en musique as practised by Jean-Baptiste Lully in several ways. It contained more dance music than the tragédie, and the plots were not necessarily derived from classical mythology and allowed for the comic elements, which Lully had excluded from the tragédie en musique after Thésée (1675). The opéra-ballet consisted of a prologue followed by a number of self-contained acts (also known as entrées), often loosely grouped around a single theme. The individual acts could also be performed independently, in which case they were known as actes de ballet.
History
[edit]The first work in the genre is generally held to be André Campra's L'Europe galante ("Europe in Love") of 1697,[5] but Les Saisons[6] of 1695 is often mentioned as the most distinctive prototype of this sort of composition[4] and is only not considered an opéra-ballet due to its use of mythological characters.[7] Famous later examples are Les élémens (1721) by Destouches, Les Indes galantes (1735), and Les fêtes d'Hébé (1739) by Jean-Philippe Rameau.
Notes
[edit]- ^ Bartlet 1992, p. 683; Anthony 2001; Bellingham 2002; Warrack & West 1992.
- ^ Anthony 2001.
- ^ Bartlet 1992, p. 683.
- ^ a b Pitou 1983, p. 278 "Opéra-ballet".
- ^ Warrack & West, Ewan 1992, p. 520.
- ^ Composed by Pascal Collasse and by Louis Lully, possibly by also borrowing from the late (that is, Jean-Baptiste) Lully (Pitou 1983, pp. 308–309 "Les Saisons").
- ^ Anthony, James R. (1965). "The French Opera-Ballet in the Early 18th Century: Problems of Definition and Classification". Journal of the American Musicological Society. 18 (2): 197–206. doi:10.2307/830683. ISSN 0003-0139.
References
[edit]- Anthony, James R. (2001). "Opéra-ballet" in The New Grove Dictionary of Music and Musicians, 2nd edition, edited by Stanley Sadie. London: Macmillan. ISBN 9781561592395 (hardcover). OCLC 419285866 (eBook). Also at Oxford Music Online (subscription required).
- Bartlet, M. Elizabeth C. (1992). "Opéra-ballet", vol. 3, pp. 683–684, in The New Grove Dictionary of Opera, 4 volumes, edited by Stanley Sadie. New York: Grove. ISBN 9781561592289. Also at Oxford Music Online (subscription required).
- Bellingham, Jane (2002). "opéra-ballet", p. 862, in The Oxford Companion to Music, edited by Alison Latham. Oxford: Oxford University Press. ISBN 9780198662129. Also at Oxford Music Online (subscription required).
- Pitou, Spire (1983). The Paris Opéra. An Encyclopedia of Operas, Ballets, Composers, and Performers – Genesis and Glory, 1671-1715. Westport, Connecticut: Greenwood Press. ISBN 9780313214202.
- Warrack, John; West, Ewan (1992). The Oxford Dictionary of Opera. Oxford: Oxford University Press. ISBN 9780198691648.
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