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Phil Abraham
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Phil Abraham is an American cinematographer and television director. He has received nominations for eight Primetime Emmy Award nominations winning in 2008. He is known for his work on the HBO crime drama series The Sopranos and the AMC period drama series Mad Men.
Key Information
Career
[edit]He worked on all six seasons of The Sopranos, initially as a camera operator,[1] then as a cinematographer and eventually as an episodic director.
He won the 2008 Primetime Emmy Award for Outstanding Cinematography for a One Hour Series for his work on the pilot of Mad Men and has been nominated for four other Primetime Emmy Awards for Outstanding Cinematography for a Single-Camera Series for his work on The Sopranos. Besides working as a cinematographer for Mad Men, he has also worked as a director for fifteen episodes. He picked up two more nominations for a Primetime Emmy Award for Outstanding Directing for a Drama Series for Mad Men episodes "The Jet Set" and "The Other Woman".[2] He attended high school at York Preparatory School and graduated from Wesleyan University, along with Mad Men creator Matthew Weiner.
Filmography
[edit]Director
[edit]| Year | Title | Episode(s) |
|---|---|---|
| 2007-2015 | Mad Men | "The Hobo Code" |
| "Maidenform" | ||
| "The Jet Set" | ||
| "Out of Town" | ||
| "The Fog" | ||
| "Souvenir" | ||
| "Public Relations" | ||
| "The Summer Man" | ||
| "Chinese Wall" | ||
| "Lady Lazarus" | ||
| "The Other Woman" | ||
| "The Quality of Mercy" | ||
| "The Better Half" | ||
| "The Strategy" | ||
| "Lost Horizon" | ||
| 2007 | The Sopranos | "Remember When" |
| 2008 | Crash | "F-36, Sprint Left, T-4" |
| 2009 | Breaking Bad | "Over" |
| 2009-2010 | Sons of Anarchy | "Service" |
| "June Wedding" | ||
| 2010 | Mercy | "I Did Kill You, Didn't I?" |
| White Collar | "Bottlenecked" | |
| 2011 | The Good Wife | "Wrongful Termination" |
| Lights Out | "Head Games" | |
| The Walking Dead | "Save the Last One" | |
| Hell On Wheels | "A New Birth of Freedom" | |
| The Playboy Club | "A Tryst of Fate" (unaired) | |
| 2011-2013 | The Killing | "Super 8" |
| "Ogi Jun" | ||
| "Sayonara, Hiawatha" | ||
| "From Up Here" | ||
| 2012 | Elementary | "You Do It Yourself" |
| Boss | "Redemption" | |
| Weeds | "Five Miles from Yetzer Hara" | |
| 2013 | Masters of Sex | "Phallic Victories" |
| Hostages | "Burden of Truth" | |
| The Following | "The Siege" | |
| 2013-2015 | Orange Is the New Black | "Moscow Mule" |
| "A Whole Other Hole" | ||
| "It Was the Change" | ||
| "We Can Be Heroes" | ||
| "Trust No Bitch" | ||
| 2014 | Those Who Kill | "Rocking The Boat" |
| 2014-2015 | The Strain | "The Master" |
| "The Assassin" | ||
| "Dead End" | ||
| 2014-2016 | Ray Donovan | "Gem and Loan" |
| "Federal Boobie Inspector" | ||
| 2015 | Halt and Catch Fire | "New Coke" |
| "Heaven is A Place" | ||
| 2015-2016 | Bates Motel | "Norma Louise" |
| "Till Death Do You Part" | ||
| 2015-2018 | Daredevil | "Into the Ring"[3] |
| "Cut Man" | ||
| "Bang" | ||
| "Dogs to a Gunfight" | ||
| "One Last Shot" | ||
| 2016 | Good Behavior | "The Ballad of Little Santino" |
| 2017 | The Defenders | "Royal Dragon" |
| 2018 | Ozark | "Game Day" |
| "Outer Darkness" | ||
| 2019 | Jack Ryan | "Cargo" |
| "Tertia Opio" | ||
| Castle Rock | "Restore Hope" | |
| "New Jerusalem" | ||
