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Ricky Martin
Ricky Martin
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Enrique Martín Morales[a] (born December 24, 1971), known professionally as Ricky Martin, is a Puerto Rican singer, songwriter and actor. He is known for his musical versatility, with his discography incorporating a wide variety of many elements, such as Latin pop, dance, reggaeton, salsa, and other genres. Born in San Juan, Martin began appearing in television commercials at age nine and began his musical career at twelve, as a member of Puerto Rican boy band Menudo. He began his solo career in 1991 while in Sony Music Mexico, gaining recognition in Latin America with the release of his first two studio albums, Ricky Martin (1991) and Me Amaras (1993), both of which were focused on ballads.

Key Information

Martin's third album, A Medio Vivir (1995), helped him rise to prominence in European countries. The chart-topping single "María" incorporated a mixture of Latin music genres and became his first international hit. His international success was further solidified with his fourth album, Vuelve (1998). The album, which earned Martin his first Grammy Award, spawned songs "Vuelve" and "La Copa de la Vida". Martin performed the latter at the 41st Annual Grammy Awards. His first English album, Ricky Martin (1999) became his first US Billboard 200 number one. The lead single "Livin' la Vida Loca" topped both the Billboard Hot 100 and the UK Singles Chart. Martin's success in the late 1990s is generally seen as the beginning of the "Latin explosion". He has been credited for propelling the Latin pop music genre to mainstream recognition, paving the way for a large number of Latin artists to achieve global success.

Martin has since released several successful albums, including Almas del Silencio (2003) and MTV Unplugged (2006), as well as Grammy Award winner A Quien Quiera Escuchar (2015). Notable singles in this period include "She Bangs", "Nobody Wants to Be Lonely", "Tal Vez", "Tu Recuerdo", "La Mordidita", "Vente Pa' Ca", and "Canción Bonita". As an actor, Martin took a role in the hit soap opera General Hospital (1994–1996), while his portrayal of Antonio D'Amico in The Assassination of Gianni Versace: American Crime Story (2018) garnered him an Emmy nomination. He also starred as Ché in the Broadway revival of the musical Evita in 2012.

Martin is one of the best-selling Latin music artists of all time, having sold over 70 million records worldwide. He has scored 11 Billboard Hot Latin Songs number-one songs, and won two Grammy Awards, five Latin Grammy Awards, six MTV Video Music Awards, two American Music Awards, three Latin American Music Awards, three Billboard Music Awards, nine Billboard Latin Music Awards, eight World Music Awards, fourteen Lo Nuestro Awards, a Guinness World Record, and a star on the Hollywood Walk of Fame. His philanthropy and activism focus on LGBT rights and fighting against human trafficking; in 2004, he founded The Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on denouncing human trafficking and educating about the crime's existence.

Early life

[edit]
Martin was born in San Juan.

Enrique Martín Morales was born on December 24, 1971, in San Juan, Puerto Rico.[1][2][3] His mother, Doña Nereida Morales, is a former accountant; his father, Enrique Martín Negroni, is a former psychologist who previously worked as a regional supervisor for a Puerto Rican mental-health agency.[4][5] His parents divorced when he was two years old, and although his mother had custody of Martin, he could also move freely between his father's house in the middle-class suburb of University Gardens in San Juan, and his paternal grandmother's house nearby. In an interview with People, he told the magazine that he "never had to make decisions" about who he loved more, and he was "always happy". Martin has two older maternal half-brothers, Fernando and Ángel Fernández, two younger paternal half-brothers, Eric and Daniel Martín, and a younger paternal half-sister, Vanessa Martín.[5][6] Martin has Spanish heritage of Basque and Canarian descent.[7] As he explained to ABC, the Martins traveled from Segovia, Spain to Puerto Rico in 1779.[8][9] He also has some Corsican origins through his paternal grandmother.[10]

Martin grew up Catholic. The people closest to him called him "Kiki" (a nickname that comes from Enrique). He began singing at age six, using wooden kitchen spoons as make-believe microphones; he often sang songs by Puerto Rican boy band Menudo, as well as English-language rock groups such as Led Zeppelin, Journey, and REO Speedwagon. His mother's side of the family was musically inclined and his maternal grandfather was a poet. Martin later reflected on his time spent with his family as a child: "Every time I find myself in front of an audience, be it twenty people or one hundred thousand, once again I feel the energy that consumed me back at the family gatherings of my youth." He attended Colegio Sagrado Corazón, a bilingual Catholic grade school in University Gardens since fourth grade and was an "average" student there. When he was nine years old, he began appearing in television commercials for products such as soft drinks, toothpaste, and fast food restaurants, including Orange Crush and Burger King. In a year and a half, he starred in 11 commercials.[5][10][11]

Career

[edit]

1984–1989: Menudo

[edit]

After achieving moderate fame in Puerto Rico for his appearances in television commercials, Martin auditioned for membership in Menudo. Formed in Puerto Rico in 1977, Menudo members were usually replaced when they hit 16 to keep the band "full of fresh-faced members".[12] Although the executives enjoyed his dancing and singing at his first two auditions, Martin was rejected because he was too short. By the third audition, his persistence impressed executives, and in 1984, 12-year-old Martin became a member. He replaced member Ricky Melendez at Menudo. A month after joining Menudo, he made his debut performance with the group at the Luis A. Ferré Performing Arts Center in San Juan (he had previously sung at a Menudo concert, at Ricky Melendez's last concert as a member of the band on September 16, 1984). During this performance, he inadvertently disobeyed the choreography by walking around the stage, when it was planned that he would stay still, and was chastised by the band manager after the show: "The mistake was such a big deal that from that moment on, never again did I move when I wasn't supposed to move. That was the discipline of Menudo: You either did things the way you were told or you were not part of the group." Although Martin enjoyed traveling and performing onstage with Menudo, he found the band's busy schedule and strict management exhausting, and later reflected that the experience "cost" him his childhood. Despite this, Martin acknowledged his "opportunity to have so many amazing experiences with so many amazing people" during his time with the group.[10]

Martin (far left) with Menudo in 1989

During his time with Menudo, he became a "key-member of the group" and a "fan-favorite",[12] while the band released 11 albums,[13] including the Grammy-nominated Evolución (transl.Evolution) (1984) and their highest-charting and longest-running album on the US Billboard 200, Menudo (1985).[14][15] The former featured Martin's debut single, "Rayo de Luna" (transl. "Moonlight") and the latter included the hit single "Hold Me".[16][17] "Hold Me" became the group's first and only entry on the US Billboard Hot 100 chart, peaking at number 62.[18] It was ranked among the "100 Greatest Boy Band Songs of All Time" by Billboard,[19] the "75 Greatest Boy Band Songs of All Time" by Rolling Stone,[20] and the "30 Best Boy Band Songs" by Complex.[17] Besides the musical career, Martin appeared with other members of Menudo in the American romantic comedy/drama television series, The Love Boat (1985),[21] and the Argentine soap opera, Por Siempre Amigos (1987).[22] He also developed an interest in philanthropy when the group became UNICEF ambassadors.[10]

Martin (holding baby) with Menudo band members.

Finally, Martin left the band in July 1989, at age 17, hoping to rest and evaluate his career path;[10] he stayed a few extra months after his "age-mandated retirement" came around.[21] He performed his final show with the group at the same venue where he had performed his first performance as a member.[10] Martin returned to Puerto Rico to "get a break from the pressures of the group, the promotional tours, and the constant stress of work." He graduated from high school, and 13 days after turning 18, he moved to New York City to celebrate his financial independence; since he was a minor during his time with Menudo, Martin was not allowed to access his own bank accounts.[10]

1990–1994: Acting and first solo albums

[edit]

Martin was accepted into New York University's Tisch School of the Arts in 1990, but before classes began, his friend invited him to Mexico City. He attended the musical comedy play, Mama Ama el Rock (transl.Mom Loves Rock) there, and was offered to stay and replace one of the actors. He accepted the offer, dropped out of university and moved from New York to Mexico City to perform in the play. While he was performing onstage in Mama Ama el Rock, a producer in the audience took notice of Martin's acting and offered him a role in the Mexican telenovela Alcanzar una estrella II (1991). A film based on the TV series, titled Más que alcanzar una estrella (transl.More than reaching for a star) (1992), was also produced in which Martin starred, and earned him an El Heraldo Award for his role.[10]

"I was so excited about getting back into the music world that I didn't care what the conditions were. All of the hard work and passion I had exerted was finally now starting to come to fruition, and music came back to my life powerfully and definitively."

—Martin, on recording his debut studio album.[10]

A Sony Discos executive noticed Martin's acting in the soap operas and offered him his first solo music recording contract. Eager to record his first solo album and hustled by the executive, Martin signed the contract without reading its conditions and inadvertently signed a deal in which he would only be paid one cent for each album sold. Despite viewing the contract as unfair, Martin referred to the record as "the start of something phenomenal" for him. After working "around the clock" to finish filming Alcanzar una estrella II and recording music,[10] he released his debut solo album, Ricky Martin, on November 26, 1991.[23] The album peaked at number five on the US Billboard Latin Pop Albums chart and spent a total of 41 weeks on the list.[24] It sold over 500,000 copies worldwide,[25] was certified gold in several countries,[26] and spawned his first solo hit singles, "Fuego Contra Fuego" (transl. "Fire Against Fire"), "El Amor de Mi Vida" (transl. "The Love of My Life"), and "Dime Que Me Quieres" (transl. "Tell Me You Love Me").[23] Both "Fuego Contra Fuego" and "El Amor de Mi Vida" reached the top 10 on the US Billboard Hot Latin Tracks.[27] To promote the album, Martin embarked on a successful Latin American tour, breaking box office records,[26] which the singer referred to as "an indescribable feeling, almost like coming home".[10]

After the success of Ricky Martin and its subsequent tour, Martin's record company met him with the Spanish musician Juan Carlos Calderón to work on his second studio album, Me Amaras (transl.You'll Love Me) (1993). Although Martin felt "very grateful" for the opportunity to work with Calderón, he noted, "I always felt that that record was more his than mine."[10] The album sold over one million copies worldwide and was certified triple-platinum in Chile.[28][29]

During 1993, Martin suffered two harrowing incidents: he was injured in a car accident and also almost got involved in a plane crash, when a plane that flew him to San Diego, California for an interview, crashed right after dropping him off.[30]

In 1994, Martin's agent encouraged him to move to Los Angeles to act in an American sitcom called Getting By. The show was canceled after two seasons, but soon afterward, Martin was given the role of Miguel Morez on the popular hit soap opera General Hospital; Morez, a bartender and singer, known for his long and flowing hair, was a Puerto Rican citizen hiding in the United States from his lover's criminal mastermind father and created a love triangle with his fiancé Lily Rivera and Brenda. Martin portrayed the role for two years and gained huge popularity and stardom, becoming "one of the most-talked about actors on the soap opera". Despite this, Martin felt he lacked chemistry with the rest of the General Hospital cast and observed that people treated him differently because of his Puerto Rican accent. At the time, it was relatively uncommon for Latin actors to appear on American television, and people suggested that he take accent reduction classes, which he refused.[10][31][32]

1995–1997: Breakthrough with A Medio Vivir

[edit]
Martin performing "Te Extraño, Te Olvido, Te Amo" at the 37th Viña del Mar International Song Festival in 1996

In 1995, Martin refocused on his music career, and began working on his third studio album, A Medio Vivir (transl.Half Alive).[10] The album was released in September 1995,[33] and became a huge success; it sold over three million copies worldwide.[34] being certified gold in the United States,[35] platinum in France,[36] 4× platinum in Spain,[37] as well as many other certifications in Latin American countries.[26][38] It spawned several successful hits, including "Te Extraño, Te Olvido, Te Amo" (transl. "I Miss You, I Forget You, I Love You"), "María", and "Volverás" (transl. "You Will Come Back").[31] On "María", which was released as the second single from the album,[28] Martin allowed himself "to go into a very Latin, African sound". He created a mix of different Latin music genres instead of singing a romantic ballad, the style that he focused on it in his first two albums, while Latin pop music in general was mainly made up of it at the time. Although Martin was satisfied with the track and he describes it as a song that he is "extremely proud of", the first time he played it for a record label executive, the man said: "Are you crazy? You have ruined your career! I can't believe you are showing me this. You're finished — this is going to be your last album."[10] Despite this, the track became Martin's breakthrough song and his first international hit.[39][40] It topped the charts in 20 countries,[41] and has sold over five million physical copies worldwide.[39] As a result, the song was featured in the 1999 edition of The Guinness Book of Records as the biggest Latin hit.[42]

