Hubbry Logo
Pete Waterman EntertainmentPete Waterman EntertainmentMain
Open search
Pete Waterman Entertainment
Community hub
Pete Waterman Entertainment
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Pete Waterman Entertainment
Pete Waterman Entertainment
Pete Waterman Entertainment
View on Wikipedia
from Wikipedia

The company logo

Pete Waterman Entertainment (PWE) is the production company one-time pop and dance record label owned by British pop mogul Pete Waterman. The label, originally PWL (Pete Waterman Limited), is most famous for being the home of hit record producers Stock Aitken Waterman.

History

[edit]

After producing many hits for other record companies, PWL launched its own label in 1987 (PWL Records) with the single "I Just Can't Wait" by Mandy Smith. After several promos that were eventually licensed to other labels, the next single commercially released on PWL Records (PWL8) was the biggest selling single of 1988: "I Should Be So Lucky" by Kylie Minogue. Stock Aitken Waterman also used the label to release material under their own name, including top twenty hit, "Roadblock".

As an independent record label, PWL enjoyed number ones with Australian artists Kylie Minogue and Jason Donovan, as well as top ten hits with British artists, such as Pat and Mick, The Reynolds Girls, American singer Sybil Lynch, and Dutch dance group, 2 Unlimited. As a production house, they produced hits for English artists including, Hazell Dean, Rick Astley, Dead or Alive, Bananarama, Sonia, Brother Beyond, Samantha Fox and Mel and Kim, all licensed to other record labels.

In the US, PWL America was established in 1989 and specialized primarily in hip-hop music, launching the careers of MCs Ed O.G. and Diamond D. In 1992, it was renamed Chemistry Records Ltd., but it shut its doors in 1993. It was distributed in that territory by Mercury/PolyGram Records.

In the early 1990s, Pete Waterman formed a new label called PWL International in partnership with Warner Music; one of the artists that recorded for the label, Opus III, scored two number ones on Billboard's Dance Club Songs Chart through a US deal with Warner's EastWest Records. However, with other projects taking up Waterman's time, his involvement in the label decreased, and PWL International Ltd. became the Warner label Coalition.

After PWL International, the record label side of PWE was in operation until the mid 2000s as the label EBUL, run through former labels Jive Records and Zomba (now part of Sony Music Entertainment). EBUL stood for Eastern Bloc Unity Label with Eastern Bloc[1] and Unity[2] being two north west record shops that PWL had taken over. One of the last records that EBUL/PWE released was "Teenage Life", the British entry for the Eurovision Song Contest 2006, sung by Daz Sampson.[3]

As of March 2017, most of the PWL/PWE catalogue is now distributed by BMG Rights Management.[4] In November 2023, BMG Rights Management and PWE released a triple CD and two double vinyl LPs, PWL Extended: Big Hits and Surprises, containing 24 12" PWL remixes of primarily Stock Aitken Waterman productions, which was well received. No tracks were licensed from other record companies though acts like Sigue Sigue Sputnik, The Blow Monkeys and Agents Aren't Aeroplanes were released on other labels before becoming part of BMG's catalogue. An exclusive Blu-ray edition was also released via the Super Deluxe Edition website.[5]

Notable former PWL artists

[edit]

Some of these acts were produced at the PWL Hit Factory and were signed to PWL Records, whilst others were licensed to PWL from other European independent dance labels (e.g. Media or Byte):[6]

Acts produced by Stock Aitken Waterman

[edit]

These acts were produced at the PWL Hit Factory, but were not signed directly to PWL Records:

Chemistry/PWL America artists

[edit]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Pete Waterman Entertainment

View on Grokipedia
from Grokipedia
Pete Waterman Entertainment (PWE), commonly known as PWL, is a British music production company founded in December 1983 by record producer and songwriter . Renowned as the "Hit Factory," it rose to prominence as the creative hub for the songwriting and production trio Stock Aitken Waterman (SAW), which crafted a string of international pop and dance hits during the and . The company initially operated as both a production entity and an , launching breakthrough acts and achieving its first UK Top 20 single in 1984. Key artists associated with PWL include , , , Steps, Mel & Kim, Dead or Alive, , and , among others. Over its history, PWL has produced or remixed tracks for global icons such as , , Erasure, , , and . PWL's commercial success is marked by worldwide sales exceeding 500 million units and its ten biggest-selling number-one singles totaling over 7 million copies sold. While no longer maintaining an active , the company continues to honor its legacy through archival projects, charity initiatives, and selective production work. Incorporated as Pete Waterman Entertainment Limited in March 2007, it is classified under sound and music activities, with its registered office in .

