The Parque México (English: lit. "Mexico Park"), officially Parque San Martín, is a large urban park located in Colonia Hipódromo in the Condesa area of Mexico City. It is recognized by its Art Deco architecture and decor as well as being one of the larger green areas in the city. In 1927, when the surrounding neighborhood of Colonia Hipódromo was being built, the park was developed on the former site of the horse race track of the Jockey Club de México. Today, Parque México is not only the center of Colonia Hipódromo, it is also the cultural center of the entire La Condesa section of the city.

The park is located on Avenida México and Calle de Michoacán in Colonia Hipódromo, only two blocks from Avenida Insurgentes, one of the city’s main arteries. It was the first modern park, created with an architectural design. It copies many of the elements of European gardens, such as ponds and walkways. It has an extension of nine hectares in an elliptical design. The park differs from other major parks such as the Alameda Central or Parque España. More traditional parks in Mexico City have paths that cut diagonally through them, but Parque Mexico's paths are more “organic” and less rigid, wandering around the various attractions. The park hosts various cultural events, neighborhood gatherings and considered to be fashionable place to meet people. One can see children playing soccer and riding bikes while adults stroll or exercise or just relax on the benches.

The park contains a number of other fountains, ponds, waterfalls and light posts that simulate tree trunks. A large pond or small lake is inhabited by ducks and swans. Many of the trees and other plants are native to humid areas of the Mediterranean such as Lebanese cypress, mimosas, and palms. There is also more exotic flora such as bamboo. Some of the existing trees were planted when the park was established. The clock tower is Art Deco with ironwork and bells to mark the hour. In the past, the clock tower played classical music to mark the hour.

The best known feature is the Teatro al Aire Libre Lindbergh (Lindbergh Open Air Theater), or simply Foro Lindbergh (Lindbergh Forum) which consists of five monumental pillars, topped with marquesinas and surrounded by a serpentine pergola. There is also a fountain (Fuente de los Cántaros) with a sculpture of a woman with large jars, from which water used to flow. This was created by José María Hernández Urbina; the model was Luz Jiménez, who also modeled for Diego Rivera. The five pillars define the stage area, which also contains a four-section relief/mural by Roberto Montenegro, called “Alegoría al Teatro. The forum is in an extreme disrepair, though in January 2013 the borough announced that it had secured budget to repair it.

The park is the center of Colonia Hipódromo, which was built around it. Most of the colonia’s streets follow the lines of or lead to the park, and the houses that surround the park match the park’s Art Deco style. Around the park are a number of important architectural examples from the 1920s and 1930s such as the Edificio San Martín and the Edificio México. The building is important because it retains classic architectural features prevalent in the 1930s, such as the bedrooms having the best views, rather than the living room. This building was restored between 1998 and 2001 by architect Carlos Duclaud, when it was almost completely in ruins.

The park not only serves as the center of Colonia Hipodromo, it is also the defining element of the larger Condesa area of the city. The park is also considered to be “lungs” of the Condesa.

The park has been recognized by the Instituto Nacional de Antropología e Historia (INAH), as part of the heritage of the city.

The park was created at the same time as Colonia Hipódromo in the 1920s. The entire Condesa area, along with Colonia Roma, was part of a hacienda of the Countess (condesa) of Miravalle. The Countess held horse races on her property, where Parque Mexico is now. The hacienda was sold and developed bit by bit until all that remained was the race track, which could not be developed into residential units because of environmental laws.