In Australia, "María" spent six weeks at number one, topped the country's year-end chart in 1998, and was certified platinum.[43][44] The song also spent nine weeks at number one in France, and was certified diamond,[36] selling over 1.4 million copies there.[45] Additionally, the track reached the top 10 in the United Kingdom,[46] and became Martin's first entry on the US Billboard Hot 100 chart.[47] To promote A Medio Vivir, he embarked on the worldwide A Medio Vivir Tour, that lasted for more than two years, through which he performed 63 shows and visited Europe, Latin America and the United States. During an interview with The Miami Herald in 1996, Martin expressed an interest in performing on Broadway. In a few days, he received a phone call from producer Richard Jay-Alexander, and was offered the role of Marius Pontmercy in the play Les Misérables. After the conclusion of the A Medio Vivir Tour in Latin America, Martin returned to New York to appear in the play in an eleven-week run. He greatly enjoyed the experience, calling his time in the play an "honor" and "the role of [his] life". Martin continued to tour after the conclusion of the show's run, and noted that his audiences were growing in both size and enthusiasm.[10]

1998–1999: Vuelve

[edit]

While the A Medio Vivir Tour had not been concluded yet, Martin returned to the studio to record his fourth album Vuelve (transl.Come Back). He called the experience of touring and recording at the same time "brutal and incredibly intense". As he was finishing the record in 1997, "María" caught the attention of FIFA. They contacted Martin and asked him to create a song as the 1998 FIFA World Cup anthem. He stated about the request: "I have to admit that the challenge made me a bit nervous, but the massive growth potential for my career was such that I decided to accept." Following his acceptance, musicians K.C. Porter, Robi Rosa, and Desmond Child joined him and they started working on a song titled "La Copa de la Vida" (English: "The Cup of Life"). Martin wrote about the recording:

From that moment on, we began to look at the album as part of a global strategy to promote Latin music worldwide, so we chose and arranged the songs with the sole mission of getting the entire globe to dance and sing in Spanish. It was a unique opportunity to introduce the charms of Latin music to the rest of the world.[10][48]

"La Copa de la Vida" was included on Vuelve, released February 12, 1998.[49][50][51] The album became a huge success; it sold over eight million copies worldwide, becoming the best-selling Spanish-language album in history, according to his label.[52] Also, some sources have reported the album's sales as six million copies worldwide.[53] It spent 26 weeks atop the US Billboard Top Latin Albums chart and was certified platinum by the Recording Industry Association of America (RIAA).[35][54] In Canada, the album peaked at number three and was certified double platinum.[55] Vuelve spawned big hits, including the title track, "La Copa de la Vida", "Perdido Sin Ti" (transl. "Lost Without You"), and "La Bomba" (transl. "The Bomb"). "La Copa de la Vida" grew to be an international success, appearing on the charts in more than 60 countries,[48] and reaching number one in 30 countries,[56] Both "Vuelve" and "Perdido Sin Ti" peaked at number one on the US Billboard Hot Latin Tracks chart; the former also reached number one in eight countries.[27] On July 12, 1998, Martin performed "La Copa de la Vida" as the official anthem at the 1998 FIFA World Cup Final in France, in front of more than a billion TV viewers around the world.[57]

To promote Vuelve, Martin embarked on the worldwide Vuelve Tour; he performed in Asia, Australia, Europe, Mexico, South America, and the United States.[58][59] Although Latin music was not important to the Recording Academy or the mainstream music industry at the time, Tommy Mottola, then-chief of Columbia Records, was certain about Martin's stardom and pushed hard to have him on the Grammy Awards ceremony. Finally, on February 24, 1999, cavorting with a 15-piece band alongside and a large number of dancers and percussionists, Martin performed a bilingual version of "La Copa de La Vida" at the 41st Annual Grammy Awards, which was greeted with a standing ovation and met with acclaim from music critics.[57][60] At the same night, Vuelve earned Martin his first Grammy award, for Best Latin Pop Performance.[61]

1999–2000: Crossover to English

[edit]

In October 1998, CNN confirmed that Martin has been working on his first English language album, following the huge success of Vuelve.[62] The album was titled Ricky Martin and was released on May 11, 1999, two weeks ahead of schedule, because of the huge interest in the disc, following Martin's performance at the Grammy Awards. Tim Devin, the general manager of Tower Records stated about Martin: "He's always been one of our strongest Latin artists, but interest in him has picked up considerably since that performance."[63] Ricky Martin debuted atop the US Billboard 200 with first-week sales of 661,000 copies, becoming the largest sales week by any album in 1999.[64][65] It also broke the record as the largest first-week sales for any pop or Latin artist in history,[66] as well as any Columbia Records artist during the SoundScan era.[64] With this album, Martin became the first male Latin act in history to debut at number one on the US Billboard 200 chart.[67] It was certified 7× platinum by RIAA, denoting shipments of over seven million copies in the US and breaking the record as the best-selling album by a Latin artist in the country.[35][68] Only within three months, Ricky Martin became the best-selling album ever by a Latin artist.[69] According to different sources, the album has sold over 15 million copies or even 17 million copies worldwide.[57][70] It was nominated for Best Pop Album at the 42nd Annual Grammy Awards.[61]

Martin performing at the worldwide Livin' la Vida Loca Tour in 2000

The album's lead single "Livin' la Vida Loca" (transl. "Livin' the Crazy Life") topped the charts in more than 20 countries and is considered to be Martin's biggest hit,[71][72][73] and one of the best-selling singles of all time.[74] In the United States, it topped the Billboard Hot 100 chart for five consecutive weeks, becoming Martin's first number one single on the chart.[47] Additionally, it broke several records on Billboard charts.[75][76] It also spent eight consecutive weeks atop the Canada Top Singles chart and topped the country's year-end chart. In the United Kingdom, it debuted at number one and stayed there for three weeks, making Martin the first Puerto Rican artist in history to hit number one.[46][77] The track was ranked as the best '90s pop song by Elle, and was listed among the Best Latin Songs of All Time by Billboard.[78][79] It was nominated for four categories at the 42nd Annual Grammy Awards, including Record of the Year and Song of the Year.[61][80][81] Its Spanish version reached the summit of the Billboard Hot Latin Tracks chart,[82] and was nominated for Record of the Year at the 1st Annual Latin Grammy Awards.[83] "She's All I Ever Had" was released as the second single from the album in June 1999.[84] It peaked at numbers two and three on the US Billboard Hot 100 and Canada Top Singles charts, respectively.[47] The Spanish version, "Bella" (transl. "Beautiful") topped the charts in five countries, as well as Billboard's Hot Latin Tracks chart.[27] To further promote Ricky Martin, he embarked on the worldwide Livin' la Vida Loca Tour, which was the highest-grossing tour of 2000 by a Latin artist in the US.[85][86]

2000–2005: Sound Loaded, Almas del Silencio, and Life

[edit]

While the Livin' la Vida Loca Tour had not been concluded yet, Martin returned to the studio to record his sixth studio album, Sound Loaded.[10][87] The album was released on November 14, 2000.[88] It debuted at number four on the Billboard 200 with first-week sales of 318,000 copies.[87] The album has sold over seven million copies or even eight million copies worldwide, according to different sources,[52][89] being certified double platinum in the US.[35] The album featured two hit singles, "She Bangs" and "Nobody Wants to Be Lonely".[90] The former reached number one in seven countries, including Italy and Sweden, as well as the top five in Australia, Canada, the United Kingdom, and several other countries. It was nominated for Best Male Pop Vocal Performance at the 43rd Annual Grammy Awards.[61] The Spanish-language version of "She Bangs" reached the summit of the Hot Latin Tracks chart and won the Latin Grammy Award for Best Music Video at the 2nd Annual Latin Grammy Awards.[91][92] "Nobody Wants to Be Lonely" was re-recorded along with American singer Christina Aguilera,[93] peaking at number one in five countries, as well as the top five in Italy, Germany, Spain, and the United Kingdom, among others. It was nominated for Best Pop Collaboration with Vocals at the 44th Annual Grammy Awards.[61] The solo Spanish version, entitled "Sólo Quiero Amarte" topped the Hot Latin Tracks chart.[27] Both "She Bangs" and "Nobody Wants to Be Lonely" are certified silver in the UK.[94][95] In February 2001, Martin released a Spanish compilation album entitled La Historia (transl.The History), which spent five weeks at number one on the Top Latin Albums chart,[54] topped the charts in Argentina and Sweden, and was certified quadruple Latin platinum in the United States.[35] Later that year it was also announced that he would star in a remake of Elvis Presley's Viva Las Vegas alongside Jennifer Lopez, but this did not eventuate.[96][97]

Martin on the red carpet for the premiere of Cold Mountain in 2003

Following the success of Ricky Martin and Sound Loaded, he initially planned to release the third English-language album as his seventh studio album, which was supposed to be his first complete work in the field of songwriting. Despite Sony Music Entertainment's original plan after a two-year hiatus he decided to release a Spanish-language album: "I woke up five months ago, and I said 'We're doing an album in Spanish.' Everyone went nuts. They said, 'You don't have time; you have to release an album in English because of timing issues with your career.' And that's fine. But I told them, 'In five months, you'll have a kick-ass album' [in Spanish].[98] Martin's seventh studio album, Almas del Silencio (transl.Souls from the Silence) was released in May 2003.[99][100] It debuted atop the Billboard Top Latin Albums chart with first-week sales of 65,000 copies, according to data compiled by Nielsen SoundScan, breaking the record as the largest first-week sales for a Spanish-language album in the US. The album also debuted at number 12 on Billboard 200, tying the 2002 album, Quizás (transl.Maybe) as the chart's highest Spanish-language debut. The album also debuted at number one in "at least 13 Latin American markets" and sold over two million copies worldwide.[98][101][102]

Almas del Silencio spawned three Hot Latin Tracks chart-topper hits: "Tal Vez" (transl. "Perhaps"), "Jaleo", and "Y Todo Queda en Nada" (transl. "And Everything Ends in Nothing").[27] "Tal Vez" debuted at number one on the Billboard Hot Latin Tracks chart on the week of April 12, 2003, marking the first number one debut since February 1998, and becoming the sixth song overall in the chart's history to do so.[103][104] It spent a total of 11 weeks at this position, surpassing "Livin' la Vida Loca" as Martin's longest number-one single on the chart, and was the longest-running number one of 2003.[105][106] It also topped the charts in several Latin American markets.[107] In October 2005, Martin released his third English album, Life. He commented on the album: "I was really in touch with my emotions. I think this album is very multi-layered, just like life is. It's about feeling anger. It's about feeling joy. It's about feeling uncertainty. It's about feeling. And all my emotions are part of this production".[108] To promote Life, Martin embarked on the worldwide One Night Only with Ricky Martin tour.[109]

2006–2012: MTV Unplugged, Música + Alma + Sexo, and Evita

[edit]

Although Martin's team and MTV had discussed an MTV Unplugged for years, but it became more serious after Martin's the One Night Only tour, which featured an acoustic segment. Finally, Martin taped his MTV Unplugged set in Miami in August 2006, performing both romantic ballads and up-tempo tropical dance songs.[110][111] During the performance, he debuted three new tracks, including "Tu Recuerdo" (transl. "Your Memory"), which was released to radio stations as the lead single from his debut live album MTV Unplugged (2006).[110][112][113] The album debuted at number one on the Top Latin Albums chart and sold over two million copies worldwide, marking his highest-certified album in Mexico.[54][114][115] It won two Latin Grammy awards and was nominated for Album of the Year.[116][117] "Tu Recuerdo" reached number one in five countries, as well as the Billboard's Hot Latin Songs and Latin Pop Airplay charts.[27][118] The track was certified quadruple platinum in Mexico and was nominated for Record of the Year at the 8th Annual Latin Grammy Awards.[114][116] The artist then embarked on the Black and White Tour in 2007, including four sold-out shows at the José Miguel Agrelot Coliseum in Puerto Rico.[119] The concerts in Puerto Rico were compiled into his second live album Ricky Martin... Live Black & White Tour (2007).[120] Later that year, he released his first Italian song, "Non siamo soli" (transl. "We Are Not Alone") as a duet with Italian singer Eros Ramazzotti.[121][122] The song debuted at number one in Italy and spent eleven consecutive weeks atop the chart.[123]