| 2020 | Most Dangerous Game | "The Offer" |
| "The Motivation" | ||
| "The Rules" | ||
| "The Acceptance" | ||
| "The Start" | ||
| "Wash Hands After Using" | ||
| "No Running on the Platform" | ||
| "Please Whisper in Church" | ||
| "Return Tools to their Place" | ||
| "Five for Fighting" | ||
| "You Always Remember Your First" | ||
| "A Ship Is Safe Only In Port" | ||
| "Always Gets a Second Opinion" | ||
| "What's Old Is New Again" | ||
| "Game Over" | ||
| 2023 | Hunters | "The Trial of Adolf Hitler" |
| "Only the Dead" | ||
| "The Fare" | ||
| "Buenos Aires" | ||
| "Van Glooten's Day 1972 Butter Sculptor of the Year" | ||
| FUBAR | "Pilot" |
Cinematographer
[edit]| Year | Title | Episode(s) |
|---|---|---|
| 2007 | Mad Men | "Smoke Gets in Your Eyes" |
| "Ladies Room" | ||
| "Marriage of Figaro" | ||
| "New Amsterdam" | ||
| "Babylon" | ||
| 2006 | Six Degrees | "Pilot" |
| 1999-2007 | The Sopranos | "The Legend of Tennessee Moltisanti" |
| "Boca" | ||
| "A Hit is a Hit" | ||
| "Nobody Knows Anything" | ||
| "Isabella" | ||
| "I Dream of Jeannie Cusamano" | ||
| "Guy Walks Into a Psychiatrist's Office" | ||
| "Do Not Resuscitate" | ||
| "Toodle-Fucking-Oo" | ||
| "Commendatori" | ||
| "Big Girls Don't Cry" | ||
| "The Happy Wanderer" | ||
| "D-Girl" | ||
| "Full Leather Jacket" | ||
| "From Where to Eternity" | ||
| "Bust-Out" | ||
| "House Arrest" | ||
| "The Knight in White Satin Armor" | ||
| "Funhouse" | ||
| "Proshai, Livushka" | ||
| "Second Opinion" | ||
| "The Telltale Moozadell" | ||
| "Pine Barrens" | ||
| "Army of One" | ||
| "For All Debts Public and Private" | ||
| "Christopher" | ||
| "The Weight" | ||
| "Mergers and Acquisitions" | ||
| "Whoever Did This" | ||
| "Calling All Cars" | ||
| "Whitecaps" | ||
| "Two Tonys" | ||
| "Where's Johnny?" | ||
| "Irregular Around the Margins" | ||
| "Sentimental Education" | ||
| "Unidentified Black Males" | ||
| "The Test Dream" | ||
| "All Due Respect" | ||
| "Members Only" | ||
| "Mayham" | ||
| "Mr. & Mrs. John Sacrimoni Request" | ||
| "Luxury Lounge" | ||
| "The Ride" | ||
| "Cold Stones" | ||
| "Soprano Home Movies" | ||
| "Walk Like a Man" | ||
| "The Blue Comet" |
Awards and nominations
[edit]| Organizations | Year | Category | Work | Result | Ref. |
|---|---|---|---|---|---|
| Primetime Emmy Awards | 2000 | Outstanding Cinematography for a Series (One Hour) | The Sopranos (episode: "D–Girl") | Nominated | [4] |
| 2004 | Outstanding Cinematography for a Series (One Hour) | The Sopranos (episode: "Irregular Around the Margins") | Nominated | [5] | |
| 2006 | Outstanding Cinematography for a Series (One Hour) | The Sopranos (episode: "The Ride") | Nominated | [6] | |
| 2007 | Outstanding Cinematography for a Series (One Hour) | The Sopranos (episode: "Soprano Home Movies") | Nominated | [7] | |
| 2008 | Outstanding Cinematography for a Series (One Hour) | Mad Men (episode: "Smoke Gets in Your Eyes") | Won | [8] | |
| 2009 | Outstanding Directing for a Drama Series | Mad Men (episode: "The Jet Set") | Nominated | [9] | |
| 2012 | Outstanding Directing for a Drama Series | Mad Men (episode: "The Other Woman") | Nominated | [10] | |
| 2020 | Outstanding Short Form Comedy or Drama Series | Most Dangerous Game | Nominated | [11] |
References
[edit]- ^ "An Offer He Could Not Refuse: Phil Abraham Shoots 'The Sopranos'" (PDF). Tiffen Xpressions. April 2000. Archived from the original (PDF) on September 28, 2010. Retrieved April 21, 2015.
