Opus isodomum

opus, work + isodomum, analogous to isodomon, where iso- = equal

In classical antiquity this technique was perfected and widely used, especially for public buildings (temples, theatres, amphitheatres, etc.). One of the most well-known examples is the Parthenon.^[1]

Vitruvius briefly described this technique in his De architectura, 2nd book, 8th chapter as following: "A wall is called 'isodomum' when all the courses are of equal height". He further states that the stone blocks of opus isodomum are bound together by mortar, but more often they are not connected with mortar but with metal ties such as iron cramps, fixed in stone blocks with molten lead.

Completely regular isodomum is relatively rare, especially in the Roman provinces. More frequent is isodomum made of stone blocks of the same height but not of the same length. In order to strengthen this type of wall, builders always take good care that the ends of stone blocks in alternating courses of the wall do not match.^[2]

Opus pseudoisodomum is a version of opus isodomum mentioned by Vitruvius, describing that it is a kind of stonemasonry in which "the rows of courses do not match but run unequally", referring to the height and length of the blocks, which are nevertheless still perfectly cut. Vitruvius considered both types of wall construction as Greek, emphasizing that "both kinds are strong".^[3]

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  Different types of opus isodomum
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  Opus isodomum (left) and opus pseudoisodomum (right)