Pilar Castro

Pilar Castro Parrilla (born 12 October 1970) is a Spanish actress renowned for her versatile performances across film, television, and theater.^[1][2] Trained at the Cristina Rota acting school after beginning her career as a dancer on the television program Aplauso, Castro debuted in acting with secondary roles in films such as Historias del Kronen (1995) and transitioned to prominent screen work in the early 2000s.^[3][4][5] Her breakthrough came with the role of Pilar in Gordos (2009), directed by Daniel Sánchez Arévalo, earning her a nomination for Best Supporting Actress at the 24th Goya Awards in 2010.^[6][7] Castro has since garnered acclaim for roles in Pedro Almodóvar's Julieta (2016) as Claudia, the Netflix horror film Piggy (2022) as Elena, and the romantic drama trilogy Through My Window (2022–2024) as Tere, showcasing her range from intense dramatic parts to lighter comedic turns.^[8][9] On television, she is particularly noted for portraying Belinda Blanco in the comedy series Señoras del (h)AMPA (2019–2022), which highlighted her talent for ensemble dynamics and humor.^[10] In recognition of her contributions to Ibero-American cinema, Castro will receive the City of Huelva Award at the 51st Ibero-American Film Festival in Huelva in November 2025.^[3][8]

Early life and education

Early life

Pilar Castro Parrilla was born on 12 October 1970 in Madrid, Spain.^[11] From a young age, Castro pursued a career in dance, beginning her professional experience as part of the children's Zoom ballet group led by Giorgio Aresu. She gained early visibility through appearances on the Spanish television program Aplauso, broadcast on TVE, where she performed dances and playback alongside artists such as Enrique y Ana. These experiences, which she later described as "wonderful," included idolizing the members of the Zoom ballet and even featuring on the cover of El País alongside Aresu, marking her initial steps in the performing arts.^[12] Castro's time as a dancer laid the foundation for her interest in performance, leading to a pivotal shift toward acting in her early adulthood. This transition involved seeking formal training to develop her skills in interpretation, setting the stage for her subsequent career pursuits.^[11]

Education

Pilar Castro pursued formal acting training at the Escuela de Interpretación Cristina Rota in Madrid, a renowned institution founded in 1979 that emphasizes practical and multidisciplinary approaches to theater education.^[3] After completing her pre-university studies (COU), she enrolled in the school's intensive program, which typically spans nine months and trains around 20 graduates annually through workshops and collaborative exercises.^[5][13] During her studies, Castro honed essential skills in dramatic technique, including improvisation, body awareness, and emotional expression, alongside performance fundamentals such as collective creation and self-critical analysis. The curriculum's focus on these elements, rooted in Cristina Rota's pedagogical method, provided a foundation for authentic character development and stage presence.^[13] Castro has reflected that the school was transformative, stating, "Ahí aprendí todo" (There I learned everything), crediting it with shaping her professional approach to acting.^[14] This training built upon her early dance background, transitioning her from movement-based arts to structured dramatic performance.^[15]

Career

Theatre

Pilar Castro began her theatre career through her training at Cristina Rota's acting school, where she co-founded the experimental theatre company Caracalva alongside Secun de la Rosa in the late 1990s.^[16] This ensemble focused on contemporary and innovative works, emphasizing collaborative creation and intimate explorations of human relationships. One of their seminal productions, Sus realismos (1999), co-written by Castro and de la Rosa and directed by David Lorente, exemplified the company's approach to blending realism with absurd elements in a chamber theatre format.^[17] Caracalva's output, including subsequent pieces like Los Openheart, el triángulo (2002) also co-authored by the pair and directed by Andrés Lima, highlighted Castro's multifaceted role as performer, writer, and producer in fostering experimental narratives that challenged conventional Spanish stage dynamics.^[17] Parallel to her Caracalva commitments, Castro became a key member of the renowned Madrid-based theatre collective Animalario, established in 1997 by fellow Rota alumni including directors Andrés Lima and Juan Cavestany.^[18] Animalario's ensemble-driven methodology prioritized collective authorship and physicality in performances, producing works that dissected social and existential themes through bold, interdisciplinary staging. Castro contributed as an actress in several of their early montages, notably embodying complex emotional layers in Pornografía barata (2002), directed by Lima, where her portrayal in intimate, provocative scenes underscored the group's commitment to raw, unfiltered explorations of desire and mortality.^[19] Her involvement extended to assistant directing roles, such as in Alejandro y Ana (2004) by Cavestany and Juan Mayorga, further integrating her into the company's creative core.^[20] Through these affiliations, Castro significantly influenced the Spanish theatre landscape by championing group theatre models that democratized artistic decision-making and amplified underrepresented voices in contemporary drama.^[21] Animalario and Caracalva's productions, often performed in intimate venues like Madrid's independent spaces, cultivated a vibrant alternative to mainstream theatre, emphasizing improvisation, textual innovation, and ensemble cohesion to address machismo, identity, and urban alienation—issues Castro drew from personal experiences to infuse authenticity into her performances.^[22] This collaborative ethos not only sustained her stage presence but also shaped a generation of actors and directors in Spain's indie scene during the early 2000s.

