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Pablo Manavello
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Pablo Manavello
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Pablo Manavello (May 21, 1950 – January 18, 2016) was an Italian-born Venezuelan composer, guitarist, singer and songwriter.

Manavello started his career in the early 1970s in Caracas and participated in more than 50 albums (including his own). He also worked for many Hispanic artists such as Ricardo Montaner, Chayanne, Carlos Vives, Shakira, Ricky Martin, Antonio De Carlo, Soraya, Melissa [2], Paralamas, and many others, and scored films and TV shows.

Manavello began his career in the mid-1960s with Los Memphis, a pop-rock band from Caracas influenced by The Beatles. Los Memphis released their first album in 1967 and another one in 1969 before disbanding. Later he founded Sangre, which released a self-titled album 1971. He worked as a session musician before collaborating with Juan Michelena in the protest album "Dicen que soy..." in 1977 and joining Vytas Brenner's Venezuelan fusion band Ofrenda.

In 1979 he released Cosas Sencillas, his first solo album and began a successful career as composer and producer of many Latin artists and bands. He then interrupted his career after receiving a scholarship from the Venezuelan Government to study film scoring in Berklee College of Music. He graduated in 1982, and by the late 80s became one of the top Latin music producers.

His debut as composer and producer was in Ricardo Montaner's first album in 1986. That album was certified multi-platinum in Venezuela and reached #1 on the Billboard Latin Pop Albums chart. Afterward, he worked as producer and composer for other Venezuelan acts like Melissa, Kiara and Ilan Chester.

Thereafter, Manavello moved to Miami, Florida, where he continued to produce records for Olga Tañón and Luis Fonsi, among others.

Discography

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Albums

[edit]
Year Album Label
1979 Cosas Sencillas Color/ Corporación Los Ruices
1980 Un Día de Otoño Polydor
1981 Mi Fantasía Polydor
1982 Una Mirada hacia Dentro Polydor
1985 Gota de Fuego Sonorodven
1989 En Concreto Sonorodven
[edit]
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Pablo Manavello

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Pablo Manavello was an Italian-born Venezuelan songwriter, composer, producer, arranger, guitarist, and singer known for his extensive contributions to Latin pop music through melodic compositions, grand arrangements, and long-term collaborations with prominent artists. Born on May 21, 1950, in Treviso, Italy, Manavello was raised in Venezuela, where he began his career in 1965 as the lead guitarist of the rock band Los Memphis. He later received a scholarship from the Venezuelan government to study film scoring at Berklee College of Music, graduating cum laude before returning to Caracas to pursue work as a solo artist, arranger, and composer for film and television. His solo career included several pop albums released in Venezuela starting in the late 1970s, such as Cosas Sencillas (1979) and Un Día de Otoño (1980). Manavello achieved international prominence through his songwriting partnerships, most notably with Ricardo Montaner, co-writing enduring hits including "La Cima del Cielo" (1990), which marked Montaner's breakthrough as a major international artist, and later "La Gloria de Dios." He also worked as a songwriter, producer, and arranger for artists such as Chayanne, Ricky Martin, Olga Tañón, Luis Fonsi, and others, contributing to dozens of Latin hits and helping shape the sound of contemporary Latin pop. His compositions extended to film and television soundtracks, including work on movies like Under Suspicion (2000) and Venezuelan productions. Manavello remained active in music until his unexpected death on January 18, 2016, in Miami, Florida, at the age of 65, leaving a legacy celebrated by peers and organizations for his melodic craftsmanship and impact on Latin music.

Early life and education

Birth and early years in Italy

Pablo Manavello was born Paolo Manavello Bonali on May 21, 1950, in Treviso, Veneto, Italy. He was of Italian origin, entering the world in the Veneto region during the post-war period. Although born in Italy, he was raised in Venezuela following his family's relocation. Limited details are available about his earliest years in Italy prior to the move.

Move to Venezuela and musical beginnings

Pablo Manavello was born on May 21, 1950, in Treviso, Italy, and emigrated to Venezuela as a child with his family. He settled in Caracas, the capital city, where he was raised and spent his formative years. Sources indicate that he had been living in Venezuela from the age of twelve onward. In Caracas, Manavello became exposed to the burgeoning pop-rock scene that was developing in the city during the mid-1960s, influenced by international rock trends and the local Venezuelan music environment. This period marked the start of his musical beginnings, as he began participating in the Caracas music community around 1965. He would later pursue formal musical education at Berklee College of Music.

Formal training at Berklee College of Music

Manavello received a scholarship from the Venezuelan government to study film scoring at Berklee College of Music. He graduated with a bachelor's degree in Film Scoring, cum laude. This formal training provided him with specialized skills in composition for visual media, which he later applied in his work as a composer and arranger in Venezuela.