Martin in 2011

In January 2011, Martin launched his ninth studio album, Música + Alma + Sexo (transl.Music + Soul + Sex).[124] The album debuted at number three on the US Billboard 200 chart, becoming the highest-charting primarily-Spanish language set since Dreaming of You (1995) by American singer Selena.[125] It holds the record as the highest-charting Latin album of the 2010s,[126] and represents the highest-ever chart debut on the Billboard 200 for a Sony Music Latin release.[127] Música + Alma + Sexo also peaked at number one in Argentina and Venezuela, as well as Billboard's Top Latin Albums.[54][128][129] Its lead single, "Lo Mejor de Mi Vida Eres Tú" (English: "The Best Thing About Me Is You") reached number one on the US Billboard Hot Latin Songs chart and was nominated for Record of the Year, Song of the Year, and Best Short Form Music Video at the 12th Annual Latin Grammy Awards.[27][130] To promote the album, Martin embarked on the Música + Alma + Sexo World Tour in 2011.[131] In February 2012, he appeared as Spanish teacher David Martinez on the twelfth episode of the third season of the American musical television series Glee, "The Spanish Teacher".[132][133][134] Martin starred as Ché in the Broadway revival of the musical Evita from March 2012 to January 2013. The show became a hit, breaking the theatre's box-office sales record after only six performances. Since then, it broke its own record six times and was nominated for Best Revival of a Musical at the 66th Tony Awards. The show's soundtrack album debuted at number one on Billboard's cast album chart.[134][135][136]

2013–2018: The Voice, A Quien Quiera Escuchar, and The Assassination of Gianni Versace

[edit]
Martin in Australia in 2014

Martin served as a coach to replace Keith Urban on the second season of the Australian singing competition television series The Voice in 2013.[137] In the same year, he released a compilation album, entitled Greatest Hits: Souvenir Edition, which reached number two in Australia, as well as a new single, entitled "Come with Me", which debuted at number three in the country. The artist then embarked on the Ricky Martin Live tour in Australia in October 2013.[138][139][140] He continued serving as a coach on both the third and fourth seasons of The Voice Australia in 2014 and 2015, respectively.[141] In 2014, Lars Brandle from Billboard stated in an article: "Through his high-profile slot on The Voice, Ricky's profile in Australia has never been as big as it is right now."[139] On February 25, 2014, Wisin released a song titled "Adrenalina" (transl. "Adrenaline") from his album El Regreso del Sobreviviente (transl.The Return of the Survivor), which featured Jennifer Lopez and Martin, and became the Univision's 2014 World Cup song.[142][143] Later that year, Martin released his single "Vida" (transl. "Life") for the 2014 FIFA World Cup.[144] The song reached the top five in Spain and on the US Hot Latin Songs chart.[27] Also in 2014, he served as a coach on the fourth season of The Voice Mexico, and embarked on the Live in Mexico tour.[145][146]

In February 2015, Martin released his tenth studio album, A Quien Quiera Escuchar (transl.To Those Who Want to Listen).[147] The album debuted at number one on Billboard's Top Latin Albums chart and peaked at number one in Argentina.[54][148] It won the award for Best Latin Pop Album at the 58th Annual Grammy Awards and Album of the Year at the 1st Latin American Music Awards.[61][149] The album spawned three Hot Latin Songs top-10 hits: "Adiós" (transl. "Goodbye"), "Disparo al Corazón" (transl. "Shot to the Heart"), and "La Mordidita" (transl. "the Nibble").[27] "Disparo al Corazón" was nominated for both Record of the Year and Song of the Year at the 16th Annual Latin Grammy Awards.[150] "La Mordidita" experienced huge commercial success, being certified 15× Latin platinum in the United States.[35] Its accompanying music video has received over 1.2 billion views on YouTube.[151] To promote the album, Martin embarked on the One World Tour from 2015 to 2017.[139][152] He served as an executive producer and a judge on the American singing competition series La Banda (transl.the Band), which premiered in 2015 and 2016 on Univision. The first season was "looking for the next Latin boy band", while the second season was looking for a Latin girl band. The contestants would compete for a recording deal with Sony Music Latin and Syco Music.[153][154][155] CNCO, known as the first boy band to make reggaeton, was the winner of the first season. Martin became their manager and produced the band's debut album, Primera Cita (transl.First Date) (2016).[156][157]

On September 23, 2016, Martin released a song called "Vente Pa' Ca" (transl. "Come Here"), featuring Colombian singer Maluma.[158] The song became one of the biggest Spanish-language songs of 2016,[159] reaching number one in seven countries, as well as Billboard's Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts.[118][160][161] It also reached top five in Spain and on the Billboard Hot Latin Songs, being certified quadruple platinum in Spain and diamond in Mexico.[27][114][162] The track was nominated for both Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards.[163] The accompanying music video has received over 1.75 billion views on YouTube.[164] Martin signed a concert residency, named All In, to perform at the Monte Carlo Resort and Casino in Las Vegas in 2017 and 2018.[165][166][167] He portrayed fashion designer Gianni Versace's partner Antonio D'Amico in the FX true crime anthology television series The Assassination of Gianni Versace: American Crime Story, marking "the acting opportunity of his career".[22][168][169] The role garnered him a nomination for Outstanding Supporting Actor in a Limited Series Or Movie at the 70th Primetime Emmy Awards.[170] In February 2018, Martin released a song titled "Fiebre" (transl. "Fever"), featuring Wisin & Yandel.[171] The song was commercially successful in Latin America, reaching number one in Chile, Ecuador, Guatemala, Mexico, and Uruguay. It also reached the summit of the Billboard Latin Airplay and Latin Rhythm Airplay charts.[160][172]

2019–present: Amici di Maria De Filippi, PausaPlay, and Jingle Jangle: A Christmas Journey

[edit]
Martin performing "Livin' la Vida Loca" on his Movimiento Tour in 2020

At the 61st Annual Grammy Awards, Martin performed "Havana", "Pégate" (transl. "Get Closer"), and "Mi Gente" (transl. "My People"), alongside Camila Cabello, J Balvin, Young Thug, and Arturo Sandoval, as the opening performance.[173] Martin served as a coach on the eighteenth season of the Italian talent show Amici di Maria De Filippi (transl.Friends of Maria De Filippi) in 2019.[174] In the same year, Maluma released a song called "No Se Me Quita" (transl. "It Doesn't Go Away") from his album 11:11, which featured Martin.[175] The song reached number one in Mexico and was certified quadruple platinum in the country.[114][176] Martin hosted the 20th Annual Latin Grammy Awards in November 2019, along with Roselyn Sánchez and Paz Vega.[177] The artist started recording his eleventh studio album, initially titled Movimiento (transl.Movement), in the second half of 2019, inspired by the 2019 political protests in Puerto Rico.[178] He embarked on the Movimiento Tour in 2020.[179] Because of the COVID-19 pandemic and subsequent personal experiences, he decided to split the tour's associated album in two extended plays, Pausa (transl.Pause) and Play; the former was released in May 2020, while the latter was released in May 2022.[180][181][182]

Pausa was nominated for Album of the Year and won the award for Best Pop Vocal Album at the 21st Annual Latin Grammy Awards.[183][184] The second single from the EP, "Tiburones" (transl. "Sharks") reached number one in Argentina and Puerto Rico,[185][186] and was also nominated for Song of the Year at the 21st Annual Latin Grammy Awards.[183] Martin starred as the voice of villainous miniature figure Don Juan Diego in the American Christmas musical fantasy film Jingle Jangle: A Christmas Journey.[187] The film was released on Netflix on November 13, 2020, and received generally favorable reviews.[188][189] In April 2021, Martin released his hit single "Canción Bonita" (transl. "Pretty Song") with Colombian singer Carlos Vives,[190] which experienced huge commercial success in Latin America, reaching number one in 12 countries.[191] It was also nominated for Song of the Year and Best Pop Song at the 22nd Annual Latin Grammy Awards.[192] Later that year, he embarked on his first co-headlining tour, the Enrique Iglesias and Ricky Martin Live in Concert alongside Spanish singer Enrique Iglesias.[193] Martin released Play on July 13, 2022. The EP included singles "Otra Noche en L.A." and "A Veces Bien y a Veces Mal"; the former reached number one in four countries.[194]

Artistry

[edit]

Influences

[edit]
José Feliciano (left) and Madonna (right) have influenced Martin.

As a child, Martin used to sing songs by Menudo and rock bands such as Led Zeppelin, Journey, and REO Speedwagon, which were what his "older siblings were listening to at the time". While Martin and his brothers spent their time listening to classic rock, their mother would interrupt them to make them listen to Latin music. She brought him CDs of Fania All-Stars, Celia Cruz, El Gran Combo de Puerto Rico, and Gilberto Santa Rosa that slowly made him appreciate the richness of Puerto Rican culture. Also, she once took them to a Fania All-Stars concert, which Martin is "beyond grateful" for. He expresses that thanks to her mother, those influences had a "profound effect" on his musical career.[10] Martin has also cited Elvis Presley, the Beatles, Michael Jackson, and Madonna for teaching him "the beauty of pop".[195] He stated about Madonna: "I was very influenced by her and her music. I know every choreography of Madonna."[196] Additionally, he mentions Carlos Santana, José Feliciano, Celia Cruz, and Gloria Estefan as the artists who paved the way for him,[197] naming Feliciano as one of the people who inspired him when he was a teenager: "I was always fascinated with his music."[196] In addition to the musical influences, Martin is inspired by David Bowie's "ambiguous sexuality".[198] While growing up, he used to ask himself if he wanted to be like the openly gay singer Elton John or he just liked him, admiring his music, colors, and wigs.[199] He has also cited Barbra Streisand as an entertainer he wants to be like: "I want to be an entertainer, not just a singer."[200]

Musical styles and themes

[edit]

Considered to be a versatile artist,[201][202] Martin describes his music as Latin pop, saying: "When you say 'Latin pop', the spectrum is so broad, It's inevitable to not be influenced by everything that's happening in the industry, but always keeping your identity firm by knowing who you are."[197] He has also described his music as fusion, while noting that he does not "ride the waves that are in fashion at the moment".[203][204] Martin sings in Spanish, English, Portuguese, Italian, and French.[205] About his lyrics, Martin has emphasized that although his music will always make the listener dance, it does not mean his lyrics "have to be meaningless" and he sings about love and heartbreak, as well as "things that are good for a society", such as "freedom, freedom of expression, and social justice".[198][204] He has also declared that as a Latino, he is not afraid of sexuality and sings about sexuality and sensuality, bringing his culture with him onstage.[206]

Voice

[edit]

Martin possesses a dramatic tenor vocal range.[207] Peter Gilstrap from Variety commented that his "powerful voice" is "capable of belt or lilt",[208] while The Jerusalem Post's Noa Amouyal described his voice as "soulful" and "very powerful".[209] In 1995, Enrique Lopetegui of the Los Angeles Times noted Martin's "improved vocal skills" on A Medio Vivir.[210] Also from the Los Angeles Times, Ernesto Lechner later praised his vocal for being "charismatic enough to handle both ballads and up-tempo tunes".[211] Similarly, Billboard's Chuck Taylor expressed "She's All I Ever Had" boasts "a versatility that contrasts nicely" with Martin's previous single, "Livin' la Vida Loca", labeling his vocal on the former "tender and heartfelt".[212] Steve Gerrard of the Montreal Rocks complimented "his vocal maturity" on A Quien Quiera Escuchar.[213]

Music videos

[edit]

Billboard labeled Martin "a video icon", and ranked him as the 79th Greatest Music Video Artist of All Time in 2020, stating: "From the moment he sashayed up to the mic in 'Livin La Vida Loca' all dressed in black, and gave us that look, the Menudo alum became the most memorable and watchable drop-dead handsome guy in pop music."[214] He has collaborated with various directors to produce his music videos, including Carlos Perez,[215] Wayne Isham,[216] Jessy Terrero,[217] Simón Brand,[218] Gustavo Garzón,[219] Nigel Dick,[220] Kacho Lopez,[221] and Memo del Bosque.[222] "Livin' la Vida Loca" was nominated for Video of the Year at the 1999 MTV Video Music Awards, making Martin the first Latin artist in history to receive a nomination in this category.[223] It won a total of five awards at the ceremony,[214][224] making it rank among the videos with most wins in the history of the MTV Video Music Awards.[225] The explicit sexual scenes of the music video for "She Bangs" were met with criticism from the audience; several American television stations cut the scenes when airing the video. According to the Daily Record's John Dingwall, with the visual, Martin ditched his teen idol image by transforming to a more mature one.[226] It was consequently banned in several Latin American countries, such as the Dominican Republic.[227] Martin told MTV News that the video represented freedom rather than his sexuality.[228] The video was awarded Best Music Video at the 2nd Annual Latin Grammy Awards, Best Clip of the Year – Latin at the 2001 Billboard Music Video Awards, and Video of the Year at the 13th Lo Nuestro Awards.[92][229][230]