- ^ "Nominees/Winners". Television Academy. Retrieved 9 September 2019.
- ^ "Daredevil". British Board of Film Classification. February 18, 2015. Archived from the original on June 16, 2018. Retrieved February 18, 2015.
- ^ "2000 Primetime Emmy Awards". Primetime Emmy Awards. Retrieved July 9, 2025.
- ^ "2004 Primetime Emmy Awards". Primetime Emmy Awards. Retrieved July 9, 2025.
- ^ "2006 Primetime Emmy Awards". Primetime Emmy Awards. Retrieved July 9, 2025.
- ^ "2007 Primetime Emmy Awards". Primetime Emmy Awards. Retrieved July 9, 2025.
- ^ "2008 Primetime Emmy Awards". Primetime Emmy Awards. Retrieved July 9, 2025.
- ^ "2009 Primetime Emmy Awards". Primetime Emmy Awards. Retrieved July 9, 2025.
- ^ "2012 Primetime Emmy Awards". Primetime Emmy Awards. Retrieved July 9, 2025.
- ^ "2020 Primetime Emmy Awards". Primetime Emmy Awards. Retrieved July 9, 2025.
External links
[edit]
Phil Abraham
View on Grokipediafrom Grokipedia
Early life and education
Family background
Phil Abraham's family background is not detailed in available biographical sources, with public records focusing primarily on his professional career and education rather than personal or familial history. He is known to have been born in the United States during the 20th century.Academic background
Phil Abraham completed his secondary education at York Preparatory School in New York City.[4] He subsequently enrolled at Wesleyan University in Middletown, Connecticut, where he focused on film studies as part of the university's liberal arts curriculum.[2][5] Abraham earned a bachelor's degree from Wesleyan in 1982.[6]Career
Early career and entry into television
After graduating from Wesleyan University with a degree in film, Phil Abraham began his professional career in the late 1980s as a camera assistant, apprenticing under established cinematographers to hone his technical skills.[7][8] His early credits included serving as an assistant camera operator on the 1987 comedy Planes, Trains and Automobiles, directed by John Hughes, where he contributed to the film's New York-shot sequences.[9] By the early 1990s, Abraham had advanced to first assistant camera roles on several feature films, including Robert Benton's Nobody's Fool (1994), a character-driven drama starring Paul Newman, and other projects such as Heaven's Prisoners (1996) and Diabolique (1996).[7][10] Transitioning to more hands-on cinematography work, Abraham served as director of photography on independent features like Trouble on the Corner (1996) and Cherry (1999), gaining experience in low-budget productions that emphasized narrative intimacy and practical lighting.[11] These roles allowed him to develop a versatile style suited to both dramatic and comedic tones, building on his apprenticeship years spent shadowing mentors in New York and Los Angeles.[9] Abraham's entry into television came in 1999 with HBO's groundbreaking series The Sopranos, where he initially joined as camera operator under lead cinematographer Alik Sakharov for the first season's early episodes.[11] His technical proficiency quickly led to promotion as director of photography for six episodes in the first season and the full second season, where he helped establish the show's signature realistic aesthetic—avoiding glamorous mob stereotypes in favor of naturalistic, location-based visuals that captured the gritty suburbs of New Jersey.[11] This work on The Sopranos marked Abraham's breakthrough in episodic television, spanning all six seasons of the series and laying the foundation for his subsequent collaborations in prestige TV.[9]Cinematography work
