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Place Vendôme
The Place Vendôme (French: [plas vɑ̃dom]; lit. 'Vendôme Square'), originally the Place Louis-le-Grand ('Louis the Great Square'), and later the Place Internationale ('International Square'), is a public square in the 1st arrondissement of Paris, located to the north of the Tuileries Gardens and east of the Église de la Madeleine. It is the starting point of the Rue de la Paix. Its regular architecture by Jules Hardouin-Mansart and pedimented screens canted across the corners give the rectangular Place Vendôme the aspect of an octagon. The original Vendôme Column at the centre of the square was erected by Napoleon I to commemorate the Battle of Austerlitz; it was torn down on 16 May 1871, by decree of the Paris Commune, but subsequently re-erected and remains a prominent feature on the square today.
The Place Vendôme was begun in 1698 as a monument to the glory of the armies of Louis XIV, and called the Place des Conquêtes, to be renamed the Place Louis le Grand, when the conquests proved temporary. An over life-size equestrian statue of the king by François Girardon (1699) was donated by the city authorities and set up in its centre. It is believed to be the first large modern equestrian statue to be cast in a single piece. It was destroyed in the French Revolution; however, there is a small version in the Louvre. This led to the popular joke that while Henry IV dwelled among the people by the Pont Neuf, and Louis XIII among the aristocrats of the Place des Vosges, Louis XIV preferred the company of the tax farmers in the Place Vendôme; each reflecting the group they had favoured in life.
The site of the square was formerly the hôtel of César de Bourbon, Duke of Vendôme, the illegitimate son of Henry IV and his mistress Gabrielle d'Estrées. Jules Hardouin-Mansart bought the building and its gardens, with the idea of converting it into building lots as a profitable speculation. The plan did not materialize, and Louis XIV's Minister of Finance, François-Michel le Tellier, Marquis de Louvois, purchased the piece of ground, with the object of building a square, modelled on the successful Place des Vosges of the previous century. Louvois came into financial difficulties and nothing came of his project, either. After his death, the King purchased the plot and commissioned Hardouin-Mansart to design a house-front that the buyers of plots round the square would agree to adhere to. When the state finances ran low, the financier John Law took on the project, built himself a residence behind one of the façades, and the square was complete by 1720, just as his paper-money Mississippi bubble burst. Law suffered a major blow when he was forced to pay back taxes amounting to some tens of millions of dollars. With no way to pay such an amount, he was forced to sell the property he owned on the square. The buyers were members of the exiled Condé branch of the House of Bourbon who later returned to the country to reclaim their land in the town of Vendôme itself. Between 1720 and 1797, they acquired much of the square, including a freehold to parts of the site on which the Hôtel Ritz Paris now stands and in which they still maintain apartments. Their intention to restore a family palace on the site was dependent on the possible intentions of the adjacent Justice Ministry to expand its premises.
The Foire Saint-Ovide settled in 1764 on the Place until 1771.
When France established diplomatic relations with the short-lived Republic of Texas, the Texan legation was housed at Hôtel Bataille de Francès in 1 Place Vendôme.
The original column was started in 1806 at Napoleon's direction and completed in 1810. It was modelled after Trajan's Column, to celebrate the victory of Austerlitz; its veneer of 425 spiralling bas-relief bronze plates was made out of cannon taken from the combined armies of Europe, according to his propaganda. (The usual figure given is hugely exaggerated: 180 cannons were actually captured at Austerlitz.) These plates were designed by the sculptor Pierre-Nolasque Bergeret and executed by a team of about 30 sculptors including Jean-Joseph Foucou, Louis-Simon Boizot, François Joseph Bosio, Lorenzo Bartolini, Claude Ramey, François Rude, Corbet, Clodion, Julie Charpentier, and Henri-Joseph Ruxthiel. A statue of Napoleon by Antoine-Denis Chaudet was placed on top of the column. Napoleon is depicted dressed in Roman attire, bare-headed, crowned with laurels, holding a sword in his right hand and a globe surmounted with a statue of Victory (as in Napoleon as Mars the Peacemaker) in his left hand.
In 1816, taking advantage of the Allied occupying force, a mob of men and horses had attached a cable to the neck of the statue of Napoleon atop the column, but it had refused to budge – one woman quipped: "If the Emperor is as solid on his throne as this statue is on its column, he's nowhere near descending the throne".[citation needed] After the Bourbon Restoration the statue, though not the column, was pulled down and melted down to provide the bronze for the recast equestrian statue of Henry IV on the Pont Neuf (as was bronze from sculptures on the Column of the Grande Armée at Boulogne-sur-Mer), though the statuette of Victory is still to be seen in the salon Napoléon of the Hôtel des Monnaies (which also contains a model of the column and a likeness of Napoleon's face copied from his death mask).[citation needed] A replacement statue of Napoléon in modern dress (a bicorn hat, boots and a redingote), however, was erected by Louis-Philippe, and a better, more augustly classicizing one by Louis-Napoléon (later Napoleon III).
Karl Marx predicted the collapse of the Vendôme Column in his 1852 political pamphlet Le 18 Brumaire de Louis Bonaparte. This pamphlet, sharply critical of the political figure of Napoleon III, ends with the words: "But if the Imperial mantle finally falls on the shoulders of Louis Bonaparte, the bronze statue of Napoleon will fall from the height of the Vendôme Column".