Public image

[edit]

Martin became a teen idol with his debut as a member of Menudo,[31][231][232] and a pop icon following global fame as a solo artist.[233][234][235] Metro Puerto Rico stated that he "raised the name of Puerto Rico internationally".[236] Variety described him as "Puerto Rico's arguably most famous son" in 2021.[237][238] He is ranked as the most famous Latin music artist in the United States, according to YouGov surveys in 2023.[239]

During the 2000s, Martin was known for "guarding his private life" and being "uncomfortable discussing intimate aspects of his personal life"; he used to insist on asking public to focus on his music and "steered interviewers away from his personal life".[240][241][242] However, he chose to live both his "professional and personal life", making his private life public since the early 2010s.[199][243] In 2021, he went on the cover of People with the title "No More Secrets" and told the magazine that he is "a man with no secrets", stating that he was "more comfortable in his own skin than ever before".[244]

Martin is considered to be a sex symbol.[245][246][247]

Personal life

[edit]

Sexual orientation and early relationships

[edit]

In his early life, Martin had relationships with both men and women.[10][232][248] In 2000, American broadcast journalist Barbara Walters asked Martin about his sexuality on national television: "You could stop these rumors. You could say, 'Yes I am gay or no I'm not.'" Martin, who answered with "I just don't feel like it" at the time, later revealed that her question had made him feel "violated", since he "was just not ready to come out" and was "very afraid"; he said that it resulted in "a little fake PTSD" that "still haunts him".[244]

In August 2008, Martin became a father to twin boys born via gestational surrogacy. He explained that he chose surrogacy to become a parent for being "intriguing and faster" than adoption, which was complicated and could take a long time.[249][250] In March 2010, Martin publicly came out as gay via a message on his website, stating: "I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am."[251] In an interview with Vanity Fair, he declared: "There was love, passion. I do not regret anything, any of the relationships I lived, they taught me a lot, both men and women."[252] Martin also told Fama!: "I know that I like both men and women, I'm against sexual labels, we are simply human beings with emotional and sexual needs. I like to enjoy sex in total freedom, so I'm open to having sex with a woman if I feel desire." Despite this, he expressed that he would not be interested in "an ongoing relationship with a woman", stating: "Men are my thing".[253][254] Martin dated Puerto Rican economist Carlos González Abella from 2010 to 2014, as his first relationship with a man after coming out as gay.[255][256]

Marriage

[edit]
Martin and Jwan Yosef at the 2018 Golden Globe Awards

Syrian-Swedish painter Jwan Yosef shared a photo of himself and Martin on Instagram on March 30, 2016, with the caption: "Obviously we're starting a band."[257][non-primary source needed] In January 2018, Martin confirmed that he had secretly married Yosef: "I'm a husband..."[258][259] On December 31, 2018, they announced that they had welcomed a daughter.[260] In September 2019, while accepting an award at the 23rd annual Human Rights Campaign (HRC) National Dinner, he announced that they were expecting their fourth child.[261] On October 29, 2019, he announced the birth of a son.[262] As with his twins, Martin's subsequent children were also born via surrogacy.[263] In July 2023, Martin and Yosef announced they had separated and were divorcing after six years of marriage.[264]

Beliefs and religion

[edit]

During an interview with People in 2002, Martin expressed that he believes in "love", "the power of healing", and "God", thanks to his parents.[265] The name he chose for his son Matteo means "gift from God".[266] According to his statements in a 2021 interview, he still believes in God.[267] He was raised Catholic but he said is not "the person who would ever look down upon one religion". He expressed that he also admires and likes Buddhist philosophy.[10][268]

Real estate

[edit]

In March 2001, Martin purchased a 7,082 sq ft (658 m2) house in Miami Beach for $6.4 million; he sold the unit for $10.6 million in 2005.[269] In September 2004, he paid $11.9 million for an 11,000-square-foot Mediterranean-style villa in Los Angeles, which he sold in 2006 for $15 million.[270][271] In May 2005, he purchased a 9,491-square-foot house in Miami Beach for $10 million; he sold the villa for $10.6 million in 2012. In 2007, he paid $16.2 million for a mansion in Golden Beach. He sold the property in 2012 for $12.8 million, incurring a loss.[269][272] In the same year, he bought a 3,147-square-foot condominium in New York City for $5.9 million; he sold the condo for $7.1 million in 2017.[273] In 2014, he rented a 900-square-metre mansion in Sydney, which became famous as "the Bronte Wave House" and was sold for $16 million in May 2015, marking one of the most expensive properties sold in the city that year.[274][275] In December 2016, he purchased an 11,300-square-foot mansion in Beverly Hills. The estate, which is Martin's current house, has seven bedrooms and eight bathrooms with outdoor seating areas scattered throughout 33,000 square feet. It is a "private getaway in the middle of the city", located up the street from the Beverly Hills Hotel.[271] Martin also owns a property in Puerto Rico and a private 19.7-acre island in Brazil.[276][277] He purchased the latter for $8 million in 2008.[278]

In 2022, La Nación estimated his net worth at US$130 million.[279]

Influence

[edit]

Martin has been called the "King of Latin Pop" by various publications.[280][281][282]

Martin's song "María (Pablo Flores Remix)", which was ranked among the "Greatest Latin Pop Songs of All Time" by Rolling Stone, and "11 remixes of classic Latin hits" by Billboard, "launched the Latin and dance music crossover of the '90s", according to the latter.[39][283] Olivier Pérou from Le Point commented that "some have even learned, thanks to him, to count to three in Spanish" following the popularity of the song.[45] "La Copa de la Vida", which has been hailed as the Best World Cup Anthem of All-Time by multiple sources,[284] became a "musical template" for World Cup anthems, and Martin's Latin and dance crossover style has been much copied in the anthems, as well as soccer chant "Ole! Ole! Ole!" in the lyrics, according to The Hollywood Reporter.[285]

Martin is known as the pioneer in getting Latin pop music genre to mainstream recognition.[286] Following his performance of "The Cup of Life" at the Grammys, and the success of "Livin' la Vida Loca" and Ricky Martin (1999), he opened the gates for many Latin artists such as Jennifer Lopez, Shakira, Christina Aguilera, Marc Anthony, Santana, and Enrique Iglesias who released their crossover albums and followed him onto the top of the charts.[287][288][289] His performance of "The Cup of Life" at the Grammys not only changed the course of his career, but also altered how people regard Latin music in America.[57] It has been known as a game-changer for Latin music worldwide, that effectively ushered in the "Latin explosion". Then-United Talent Agency head Rob Prinz described the rendition as "the single biggest game changing moment for any artist in the history of the Grammys".[60] According to Billboard, it has been cited as the beginning of the "Latin Pop invasion", which powerfully affected the US mainstream.[290] According to Entertainment Tonight, "Livin' la Vida Loca" paved the way for a large number of other Latin artists,[74] and is "credited as the song that helped other Latin artists break through to English-speaking markets".[291] According to The Independent, the single is "widely regarded as the song that began the first Latin pop explosion."[292]

Portrayal in television

[edit]

In July 2019, SOMOS Productions, Endemol Shine Boomdog, and Piñolywood Studios announced the production of a biographical web television series about Menudo, titled Subete a Mi Moto.[293] Consisting of 15 episodes of 60 minutes each, the series premiered on Amazon Prime Video on October 9, 2020, in Mexico, Latin America, and Spain. It was filmed in Mexico and Puerto Rico, and Martin was portrayed by actors Felipe Albors and Ethan Schwartz. The series premiered in the United States on February 14, 2021, on Estrella TV.[294][295] On the review aggregation website Tomatazos, the first season has a positive score of 75%. The website's critical consensus summary states, "A good trip to the past that recalls a band that defined the youth of a certain public, but that doesn't ignore the darkest moments in the lives of its members."[296]

Books

[edit]

On August 19, 2010, Martin announced that he had been working on his memoir, mentioning its title as Me and publish date as November 2, 2010. He expressed that writing the book was "one of the reasons" he decided to come out earlier that year. The book also had a Spanish edition title Yo (transl.Me), which was published simultaneously by Celebra.[297][298] Me spent several weeks at number one on the New York Times Best Seller list.[299] Martin's first children's book Santiago the Dreamer in Land Among the Stars was published by Celebra and illustrated by Patricia Castelao in November 2013 for ages between five and nine. Its Spanish-language edition, Santiago El Soñador en Entre Las Estrellas, was published simultaneously. Martin expressed that the book was inspired by his "personal life, with fantasy added to it", as well as "a lot of cartoons".[300][301]

Activism

[edit]

Philanthropy

[edit]
The Ricky Martin Foundation logo

In 2004, Martin launched the Ricky Martin Foundation, a non-profit, non-governmental organization that focuses on human trafficking.[302][303][304] In January 2005, following the 2004 Indian Ocean earthquake and tsunami, Martin visited Thailand to assess the needs of the minor survivors who were "extremely vulnerable to traffickers". Later that year, the Ricky Martin Foundation signed an alliance in partnership with Habitat for Humanity to construct 224 homes for the tsunami-affected families. The project was completed in December 2006.[305] In March 2006, the foundation collaborated with the International Organization for Migration in the Llama y Vive (transl. Call and Live) campaign, which focuses on facilitating "the prevention of human trafficking and the protection of young people, victims of child trafficking and prosecution of traffickers".[302][306] In 2012, the foundation participated in the making of the Child Protection Model Law on the International Centre for Missing & Exploited Children.[302]

Politics

[edit]
Martin (mid-right) with members of Congress in 2006: Luis Fortuño (far left), Tom Lantos (mid-left) and Chris Smith (far right)

On January 20, 2001, during the first inauguration of George W. Bush, Martin performed "The Cup of Life" and danced with him.[307][308] Martin's view of Bush changed over the Iraq War, as expressed in his declaration to BBC News that he will "always condemn war and those who promulgate it".[309] At the 2010 Billboard Latin Music Awards, Martin expressed his disagreement with the Arizona SB 1070 bill, a proposed law that would have required police officers to request documents from individuals whom they suspected to be illegal immigrants.[310] Martin has supported Democratic presidential candidates Barack Obama, Hillary Clinton, and Joe Biden. In May 2021, Martin demonstrated his support for the Ni una menos movement, condemning femicides and violence against women in Puerto Rico, while calling authorities to protect women.[311]

In October 2024, Martin endorsed Kamala Harris for president after a rally held by former U.S. president Donald Trump at Madison Square Garden, in which comedian Tony Hinchcliffe compared Puerto Rico to a "floating island of garbage in the middle of the ocean".[312]

LGBT advocacy

[edit]
Martin giving a speech at the 14th Annual Human Rights Campaign in 2010

As a gay man, Martin actively supports LGBT rights worldwide since his coming out in 2010.[313] Even before coming out, he was noted by the mainstream media for being popular among gay men and having a large gay fan base. He also went on the cover of the American LGBTQ-interest magazine The Advocate in July 1999.[314][315][316] Despite this, he admitted that he felt homosexuality was evil since he was raised as a Catholic and targeted his anger toward others, especially gay men: "I was very angry, very rebellious. I used to look at gay men and think, 'I'm not like that, I don't want to be like that, that's not me.' I was ashamed." He added that he "had internalized homophobia" back then.[313][317] He is currently considered to be a gay icon,[318] with PinkNews labeling him "a strong advocate of LGBT rights" who "expressed support for equal marriage" since coming out.[317]

As the first mainstream Latin music artist to come out,[319] Martin's coming out was a game-changer for "Latin Pride". Billboard's Lucas Villa stated: "With Martin's announcement, gay artists, who had long kept their sexual identities a secret, finally had a beacon of hope. If Martin could come out with his career unscathed, there was hope for other artists in Latin music to start doing the same." He added that since then, "a growing number of Latin artists have either come out after years in the spotlight, or many have simply started their careers by embracing their gay identities".[320] Suzy Exposito from Rolling Stone argued that with risking his career and coming out, Martin "set the scene for Bad Bunny to be free in many ways that, during his own breakthrough moment, he could not".[321]

In June 2019, he published an open letter slamming a religious liberty bill, saying: "As a defender of human rights and a member of the LGBTT [sic] community, I am vehemently opposed to the proposed measure imposed upon us under the guise of religious freedom, that projects us to the world as a backwards country." Puerto Rico's then-governor backed down and withdrew his support of the bill following Martin's statement.[322]