Music career

Bands and early recordings in the 1960s–1970s

Pablo Manavello began his musical career in 1965 as the lead guitarist of Los Memphis, a rock band based in Caracas, Venezuela. Los Memphis released their self-titled debut album in 1967 on Polydor, followed by the album Memphis in 1969 on Souvenir. In 1971, he played guitar and provided vocals on the self-titled album by Sangre, released in Spain on RCA Victor. During the 1970s, Manavello worked as a session musician and contributed guitar to Juan Michelena's 1977 Nueva Canción album Dicen Que Soy.... He co-founded the fusion band Ofrenda with Vytas Brenner and played guitar on the project’s album La Ofrenda de Vytas.

Solo albums and transition to production in the 1980s

Following his graduation from Berklee College of Music with a bachelor's degree in film scoring, Pablo Manavello returned to Venezuela and began pursuing a solo career as a singer-songwriter, arranger, and composer. He also worked as a composer for film and television projects in the country during this post-Berklee period. Manavello released a series of solo albums between the late 1970s and 1980s. His debut solo album Cosas Sencillas appeared in 1979 on the Color label. It was followed by Un Día de Otoño in 1980 on Polydor. In 1981, he released Mi Fantasía on Polydor, and Una Mirada hacia Dentro followed in 1982 on the same label. Later releases included Gota de Fuego in 1985 on Sonorodven and En Concreto in 1989 on Sonorodven. During the 1980s, Manavello gradually transitioned from primarily solo recording to music production work. He made his debut as a producer on Ricardo Montaner's first album in 1986. By the late 1980s, he had emerged as a leading figure in Latin music production.

Major collaborations and Latin pop production from the 1990s onward

Pablo Manavello emerged as one of the most influential behind-the-scenes figures in Latin pop during the 1990s and beyond, contributing as a songwriter, producer, and arranger to numerous successful projects. His long-term collaboration with Ricardo Montaner proved especially impactful, originating from earlier work but yielding major hits throughout this era. Montaner credited Manavello with shaping his signature musical style, noting that their partnership spanned from early breakthroughs to later compositions. The song "La Cima del Cielo," co-written by Manavello and Montaner and produced by Manavello, served as the lead single from Montaner's 1990 album Un Toque de Misterio and became the singer's first major international hit. Their collaboration continued with "Cuando a Mi Lado Estás," co-written by both and performed by Montaner, which earned a nomination for Song of the Year at the 7th Annual Latin Grammy Awards in 2006. In 2015, Manavello and Montaner co-wrote "La Gloria de Dios," recorded by Montaner with his daughter Eva Luna, with the accompanying music video surpassing 125 million views on YouTube. Manavello also lent his talents to a wide array of other prominent Latin artists as songwriter, producer, or arranger, including Chayanne, Ricky Martin, Shakira, Olga Tañón, Luis Fonsi, Carlos Vives, Alejandro Montaner, and Yolandita Monge, among others. These contributions helped define the melodic and arranged sound of Latin pop across multiple decades.

Film and television contributions

Film scoring and music department roles

Pablo Manavello contributed to film and television as a composer and music department professional, with credits spanning original scores, theme music, and related roles primarily in Venezuelan cinema during the 1980s and independent shorts in the 2010s. His film scoring career began with the original score for the Venezuelan production Diles que no me maten (1985). In 1986 he provided the music for Reinaldo Solar and served as composer of theme music, musical director, and musician on La generación Halley. The following year he composed title music for El escándalo (1987). After several decades he resumed composing original scores for short films, including The Dive (2010), Manifest Destiny (2012), Roma (2012), and Special Delivery (2012), before scoring the feature Eenie Meenie Miney Moe (2013). His music also appeared in various film and television soundtracks, such as the song "Amelia" in Under Suspicion (2000), "La Cima Del Cielo" in the telenovela María María (1990), and "Hablan" in Barrera de Amor (2005).

Soundtrack placements and song contributions

Pablo Manavello contributed original compositions and songs to various film and television soundtracks, particularly in Venezuelan productions during the 1980s and into later decades. After completing his studies in film scoring at Berklee College of Music, he returned to Venezuela and worked actively as a composer for film and television projects. His most prominent soundtrack involvement came with the 1986 Venezuelan film La generación Halley, where he served as composer of the original music, musical director, and musician. He also produced the accompanying soundtrack album alongside Carlos Montenegro and contributed four tracks to it, including the performed songs "Comenzó A Cantar" and "Empezar A Vivir" as well as the instrumentals "Pelea" and "El Encuentro". Manavello's songs appeared in numerous telenovelas and films, often as writer or performer. Notable placements include the co-written hit "La Cima del Cielo" (with Ricardo Montaner) featured in the telenovela María María (1990), "Amelia" in the film Under Suspicion (2000), "Hablan" in Barrera de Amor (2005 TV series), "Puesto a valer" in Déjate querer (1993 TV series), "Una Especie En Extinción" in Y la luna también (1987 TV series), and "Cada Cosa En Su Lugar" in Nacho (1983 TV series). These contributions highlight his role in supplying original songs and music tailored for Latin American audiovisual media.