Phil Abraham's cinematography career in television is marked by his contributions to critically acclaimed series, where he emphasized naturalistic lighting, dynamic framing, and a balance of intimacy and tension to enhance narrative depth. After apprenticing on smaller projects, he gained prominence through his work on HBO's The Sopranos (1999–2007), initially as a camera operator for the pilot and first three episodes under Alik Sakharov, before assuming the role of director of photography for six episodes of season 1 and numerous episodes across the subsequent seasons of the series' six seasons.[11] His visual approach on The Sopranos supported the show's exploration of psychological complexity, using subtle desaturation and fluid camera movements to mirror the characters' internal conflicts, earning Primetime Emmy Award nominations for Outstanding Cinematography for a Single-Camera Series in 2000 (season 2), 2004 (season 5), 2006 (season 6, part 1), and 2007 (season 6, part 2). Abraham's collaboration with AMC continued on Mad Men (2007–2015), where he served as director of photography for the pilot episode, "Smoke Gets in Your Eyes," directed by Alan Taylor, as well as additional episodes in season 1, including "Babylon" and "New Amsterdam."[1] His cinematography captured the mid-20th-century aesthetic through warm, period-accurate lighting and composed wide shots that underscored themes of ambition and isolation, culminating in a 2008 Primetime Emmy win for Outstanding Cinematography for a One-Hour Series for the pilot. This work established his reputation for elevating prestige dramas with visually sophisticated storytelling. Beyond these landmark series, Abraham lensed pilots for several network shows, demonstrating versatility across genres. Notable examples include the crime drama pilot M.O.N.Y. (2002) for NBC, directed by Spike Lee, where his urban cinematography amplified the gritty ensemble narrative; the ensemble drama Six Degrees (2006) pilot for ABC, directed by Rodrigo Garcia; and the legal pilot Lenny Rose (2003) for ABC, directed by Ken Olin.[1] These projects highlighted his ability to adapt to diverse directorial visions while maintaining a consistent emphasis on character-driven visuals.Directing career
Phil Abraham transitioned to directing during his tenure as cinematographer on Mad Men, where he helmed his first episode, season 2's "The Hobo Code," following an Emmy win for outstanding cinematography on the series pilot.[9] Over the course of the show's run from 2007 to 2015, Abraham directed 15 episodes, contributing to its distinctive visual and narrative style by emphasizing precise, character-driven moments that highlighted internal conflicts and surreal escapes.[9] His work earned a 2009 Emmy nomination for outstanding directing in a drama series for "The Jet Set," an episode that contrasted the mundane office life at Sterling Cooper with the protagonists' liberating yet disorienting experiences in Los Angeles, infusing scenes with a dreamlike quality to underscore themes of identity and freedom.[12] Abraham's directing approach on Mad Men focused on collaboration with the cast, allowing actors like Elisabeth Moss and John Slattery to infuse scenes with authenticity—such as Moss's roller-skating sequence in the series finale "Lost Horizon"—while occasionally breaking traditional rules like the 180-degree line to evoke emotional disorientation during pivotal transitions, such as the agency's dissolution.[13] He described the experience as a career pinnacle, building on his Sopranos background to foster a familial dynamic with the crew and actors, resulting in tightly controlled visuals that amplified the show's slow-burn tension.[13] Expanding beyond Mad Men, Abraham directed episodes of acclaimed series including Bates Motel (where he reimagined Hitchcock's iconic shower scene with Rihanna as a guest star), Daredevil, The Walking Dead, and the first two episodes of Tom Clancy's Jack Ryan season 2.[14] In 2020, he directed and executive produced the thriller series Most Dangerous Game for Quibi (later made available on the Roku Channel after Quibi's shutdown), earning praise for its high-stakes action and atmospheric tension.