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Prince (musician)
Prince (musician)
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Prince Rogers Nelson (June 7, 1958 – April 21, 2016) was an American singer, musician, songwriter, and actor. Called "the greatest musical talent of his generation" by Billboard magazine,[8] Prince was known for his flamboyant, androgynous persona,[9][10] wide vocal range—which included a far-reaching falsetto—and high-pitched screams, as well as his skill as a multi-instrumentalist, often preferring to play all or most of the instruments on his recordings.[11] His music incorporated a wide variety of styles, including funk, disco, R&B, rock, new wave, soul, synth-pop, pop, jazz, blues, and hip hop. Prince produced his albums himself, pioneering the Minneapolis sound.

Key Information

Born and raised in Minneapolis, Prince signed a record deal with Warner Bros. Records at the age of 18, soon releasing the studio albums For You (1978) and Prince (1979). He went on to achieve critical success with the influential albums Dirty Mind (1980), Controversy (1981), and 1999 (1982). In 1984, Prince became the first singer to simultaneously have a number-one film, album and single in the US, with the film Purple Rain, its soundtrack, and his first Billboard Hot 100 chart-topping single "When Doves Cry", which later ranked as the biggest hit of the year. The album, recorded with his new backing band the Revolution, spent six consecutive months atop the US Billboard 200 chart[12] and won the Academy Award for Best Original Song Score. The movie grossed $70.3 million worldwide and it has been regarded as one of the greatest musical films.[13][14] After disbanding the Revolution, Prince released the album Sign o' the Times (1987), widely hailed by critics as the greatest work of his career.

In 1993, in the midst of a contractual dispute with Warner Bros, he changed his stage name to the unpronounceable symbol Logo. Hollow circle above downward arrow crossed with a curlicued horn-shaped symbol and then a short bar (known to fans as the "Love Symbol") and was often referred to as The Artist Formerly Known as Prince (or TAFKAP) or simply The Artist.[15][16] After moving to Arista Records in 1998, Prince reverted to his original name in 2000. Over the next decade, six of his albums entered the U.S. top 10 charts.[17][18] In April 2016, at the age of 57, Prince died after accidentally overdosing on fentanyl at his Paisley Park home and recording studio in Chanhassen, Minnesota. He was a prolific musician who released 39 albums during his life, with a vast array of unreleased material left in a custom-built bank vault underneath his home, including fully completed albums and over 50 finished music videos.[19] Numerous posthumous collections of his previously unheard work have been issued by his estate.

Prince has sold more than 100 million records worldwide, ranking him among the best-selling music artists of all time.[20] His awards include the Grammy President's Merit Award, the American Music Awards for Achievement and of Merit, the Billboard Icon Award, an Academy Award, and a Golden Globe Award. He was inducted into the Rock and Roll Hall of Fame in 2004, the UK Music Hall of Fame in 2006, and the Rhythm and Blues Music Hall of Fame in 2016, and was inducted twice into the Black Music & Entertainment Walk of Fame in 2022.[21][22] Estimates of the complete number of songs written by Prince range anywhere from 500 to well over 1,000.[23]

Early life

[edit]

Prince Rogers Nelson was born in Minneapolis on June 7, 1958, the son of jazz singer Mattie Della (née Shaw) and pianist and songwriter John Lewis Nelson.[24] All four of his grandparents were from Louisiana.[25] The jazz drummer Louis Hayes was his paternal cousin.[26]

Prince was named after his father's most popular stage name, Prince Rogers, which his father used while performing with Prince's mother in a jazz group called the Prince Rogers Trio.[27] In 1991, Prince's father told A Current Affair that he named his son "Prince" because he wanted Prince "to do everything I wanted to do".[28] Prince was not fond of his name and wanted people to instead call him "Skipper", a name which stuck throughout his childhood.[27][29][30] Prince said he was "born epileptic" and had seizures when he was young. He stated, "My mother told me one day I walked in to her and said, 'Mom, I'm not going to be sick anymore,' and she said, 'Why?' and I said, 'Because an angel told me so.'"[31] Prince's younger sister, Tyka, was born on May 18, 1960.[17][32] Both siblings developed a keen interest in music, which was encouraged by their father.[33] His parents were both members of the Seventh-day Adventist Church, an evangelical denomination.[34]