Awards and recognition

Nominations and honors

Pablo Manavello received a nomination for the Latin Grammy Award for Song of the Year at the 7th Annual Latin Grammy Awards in 2006 for the composition "Cuando a Mi Lado Estás," which he co-wrote with Ricardo Montaner and performed by Ricardo Montaner. This recognition highlighted his contribution as a songwriter in the Latin music scene. The nomination is the only one listed for Manavello by the Latin Recording Academy and reflects his impact through collaborations on prominent tracks. No wins or additional formal honors are documented from major industry awards.

Death and legacy

Passing in 2016

Pablo Manavello passed away suddenly on January 18, 2016, in Miami, Florida, at the age of 65. His death was described as unexpected by family members and contemporaries, with no cause of death publicly disclosed in reports from the time. A minor discrepancy appears in some sources, which list the date as January 17, likely reflecting announcement timing or time zone differences, though January 18 remains the most consistently reported date across industry records and news outlets.

Tributes and impact on Latin music

Following his passing in January 2016, Pablo Manavello received heartfelt tributes from key figures and institutions in Latin music, reflecting his profound influence as a composer, arranger, and producer who helped define the melodic style of Latin pop. The Latin Recording Academy issued a statement expressing deep regret over his death, calling him "amigo y gran maestro" (friend and great master). Ricardo Montaner, his longtime collaborator on landmark songs including "La Cima del Cielo," was visibly shaken and deeply saddened by the news of Manavello's death, underscoring the personal and professional bond forged through decades of joint work that shaped romantic Latin ballads. The Latin Songwriters Hall of Fame (LSHOF) honored his legacy by publishing an in memoriam tribute and noting that he had been scheduled to lead a songwriting master class as part of their program, an event that remained unrealized due to his sudden passing. Manavello's impact on Latin music endures through his role in crafting emotionally resonant, melody-driven pop that became a staple for artists across the Spanish-speaking world, particularly evident in his production and co-writing contributions to Ricardo Montaner's catalog, which popularized a polished, heartfelt sound that influenced subsequent generations of Latin pop creators. In the final days of his life, Manavello completed a symphonic suite titled El Camino de Santiago llega a Ti, inspired by the pilgrimage route to Santiago de Compostela, showcasing his artistic range beyond popular music; the work received its world premiere posthumously in August 2016.

References

  1. https://www.billboard.com/music/music-news/pablo-manavello-latin-songwriter-producer-dies-65-6844098/
  2. https://www.discogs.com/artist/905590-Pablo-Manavello
  3. https://www.imdb.com/name/nm1857608/
  4. https://www.imdb.com/name/nm1857608/bio/
  5. https://www.latinsonghall.com/pablo-manavello-latin-songwriter-producer-dies-at-65/
  6. https://en.ultimasnoticias.com.ve/chevere/la-sinfonica-venezuela-interpretara-el-camino-de-santiago-llega-a-ti/
  7. https://sincopa.com/rock_pop/artist_rock/los_memphis.htm
  8. https://www.discogs.com/release/3594313-Sangre-Sangre
  9. https://sincopa.com/rock_pop/cdinfo_rock/sangre_1.htm
  10. https://www.discogs.com/release/7119147-Juan-Michelena-Dicen-Que-Soy
  11. https://www.discogs.com/release/6435902-Vytas-Brenner-La-Ofrenda-De-Vytas
  12. https://www.latingrammy.com/artists/pablo-manavello/21240-01
  13. https://www.univision.com/musica/muere-el-productor-musical-pablo-manavello
  14. https://www.discogs.com/release/7658407-Various-La-Generaci%C3%B3n-Halley-Banda-Sonora-De-La-Pelicula
  15. https://www.latingrammy.com/awards/7th-annual-latin-grammy-awards-2006
  16. https://www.cbsnews.com/news/shakira-leads-latin-grammy-nominations/
  17. https://www.imdb.com/name/nm1857608/awards/
  18. https://elestimulo.com/climax/musica/2016-01-18/pablo-manavello-la-guitarra-de-una-generacion/
  19. https://www.gofundme.com/f/25a7rd7w
  20. https://laverdad.com/fallece-el-compositor-pablo-manavello/
  21. https://laverdad.com/pablo-manavello-un-compositor-en-el-cielo/
  22. https://correocultural.com/2016/08/el-camino-de-santiago-llega-a-tiestreno-mundial-de-la-obra-postuma-de-pablo-manavello/
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