Film

Pilar Castro made her film debut in Historias del Kronen (1995), directed by Montxo Armendáriz, portraying the character Nuria in this coming-of-age drama about urban youth in Madrid.^[23] Her breakthrough role arrived in Gordos (2009), directed by Daniel Sánchez Arévalo, where she played Pilar, a woman navigating personal loss and unexpected romance in an ensemble story exploring human vulnerabilities through a weight-loss therapy group; the performance drew critical acclaim for its emotional depth and nuance.^[24][25] In Pedro Almodóvar's Julieta (2016), Castro appeared in a supporting capacity as Claudia, the mother of Beatriz, contributing to the film's intimate portrait of maternal longing and regret within a star-studded ensemble. Castro earned a lead role as Helga Pato, a struggling editor entangled in a web of deceit, in Aritz Moreno's black comedy Ventajas de viajar en tren (2019), which highlighted her adept comedic timing and ability to blend sarcasm with psychological intrigue. Demonstrating her range in genre filmmaking, Castro starred as Elena, a resilient mother confronting terror, in Carlota Pereda's thriller Piggy (2022), a tense horror narrative that underscored her versatility in high-stakes, character-driven suspense. Other notable films in Castro's career include:

• Taxi (1996), directed by Carlos Saura, as Marga, a passenger in a taxi driver's nocturnal odyssey through Madrid's underbelly.
• Días de fútbol (2003), directed by David Serrano, as Eva, in a comedic tale of lifelong friends reuniting around a soccer match.
• Los dos lados de la cama (2005), directed by Emilio Martínez-Lázaro, as Carlota, part of a musical ensemble exploring romantic entanglements.
• Official Competition (2021), directed by Mariano Cohn and Gastón Duprat, as Violeta, the pretentious wife of a producer in this satire on the film industry.
• Through My Window trilogy (2022–2024), directed by Marçal Forés and others, as Tere, in a romantic drama series about young love and family dynamics.^[26]

Television

Pilar Castro made her television debut in 1996 with a guest appearance as Pilar Oroño in the daily soap opera Este es mi barrio on Antena 3, marking her entry into Spanish broadcasting.^[27] Early in her career, she took on supporting roles in popular series, building experience in diverse genres from teen dramas to comedies, which helped establish her versatility on screen. In 2007, Castro gained prominence with a recurring role as Emilia Huarte in the family comedy-drama Los Serrano on Telecinco, appearing in 13 episodes during the sixth season and contributing to the show's portrayal of everyday family dynamics.^[28] She followed this with a lead role as Alba in the romantic comedy Cuestión de sexo (2007–2009) on Cuatro, where she appeared in 35 episodes exploring modern relationships.^[29] Castro's television presence expanded in the late 2010s with a prominent role as Asunción "Chon" Moliner in the crime drama Vivir sin permiso (2018–2020) on Telecinco, portraying a resilient family member entangled in a drug empire across 20 episodes. She then shifted to comedy as Belinda Chamorro in Señoras del (h)AMPA (2020–2021) on Telecinco, joining the second season for 13 episodes as a quirky, outspoken character in a dark humor series about mothers and school intrigue. Her recent work includes the starring role of Vera in the 2025 HBO Max black comedy series Furia, an eight-episode anthology highlighting women over 50 confronting societal injustices, signaling her transition to streaming platforms.^[30] Select other television appearances include:

• Al salir de clase (2000–2001, Telecinco): Cristina Angulo, a student navigating high school life in 118 episodes.
• Cuéntame cómo pasó (2003, TVE): Laura, a supporting role in four episodes of the historical family saga.^[29]
• La que se avecina (2014, Telecinco): Clemencia, guest-starring in two episodes of the long-running sitcom.
• Alguien tiene que morir (2020, Telecinco): Belén Aldama, a key figure in the three-episode miniseries about 1950s repression.^[31]
• La última noche en Tremor (2024, Movistar+): María Vargas, central to the thriller's eight episodes involving family secrets.^[28]

Awards and nominations

Film awards

Pilar Castro has received several accolades for her performances in Spanish films, particularly in supporting and leading roles in both feature films and shorts. In 2010, she won the Award of the Spanish Actors Union for Best Film Actress in a Minor Role for her performance in Gordos (also known as Fat People).^[32] That same year, she earned a nomination for Best Supporting Actress at the 24th Goya Awards for the same film.^[33] Castro has been recognized at film festivals for her work in short films. In 2008, she received the Silver Biznaga for Best Actress in a Short Film at the 11th Málaga Film Festival for Test.^[34] In 2011, she won the Biznaga de Plata for Best Actress in a Short Film at the 14th Málaga Film Festival for El premio, as well as the Best Actress award at the Badajoz Short Film Festival for the same short.^[32][35] For her leading role in the 2019 feature Advantages of Travelling by Train (Ventajas de viajar en tren), Castro was nominated for Best Actress at the 7th Feroz Awards in 2020.^[32] In October 2025, Castro was announced as the recipient of the Premio Ciudad de Huelva at the 51st Ibero-American Film Festival in Huelva, recognizing her career contributions to Ibero-American cinema; the award was presented during the festival from 14 to 22 November 2025.^[3]

Television awards

Pilar Castro received significant acclaim for her role in the HBO Max series Furia (2025), earning a shared award for Best Female Actor in a Fictional Series at the 72nd Ondas Awards. The honor was collectively awarded to the ensemble female cast, including Carmen Machi, Candela Peña, Nathalie Poza, Ana Torrent, Cecilia Roth, and Claudia Salas, recognizing their collective performances in the drama.^[36] This accolade highlights Castro's contribution to contemporary Spanish television fiction, where Furia explores intense themes through its all-female lead ensemble.^[36]

Personal life

Family

Pilar Castro was raised in Madrid in a household shaped by rigid gender norms. Her mother was notably machista, placing the burden of all domestic chores on Castro while her two brothers faced no such expectations, fostering an environment of inequality that prompted Castro's early rebellion and advocacy for fairness.^[37] The family faced tragedy when her father passed away while she was 17 years old, an event that profoundly impacted her youth.^[38] Castro is the mother of one son, a role that has deeply influenced her perspective on life's essentials.^[39][40]

Interests

Pilar Castro has expressed a deep passion for reading, often describing it as a key source of relaxation and inspiration in her personal life. She enjoys spending afternoons curled up with a book alongside a blanket and perhaps a film, and her collection includes biographies of artists, theater, and cinema figures. Among her favorites are works by Jeanette Winterson, Federico García Lorca, and William Shakespeare, as well as more contemporary titles like Lectura fácil by Cristina Morales; recent reads have included biographies of Susan Sontag and Janis Joplin by Holly George-Warren.^[41] Castro's interest in art extends to collecting pieces that resonate with her, such as a photogram of Rita Hayworth acquired at the Art Paris fair. She appreciates visual and architectural beauty, particularly in Italian cities like Rome, Milan, and Florence, which she views as "a walking museum" due to their exceptional architectural quality. This engagement with art reflects a broader cultural curiosity that informs her leisure pursuits.^[41] Beyond these, Castro finds joy in low-key activities like browsing vintage furniture at markets such as El Rastro in Madrid and experimenting with interior design elements, including mirrors to enhance natural light in her home. These hobbies underscore her appreciation for creative and aesthetic environments outside her professional commitments.^[41]