History

Formation and Early Successes

Pete Waterman founded (PWE) in December 1983 as a , initially named Pete Waterman Limited (PWL), focusing on music production and artist management amid the burgeoning pop scene. Prior to this, Waterman had built a reputation in the industry through management roles, including signing acts like to record deals and collaborating with producer Peter Collins on successful projects that sold millions of records. PWL's early productions included Divine's "" in 1984, which became the company's first Top 20 single at number 16, and Hazell Dean's "Whatever I Do (Wherever I Go)", peaking at number 4 the same year. These tracks, produced in collaboration with the emerging Stock Aitken Waterman (SAW) team, established PWL's sound and led to further successes like Dead or Alive's "You Spin Me Round (Like a Record)" in 1985, which reached number 1 in the . By 1987, PWL evolved into a full , PWL Records, marking Waterman's shift toward independent production and distribution while leveraging his experience with hit-making teams. The label's debut release came in January 1987 with "I Just Can't Wait" by , a Stock Aitken Waterman-produced track that, despite peaking at No. 91 on the UK Singles Chart, signaled PWL's entry into the pop market with its upbeat sound. This launch exemplified PWL's early business model of producing tracks in-house but licensing them for distribution through established labels to minimize risk and maximize reach, a strategy honed from Waterman's prior licensing successes. Notable early examples included productions for Hazell Dean's "They Say It's Gonna Rain" and Dead or Alive's "My Heart Goes Bang," both distributed via major labels like Epic and Atlantic, helping to build PWL's reputation for crafting chart-friendly . PWL's breakthrough arrived in 1988 with Kylie Minogue's "," recorded in just 40 minutes and released on December 29, 1987, via PWL in the UK and in . The single topped the charts for five weeks, becoming the year's biggest-selling release with over 1.2 million copies sold domestically, and propelled Minogue to global stardom while securing key licensing agreements, such as with , that allowed PWL to focus on production without handling full international distribution. This hit, crafted by the Stock Aitken Waterman trio—whom Waterman had partnered with since 1984—underscored PWL's formula of rapid, formulaic pop production that dominated late-1980s airwaves.

Peak Era and Key Productions

The peak era of Pete Waterman Entertainment (PWE), spanning the late 1980s to early 1990s, was marked by a surge in commercially successful productions from the Stock Aitken Waterman (SAW) trio, who dominated the charts with a string of Hi-NRG-infused pop tracks. Building on earlier breakthroughs like Rick Astley's "," which reached number one in the in 1987, and Bananarama's "Love in the First Degree," also a 1987 top-five hit, SAW's output intensified from 1988 onward. Key releases included Jason Donovan's "" (UK number one in 1989), Sonia's "You'll Never Stop Me Loving You" (UK number one in 1989), and Kylie Minogue's "" (UK number two in 1990), contributing to SAW having at least one single in the Top 100 every week from March 1986 to October 1990. PWE facilitated this success through strategic licensing and distribution partnerships with major labels, enabling broader market reach for its acts. For instance, RCA handled distribution for Donovan's debut album in the UK and , supporting its chart-topping performance with multiple top-ten singles. Similarly, Polydor collaborated on releases for acts like Sonia, aiding the promotion and sales of her SAW-produced tracks during this period. These arrangements allowed PWE to focus on production while leveraging established infrastructure for global dissemination. Central to PWE's peak was its pivotal role in shaping and bubblegum pop genres, blending high-energy elements with catchy, accessible melodies to create anthemic dance tracks. SAW's approach overlaid rhythms—rooted in and club culture—with structured pop songwriting, resulting in over 20 UK Top 10 singles by 1990, including 13 number ones. This formula emphasized repetitive hooks and electronic production, influencing a generation of upbeat, youth-oriented pop. Operations at PWL Studios in London's Borough district were the engine of this era, featuring an in-house team of engineers and remixers who streamlined the production process for rapid hit creation. Chief mix engineer Phil Harding, alongside collaborators like Ian Curnow and Dave Ford, handled remixing and final engineering, often using custom techniques on samplers like the E-mu Emulator II to layer synths, beats, and vocals efficiently. This assembly-line efficiency—recording, mixing, and remixing multiple tracks weekly—enabled SAW to produce dozens of releases annually, with Harding alone credited on over 50 SAW hits. By the early 1990s, PWE's productions had amassed over 100 Top 40 hits and global sales exceeding 500 million units, underscoring the scale of SAW's impact on the pop landscape. This commercial dominance positioned PWE as a leading force in British music production, often dubbed the "Hit Factory" for its consistent chart success.