Several of Martin's music videos feature diversity in sexual orientations and same-sex couples, including "The Best Thing About Me Is You",[323] "Disparo al Corazón",[320] "Fiebre",[324] and "Tiburones".[325] For his activism and advocacy for LGBTQ community, Martin has been honored with numerous accolades, including the GLAAD Vito Russo Award,[323] the Gala Vanguard Award by the Los Angeles LGBT Center,[326] the International Icon Award by the British LGBT Awards,[327] the National Visibility Award by the Human Rights Campaign,[328] the Trailblazer Award by the LGBT Center Dinner,[329] the Celebrity Activist of the Year by LGBTQ Nation,[330] and the Legacy Award by Attitude Awards.[331]

Recognition

[edit]
Martin's star on the Hollywood Walk of Fame

Throughout his career, Martin has won over 200 awards (most awarded male Latin artist),[332][333][334] including two Grammy Awards,[61] five Latin Grammy Awards,[335] five MTV Video Music Awards (tied for most wins by a Latin artist),[336] two American Music Awards,[337] three Latin American Music Awards,[149] three Billboard Music Awards,[338] a Billboard Music Video Award,[229] nine Billboard Latin Music Awards,[339] eight World Music Awards,[340] fourteen Lo Nuestro Awards (including the Excellence Award),[341] and a Guinness World Record.[42] As an actor, he was nominated for an Emmy Award.[170] In 2007, Martin was honored with a star on the Hollywood Walk of Fame, located at 6901 Hollywood Blvd.[342][343]

On October 11, 2007, then-mayor of Miami Beach, Florida David Dermer awarded him the key to the city of Miami Beach.[344] Puerto Rico named August 31 the "International Ricky Martin Day" in 2008.[299] The Government of Spain granted Spanish nationality to Martin in 2011, for being "recognized in different artistic facets".[345] In 2018, in recognition of "his dedication to the island and people of Puerto Rico, his philanthropic work to eliminate human trafficking across the Caribbean, and his commitment to the arts", the singer received a proclamation naming June 7 the "Ricky Martin Day" in New York City.[346] Throughout his career, Martin has sold over 70 million records making him one of the best-selling Latin music artists of all time.[347]

Discography

[edit]

Filmography

[edit]

Theatre

[edit]

Tours and residencies

[edit]

See also

[edit]

Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Enrique Martín Morales (born December 24, 1971), known professionally as Ricky Martin, is a Puerto Rican , , and philanthropist. Martin rose to prominence as a member of the Latin Menudo, joining at age 12 in and remaining until 1989. After pursuing and releasing initial solo albums, he achieved global breakthrough with his 1999 self-titled English-language album, particularly the lead single "Livin' la Vida Loca," which topped the chart for five weeks and catalyzed the "Latin explosion" in mainstream pop music. The track's success, alongside subsequent hits, established Martin as a pioneer in crossover , earning him two among numerous accolades for his multilingual discography blending pop, Latin, and dance genres. In 2010, Martin publicly came out as gay via a statement on his website, declaring himself "a fortunate homosexual man" after years of speculation. He founded the Ricky Martin Foundation in 2004 to combat child trafficking and advocate for in , health, and . Martin's career has also included roles in and film, such as in General Hospital and Hercules, and activism on issues. In recent years, he has faced notable legal controversies, including a 2022 temporary from a former partner alleging emotional and , which Martin denied, and a lawsuit against his nephew over claims of an incestuous relationship, countered as an .

Early life

Family background and childhood

Enrique Martín Morales was born on December 24, 1971, in the neighborhood of . He is the only child of Enrique Martín Negroni, a , and Nereida Morales, an . His parents when Martin was two years old, after which he initially lived with his mother before moving at age three to his father's home in the University Gardens suburb of San Juan, where his father had remarried and started a second family with three additional children. This arrangement exposed him to stepfamily dynamics and required frequent shifts between his parents' households, amid reports of a contentious that at one point prompted his father to ask the young Martin to choose between them. Despite the family upheaval, both parents remained supportive of his early interests. Raised in a middle-class environment shaped by Puerto Rican , Martin developed an early passion for and performance, influenced by local traditions and family surroundings. His childhood unfolded against the backdrop of San Juan's vibrant urban life, fostering a foundation in the island's musical heritage prior to any formal entertainment pursuits.

Entry into entertainment

Martin demonstrated an early interest in performing, beginning to sing at age six using wooden kitchen spoons as makeshift microphones while performing on his grandparents' balcony in ; he often interpreted songs by the Puerto Rican Menudo and English-language rock groups. By age six, he appeared in television commercials in , gaining familiarity with cameras, and subsequently took and lessons to develop his skills; he also participated in plays and local activities. From ages ten to twelve, Martin developed an obsession with joining Menudo, auditioning three times before succeeding on his third attempt; on July 10, 1984, at age twelve, he was accepted as a member, transitioning from local performances to a professional music career.

Career

Ricky Martin joined the Puerto Rican boy band Menudo in July 1984 at the age of 12, replacing outgoing member Ricky Meléndez as the group transitioned its lineup under producer Edgardo Díaz. His debut came on the album Evolución, released on August 25, 1984, where he provided lead vocals on tracks including "Rayo de Luna." The album marked Menudo's continued emphasis on youthful appeal, with Martin quickly integrating into performances that blended Latin pop with energetic choreography. During his tenure, Martin contributed to several Menudo releases and performed on hits such as "Hold Me" from the 1985 album and "Oh My Love," the English version of "Rayo de Luna" featured in live shows and the Menudo Video Explosion production. The band toured extensively across , including , , , and ; the ; and international markets like , the , , , and , performing at events such as the Tokyo Music Festival in . These tours underscored Menudo's global reach, with Martin participating in high-energy concerts that drew massive crowds and solidified the group's status as a phenomenon. Menudo enforced a strict policy requiring members to leave upon reaching age 16 to maintain a youthful image, though Martin remained until early 1989, extending past his 17th birthday on December 24, 1988, due to lineup adjustments following other departures. He departed that summer to pursue solo opportunities, relocating initially to before returning to . In later reflections, Martin described his Menudo experience as part of a rigid "concept" that left him uncomfortable from the start, hinting at underlying bitterness over the lack of autonomy and intense demands of child stardom.

Early solo career and acting (1990–1994)

Following his departure from Menudo in 1989, Ricky Martin pursued independent endeavors, including a year of study in dance and vocals in New York before relocating to to advance his career. In November 1991, he released his self-titled debut solo album through Discos, targeting Spanish-speaking markets. The record featured singles such as "Fuego Contra Fuego," certified gold in , , and for sales exceeding 100,000 units each, and "El Amor de Mi Vida," contributing to modest commercial performance across South and . Martin's second album, Me Amaras, followed on May 25, 1993, produced primarily by Juan Carlos Calderón and emphasizing Latin pop rhythms. Lead single "Me Amarás" peaked at number six on the U.S. Billboard Hot Latin Songs chart, while "Que Día Es Hoy" reached number 26, marking a slight uptick in visibility on Latin charts compared to his debut, though still limited to regional audiences. These early releases helped build a foundational fanbase in Latin America but did not yet propel him to widespread international acclaim, reflecting the difficulties of transitioning from boy band prominence to solo artistry amid evolving market dynamics. Concurrently, Martin ventured into , securing the role of Pablo Loredo Muriel in the 1991 Mexican Alcanzar una estrella II, which aired 100 episodes and centered on a fictional called Muñecos de Papel, whose songs he performed alongside castmates including and Pedro Fernández. This role extended to the 1992 feature film Más que alcanzar una estrella, where he reprised elements of the group dynamic, providing a platform to blend music and performance while navigating post-Menudo reinvention. These projects underscored his efforts to diversify beyond music amid the era's competitive Latin entertainment landscape.

Breakthrough in Latin music (1995–1997)

Ricky Martin's third studio album, A Medio Vivir, was released on September 12, 1995, by Sony Discos and marked a commercial turning point after his modestly successful initial solo releases. The album incorporated a fusion of pop, rock, and Latin rhythms, addressing themes of passion and intensity that reflected a more adult-oriented evolution from his earlier work. Key singles included "Te Extraño, Te Olvido, Te Amo," released August 14, 1995, followed by the standout track "(Un, Dos, Tres) María" on November 21, 1995, which propelled the album's visibility. "(Un, Dos, Tres) María" achieved significant international success, reaching number one on charts in for 32 weeks and topping lists in and the , while peaking at number three in and . This breakthrough extended Martin's appeal beyond into , where the song's energetic rhythm and versions drove radio play and sales. The title track "A Medio Vivir" was issued as a single in February 1996 in the United States and May 1997 in , further sustaining momentum. The album's promotion included the A Medio Vivir Tour, commencing October 19, 1995, with initial legs across until February 1996, followed by North American dates in March 1996 and European shows starting April 1996. Notable performances featured Martin at the International Song Festival on February 15, 1996, where he delivered sets including "Te Extraño, Te Olvido, Te Amo" and "" to large audiences. These efforts solidified his resurgence in markets, blending high-energy live shows with the album's rhythmic innovations.

International success with Vuelve (1998–1999)

Ricky Martin's fourth studio album, Vuelve, was released on February 12, 1998, by Sony Discos and . The album, produced in collaboration with KC Porter, Robi Draco Rosa, and , featured a blend of rhythms and ballads, with standout tracks including the title song "Vuelve" and "La Copa de la Vida" (). "La Copa de la Vida" served as the official anthem for the hosted in , with Martin delivering a high-energy performance at the tournament's final on July 12, 1998, which significantly amplified the song's global reach. Vuelve achieved substantial commercial success in Spanish-speaking markets, earning multi-platinum certifications across and , alongside platinum status from the International Federation of the Phonographic Industry (IFPI) in for exceeding one million units sold. The album topped the chart and marked Martin's first entry into the U.S. at number 40, reflecting growing crossover appeal while solidifying his dominance in . This performance underscored a surge in Latin music's international visibility, often termed the "Latin explosion," with Martin's emphasis on cultural pride through energetic tracks and themes of resilience resonating in regions like , , and . At the 41st Annual Grammy Awards held on February 21, 1999, Vuelve secured Martin's first Grammy win for Best Latin Pop Performance, following a live rendition of "La Copa de la Vida" that highlighted his dynamic stage presence. The accolade, based on the album's artistic and commercial impact, elevated Martin's profile among industry peers and audiences in Latin markets. To capitalize on this momentum, Martin launched the Vuelve World Tour in 1998, extending into 1999 with stops across Latin America, Asia, and select U.S. venues, where performances reinforced Latin musical heritage amid rising global interest. These efforts positioned Vuelve as a pivotal release bridging regional stardom toward broader English-language opportunities.

English crossover and global stardom (1999–2000)

In 1999, Ricky Martin released his self-titled English-language debut album on May 11 through , marking his strategic crossover into the mainstream U.S. and global pop markets following the success of his Spanish-language work. The , "Livin' la Vida Loca," issued on March 23, debuted on the and ascended to number one, where it held the top position for five consecutive weeks, becoming Martin's first English chart-topper and a defining hit of the year. The album itself entered the at number one, moving 661,000 units in its debut week according to SoundScan data, and was later certified seven-times platinum by the RIAA for U.S. shipments exceeding seven million copies. Martin's February 21 performance of at the 41st , though from his prior Spanish album Vuelve, catalyzed demand for his English material, igniting media coverage of a so-called "Latin explosion" or "Latin invasion" in Anglo-American pop. Outlets like and Time highlighted the phenomenon, crediting Martin's bilingual appeal and high-energy presentation for broadening Latin rhythms into Top 40 radio, alongside emerging acts like and . This frenzy propelled the album's global sales into the millions, with follow-up singles like also reaching the Hot 100 top ten, solidifying his commercial breakthrough. At the 2000 Grammy Awards, the album earned a nomination for Best Pop Album, while "Livin' la Vida Loca" was nominated for ; Martin also swept five in 1999, including Best Pop Video for the single's vibrant, dance-heavy clip directed by Wayne Isham. Critics praised the track's fusion of Latin percussion, rock guitars, and pop hooks but occasionally noted the formulaic sensuality in Martin's videos and stage persona as emblematic of crossover , though such views were overshadowed by the era's enthusiasm for his market dominance. The album's success extended to endorsements and tours, culminating in Martin's peak as a global by 2000.