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Place Vendôme AI simulator
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Place Vendôme
The Place Vendôme (French: [plas vɑ̃dom]; lit. 'Vendôme Square'), originally the Place Louis-le-Grand ('Louis the Great Square'), and later the Place Internationale ('International Square'), is a public square in the 1st arrondissement of Paris, located to the north of the Tuileries Gardens and east of the Église de la Madeleine. It is the starting point of the Rue de la Paix. Its regular architecture by Jules Hardouin-Mansart and pedimented screens canted across the corners give the rectangular Place Vendôme the aspect of an octagon. The original Vendôme Column at the centre of the square was erected by Napoleon I to commemorate the Battle of Austerlitz; it was torn down on 16 May 1871, by decree of the Paris Commune, but subsequently re-erected and remains a prominent feature on the square today.
The Place Vendôme was begun in 1698 as a monument to the glory of the armies of Louis XIV, and called the Place des Conquêtes, to be renamed the Place Louis le Grand, when the conquests proved temporary. An over life-size equestrian statue of the king by François Girardon (1699) was donated by the city authorities and set up in its centre. It is believed to be the first large modern equestrian statue to be cast in a single piece. It was destroyed in the French Revolution; however, there is a small version in the Louvre. This led to the popular joke that while Henry IV dwelled among the people by the Pont Neuf, and Louis XIII among the aristocrats of the Place des Vosges, Louis XIV preferred the company of the tax farmers in the Place Vendôme; each reflecting the group they had favoured in life.
The site of the square was formerly the hôtel of César de Bourbon, Duke of Vendôme, the illegitimate son of Henry IV and his mistress Gabrielle d'Estrées. Jules Hardouin-Mansart bought the building and its gardens, with the idea of converting it into building lots as a profitable speculation. The plan did not materialize, and Louis XIV's Minister of Finance, François-Michel le Tellier, Marquis de Louvois, purchased the piece of ground, with the object of building a square, modelled on the successful Place des Vosges of the previous century. Louvois came into financial difficulties and nothing came of his project, either. After his death, the King purchased the plot and commissioned Hardouin-Mansart to design a house-front that the buyers of plots round the square would agree to adhere to. When the state finances ran low, the financier John Law took on the project, built himself a residence behind one of the façades, and the square was complete by 1720, just as his paper-money Mississippi bubble burst. Law suffered a major blow when he was forced to pay back taxes amounting to some tens of millions of dollars. With no way to pay such an amount, he was forced to sell the property he owned on the square. The buyers were members of the exiled Condé branch of the House of Bourbon who later returned to the country to reclaim their land in the town of Vendôme itself. Between 1720 and 1797, they acquired much of the square, including a freehold to parts of the site on which the Hôtel Ritz Paris now stands and in which they still maintain apartments. Their intention to restore a family palace on the site was dependent on the possible intentions of the adjacent Justice Ministry to expand its premises.
The Foire Saint-Ovide settled in 1764 on the Place until 1771.
When France established diplomatic relations with the short-lived Republic of Texas, the Texan legation was housed at Hôtel Bataille de Francès in 1 Place Vendôme.
The original column was started in 1806 at Napoleon's direction and completed in 1810. It was modelled after Trajan's Column, to celebrate the victory of Austerlitz; its veneer of 425 spiralling bas-relief bronze plates was made out of cannon taken from the combined armies of Europe, according to his propaganda. (The usual figure given is hugely exaggerated: 180 cannons were actually captured at Austerlitz.) These plates were designed by the sculptor Pierre-Nolasque Bergeret and executed by a team of about 30 sculptors including Jean-Joseph Foucou, Louis-Simon Boizot, François Joseph Bosio, Lorenzo Bartolini, Claude Ramey, François Rude, Corbet, Clodion, Julie Charpentier, and Henri-Joseph Ruxthiel. A statue of Napoleon by Antoine-Denis Chaudet was placed on top of the column. Napoleon is depicted dressed in Roman attire, bare-headed, crowned with laurels, holding a sword in his right hand and a globe surmounted with a statue of Victory (as in Napoleon as Mars the Peacemaker) in his left hand.
In 1816, taking advantage of the Allied occupying force, a mob of men and horses had attached a cable to the neck of the statue of Napoleon atop the column, but it had refused to budge – one woman quipped: "If the Emperor is as solid on his throne as this statue is on its column, he's nowhere near descending the throne".[citation needed] After the Bourbon Restoration the statue, though not the column, was pulled down and melted down to provide the bronze for the recast equestrian statue of Henry IV on the Pont Neuf (as was bronze from sculptures on the Column of the Grande Armée at Boulogne-sur-Mer), though the statuette of Victory is still to be seen in the salon Napoléon of the Hôtel des Monnaies (which also contains a model of the column and a likeness of Napoleon's face copied from his death mask).[citation needed] A replacement statue of Napoléon in modern dress (a bicorn hat, boots and a redingote), however, was erected by Louis-Philippe, and a better, more augustly classicizing one by Louis-Napoléon (later Napoleon III).
Karl Marx predicted the collapse of the Vendôme Column in his 1852 political pamphlet Le 18 Brumaire de Louis Bonaparte. This pamphlet, sharply critical of the political figure of Napoleon III, ends with the words: "But if the Imperial mantle finally falls on the shoulders of Louis Bonaparte, the bronze statue of Napoleon will fall from the height of the Vendôme Column".