Decline and Rebranding

By the early 1990s, Pete Waterman Entertainment (PWL) faced significant challenges as the music industry shifted away from the bubblegum pop and styles that had defined its peak, with artists like and seeking grittier sounds amid broader trends toward and harder dance genres. The dissolution of the Stock Aitken Waterman (SAW) partnership in May 1991, when departed due to creative differences, stress, and dissatisfaction with business decisions, further exacerbated the downturn, leaving Mike Stock and to continue without the trio's original dynamic. This marked the end of an era that had produced numerous chart-toppers, with PWL's output struggling as new signings like The Twins stalled commercially, exemplified by their single "All Mixed Up" peaking at No. 77 in the . Post-1992, PWL experienced fewer hits as the rise of grunge and hip-hop reshaped popular music, diminishing the appeal of SAW's formulaic pop sound, though acts like 2 Unlimited provided a brief dance revival with their 1993 album No Limits!, which included the UK No. 2 single "Tribal Dance" released via PWL International. Financial pressures prompted a strategic rebranding, with Waterman selling half of PWL to Warner Music in 1993 to secure stability amid declining independence and chart performance. This partnership led to the formation of PWL International, focusing on European dance acts, but tensions culminated in a 1993 dispute between Stock and Waterman over a Dead or Alive project, prompting Stock's exit and a prolonged legal battle. Following the deal's terms, which restricted use of the PWL name for a decade, the label was renamed Coalition Recordings by the late 1990s, reflecting a scaled-back operation. Operational downsizing intensified in the late , with PWL shifting from full label activities to primarily production and licensing as revenues waned and major s altered its structure. In the mid-2000s, Waterman reoriented under the EBUL (Eastern Bloc Unity Label) imprint through a with Zomba Records (later ), releasing niche projects like Daz Sampson's "Teenage Life," the UK's entry, which placed 19th with 25 points. Paralleling these changes, Waterman pivoted toward television production, judging on shows like (2001–2003) and Popstars: The Rivals (2002), leveraging his music expertise in a new entertainment medium.

