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Norbert Brodine
Norbert Brodine
Norbert Brodine
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Nobert Brodine (December 16, 1896 – February 28, 1970), also credited as Norbert F. Brodin and Norbert Brodin, was an American film cinematographer. The Saint Joseph, Missouri-born cameraman worked on over 100 films in his career before retiring from film making in 1953, at which time he worked exclusively in television until 1960.[1]

Key Information

Career

[edit]

Brodine began his cameraman career working in a camera shop and later building on that experience in the Army Signal Corps, as an army photographer during World War I.[2][3] After studying at Columbia University, he began working as a still photographer in Hollywood before moving to motion pictures in 1919. He began working exclusively for Hal Roach Studios in 1937 and then moved on to 20th Century Fox in 1943.[4]

Brodine's films include the sought after lost film A Blind Bargain (1922) starring Lon Chaney, This Thing Called Love (1929), The Death Kiss (1932), Counsellor at Law (1933), Deluge (1933), The House on 92nd Street (1945), Somewhere in the Night (1946), Boomerang (1947), Kiss of Death (1947), Thieves' Highway (1949), and 5 Fingers (1952).

Brodine shot several films with Laurel and Hardy at both Roach and Fox, such as Pick a Star (1937), Swiss Miss (1938), The Dancing Masters (1943), and The Bullfighters (1945). Brodine moved back to Hal Roach Studios to end his film career in the early 1950s. He worked in television from 1952 to 1960, and finished his career on the well-known television series The Loretta Young Show, for which he won a Primetime Emmy Award.[citation needed]

Brodine died at the age of 73, on February 28, 1970. He was buried at Forest Lawn Memorial Park Cemetery in Glendale, Los Angeles County, California.

Filmography

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Films

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Television

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Racket Squad (1952–1953), TV series, 40 episodes

  • The Case of the Matchmaker (1952)
  • Small Town Racket (1952)
  • Anyone Can Be a Sucker (1952)
  • The Strange Case of James Doyle (1952)
  • One More Dream (1952)
  • Check and Double Check (1952)
  • Heartbreak for Sale (1952)
  • Charge It, Please (1952)
  • A Letter from Tessie (1952)
  • The Expensive Tumble (1952)
  • Beauty for Hire (1952)
  • The Suit Club (1952)
  • The Front Man (1952)
  • At Your Service (1952)
  • The Label Switchers (1952)
  • Blessed Expense (1952)
  • Strictly Legal (1952)
  • The Elephant in Stockings (1952)
  • False Tape (1952)
  • The Christmas Caper (1952)
  • The System (1953)
  • Baby Face Con (1953)
  • The Case of the Dancing Lady (1953)
  • His Brother's Keeper (1953)
  • Friend of the People (1953)
  • Antique Racket (1953)
  • Girl in the Mink Coat (1953)
  • The Big Touch (1953)
  • The White Carnation (1953)
  • Take a Little, Leave a Little (1953)
  • The Case of Lady Luck (1953)
  • The Gentler Sex (1953)
  • Sale Value (1953)
  • Phony Photo Contest (1953)
  • Fraudulent Nursery School (1953)
  • Romance Unlimited (1953)
  • Impatient Heir (1953)
  • Diamond Smugglers (1953)
  • Sting of Fate (1953)
  • The Sure Thing (1953)

Letter to Loretta (a.k.a. The Loretta Young Show) (1953–1960), TV series, 65 episodes

  • Trial Run (1953)
  • The Mirror (1953)
  • Prisoner at One O'Clock (1953)
  • Girl on a Flagpole (1953)
  • Turn of the Card (1953)
  • Earthquake (1953)
  • The One That Got Away (1953)
  • Kid Stuff (1953)
  • The Bronte Story (1953)
  • Thanksgiving in Beaver Run (1953)
  • Love Story (1953)
  • Laughing Boy (1953)
  • The Faith of Chata (1953)
  • The Night My Father Came Home (1953)
  • Hotel Irritant (1953)
  • Inga (1954)
  • Lady Killer (1954)
  • Secret Answer (1954)
  • Big Little Lie (1954)
  • The Hollywood Story (1954)
  • A Family Out of Us (1954)
  • Act of Faith (1954)
  • The New York Story (1954)
  • Nobody's Boy (1954)
  • The Count of Ten (1954)
  • The Clara Schumann Story (1954)
  • Son, This Is Your Father (1954)
  • The First Man to Ask Her (1954)
  • Man's Estate (1954)
  • Forest Ranger (1954)
  • The Enchanted Schoolteacher (1954)
  • The Judgment (1954)
  • Oh, My Aching Heart (1954)
  • Dear Madge (1954)
  • Something Always Happens (1954)
  • Lady in Wet Paint (1954)
  • Big Jim (1954)
  • The Girl Who Knew (1955)
  • Tale of a Cayuse (1955)
  • Week-End in Winnetka (1955)
  • Reunion (1955)
  • Slander (1955)
  • Man in the Ring (1955)
  • A Ticket for May (1956)
  • The Challenge (1956)
  • The Pearl (1956)
  • Tightwad Millionaire (1956)
  • Gesundheit (1956)
  • His Inheritance (1956)
  • The Wise One (1956)
  • The Cardinal's Secret (1956)
  • Incident in Kawi (1956)
  • Take Care of My Child (1956)
  • Miss Ashley's Demon (1957)
  • The Bad Apple (1957)
  • Rummage Sale (1957)
  • The Countess (1957)
  • The Defense (1957)
  • Understanding Heart (1957)
  • The Little Witness (1957)
  • Operation Snowball (1958)
  • Seed from the East (1959)
  • 810 Franklin Street (1959)
  • The Road (1959)
  • Mask of Evidence (1959)
  • Faith, Hope and Mr. Flaherty (1960)