In 2022, during a Minneapolis teachers' strike, Minneapolis-St. Paul news station WCCO-TV was researching a previous teacher's strike in April 1970 and accidentally uncovered an interview they had done with Prince about that 1970 strike. Prince, who was 11 years old at the time, said about the strike, "I think they should get a better education too cause, um, and I think they should get some more money cause they work, they be working extra hours for us and all that stuff." While he never identifies himself in the interview, it was confirmed to be him through interviews with a historian in Minneapolis who is also a fan of Prince, as well as by a former classmate who was a member of Prince's first band. The video is one of very few videos of Prince from that stage of his life.[35]

Prince wrote his first song, "Funk Machine", on his father's piano when he was seven years old.[33] His parents divorced when he was 10. His mother remarried Hayward Baker, with whom she had a son named Omarr; Prince had a fraught relationship with Omarr, to the extent that it caused him to repeatedly switch homes, sometimes living with his father and sometimes with his mother and stepfather.[33][36] Baker took Prince to see James Brown in concert, and Prince credited Baker with improving the family's finances. After a brief period of living with his father, who bought him his first guitar, Prince moved into the basement of the Anderson family, a neighbor, after his father threw him out.[37] He befriended the Andersons' son, Andre, who later collaborated with Prince and became known as André Cymone.[38]

Prince attended Minneapolis's Bryant Junior High where he helped test the original The Oregon Trail video game,[39] then Central High School where he played football, basketball, and baseball. He played on Central's junior varsity basketball team, and continued to play basketball for fun as an adult.[40][41] He was trained in classical ballet at the Minnesota Dance Theatre through the Urban Arts Program of Minneapolis Public Schools,[42] Prince became an advocate for dancers, and used his wealth to save the failing Joffrey Ballet in Chicago during the 1990s.[43][44] He met songwriter and producer Jimmy Jam in 1973 and impressed Jam with his musical talent, early mastery of a wide range of instruments, and work ethic.[45]

Career

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1975–1984: Beginnings and breakthrough

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The Minneapolis house, seen here in August 2017, where Prince stayed with André Cymone's family

In 1975, Pepe Willie (the husband of Prince's cousin Shauntel), formed the band 94 East with Marcy Ingvoldstad and Kristie Lazenberry, hiring André Cymone and Prince to record tracks.[46][47] Willie wrote the songs, and Prince contributed guitar tracks, and Prince and Willie co-wrote the 94 East song, "Just Another Sucker".[48] The band recorded tracks which later became the album Minneapolis Genius – The Historic 1977 Recordings.[48] In 1976, shortly after graduating from Central High School, Prince created a demo tape with producer Chris Moon, in Moon's Minneapolis studio.[49] Unable to secure a recording contract, Moon brought the tape to Owen Husney, a Minneapolis businessman, who signed Prince, aged 19, to a management contract, and helped him create a demo at Sound 80 Studios in Minneapolis (with producer/engineer David Z).[50][51] The demo recording, along with a press kit produced at Husney's ad agency, resulted in interest from several record companies, including Warner Bros. Records, A&M Records, and Columbia Records.[52]

With the help of Husney, Prince signed a recording contract with Warner Bros. Records in 1977.[53] The record company agreed to give Prince creative control for three albums and retain his publishing rights.[54][55] Husney and Prince then left Minneapolis and moved to Sausalito, California, where Prince's first album, For You, was recorded at Record Plant Studios. The album was mixed in Los Angeles and released on April 7, 1978.[56] According to the For You album notes, Prince wrote, produced, arranged, composed, and played all 27 instruments on the recording, except for the song "Soft and Wet", whose lyrics were co-written by Moon. The cost of recording the album was twice Prince's initial advance. Prince used the Prince's Music Co. to publish his songs. In the United States, "Soft and Wet" reached No. 12 on the Hot Soul Singles chart and No. 92 on the Billboard Hot 100. The song "Just as Long as We're Together" reached No. 91 on the Hot Soul Singles chart.[citation needed]