Artists and Productions

Stock Aitken Waterman Collaborations

Stock Aitken Waterman (SAW) was formed in 1984 as a songwriting and production trio consisting of Mike Stock, , and , marking the beginning of their influential partnership within the emerging Pete Waterman Entertainment (PWL) framework. The team's early work built on Waterman's experience as a DJ and promoter, Stock's keyboard skills and songwriting, and Aitken's guitar and production expertise, quickly establishing them as a powerhouse in . SAW developed a distinctive signature sound characterized by high-energy (Hi-NRG) beats, lush synth-pop melodies, and infectious, hook-driven choruses that dominated late-1980s charts. This formula blended electronic dance elements with accessible pop structures, often drawing from disco and Italo influences to create upbeat, radio-friendly tracks. A prime example is Rick Astley's "Together Forever" (1988), which showcased their polished production and reached number one on the US Billboard Hot 100, highlighting SAW's ability to craft global hits with simple, emotive lyrics and driving rhythms. The trio's output included 13 UK number-one singles, a record for a British production team as recognized by , contributing to over 100 UK Top 40 entries and sales exceeding 40 million records worldwide. Notable among these was Kylie Minogue's duet with , "Especially for You" (1988), which topped the UK Singles Chart for three weeks and exemplified SAW's knack for romantic, duet-driven pop anthems. Their hits spanned artists like Dead or Alive, , and , solidifying SAW's role in shaping the era's sound. At PWL Studios in , SAW employed an efficient, assembly-line production process that emphasized rapid creation and iteration to meet market demands. and Aitken typically handled writing and , using synthesizers and machines for quick demos, while Waterman oversaw artist management and A&R; vocalists often recorded in short sessions, with engineers like Phil Harding refining mixes for immediate release. This streamlined approach allowed for high-volume output, with singles sometimes completed in days, fueling PWL's reputation as a "." The partnership dissolved in 1991 amid creative differences and business tensions, particularly after Matt Aitken's departure due to burnout and disagreements over direction. Mike Stock continued briefly with Waterman before leaving in 1993, but the SAW catalogue retained immense value, generating ongoing royalties through reissues, compilations, and licensing, with total sales exceeding 40 million records worldwide.

PWL Records Signings

PWL Records, established as the flagship label of Pete Waterman Entertainment in , quickly assembled a roster of pop and dance artists focused on upbeat, commercially oriented music. Key early signings included British duo , whose debut single "I'd Rather Jack"—a Stock Aitken Waterman production critiquing the music industry—reached number 8 on the UK Singles Chart in 1989. Similarly, radio personalities Pat & Mick, signed for their novelty appeal, scored a top 10 hit with "I Haven't Stopped Dancing Yet" in 1989, peaking at number 9 and benefiting from charity tie-ins to support children's causes. Sonia, a young vocalist scouted by Waterman, became one of the label's breakout stars with her debut "You'll Never Stop Me Loving You," which topped the UK Singles Chart for two weeks in 1989. The label expanded into dance and international pop acts, licensing Dutch Eurodance group , whose high-energy track "No Limit" became a massive hit, reaching number 1 on the UK Singles Chart in 1993 and exemplifying PWL's pivot toward club-oriented sounds. American R&B singer Sybil also joined the roster, delivering the house-influenced "When I'm Good and Ready" in 1993, which peaked at number 5 in the UK and showcased the label's blend of soulful vocals with electronic production. These signings highlighted PWL's strategy of nurturing accessible, radio-friendly talent across genres. Album releases under PWL bolstered the artists' profiles, with debut efforts like Jason Donovan's —featuring hits such as ""—reaching number 1 on the in 1989 and selling over a million copies in the UK alone. The label also issued popular compilations, including the series, which curated PWL's biggest tracks and non-stop mixes to capitalize on the era's dance craze, with volumes like (1989) capturing the label's vibrant output. From 1989 to 1993, PWL artists achieved 18 Top 10 singles, underscoring the label's commercial dominance in the British pop scene during its peak. Waterman's hands-on played a pivotal role, involving direct oversight of artist development, including vocal coaching to refine performances and image styling to craft marketable personas that aligned with the label's bubblegum pop aesthetic. This approach, often in collaboration with SAW producers for select tracks, helped transform raw talents into chart contenders.