[15] His recent credits include executive producing and directing on Amazon's Hunters and Netflix's FUBAR, Arnold Schwarzenegger's debut TV lead in a spy comedy, where he helmed the pilot episode.[16] In 2025, Abraham directed episodes of the second season of Netflix's FUBAR. In 2023, Abraham was tapped to direct and executive produce Beverly Hills Noir, a Halcyon Studios adaptation of James Ellroy's Gemstone, centering on female detectives navigating corruption in 1950s Los Angeles.[14] A 2012 Emmy nominee for outstanding directing in a drama series, Abraham continues to blend his cinematographic expertise with narrative precision across prestige television.[3]Filmography
As cinematographer
Phil Abraham served as director of photography on numerous television series, pilots, and feature films, contributing to the visual aesthetics of several critically acclaimed projects. His early work in features included Trouble on the Corner (1997), a crime drama directed by Alan Madison, and Cherry (2000), a romantic comedy co-directed by Jon Glascoe and Joe Pierson.[1] In television, Abraham's breakthrough came with HBO's The Sopranos (1999–2007), where he worked as director of photography across all six seasons, handling 23 episodes and sharing duties with Alik Sakharov after starting as a camera operator. His cinematography helped define the series' gritty, cinematic look, earning him multiple Primetime Emmy Award nominations.[17][18][19] Abraham also lensed pilots for several networks, such as Six Degrees (2006) for ABC, directed by Rodrigo Garcia, and M.O.N.Y. (2007) for NBC, directed by Spike Lee. His work on AMC's Mad Men pilot, "Smoke Gets in Your Eyes" (2007), directed by Alan Taylor, earned him the 2008 Primetime Emmy for Outstanding Cinematography for a One-Hour Series; he additionally shot four episodes across the first four seasons.[1][19][20] Later feature credits include Annapolis (2006), a sports drama directed by Justin Lin for Buena Vista Pictures, and I Love You, Beth Cooper (2009), a teen comedy directed by Chris Columbus for Fox Atomic. Abraham's television pilots extended to projects like Lenny Rose (2008) for ABC, directed by Ken Olin, and Born in Brooklyn for ABC, directed by John Fortenberry.[1]As director
Phil Abraham transitioned from cinematography to directing in the mid-2000s, helming episodes across a range of acclaimed television series in genres including crime drama, period pieces, and action thrillers. His directorial debut came with an episode of The Sopranos, and he went on to contribute to high-profile shows like Mad Men, for which he directed 15 episodes over the series' run, earning recognition for his visual storytelling that complemented his background in camera work. Abraham's directing style often emphasizes atmospheric tension and character-driven narratives, drawing on his extensive experience behind the lens.| Year | Series | Episode(s) | Notes |
|---|---|---|---|
| 2007 | The Sopranos | "Remember When" (Season 6, Episode 15) | Directorial debut; focused on Tony and Paulie's road trip reflecting on past crimes. [21] |
| 2008 | Crash | "TF-36, Sprint Left, T-4" (Season 1, Episode 11) | Explored urban tensions in Los Angeles. [22] |
| 2009 | Breaking Bad | "Over" (Season 2, Episode 10) | Highlighted Walter White's midlife crisis and domestic strains. [23] |
| 2009 | Sons of Anarchy | "Service" (Season 2, Episode 11) | Centered on club betrayals and law enforcement pressures. [24] |
| 2010 | Sons of Anarchy | "June Wedding" (Season 3, Episode 1) | Opened the season with a wedding amid escalating gang warfare. [25] |
| 2007–2015 | Mad Men | 15 episodes, including "The Fog" (Season 3, Episode 5), "Public Relations" (Season 4, Episode 1), and "Lost Horizon" (Season 7, Episode 12) | Contributed to the series' signature stylistic elegance; nominated for Emmy for directing "The Other Woman" (Season 5, Episode 11). [26] |