Ticket to Prince's first performance with his band in January 1979

Around this time, a side enterprise that Prince began to pursue involved a then-teenage singer Sue Ann Carwell, whose career as a solo artist he hoped to mould after hearing her talented performance on the Minneapolis R&B scene; however, Carwell resisted his suggestion that she used the name "Susie Stone",[57][58] and recordings he had been working on with her for a projected 1978 album ("I'm Saving It Up", "Make It Through the Storm", "Since We've Been Together" and "Wouldn't You Love To Love Me?") went unreleased.[59][60] Carwell was subsequently signed by Warner Bros. Records.[59]

In 1979, Prince created a band with André Cymone on bass, Dez Dickerson on guitar, Gayle Chapman and Doctor Fink on keyboards, and Bobby Z. on drums. Their first show was at the Capri Theater on January 5, 1979. Warner Bros. executives attended the show but decided that Prince and the band needed more time to develop his music.[61][page needed] In October 1979, Prince released the album Prince, which was No. 4 on the Billboard Top R&B/Black Albums charts and No. 22 on the Billboard 200, and went platinum. It contained two R&B hits: "Why You Wanna Treat Me So Bad?" and "I Wanna Be Your Lover", which sold more than a million copies, and reached No. 11 on the Billboard Hot 100 and No. 1 for two weeks on the Hot Soul Singles chart. Prince performed both these songs on January 26, 1980, on American Bandstand. On this album, Prince used Ecnirp Music – BMI.[62]

In 1980, Prince released the album Dirty Mind, which contained sexually explicit material, including the title song, "Head", and the song "Sister", and was described by Stephen Thomas Erlewine as a "stunning, audacious amalgam of funk, new wave, R&B, and pop, fueled by grinningly salacious sex and the desire to shock".[63] Recorded in Prince's studio, this album was certified gold, and the single "Uptown" reached No. 5 on the Billboard Dance chart and No. 5 on the Hot Soul Singles chart. Prince was also the opening act for Rick James' 1980 Fire It Up tour.[64]

Prince in 1980, the year Dirty Mind was released

In February 1981, Prince made his first appearance on Saturday Night Live, performing "Partyup". In October 1981, Prince released the album Controversy. He played several dates in support of it, as the first of three opening acts for the Rolling Stones, on their US tour. In Los Angeles, Prince, who appeared in a trench coat and black bikini briefs, was forced off the stage after just three songs by audience members throwing trash at him.[65][66] He began 1982 with a small tour of college towns where he was the headlining act. The songs on Controversy were published by Controversy Music[67] – ASCAP, a practice he continued until the Emancipation album in 1996. Controversy also marked the introduction of Prince's use of abbreviated spelling, such as writing the words you as U, to as 2, and for as 4; by 2002, MTV News noted that "[n]ow all of his titles, liner notes, and Web postings are written in his own shorthand spelling, as seen on 1999's Rave Un2 the Joy Fantastic, which featured 'Hot Wit U.'"[68]

In 1981, Prince formed a side project band called the Time. The band released four albums between 1981 and 1990, with Prince writing and performing most of the instrumentation and backing vocals (sometimes credited under the pseudonyms "Jamie Starr" or "The Starr Company"), with lead vocals by Morris Day.[69][70]

In late 1982, Prince released a double album, 1999, which sold more than four million copies.[71][72] The title track was a protest against nuclear proliferation and became Prince's first top 10 hit in countries outside the US. Prince's "Little Red Corvette" was one of the first two videos by black artists (along with Michael Jackson's "Billie Jean") played in heavy rotation on MTV, which had been perceived as against "black music" until CBS President Walter Yetnikoff threatened to pull all CBS videos.[73][74] Prince and Jackson had a competitive rivalry which lasted for many years.[75] The song "Delirious" also placed in the top ten on the Billboard Hot 100 chart. "International Lover" earned Prince his first Grammy Award nomination at the 26th Annual Grammy Awards.[76]

