Popstars: The Rivals
Popstars: The Rivals
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Popstars: The Rivals

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Popstars: The Rivals

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Popstars: The Rivals

Popstars: The Rivals is a British television talent show series, broadcast on ITV in late 2002. It was the second British series of the international Popstars franchise. Unlike Popstars, which resulted in the formation of one winning group, Hear'Say (the other finalists went on to form Liberty X), Popstars: The Rivals created two rival groups, Girls Aloud and One True Voice, who competed for the Christmas number one spot on the UK Singles Chart. Girls Aloud won and went on to nearly achieve 20 consecutive top-ten hits, including four number ones, and six top-ten albums, two of which reached number one. Group member Cheryl has achieved five solo number-one singles and two number-one albums.

Popstars: The Rivals aired on ITV on Saturday nights from 7 September 2002, beginning with three pre-recorded episodes of preliminary audition rounds before switching to live broadcasts of studio performances. During the rounds of the live show, viewers voted for their favourite performers by telephone and the Red Button on digital television remote controls. In the final weeks, five women and five men were chosen by viewers to form the two groups, boy band One True Voice and girl group Girls Aloud. The final episode of Popstars: The Rivals aired live on 22 December 2002. During the broadcast, Pepsi Chart Show presenter Neil Fox revealed in a live link-up that "Sound of the Underground", recorded by Girls Aloud, had reached number one on the Singles Chart, thereby becoming the Christmas number one. One True Voice's double A-side single "Sacred Trust/After You're Gone" entered the chart at number two.

The series was hosted by Davina McCall, with the performances judged by Pete Waterman, Louis Walsh and Geri Halliwell. In addition to the main show, Popstars: The Rivals Extra aired on both ITV2 after the main ITV show on Saturdays and also as a teatime show on ITV during the week. Both versions of the show were presented by pop star Dane Bowers and Pop Idol finalist Hayley Evetts.

On the judging panel, neither Nigel Lythgoe, Paul Adam nor Nicki Chapman, the three judges from the first series of Popstars, returned for Popstars: The Rivals. Lythgoe had left ITV to work with Simon Fuller at 19 Entertainment and become the executive producer of Pop Idol and American Idol, although he initially expressed an interest in appearing. Chapman also went to 19, where she managed the careers of Pop Idol winner and runner-up Will Young and Gareth Gates. Adam turned down the opportunity to return as he was too busy working as a music executive at RCA Records.

The judges for Popstars: The Rivals were announced as record producer and songwriter Pete Waterman, who worked with Kylie Minogue, Jason Donovan, Rick Astley and Steps amongst others as part of 1980–90s production trio Stock Aitken Waterman, Geri Halliwell, who rose to fame as part of the Spice Girls and later had a career as a solo popstar; and Chris Evans, who had presented breakfast shows on BBC Radio 1 and Virgin Radio, and The Big Breakfast and TFI Friday on Channel 4. Evans later decided not to appear, and after approaching Sharon Osbourne, producers chose Louis Walsh, a music manager who had represented Boyzone, Samantha Mumba, Ronan Keating and Westlife, and who had judged on the 2001 Irish edition of Popstars as the third judge.

The series was presented by Davina McCall, who had hosted the Popstars finale in 2001, and also hosted Big Brother, God's Gift, Streetmate and Don't Try This at Home as well as hosting the Brit Awards in 2000 and 2003. Former Another Level singer Dane Bowers and former Popstars and Pop Idol contestant Hayley Evetts presented Popstars: The Rivals Extra on ITV2.

Popstars: The Rivals drew on the success of the first series of Popstars, which aired during early 2001, and Pop Idol, which aired in the winter months of 2001–2002. Popstars resulted in the formation of one winning pop group, Hear’Say, who was selected solely by the judges, but Pop Idol made extensive use of viewer interactivity with the home audience voting for their favourite act to win the competition either via the show's official website or by calling premium-rate telephone numbers. In the months since Popstars finished, the five runners-up of the show had formed their own group, Liberty X, and were enjoying more commercial success than Hear’Say. The British media had also begun to create a rivalry between the two groups.

The Popstars producers drew upon this rivalry for Popstars: The Rivals to create two winning pop groups, a boy band and a girl group, in a "battle of the sexes", to vie for the Christmas number one spot in the UK Singles Chart, a traditionally competitive time in the British music market. To further the rivalry, members of the public were to select who would remain in the show by voting for their favourite acts using premium-rate telephone numbers, text messaging, via the Popstars website, and with the Red Button on digital television remote controls. Each week, the singer with the fewest public votes would be eliminated from the competition until five men and five women remained, who would then form the two rival groups. Elements of Channel 4's Big Brother were used in Popstars: The Rivals when the final ten boys and final ten girls moved into two houses and lived together, watched by television cameras.

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