| 2011 | The Good Wife | "Wrongful Termination" (Season 2, Episode 19) | Dealt with class-action lawsuits and ethical dilemmas in legal practice. [27] |
| 2015 | Daredevil | "Cut Man" (Season 1, Episode 2), among others | Part of the Marvel Netflix universe; emphasized gritty vigilante action. [28] |
| 2017 | Ozark | "My Dripping Sleep" (Season 1, Episode 3), "Coffee, Black" (Season 1, Episode 9) | Advanced the Byrde family's money-laundering saga in the Ozarks. [29] |
| 2017–2019 | GLOW | 3 episodes, including "Debbie Does Something" (Season 1, Episode 5), "Rosalie" (Season 2, Episode 9), "The Libertines" (Season 3, Episode 9) | Explored the 1980s wrestling circuit and personal backstories. [30] |
| 2019 | Tom Clancy's Jack Ryan | Episodes from Season 2 | Involved international espionage and CIA operations. [31] |
| 2020 | Most Dangerous Game | Multiple episodes, including "The Offer" (Season 1, Episode 1) | Survival thriller based on Richard Connell's short story. [32] |
| 2023–2025 | FUBAR | "Take Your Daughter to Work Day" (Season 1, Episode 1), "Royally Flushed" (Season 1, Episode 5), and Season 2 episodes including "Tango and Smash" (Season 2, Episode 3) | Spy comedy-action series starring Arnold Schwarzenegger; Abraham also executive produced the pilot. [33] |
Awards and nominations
Primetime Emmy Awards
Phil Abraham has received multiple Primetime Emmy Award nominations across cinematography and directing categories, with one win for his work on the pilot episode of Mad Men. His contributions to acclaimed series like The Sopranos and Mad Men earned him recognition for technical excellence and narrative vision in television production.[3][18]Emmy Win
Abraham won the Primetime Emmy for Outstanding Cinematography for a Single-Camera Series in 2008 for the Mad Men pilot episode, "Smoke Gets in Your Eyes," broadcast on AMC. This award highlighted his ability to capture the 1960s aesthetic through meticulous lighting and composition, setting the visual tone for the series. The win came during the 60th Primetime Emmy Awards ceremony.[34]Emmy Nominations
Abraham's nominations span several years and roles, reflecting his versatility from cinematography to directing and producing. He received five nominations for cinematography—four on The Sopranos between 2000 and 2007, and one for the pilot episode of Mad Men in 2008—underscoring his contributions to HBO and AMC series. In directing, he was nominated twice for episodes of Mad Men. Additionally, as an executive producer, he earned a nomination for the short-form series Most Dangerous Game in 2020. The following table summarizes his Primetime Emmy nominations:| Year | Category | Show/Episode | Role | Network | Outcome |
|---|---|---|---|---|---|
| 2000 | Outstanding Cinematography for a Single-Camera Series | The Sopranos (various episodes) | Director of Photography | HBO | Nominee |
| 2004 | Outstanding Cinematography for a Single-Camera Series | The Sopranos (Season 4) | Director of Photography | HBO | Nominee |
| 2006 | Outstanding Cinematography for a Single-Camera Series | The Sopranos (Season 6) | Director of Photography | HBO | Nominee |
| 2007 | Outstanding Cinematography for a Single-Camera Series | The Sopranos ("Soprano Home Movies") | Director of Photography | HBO | Nominee |
| 2008 | Outstanding Cinematography for a Single-Camera Series | Mad Men ("Smoke Gets In Your Eyes") | Director of Photography | AMC | Winner |
| 2009 | Outstanding Directing for a Drama Series | Mad Men ("The Jet Set") | Director | AMC | Nominee |
| 2012 | Outstanding Directing for a Drama Series | Mad Men ("The Other Woman") | Director | AMC | Nominee |
| 2020 | Outstanding Short Form Comedy or Drama Series | Most Dangerous Game | Executive Producer | Quibi | Nominee |