Independent and Later Productions

Following the dissolution of the core Stock Aitken Waterman partnership in the early 1990s, pursued independent production work, collaborating on tracks for established artists outside his primary label roster. One notable example was his involvement in Donna Summer's 1989 single "This Time I Know It's for Real," co-produced with Mike Stock and , which marked Summer's return to the Top 10 and Top 20 charts after a period of commercial challenges. Similarly, Waterman contributed to several recordings during this transitional phase, including the 1987 hit "Nothing's Gonna Stop Me Now," which reached number eight in the and exemplified his ongoing focus on upbeat pop anthems for international appeal. Waterman's extended productions also encompassed acts like , whom he selected for collaboration after won a charity auction for Stock Aitken Waterman services in 1988. This led to the 1988 single "The Harder I Try," a UK Top 5 hit, and later tracks such as "The Girl I Used to Know" in 1990, which achieved moderate success in and the . For , Waterman's early involvement with the duo through Supreme Records evolved into broader PWL oversight, supporting their 1987 album F.L.M. and subsequent solo efforts by after Melanie Appleby's passing in 1990, maintaining a connection to their sound amid label licensing arrangements. In the 2000s, Waterman embraced freelance opportunities in the pop revival scene, notably producing for Steps, the British group he signed in 1997. He oversaw their debut album (1998) and hits like "Heartbeat/Tragedy," which topped the charts and sold over a million copies, blending nostalgic elements with contemporary production to fuel the group's multi-platinum success. His contributions extended to television tie-ins, including his role as a judge on the series of from 2001 to 2003, where he mentored emerging talents and helped shape the show's format for discovering pop stars like . Under Pete Waterman Entertainment, Waterman ventured into non-music projects, co-producing the Here & Now – The Steps Musical in 2024, which premiered at the Alexandra Theatre in Birmingham on November 9 and features the group's hits in an original story about friendship and ambition. In a unique return to his DJ roots, Waterman performed live sets in 2025 at events like the , spinning PWL classics from the 1980s and 1990s to celebrate his production legacy.

International Ventures

PWL America and Chemistry Records

PWL America was established as a United States-based imprint of Pete Waterman Entertainment in 1989, shifting focus from the company's pop output to hip-hop and urban music genres to penetrate the American market. Distributed through under the umbrella, the label operated with a distinct A&R team based in New York, allowing for localized talent scouting and production that contrasted with PWL's London-centric pop assembly-line approach. The imprint's debut major release came in 1991 with & Da Bulldogs' album Life of a Kid in the Ghetto, featuring the single "I Got to Have It," which highlighted the label's emphasis on East Coast rap narratives rooted in . This was followed in 1992 by Diamond D's Stunts, Blunts and Hip Hop, a critically regarded project produced under the Diggin' in the Crates collective, showcasing sample-heavy beats and lyrical prowess from Bronx-based artists. These efforts marked PWL America's initial foray into hip-hop, with recordings taking place at New York studios like Chung King House of Metal and Jazzy Jay's Recording Studio. In 1992, PWL America rebranded as Chemistry Records Ltd., continuing its urban music specialization while maintaining distribution ties to Mercury/. The transition reflected an evolution toward broader R&B and hip-hop acts, though the label's output remained limited, with additional releases including further material from & Da Bulldogs and projects like China Black's Born, Searching. Chemistry Records ceased operations by 1993, amid commercial challenges in the competitive hip-hop landscape and PWL's strategic pivot back to UK-based pop endeavors.

PWL International and Global Partnerships

In the early 1990s, established PWL International as an expansion of his , selling a 50% stake to Warner Music to broaden its international reach and distribution capabilities across . This enabled PWL to handle European releases more effectively, transitioning from its UK-focused PWL Records imprint to a pan-European operation under the PWL Continental sublabel, which focused on dance and pop acts for continental markets. A key aspect of PWL International's global strategy involved licensing agreements for high-profile acts, such as the Dutch-Belgian duo , whose recordings were originally signed to Byte Records in the and licensed to PWL Continental for and broader European distribution. This deal allowed tracks like "No Limit" and "Get Ready for This" to achieve widespread European success through PWL's marketing and Warner's infrastructure, contributing to over 20 million records sold globally by the act. Similarly, Kylie Minogue's PWL-era catalogue from the late 1980s and early 1990s, including albums like Rhythm of Love (1990), benefited from international licensing arrangements facilitated by the Warner partnership, enabling releases and promotions in regions such as via Mushroom Records and select European territories. By the mid-1990s, PWL International evolved amid internal shifts, with Warner Music acquiring the remaining 50% stake in 1996, leading to a as Recordings. Under this new entity, the focus shifted toward remix production and international compilations tailored for emerging markets, including and , where extended mixes of PWL hits—such as those from Stock Aitken Waterman collaborations—were compiled for regional appeal. These efforts included dance-oriented collections that adapted core PWL sounds for local tastes, supporting ongoing catalogue exploitation in non-European territories. PWL International also engaged in event-specific ventures, notably through Pete Waterman's direct involvement in the Eurovision Song Contest. In 2006, PWL released "Teenage Life" by Daz Sampson as the UK's entry via its EBUL imprint, marking one of the label's last major contest contributions before the Warner transition. Waterman further extended this international footprint in 2010 by composing and producing "That Sounds Good to Me" for the UK, performed by Josh Dubovie, in collaboration with the BBC and European Broadcasting Union (EBU) processes. Compilations like the PWL Remixes series, issued on the Continental sublabel, exemplified targeted global outreach, featuring club mixes for European and overseas dance scenes. The expansion faced hurdles, including tensions in the Warner partnership that ultimately led to its dissolution in 1996, limiting sustained European momentum. Regional variations in musical preferences and logistical issues in non-UK markets occasionally tempered sales performance for licensed releases.