1984–1987: Purple Rain, Around the World in a Day and Parade

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Prince in 1984

During this period Prince referred to his band as the Revolution.[77][78] The band's name was also printed, in reverse, on the cover of 1999 inside the letter "I" of the word "Prince".[79] The band consisted of Lisa Coleman and Doctor Fink on keyboards, Bobby Z. on drums, Brown Mark on bass, and Dez Dickerson on guitar. Jill Jones, a backing singer, was also part of the lineup for the 1999 album and tour.[79] Following the 1999 Tour, Dickerson left the group for religious reasons.[80] In the book Possessed: The Rise and Fall of Prince (2003), author Alex Hahn says that Dickerson was reluctant to sign a three-year contract and wanted to pursue other musical ventures. Dickerson was replaced by Coleman's friend Wendy Melvoin.[77] At first, the band was used sparsely in the studio, but this gradually changed during 1983.[79][80][81]

According to his former manager Bob Cavallo, in the early 1980s Prince required his management to obtain a deal for him to star in a major motion picture, even though his exposure at that point was limited to several pop and R&B hits, music videos and occasional TV performances. This resulted in the hit film Purple Rain (1984), which starred Prince and was loosely autobiographical, and the eponymous studio album, which was also the soundtrack to the film.[78] The Purple Rain album sold more than 13 million copies in the US and spent 24 consecutive weeks at No. 1 on the Billboard 200 chart. The film won Prince an Academy Award for Best Original Song Score[82] and grossed more than $68 million in the US ($206 million in 2024 dollars[83]).[84][85] Songs from the film were hits on pop charts around the world; "When Doves Cry" and "Let's Go Crazy" reached No. 1, and the title track reached No. 2 on the Billboard Hot 100.[86] At one point in 1984, Prince simultaneously had the No. 1 album, single, and film in the US;[87] it was the first time a singer had achieved this feat.[88] The Purple Rain album is ranked 8th in Rolling Stone's "500 Greatest Albums of All Time";[89] it is also included on the list of Time magazine's All-Time 100 Albums.[90] The album also produced two of Prince's first three Grammy Awards earned at the 27th Annual Grammy Awards—Best Rock Performance by a Duo or Group with Vocal and Best Score Soundtrack for Visual Media.[76]

In 1984, pop artist Andy Warhol created the painting Orange Prince. Warhol was fascinated by Prince and ultimately created a total of twelve unique paintings of him in different colorways, all of which were kept in Warhol's personal collection.[91] Four of these paintings are now in the collection of The Andy Warhol Museum in Pittsburgh. In November 1984, Vanity Fair published Warhol's portrait to accompany the article Purple Fame[92] by Tristan Fox, and claimed that Warhol's silkscreen image of Prince with its pop colors captured the recording artist "at the height of his powers". The Vanity Fair article was one of the first global media pieces written as a critical appreciation of the musician, which coincided with the start of the 98-date Purple Rain Tour.[citation needed]

After Tipper Gore heard her 11-year-old daughter Karenna listening to Prince's song "Darling Nikki" (which gained wide notoriety for its sexual lyrics and a reference to masturbation), she founded the Parents Music Resource Center.[93] The center advocated the mandatory use of a warning label ("Parental Advisory: Explicit Lyrics") on the covers of records that have been judged to contain language or lyrical content unsuitable for minors. The recording industry later voluntarily complied with this request.[94]

In 1985, Prince announced that he would discontinue live performances and music videos after the release of his next album. His subsequent recording, Around the World in a Day (1985), held the No. 1 spot on the Billboard 200 for three weeks. From that album, the single "Raspberry Beret" reached No. 2 on the Billboard Hot 100, and "Pop Life" reached No. 7.[86]