Crown Theatre with Gloria Swanson (1954–1955), TV series, 4 episodes

  • Mr. Influence (1954)
  • Was It Red? (1954)
  • My Last Duchess (1954)
  • The Antique Shop (1955)

Our Gang (a.k.a. Little Rascals) (1955), series cinematography for 1938

Awards

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Year Award Category
1939 Nominated – Oscar Best Cinematography
"Merrily We Live" (1938)
1940 Nominated – Oscar Best Cinematography, Black-and-White
"Lady of the Tropics" (1939)
1952 Nominated – Oscar Best Cinematography, Black-and-White
"The Frogmen" (1951)
1955 Nominated – Primetime Emmy Best Direction of Photography
"Letter to Loretta" (1954)
For episode "The Clara Schumann Story"
1956 Nominated – Primetime Emmy Best Cinematography for Television
"Letter to Loretta" (1955)
For episode "I Remember the Rani"
1957 Won – Primetime Emmy Best Cinematography for Television
"Letter to Loretta" (1956)
For episode "The Pearl"
1958 Nominated – Primetime Emmy Best Cinematography for Television
"Letter to Loretta" (1957)
For episode "Miss Ashley's Demon"

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Norbert Brodine

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''Norbert Brodine'' is an American cinematographer known for his masterful black-and-white cinematography in classic Hollywood films, particularly in film noir and adventure genres, and for his Emmy-winning work in early television. Born Norbert Franklin Brodin on December 16, 1896, in St. Joseph, Missouri, he began his career as a still photographer after serving in the U.S. Army Signal Corps during World War I and studying at Columbia University, transitioning to motion picture cinematography in 1919. Brodine worked at several major studios, including Pathe/RKO, MGM, Universal, and Hal Roach Studios, earning a reputation as an exceptional "outdoor cameraman" skilled in capturing exterior scenes. In 1943, he signed a long-term contract with 20th Century Fox, where he photographed acclaimed films such as Kiss of Death (1947), often cited as his most distinguished work, along with Thieves' Highway (1949), The Frogmen (1951), and 5 Fingers (1952). His contributions earned him two Academy Award nominations for Best Cinematography: for Merrily We Live (1938) in 1939 and for The Frogmen in 1952. After 1953, Brodine shifted to television, serving as director of photography on over 200 episodes of The Loretta Young Show, for which he won the Primetime Emmy Award for Best Cinematography for Television in 1957 and received additional nominations in the category. A member of the American Society of Cinematographers, he retired from active work in the early 1960s and died on February 28, 1970, in Los Angeles, California.

Early life and education

Norbert Brodine was born Norbert Franklin Brodin on December 16, 1896, in St. Joseph, Missouri. He gained his first experience in the field by working in a camera shop before World War I. During World War I, Brodine served as an army photographer in the U.S. Army Signal Corps. After the war, he studied at Columbia University. He subsequently worked as a still photographer in Hollywood before entering motion pictures in 1919.

Film career

Early film career

Norbert Brodine began his career as a motion picture cinematographer in 1919 after studying at Columbia University and working as a still photographer. He transitioned into Hollywood's film industry, gradually building experience through various studio assignments during the silent and early sound eras. In 1929, Brodine worked at Pathe/RKO, before moving to MGM where he served as a cinematographer from 1930 to 1933. He then joined Universal from 1933 to 1936. His early credits from this formative period include A Blind Bargain (1922), This Thing Called Love (1929), The Death Kiss (1932), Counsellor at Law (1933), and Deluge (1933). During these years, Brodine started to develop a reputation as an emerging "outdoor cameraman," honing skills in location-based photography that would later define aspects of his work. This early phase established him within the industry before his subsequent associations with other studios.