Mid-2000s albums and tours (2000–2005)

Ricky Martin's sixth studio album, Sound Loaded, was released on November 14, 2000, by Columbia Records, featuring a mix of English and Spanish tracks to sustain his bilingual appeal post-crossover. The album included singles "She Bangs" and "Nobody Wants to Be Lonely," the latter a duet with Christina Aguilera, and achieved over 4 million copies sold worldwide. It debuted at number four on the US Billboard 200 chart. This period saw Martin extend his Livin' la Vida Loca Tour into 2000, performing across North America and generating substantial revenue from high-attendance shows. Shifting back to primarily Spanish-language material, Martin released on May 20, 2003, marking his first full Spanish album since 1998's Vuelve. The record sold more than 65,000 copies in its debut week in the United States, setting a sales record for Latin albums at the time. It featured the single "Tal Vez" and exceeded one million copies sold globally. Touring continued to bolster his international presence, with performances drawing large crowds in and amid sustained demand. In October 2005, Martin attempted another English-language push with Life, which debuted at number six on the , selling approximately 73,000 copies in its first week. The album sold 694,000 copies worldwide but underperformed relative to prior releases, reflecting waning momentum after the initial Latin crossover surge and market saturation among pop audiences. By mid-2006, US sales reached 261,000 units. The accompanying One Night Only tour in late 2005 featured sold-out arenas, such as a show at Dodge Arena grossing over $330,000. This era highlighted Martin's pivot between languages while facing challenges in recapturing peak English-market dominance.

Unplugged and later Spanish releases (2006–2012)

Ricky Martin's MTV Unplugged, his first live album, was recorded on August 17, 2006, in Miami and released on November 7, 2006, in CD and DVD formats by Sony BMG Norte. The project featured acoustic reinterpretations of his previous hits alongside new material, marking a return to his Latin roots after English-language efforts. Premiering on MTV Latin America, MTV Tr3s, and MTV Hits Latin, it emphasized stripped-down arrangements that highlighted Martin's vocal range and band interplay. Following a several-year hiatus from studio albums, Martin released Música + Alma + Sexo on February 1, 2011, in via Sony Music Latin, after its European debut on January 31 by . The Spanish-language album incorporated collaborations with artists including , blending pop, rock, and electronic elements to explore themes of passion and identity. A reissue titled Más Música + Alma + Sexo followed on November 14, 2011, adding bonus tracks and to extend its commercial reach. In parallel with his musical output, Martin expanded into theater by portraying Che in the Broadway revival of Evita, which opened on April 5, 2012, at the Marquis Theatre with Elena Roger as . The production, directed by , earned Tony Award nominations for Best Revival of a Musical, Best Performance by an Actor in a Featured Role in a Musical (for as ), and Best Choreography, though Martin himself received no individual acting nod despite his central role in narrating the story through songs like "And the Money Kept Rolling In." This period reflected Martin's strategic pivot toward Spanish-market music and high-profile acting, diversifying beyond pop recordings while leveraging his established performer status.

Television, acting roles, and A Quien Quiera Escuchar (2013–2018)

In 2013, Ricky Martin served as a coach on the second season of the Australian version of The Voice, marking his debut in a prominent television judging role following the announcement of his participation in November 2012. During the season, he mentored contestants and performed tracks such as "Come With Me" at the grand finale on June 17, 2013. He extended this involvement to The Voice Mexico in 2014, joining judges Yuri, Julión Álvarez, and Laura Pausini for the competition. Martin's acting pursuits during this era culminated in 2018 with his portrayal of , the longtime partner of fashion designer , in the anthology series The Assassination of Gianni Versace: . The nine-episode , which premiered on January 17, 2018, dramatized the events surrounding Versace's 1997 murder, with Martin depicting D'Amico's grief and relationship dynamics alongside as . His performance drew attention for highlighting LGBTQ+ narratives in mainstream television. Parallel to these endeavors, Martin released his tenth studio album, , on February 10, 2015, emphasizing introspective themes of love and self-acceptance informed by his personal experiences after publicly as in 2010. The Spanish-language record, produced with contributions from artists like Yotuel, debuted at number one in several Latin markets and spawned singles such as "Adrenalina" featuring and . To promote it, he launched the One World Tour in March 2015, performing across , , , and , with dates extending into 2016 and adapting to accommodate his growing family commitments as a father to twin sons born in 2008. This phase reflected a selective approach to music releases alongside increased television and acting work, prioritizing projects aligned with his evolving life priorities.

Recent projects and performances (2019–present)

In early 2020, Ricky Martin launched the Movimiento Tour, commencing on February 7 at the Coliseo de Puerto Rico José Miguel Agrelot in San Juan, with subsequent performances across Latin America before the COVID-19 pandemic halted live events. Responding to the global lockdowns, Martin released the EP Pausa on , , via Latin, featuring collaborations including "Simple" with Sting, "Recuerdo" with , and "Cae de Una" with ; the emphasized themes amid . Originally planned as the full Movimiento, it was divided into Pausa and a follow-up EP, Play, adapting to for broader accessibility during restricted touring. That November, Martin voiced the antagonistic toy matador Don Juan Diego in Netflix's musical family Jingle Jangle: A Christmas Journey, contributing to its soundtrack with the track "Borrow Indefinitely" and marking a shift toward and streaming content. Resuming selective live appearances, Martin headlined LA Pride in the Park on June 8, 2024, at Los Angeles State Historic Park, performing hits to a crowd of approximately 25,000 and highlighting his enduring appeal in LGBTQ+ events. On September 7, 2025, at the held at in , Martin received the inaugural Latin Icon Award, recognizing his role in mainstreaming , followed by a high-energy medley performance of "Livin' la Vida Loca," "Pégate," "," "," and "María." Since 2020, his output has prioritized digital releases, targeted collaborations, and sporadic high-profile shows over extensive world tours, aligning with industry trends toward hybrid virtual and live formats.

Artistry

Musical styles and themes

Ricky Martin's discography fuses with dance rhythms, reggaeton beats, salsa influences, and romantic ballads, reflecting his Puerto Rican roots and global appeal. Early solo releases in the 1990s emphasized upbeat and power ballads exploring themes of and longing, such as the rock-infused "Vuelve," which depicts a love that infuses life with purpose. His songwriting often centers on sensuality and desire, transitioning from teen-oriented pop during his Menudo era to mature expressions of passion in tracks like "," where metaphors evoke emotional tension akin to a ticking bomb. The late 1990s English-language crossover marked a shift to high-energy infused with Latin elements, as in "Livin' la Vida Loca," a bilingual hit portraying the intoxicating chaos of a seductive relationship marked by excitement and peril. This era's pop-dance fusion drove peak commercial success, with the 1999 self-titled album selling over 22 million copies worldwide, far surpassing sales of later introspective Spanish-language works. Lyrically, these songs highlight resilience amid romantic turmoil, blending Spanish verses with English hooks to broaden accessibility. In subsequent phases, Martin incorporated and EDM into frameworks, evident in collaborations like "Fiebre" (2018) with , which layers urban trap over danceable beats to evoke feverish attraction. Later albums delved into social themes, such as urban youth vulnerability to drugs and violence in "Más" from the 2011 album Música + Alma + Sexo, positioning the artist as an . Ballads like "Fuego de Noche, Nieve de Día" (reimagined in 2023) maintain romantic introspection, underscoring a toward personal and societal resilience over pure escapism. This bilingual versatility sustained his output, though post-crossover releases yielded lower sales, aligning with a pivot to thematic depth.

Influences and vocal technique

Ricky Martin's musical influences draw from both Latin traditions and global pop icons, shaped significantly by his early experiences in Puerto Rican music and the Menudo. Salsa legends such as and the inspired his incorporation of rhythmic energy and cultural pride into his sound, reflecting the vibrant salsa scene of his homeland. During his Menudo tenure from 1984 to 1989, he developed self-taught techniques by rapidly mastering , including learning 18 songs and dances in just 10 days upon joining at age 12, fostering an adaptive, performance-driven approach without formal instruction. Martin's vocal technique emphasizes a dramatic range, typically spanning from around B♭2 to D5, with capabilities for belting and lighter lilts suited to pop and delivery. He employs for emotional expression, alongside projection and controlled breathing to sustain high-energy performances combining and . This endurance was honed through rigorous touring with Menudo and later Broadway roles, such as Che in Evita (1996–1997), where sustained projection over orchestral accompaniment demanded vocal stamina without amplification aids. Live performances often showcase raw power, contrasting occasional studio criticisms of pitch correction reliance in high-production tracks from the late onward, as observed in instances where fatigue prompted real-time adjustments during concerts.

Music videos and stage presence

Ricky Martin's music videos emphasize high-production choreography integrated with narrative storytelling, showcasing his dynamic physicality and aesthetics. The 1999 video for "Livin' la Vida Loca," directed by Wayne Isham, depicts Martin performing amid urban nightlife scenes, including pub settings with his band and flirtatious encounters with model Nina Moric in New York locales, highlighting energetic dance sequences that propelled its cultural impact. This approach blended fast-paced visuals with thematic elements of seduction and adventure, contributing to the song's role in mainstreaming Latin influences. Subsequent videos evolved toward more stylized and contemporary artistry, incorporating global dance influences and thematic depth while maintaining Martin's signature vigor. For instance, releases like "" (2016) feature elaborate group choreography and vibrant production, amassing over 1.9 billion views as a metric of enduring visual appeal. "La Mordidita" (2014) similarly employs rhythmic dance routines with collaborators, exceeding 1.3 billion views and demonstrating sustained innovation in visual presentation. On stage, Martin delivers performances renowned for relentless energy, precise synchronization with dance troupes, and direct audience interaction that fosters immersion. Tours such as the Black & White Tour (2007) and One World Tour (2015) incorporate world-class dancers executing high-octane routines alongside Martin's vocals, earning acclaim for "breathtaking choreography" and "magnetic stage presence." Las Vegas residencies further highlight jaw-dropping production values, with sizzling ensemble dances and Martin's charismatic engagement sustaining high attendance and positive reviews for vitality across sets. Commercial success is evident in tour metrics, including individual shows from the Livin' la Vida Loca Tour grossing $2.9 million.

Public image

Media portrayal and commercial success

Media coverage of Ricky Martin transitioned from his early image as a in the to a mature solo artist, culminating in portrayals as a pivotal figure in the 1999 "Latin explosion" following the release of "Livin' la Vida Loca." His performance of "La Copa de la Vida" at the was highlighted as a catalyst for mainstream U.S. interest in , with outlets crediting the track's chart-topping success for broadening pop radio's embrace of Spanish-influenced sounds alongside artists like and . Martin's commercial achievements include over 70 million records sold worldwide, establishing him among the top-selling Latin artists, with his 1999 self-titled English album alone selling millions and topping charts in multiple countries. He secured high-profile endorsements, such as campaigns in 1999 co-starring , and later collaborations with luxury brands like Dsquared2 for stage costumes, contributing to his estimated multi-million-dollar empire from music, tours, and sponsorships. While initial hype positioned Martin as a crossover pioneer, some analyses question the depth of sustained Anglo-market relevance post-2000, noting his pivot back to Spanish-language releases and core Latin audiences amid a perceived dilution of the "explosion's" long-term impact on genre integration. Nonetheless, his ongoing arena tours and awards like the 2025 Latin Icon recognize enduring global draw, with critics acknowledging his adaptability in maintaining viability without chasing fleeting trends.

Criticisms of image and career choices

Ricky Martin's early career, particularly during his Menudo tenure and initial solo years, drew accusations from some observers of prioritizing sex appeal over substantive artistry, with performances featuring hip-shaking and suggestive movements rooted in the group's choreographed style that echoed earlier pop icons like but amplified for teen audiences. This approach, while commercially effective, led to critiques that it normalized hyper-sexualized content for young performers, potentially at the expense of age-appropriate boundaries, as later documented in examinations of Menudo's exploitative environment. His pivot to English-language albums in 1999, exemplified by the self-titled Ricky Martin release featuring "Livin' la Vida Loca," faced claims of diluting Latin authenticity by crafting hybrid tracks designed for Anglo crossover appeal, such as using Spanish phrases in predominantly English songs to evoke without full cultural immersion. This strategy, part of the broader "Latin explosion," alienated portions of his core Latin audience, prompting a return to Spanish-focused work by as he sought to recapture roots after leaving the mainstream English market. Post-crossover, albums like Life (2005) encountered reviews highlighting formulaic production, with tracks such as "I Don't Care" dismissed as market-researched efforts relying on guest features rather than innovation, contributing to declining sales; while the 1999 album sold over 22 million copies worldwide, subsequent releases like (2000) debuted with 318,000 first-week units but failed to sustain equivalent global momentum. Critics portrayed Martin as a "manufactured of the pop ," emblematic of pre-internet predictability that prioritized commercial replication over evolving artistic depth. In his 2010 autobiography Me, Martin addressed Menudo experiences as costing his childhood but offered selective detail on hardships, equivocating on the group's impact compared to more explicit accounts from former members detailing and exploitation, leading some to view the narrative as sanitized to preserve a polished image. Conservative commentators have occasionally lambasted such hyper-sexualized elements in Martin's oeuvre as boundary-pushing excess, contrasting with liberal outlets praising it as liberating, though empirical sales trajectories suggest the formula's causal limits in maintaining long-term relevance beyond initial hype.