Legacy and Current Operations

Catalogue Ownership and Releases

In March 2017, switched distribution of its catalogue—including the Pete Waterman Entertainment (PWE) back catalogue encompassing over 8,000 tracks from the Stock Aitken Waterman (SAW) and PWL eras—to ADA Worldwide. This arrangement covers iconic recordings by artists such as , , and , ensuring global reach through BMG's infrastructure and ADA's distribution network. This partnership has facilitated targeted reissues, such as the November 2023 triple CD and vinyl set PWL Extended: Big Hits and Surprises, which features remastered 12-inch mixes and rarities from the PWL archives, including tracks by Divine, , and Sonia. The catalogue's digital migration to streaming platforms like , beginning in the , has revitalized its commercial viability. Classic hits continue to drive substantial streams; for instance, Rick Astley's "Never Gonna Give You Up" surpassed 1 billion plays on by June 2025, generating ongoing royalties that underscore the enduring financial impact of the PWE library.

Ongoing Activities and Influence

In 2025, returned to DJing, performing classic tracks from the PWL era at major events, including a headline set at the presents in July, where he spun iconic and hits to celebrate his production legacy. This resurgence underscores PWE's enduring appeal in live , blending nostalgia with contemporary festival culture. Waterman's influence extends from past television judging roles, such as on Pop Idol, where he shaped early careers and continues to inspire via public appearances and advisory sessions. PWE's cultural impact persists through its contributions to pop revival efforts, notably via theater productions that reinterpret '90s hits for modern stages. The 2024-launched Here & Now: The Steps Musical, co-produced by Waterman with the band Steps and ROYO, entered a national UK tour in late 2025, highlighting themes of friendship and performance while reviving PWL-associated sounds. Early 2025 also saw Waterman reunite with collaborators Mike Stock and Matt Aitken for a blue plaque unveiling at PWL's former London studio, honoring their hit-making era and reinforcing pop's historical significance.