Hal Roach Studios

Brodine joined Hal Roach Studios in 1937 and remained under exclusive contract there until 1943, establishing himself as a key cinematographer for the studio's comedy output. During this period he photographed several films starring Laurel and Hardy, including Pick a Star (1937), Swiss Miss (1938), and The Dancing Masters (1943). He also served as cinematographer on Merrily We Live (1938), a comedy featuring Billie Burke and directed by Norman Z. McLeod. His work on Merrily We Live brought Brodine his first Academy Award nomination for Best Cinematography at the 11th Academy Awards in 1939. This recognition underscored his ability to deliver crisp, effective visuals suited to the lighthearted and fast-paced style typical of Hal Roach productions.

20th Century Fox period

In 1943, Norbert Brodine signed a six-year contract with 20th Century Fox, marking the beginning of a productive period at the studio. His tenure at Fox allowed him to apply his established skills as an outdoor cameraman to more dramatic and location-based projects, building on his prior reputation from outdoor work. During this era, Brodine served as cinematographer on several key films that aligned with the studio's output in semi-documentary and noir styles, including The House on 92nd Street (1945), Boomerang! (1947), Kiss of Death (1947)—his most highly regarded work at the studio— Thieves' Highway (1949), The Frogmen (1951), and 5 Fingers (1952). These credits highlighted his ability to capture realistic, atmospheric visuals in varied dramatic contexts. Brodine retired from feature films in 1953.

Notable feature films

Norbert Brodine is best known for his outstanding black-and-white location photography, notably on a series of atmospheric films directed by Henry Hathaway in the late 1940s. During his career, he served as cinematographer on over 100 feature films before transitioning to television in 1953. His work often excelled in capturing realistic urban environments and tense noir atmospheres through effective lighting and on-location shooting. Kiss of Death (1947) stands out as one of his most highly praised efforts, where his cinematography contributed to the film's dark, shadowy noir style and foreboding urban realism. He demonstrated similar expertise in noir lighting on related Hathaway projects such as Boomerang! (1947) and Thieves' Highway (1949), the latter earning strong critical acclaim for its visual intensity. Earlier, he photographed The House on 92nd Street (1945), a pioneering semi-documentary thriller that emphasized authentic location footage in New York to heighten its procedural realism. In the early 1950s, Brodine continued to deliver distinguished work on 5 Fingers (1952), a suspenseful espionage drama noted for its sharp visual tension, and The Frogmen (1951), an underwater adventure that showcased his skill with outdoor and action-oriented sequences. For The Frogmen, he received an Academy Award nomination for Best Cinematography (Black-and-White) at the 24th Academy Awards. These films reflect his consistent ability to enhance narrative mood through precise, atmospheric black-and-white imagery across genres.

Television career

Television career

Following the end of his feature film career in the early 1950s, Norbert Brodine transitioned to television cinematography. He began this phase working on the police drama series Racket Squad, where he served as cinematographer for 45 episodes from 1952 to 1953. Brodine achieved his most sustained role in television as the principal cinematographer on The Loretta Young Show (also known as Letter to Loretta), contributing to 203 episodes from 1953 to 1961. He continued in the same capacity for the program's successor, The New Loretta Young Show, handling cinematography on 21 episodes from 1962 to 1963. For his work on The Loretta Young Show, Brodine won the Primetime Emmy Award for Best Cinematography for Television in 1957, specifically for the 1956 episode "The Pearl." This recognition highlighted his skill in adapting to the technical and aesthetic demands of anthology television production.

Awards and nominations

Norbert Brodine received two nominations for the Academy Award for Best Cinematography, though he did not win any. His first nomination came for Merrily We Live (1938) at the 11th Academy Awards in 1939. His second nomination was for The Frogmen (1951) at the 24th Academy Awards in 1952, in the Best Cinematography, Black-and-White category. Brodine also achieved recognition in television, winning the Primetime Emmy Award for Best Cinematography for Television in 1957 for the episode "The Pearl" of The Loretta Young Show (1956). This marked a notable accomplishment in the emerging field of filmed television production.

Personal life and death

Brodine was married to Catherine Jane Ferguson on September 11, 1924, in Los Angeles, California. She was the sister of actress Helen Ferguson. He was a member of the American Society of Cinematographers (ASC). Brodine died on February 28, 1970, in Los Angeles, California, at the age of 73. He was buried at Forest Lawn Memorial Park in Glendale, California.
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