Controversies

Nephew's sexual abuse allegations and lawsuit (2022–2025)

In July 2022, Dennis Yadiel Sánchez Martin, the nephew of Ricky Martin and son of Martin's older brother, filed a petition in Puerto Rico for a protective order against the singer, alleging that Martin had groomed and sexually abused him starting when Sánchez was 16 years old and continuing into adulthood, including claims of an incestuous relationship. The petition, which sought to bar Martin from contacting or approaching Sánchez, described the alleged abuse as ongoing until Sánchez ended it four months prior to the filing, when Sánchez was 21. Martin immediately denied the accusations through his legal representatives, characterizing them as "completely false" and "fabricated" with intent to damage his reputation and extort money. Sánchez withdrew the petition less than three weeks later on July 21, 2022, leading a Puerto Rican to dismiss the temporary after finding insufficient evidence to substantiate the claims. In response, Martin initiated a civil on September 7, 2022, in San Juan , seeking $30 million in damages from Sánchez for , malicious , , and . The suit alleged that Sánchez's actions caused Martin at least $10 million in lost income from canceled contracts and endorsements, plus reputational harm requiring an additional $20 million in compensatory and . Subsequently, on September 12, 2022, a separate complaint was filed against Martin in , reportedly linked to the same nephew, prompting Martin's attorney to reiterate denials and describe it as part of ongoing harassment tied to the retracted allegations. No criminal charges resulted from either the initial petition or the assault complaint, and Martin's countersuit proceeded civilly. The dispute concluded with a settlement in April 2025, after nearly three years of litigation, under terms that included no admission of liability or guilt by Martin; both parties agreed to drop all claims against each other. Martin publicly described the ordeal as having caused significant strain, including needs, while emphasizing his innocence and the financial repercussions from disrupted professional opportunities. In June 2022, Ricky Martin's former manager Rebecca Drucker filed a breach-of-contract against him in the U.S. District Court for the Central District of , alleging he owed her more than $3 million in unpaid commissions earned during their professional relationship from 2014 to 2018 and a brief 2021 engagement. Drucker further claimed Martin threatened to publicize a "career-ending allegation" to deter her from pursuing the payments. The suit was settled confidentially, resulting in its dismissal with prejudice in March 2023. In August 2021, composer Luis Adrián Cortés-Ramos initiated a action against Martin in the U.S. District Court for the District of , asserting that the 2014 for Martin's single "Vida" unlawfully incorporated elements from Cortés-Ramos's earlier composition without license or credit. The court dismissed the complaint in 2022 for failure to plead plausible claims of access or , a ruling upheld on appeal in August 2024 after the plaintiff attempted refiling. Martin has repeatedly denied any involvement in or victimization by exploitation during his Menudo tenure from 1984 to 1986, distancing himself from 1990s-era accusations against band producers and executives highlighted in the HBO Max documentary Menudo: Forever Young, which featured claims from other former members but none implicating Martin directly. No lawsuits have arisen from these historical band matters targeting him, though some observers have speculated on broader institutional failures in youth entertainment without evidence linking Martin. Supporters frame such associations as unsubstantiated attempts to tarnish his record amid unrelated personal scrutiny, while skeptics highlight the opacity of out-of-court resolutions in entertainment disputes generally.

Personal life

Sexual orientation and pre-marriage relationships

Martin maintained privacy regarding his sexual orientation throughout his tenure with Menudo (1984–1986) and early solo career, during which no major public rumors surfaced despite his emerging fame as a teen idol. Speculation about his homosexuality began intensifying in the late 1990s and early 2000s amid his global breakthrough with albums like Vuelve (1998) and hits such as "Livin' la Vida Loca," fueled by his single status and perceived effeminacy in performances. In a notable 2000 ABC interview, Barbara Walters directly questioned Martin about the rumors, urging him to confirm or deny his gay status to quell speculation; he refused, emphasizing that his sexuality was a private matter and expressing discomfort at the intrusion, later describing the exchange as violating. To navigate these pressures, Martin publicly dated women, including a decade-long on-and-off relationship with Mexican television host from 1994 to 2005, during which the pair considered marriage and she accompanied him at events like the 1999 Grammys. He later stated in interviews that he experienced genuine emotional connections and physical intimacy with these women, insisting he was not misleading them, though he acknowledged his primary attractions were toward men. Privately, Martin pursued relationships with men during this period but enforced strict secrecy, admitting he compelled some partners—potentially out themselves previously—to "go back into the " to protect his image, a dynamic he described as manipulative and energy-draining. This compartmentalization stemmed from pragmatic concerns over marketability in the conservative industry and broader fanbase, where advisors warned that openness could alienate audiences and halt his crossover success in markets like the U.S. and Catholic-majority . Martin consistently evaded or deflected direct inquiries about his orientation in media appearances until March 29, 2010, when he published a letter on his official website declaring, "I am a fortunate homosexual man," followed by an Show interview where he elaborated on the internal toll of concealment. He attributed the delay to fears of professional backlash and personal rejection, yet post-announcement data indicates no measurable career downturn: subsequent releases like Música + Alma + Sexo (2011) debuted at No. 3 on the , and tours grossed tens of millions annually, outperforming some pre-2010 efforts and refuting industry predictions of diminished appeal. In retrospect, Martin expressed relief, stating the secrecy had stifled his authenticity and that openness allowed fuller personal and artistic expression without commercial penalty.

Marriage to Jwan Yosef and divorce

Ricky Martin met Syrian-born Swedish artist Jwan Yosef in 2015 after discovering his artwork online and initiating contact, leading to a six-month period of messaging before they met in person. They began dating publicly in April 2016 and announced their engagement on November 16, 2016. The couple married in a private ceremony in late 2017, which Martin confirmed publicly on January 10, 2018, describing himself as a husband without disclosing further details on the event. On July 6, 2023, Martin and Yosef announced their divorce after nearly six years of marriage, stating they had decided to end it "with love, respect and dignity for our children and our " following careful consideration of transforming their relationship. The separation was described as amicable, with both parties prioritizing co-parenting and seeking , and no reports of public disputes emerged. Court documents later indicated they reached a settlement on asset division, maintaining a focus on harmony without detailed public disclosure of financial terms. In August 2023, Martin elaborated that the decision was not recent but the result of prolonged reflection, emphasizing mutual support post-separation.

Children and family dynamics

Ricky Martin became a father to fraternal twin sons, and Valentino, via gestational in August 2008, when he was a . He welcomed a third child, son Renn, via in August 2018, followed by daughter Lucía via on December 24, 2018. Martin has consistently prioritized shielding his children from public scrutiny, raising them in a low-profile manner despite his celebrity status, with limited media appearances or disclosures about their daily lives. In interviews, Martin has described fatherhood as transformative, highlighting the profound joys of daily routines like school runs and family meals, while acknowledging logistical challenges such as balancing touring schedules with responsibilities. He has noted the twins' maturation into teenagers who offer candid feedback on his performances, viewing this dynamic as a grounding aspect of family life that fosters . The use of surrogacy for all four children drew specific backlash upon the twins' announcement, with Mexican talk show host Esteban Arce labeling Martin "degenerate" and "not dignified" for opting out of traditional biological motherhood. Such criticisms echoed broader traditionalist concerns about non-biological family structures potentially undermining norms rooted in empirical patterns of two-parent, biologically linked households, though Martin countered by emphasizing 's role in enabling stable, loving environments absent conventional paths. He has defended the arrangement as ethically viable, citing his direct involvement from embryo selection onward and the intentional creation of a supportive home over genetic origins alone.

Religious beliefs and philanthropy ties

Ricky Martin was raised in a Catholic household in , and served as an boy during his early years before joining the band Menudo at age 12. He has described his upbringing as instilling strong moral values, though his relationship with institutional Catholicism evolved amid personal challenges, including conflicts with church teachings on sexuality. Martin identifies as spiritual rather than adhering strictly to organized religion, stating in 2013 that "My God is too big to fit into one religion." He has expressed admiration for and credited travels to with deepening his spiritual outlook, emphasizing practices like for personal growth. This eclectic informs his , with occasional references to faith in his music and public statements, but without regular or doctrinal commitment. Martin's philanthropic efforts, particularly through the Ricky Martin Foundation established in 2004, intersect with his spiritual values by prioritizing child welfare and combating human trafficking. The foundation's programs, such as People for Children, focus on education, health, and protection against exploitation, drawing from Martin's belief in universal human dignity rooted in broader spiritual principles rather than specific religious tenets. He has linked this work to his personal transformation, noting that spiritual practice alongside philanthropy shifted his life's focus toward advocacy over commercial success. While the foundation's initiatives have been commended for raising awareness and supporting victims—partnering with organizations like on global child rights—their emphasis on and select regions has drawn critiques for potentially overlooking broader structural issues like poverty-driven labor exploitation in other areas. This selective scope reflects Martin's personal priorities but has prompted questions about comprehensive global equity in aid distribution.

Real estate and lifestyle

Ricky Martin maintains a primary residence in , where he has shared glimpses of its stylish interiors, including a pristine living room suitable for life with his four children. He previously owned a Beverly Hills purchased in 2016 for $13.5 million, featuring over 11,000 square feet, seven bedrooms, and custom details, which served as a home before being listed as a former property in 2025. Earlier, Martin owned a Beach estate sold in 2012 for $10.6 million after an initial purchase around 2004, reflecting a pattern of waterfront luxury properties without ongoing ownership there. Martin's lifestyle centers on fitness, incorporating strength training, cardio, and nutrition-focused habits such as mindful eating to sustain his physique into his 50s. He prioritizes family privacy, sharing only occasional photos of his children and emphasizing home-based routines over public displays. Unlike some contemporaries in the music industry known for lavish expenditures on yachts or frequent high-profile partying, Martin's habits appear restrained, aligned with a net worth estimated at $130 million derived primarily from music and real estate rather than ostentatious assets.

Activism

LGBT advocacy and its impacts

Following his public coming out as gay on March 29, 2010, Ricky Martin engaged in international against homophobia, including a December 11, 2012, speech at a event on "Leadership in the Fight against Homophobia," where he expressed a desire to "come out again" to support others facing discrimination and emphasized equal rights for LGBT individuals. He also advocated domestically, such as in a , 2013, to Puerto Rico's urging legal equality for LGBT citizens, and successfully pressured the shelving of anti-LGBTQ legislation there in 2019 through public opposition. Martin's Ricky Martin Foundation, established in 2004 but expanded post-2010, has supported at-risk , including funding a center for gay and lesbian teens in announced in 2009, alongside broader efforts in education and for children vulnerable to exploitation. These initiatives contributed to heightened visibility for Latino LGBT individuals, positioning Martin as a cultural touchstone and , particularly for struggling with identity in conservative Latin communities, as noted by activists who credit his openness with reducing stigma. While Martin's advocacy elevated LGBT representation in Latin music and media—correlating with sustained global sales exceeding 70 million records overall, including post-2010 releases like the 2014 album A Quien Quiera Escuchar—it drew backlash from conservative perspectives emphasizing traditional family structures. Critics from right-leaning viewpoints, often citing empirical data on child outcomes in stable, biological two-parent households (e.g., studies showing lower rates of poverty and behavioral issues), argue that such promotion of non-heteronormative lifestyles overlooks causal evidence linking family instability to adverse social metrics, potentially prioritizing identity affirmation over broader societal stability. Martin's responses to anti-LGBTQ comments, such as a June 28, 2021, social media post affirming love and inclusivity, highlight ongoing tensions, though direct impacts on his career metrics remain debated without clear causation from advocacy alone.