References

  1. https://pwl-empire.com/StepBackInTime/pwl-main-page/
  2. https://www.officialcharts.com/chart-news/the-hit-factorys-top-10-biggest-selling-singles-__2662/
  3. https://find-and-update.company-information.service.gov.uk/company/06181756
  4. https://www.officialcharts.com/artist/14899/hazell-dean/
  5. https://www.classicpopmag.com/features/stock-aitken-waterman-story/
  6. https://www.discogs.com/release/1971455-Mandy-Smith-I-Just-Cant-Wait
  7. https://www.muzines.co.uk/articles/production-line/2045
  8. https://www.chartbeats.com.au/saw
  9. https://www.youtube.com/watch?v=3_TvpBwSZDM
  10. https://www.officialcharts.com/artist/24381/stock-aitken-waterman/
  11. https://www.stockaitkenwaterman.co.uk/singles-1988
  12. https://www.classicpopmag.com/features/stock-aitken-waterman-songs/
  13. https://www.discogs.com/release/595858-Jason-Donovan-Ten-Good-Reasons
  14. https://www.discogs.com/release/1495548-Sonia-End-Of-The-World
  15. https://www.theguardian.com/culture/2023/nov/23/stock-aitken-watermans-20-greatest-songs-ranked
  16. https://ler.letras.up.pt/uploads/ficheiros/19288.pdf
  17. https://www.discogs.com/label/279756-PWL-Studios
  18. https://www.philhardingmusic.com/
  19. https://www.arpjournal.com/asarpwp/pwl-from-the-factory-floor-expanded-edition/
  20. https://pwl-empire.com/StepBackInTime/about-pete/
  21. https://www.rncm.ac.uk/people/pete-waterman/
  22. https://recordcollectormag.com/articles/real-king-pop
  23. https://www.discogs.com/release/463425-2-Unlimited-Tribal-Dance
  24. https://www.classicpopmag.com/features/stock-aitken-waterman-fact-checking-the-myths/
  25. https://www.discogs.com/label/326-Coalition-Recordings
  26. https://esctoday.com/5721/daz_sampson_promotes_teenage_life_-_release_date_17th_april/
  27. https://www.imdb.com/name/nm1080299/bio/
  28. https://www.bbc.co.uk/pressoffice/pressreleases/stories/2010/05_may/11/eurovision5.shtml
  29. https://www.theguardian.com/music/musicblog/2017/mar/28/stock-aitken-waterman-mike-hit-factory-pop-songwriters-kylie
  30. https://top40weekly.com/together-forever-song-meaning/
  31. https://www.stereogum.com/2146638/the-number-ones-rick-astleys-together-forever/columns/the-number-ones/
  32. https://www.itv.com/news/2015-12-03/ten-of-stock-aiken-and-watermans-greatest-hits
  33. https://genius.com/Kylie-minogue-and-jason-donovan-especially-for-you-lyrics
  34. https://www.virginradio.co.uk/music/118083/pwl-hit-factory-number-one-stock-aitken-waterman
  35. https://www.theguardian.com/music/2012/dec/22/hit-factory-christmas-cracker-review
  36. https://www.officialcharts.com/songs/reynolds-girls-id-rather-jack/
  37. https://www.officialcharts.com/songs/pat-mick-i-havent-stopped-dancing-yet/
  38. https://www.officialcharts.com/songs/sonia-youll-never-stop-me-from-loving-you/
  39. https://www.officialcharts.com/songs/2-unlimited-no-limit/
  40. https://www.officialcharts.com/songs/sybil-when-im-good-and-ready/
  41. https://www.officialcharts.com/albums/jason-donovan-ten-good-reasons/
  42. https://www.discogs.com/release/1439584-Various-The-Hit-Factory-PWL-Non-Stop-Album
  43. https://www.discogs.com/label/16235-PWL-America-Records-Ltd
  44. https://www.discogs.com/release/6448104-Ed-OG-Da-Bulldogs-Life-Of-A-Kid-In-The-Ghetto
  45. https://www.discogs.com/release/691055-Diamond-And-The-Psychotic-Neurotics-Stunts-Blunts-Hip-Hop
  46. https://www.discogs.com/label/31413-Chemistry-Records-LTD
  47. https://www.discogs.com/label/9345-PWL-Continental
  48. https://musicbrainz.org/label/f79d7ccf-442a-4998-846e-51ec520136cd
  49. https://www.discogs.com/master/26901-Kylie-Minogue-Enjoy-Yourself
  50. https://eurovision.tv/story/pete-waterman-to-write-united-kingdom-entry
  51. https://www.discogs.com/release/1374910-Various-PWL-Remixes-1990
  52. https://www.musicweek.com/publishing/read/bmg-switches-distribution-of-95-000-tracks-and-8-000-catalogue-records-to-ada/067735
  53. https://superdeluxeedition.com/news/pwl-extended-big-hits-and-surprises/
  54. https://open.spotify.com/album/57Y5liYwXAiXxbdPtuU8R5
  55. https://www.bmg.com/news/rick-astley-never-gonna-give-you-up-spotify-billions-club
  56. https://www.runcornandwidnesworld.co.uk/news/25282911.hitman-pete-waterman-returned-djing/
  57. https://www.facebook.com/cheshirelifemagazine/posts/legendary-producer-pete-waterman-returns-to-the-dj-stage-at-the-tk-maxx-presents/1524419588927702/
Add your contribution
Related Hubs
User Avatar
No comments yet.