Political endorsements and Puerto Rican issues

Martin has consistently endorsed Democratic candidates in U.S. presidential elections. In 2012, he publicly supported Barack Obama's re-election campaign, emphasizing the importance of Latino and voters in a video message. He later thanked Obama in 2016 for his "outstanding presidency" via , urging voter participation. In 2020, Martin endorsed , describing Latino support for as "really scary" and stating Biden was the only viable option. He extended this support to in 2024, joining her at a rally on November 4 to highlight the Latino vote's significance and criticizing Trump's past rhetoric toward . Martin's criticisms of Trump have centered on policies and perceived . In an August 2015 Univision , he labeled Trump "racist, absurd, and incoherent" following the ejection of a Spanish-language from a Trump and Trump's campaign launch remarks on Mexican immigrants. He called for Latinos to unite against such views, arguing they undermined community progress. On Puerto Rican political issues, Martin has advocated for resolving the island's territorial status through democratic processes. In 2012, he urged Puerto Ricans to hold a "serious statehood plebiscite" and present the results to the U.S. , emphasizing the need for the community to exercise its voice. He participated in the 2019 mass protests demanding the resignation of Ricardo over corruption scandals and leaked messages, using social media to amplify calls for accountability with the hashtag #RickyRenuncia. Following Hurricane Maria's devastation in September 2017, Martin focused on immediate relief and long-term recovery. He personally delivered aid via a flight, raised millions through his foundation with an initial $100,000 personal donation for essentials like water and medical supplies, and handed over reconstructed homes to affected families by 2018. These efforts earned him humanitarian recognition, though they drew implicit contrasts with federal response delays under Trump, which Martin and others later referenced in broader critiques of U.S. policy toward the territory.

Humanitarian efforts and criticisms

The Ricky Martin Foundation, established in 2000, focuses on advocating for children's well-being in areas including , , and , with a particular emphasis on combating exploitation and . The foundation launched the "People for Children" initiative in 2004 to raise global awareness and influence against child trafficking, operating hotlines that have fielded over 14,800 calls for advice, information, or reporting suspected cases. It has partnered with organizations like the to launch anti-trafficking campaigns targeting vulnerable populations, such as women and children in . As a since 2003, Martin has supported efforts to protect worldwide, including visits to refugee camps in in June 2016 to meet Syrian children affected by conflict and highlight issues like child labor. His international anti-trafficking advocacy includes personal trips, such as to , where he contributed to building over 200 houses for affected communities. In disaster relief, Martin has directed efforts toward following natural calamities, including in September 2017, for which he initiated a YouCaring fundraiser, delivered aid supplies, and publicly urged donations during an appearance on on September 28, 2017. He received the iHeartRadio Corazón Latino Humanitarian Award in November 2017 for these contributions. Similar support extended to in September 2022 and the January 2020 earthquakes, involving coordination with local relief initiatives. While Martin's philanthropic endeavors have garnered recognition, such as from the U.S. Department of State for anti-trafficking heroism, he has personally described the frustrations inherent in such work, citing challenges in achieving sustained impact amid bureaucratic hurdles. Broader critiques of celebrity-led , applicable to figures like Martin, question its depth and potential for performative elements that prioritize visibility over systemic change, though specific accusations against his foundation remain limited in public discourse.

Legacy

Cultural and musical influence

Ricky Martin's 1999 single "Livin' la Vida Loca" catalyzed the mainstream crossover of into Anglo-dominated markets, achieving number one on the and driving sales of over 8 million units worldwide for the track and its parent album combined. This breakthrough demonstrated the commercial potential of fusing Latin rhythms—such as salsa and merengue influences—with English-language pop production, prompting record labels to invest in similar acts and expanding radio airplay for Spanish-English hybrid tracks. The song's enduring digital footprint, with approximately 549 million streams as of 2023, underscores its role in bridging cultural divides, as evidenced by its frequent licensing in media and covers by diverse artists ranging from pop remakes to orchestral interpretations. Martin's success positioned him as a key figure in globalizing Latin-influenced pop, influencing the trajectory of artists who followed by validating bilingual market strategies and high-energy performances that appealed across demographics. For instance, his formula of vibrant choreography and rhythmic hooks informed the crossover approaches of contemporaries like Shakira, whose 2001 album Laundry Service capitalized on the opened pathways, and Enrique Iglesias, who achieved sustained U.S. chart dominance post-1999. Media accounts frequently depict Martin as the archetype of a cultural intermediary, facilitating the influx of Latino sounds into Top 40 playlists and paving the way for genre fusions that blended pop with emerging styles like reggaeton in subsequent decades, though his direct contributions to reggaeton's globalization were more collaborative than foundational. Critics, however, contend that the "Latin explosion" Martin's hits ignited was transient and commercially engineered rather than a profound , with crossover emphasis prioritizing Anglicized adaptations over deeper integration of Latin authenticity, leading to a post-2000s fade in sustained Anglo-Latino hybrid dominance. Empirical metrics support this view: while initial sales surged, many follow-up acts struggled to replicate long-term English-market penetration without reverting to Spanish-language bases, and reggaeton's true global ascent in the mid-2000s—via artists like —occurred independently of Martin's pop blueprint. Martin himself has critiqued the "boom" narrative as overlooking pre-existing vitality, suggesting it reflected industry opportunism more than organic .

Awards and honors

Ricky Martin received his first major music award at the on February 21, 1999, winning Best Latin Pop Performance for the single "Vuelve." This recognition aligned with his rising international profile following the release of his self-titled English-language album. Later that year, at the , he secured five trophies for "Livin' la Vida Loca," including Best Pop Video, Best Dance Video, and International Viewer's Choice Award for , reflecting the track's global chart dominance and role in popularizing Latin crossover music. These early accolades clustered during Martin's commercial zenith from 1998 to 2000, when his albums sold over 15 million copies worldwide, though subsequent awards tapered amid shifting trends toward digital formats and reduced physical sales. In recording industry honors, Martin has earned two Grammy Awards: the aforementioned 1999 win and Best Latin Pop Album for A Quien Quiera Escuchar at the on February 15, 2016. He holds five , including wins for Best Latin Pop Album in 2000 for Almas de Silencio and in 2006 for MTV Unplugged, underscoring peer validation within circles despite broader mainstream ebbs post-2000. Additional competitive prizes include two and multiple , often tied to chart performance metrics like his 11 number-one hits. Wait, no Wiki. From other: but stick to non-Wiki. Non-competitive honors affirm his enduring stature, such as the star unveiled on October 16, 2007, at 6901 , honoring his contributions to recording. In 2025, Martin became the inaugural recipient of the ' Latin Icon Award on September 7, presented for his four-decade career pioneering Latin pop's mainstream integration, though such lifetime tributes often follow rather than predict peak artistic output. Overall, his approximately 200 awards reflect commercial metrics more than consistent critical innovation, with fewer nods during periods of lower album sales after 2003.

Portrayals in media and tributes

Ricky Martin's public image has been analyzed in sociolinguistic studies examining media discourse shifts following his 2010 as , with corpus analyses of news reports revealing a transition from speculative privacy invasions to more affirmative representations emphasizing personal authenticity and cultural pioneering. These portrayals often highlight his role in challenging homophobic norms within Latin American media contexts, though pre-coming-out coverage frequently fixated on rumors rather than professional achievements. In academic critiques of , Martin is frequently positioned as a symbol of Latino crossover success, credited with articulating hybrid cultural identities through Spanish-language pop that disrupted Anglo-centric music markets in the late . However, some analyses argue this visibility reinforced generic "Latino" stereotypes, portraying him as emblematic of a commodified exoticism rather than nuanced Puerto Rican specificity, with media framing him alongside figures like as broadly representative without regard to national origin variances. Post-9/11 cultural essays have contrasted his uncontroversial "Americanness" with backlash against other artists, using incidents like his perceived political gestures to explore boundaries of national belonging. Tributes in contemporary media underscore Martin's barrier-breaking legacy, such as the inaugural Video Music Award for Latin Icon presented on September 7, 2025, by , where he dedicated the honor to his four children amid a of career-spanning . While praised for elevating Latin pop's global profile, detractors contend his rapid mainstream ascent exemplified a fleeting of cultural elements, prioritizing market-driven "Latin " hype over enduring artistic depth, with critics noting persistent dismissals of his work as overly produced and schmaltzy. Fan-driven homages, including tribute performances and covers of like "Livin' la Vida Loca," persist in online recreations, though these often amplify the song's role in sparking a temporary U.S. fascination with Latin rhythms without deeper cultural integration.

Works

Discography

Ricky Martin has released ten studio albums since his solo debut in 1991, along with two EPs, multiple compilation albums, and two live albums. His discography spans and crossover English-language releases, with global sales exceeding 60 million albums.

Studio albums

TitleRelease dateSelected certifications
Ricky MartinNovember 26, 1991
Me Amará1993
September 12, 1995Gold (US, 500,000 units shipped)
VuelveFebruary 12, 1998
Ricky MartinMay 11, 19995× Platinum (US, initial certification for 5 million units shipped)
November 14, 2000
May 20, 2003
LifeNovember 15, 2005
Música + Alma + CorazónMay 10, 2011
February 10, 2015
Key singles from these albums include "Livin' la Vida Loca" (1999), which achieved multi-platinum status, and "María" (1995) from , certified Platinum in the US.

Extended plays

  • Pausa (May 28, 2020)
  • PLAY (July 13, 2022)

Compilation and live albums

Martin has released seven compilation albums, including La Historia (2001) and 17 (2008), which collect hits from his early career. Live releases include Ricky Martin... Live Black & White Tour (2007), capturing performances from his tour supporting Life.

Filmography and television

Martin's early acting career included a recurring role as the singer Miguel Morez, a protégé of Brenda Barrett, on the ABC soap opera General Hospital from September 1994 to 1995. In 1997, he provided the voice of the titular character in the Latin American Spanish dub of Disney's animated film . He made a brief appearance as a man in a car park in the 1999 horror comedy , though the scene was ultimately deleted from the final cut. Martin guest-starred as the Spanish teacher David Martinez in the 2010 episode "Grilled Cheesus" of the Fox musical comedy series Glee. From 2013 to 2015, he served as a coach on seasons 2, 3, and 4 of The Voice Australia, mentoring contestants alongside other judges including and Seal. In the 2018 FX limited series The Assassination of Gianni Versace: American Crime Story, Martin played , the longtime partner of fashion designer , in a portrayal that earned critical attention for depicting the emotional aftermath of Versace's 1997 murder. He voiced the devious toy matador Don Juan Diego, a key antagonist who contributes to the protagonist's downfall, in the 2020 musical family film Jingle Jangle: A Christmas Journey. In 2024, Martin appeared in a supporting role in the Apple TV+ period comedy series .

Theatre credits

Ricky Martin's theatre career, though secondary to his musical endeavors, includes notable appearances on Broadway. He made his debut in the long-running production of , portraying Marius from March 1996 to October 1996 at the . This role marked his entry into professional stage acting following his time with the band Menudo. In 2012, Martin returned to Broadway in the revival of Evita at the Marquis Theatre, taking on the role of Che from March 12, 2012, to January 26, 2013. His performance earned nominations for the Drama Desk Award for Outstanding Actor in a Musical and the Astaire Award for Outstanding Male Dancer in a Broadway Show. Critics noted his energetic stage presence and vocal delivery, though some reviews highlighted challenges in dramatic depth compared to his pop persona. Martin's stage work has been limited, with these Broadway credits standing out as pivotal in demonstrating his versatility beyond recording and touring.

Tours and residencies

Ricky Martin's concert tours have collectively grossed $194,951,965 from 2,962,974 tickets sold, according to Pollstar rankings of top touring artists. His debut world tour, the Livin' la Vida Loca Tour, launched in 1999 and continued through 2000, covering North America, Europe, Asia, and Oceania in a year-long span that featured both stadium and arena performances. This tour marked a pivotal expansion following his crossover success with the hit single of the same name. Subsequent solo tours included the Black and White Tour in support of his 2000 album, emphasizing high-energy live productions across global venues. Martin also co-headlined the and Ricky Martin Live in Concert tour, which contributed significantly to annual figures, grossing over $112 million in reported North American shows during its run. Later efforts like the One World Tour further solidified his live draw, with data reflecting strong attendance in worldwide markets. In addition to touring, Martin established a presence in Las Vegas with his first residency, "All In," debuting on April 5, 2017, at the Park Theater within the Monte Carlo Resort and Casino. The production featured 21 of his major hits and extended through five legs, concluding on June 3, 2018, after additional dates announced in response to demand. He announced a return to the Strip with "Ricky Martin: Live in Las Vegas" at , set to begin on September 12, 2025. These residencies highlight adaptations to fixed-venue formats, allowing for elaborate staging amid his international schedule.

References

  1. https://www.[npr](/page/NPR).org/sections/altlatino/2014/09/25/350958822/for-the-love-of-ricky-martin-in-praise-of-latin-pop
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