Prince performing in 1986

In 1986, his album Parade reached No. 3 on the Billboard 200 and No. 2 on the R&B charts. The first single, "Kiss", with the video choreographed by Louis Falco, reached No. 1 on the Billboard Hot 100.[86] (The song was originally written for a side project called Mazarati.) In the same year, the song "Manic Monday", written by Prince and recorded by the Bangles, reached No. 2 on the Hot 100 chart. The album Parade served as the soundtrack for Prince's second film, Under the Cherry Moon (1986). Prince directed and starred in the movie, which also featured Kristin Scott Thomas. Although the Parade album went platinum and sold two million copies,[95][96] the film Under the Cherry Moon received a Golden Raspberry Award for Worst Picture (tied with Howard the Duck), and Prince received Golden Raspberry Awards for Worst Director, Worst Actor, and Worst Original Song (for the song "Love or Money").[97][98] Some critics later re-evaluated Under the Cherry Moon after Prince's death and declared it a cult classic, comparing it to films such as , Casablanca and It Happened One Night.[99][100][101]

In 1986, Prince began a series of live performances called the Hit n Run – Parade Tour. After the tour, Prince disbanded the Revolution and fired Wendy & Lisa.[78] Brown Mark quit the band; keyboardist Doctor Fink remained. Prince recruited new band members Miko Weaver on guitar, Atlanta Bliss on trumpet, and Eric Leeds on saxophone.[80]

1987–1991: Sign o' the Times, Lovesexy, Batman and Graffiti Bridge

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Before disbanding the Revolution, Prince was working on two separate projects, the Revolution album Dream Factory and a solo effort, Camille.[102] Unlike the three previous band albums, Dream Factory included input from the band members and featured songs with lead vocals by Wendy & Lisa.[102] The Camille project saw Prince create a new androgynous persona primarily singing in a sped-up, female-sounding voice. With the dismissal of the Revolution, Prince consolidated material from both shelved albums, along with some new songs, into a three-LP album to be titled Crystal Ball.[103] Warner Bros. forced Prince to trim the triple album to a double album, and Sign o' the Times was released on March 31, 1987.[104]

The album peaked at No. 6 on the Billboard 200 albums chart.[104] The first single, "Sign o' the Times", charted at No. 3 on the Hot 100.[105] The follow-up single, "If I Was Your Girlfriend", charted at No. 67 on the Hot 100 but went to No. 12 on R&B chart.[105] The third single, a duet with Sheena Easton, "U Got the Look", charted at No. 2 on the Hot 100 and No. 11 on the R&B chart,[105] and the final single, "I Could Never Take the Place of Your Man", finished at No. 10 on Hot 100 and No. 14 on the R&B chart.[105]

It was named the top album of the year by the Pazz & Jop critics' poll and sold 3.2 million copies.[106] In Europe, it performed well, and Prince promoted the album overseas with a lengthy tour. Putting together a new backing band from the remnants of the Revolution, Prince added bassist Levi Seacer Jr., keyboardist Boni Boyer, and dancer/choreographer Cat Glover[107] to go with new drummer Sheila E[108] and holdovers Miko Weaver, Doctor Fink, Eric Leeds, Atlanta Bliss, and the Bodyguards (Jerome, Wally Safford, and Greg Brooks) for the Sign o' the Times Tour.[citation needed]

The Sign o' the Times tour was a success overseas, with Warner Bros. and Prince's managers wanting to bring it to the US to promote sales of the album.[109][110] Prince balked at a full US tour, as he was ready to produce a new album.[109] As a compromise, the last two nights of the tour were filmed for release in movie theaters. The film quality was deemed subpar, and reshoots were performed at Prince's Paisley Park studios.[109] The film Sign o' the Times was released on November 20, 1987. The film got better reviews than Under the Cherry Moon, but its box-office receipts were minimal, and it quickly left theaters.[110]

The next album intended for release was The Black Album.[111] More instrumental and funk- and R&B-themed than recent releases,[112] The Black Album also saw Prince experiment with hip hop on the songs "Bob George" and "Dead on It". Prince was set to release the album with a monochromatic black cover with only the catalog number printed, but after 500,000 copies had been pressed,[113] Prince had a spiritual epiphany that the album was evil and had it recalled.[114] It was later released by Warner Bros. as a limited edition album in 1994.

Prince went back in the studio for eight weeks and recorded Lovesexy. Released on May 10, 1988, Lovesexy serves as a spiritual opposite to the dark The Black Album.[115] Every song is a solo effort by Prince, except "Eye No", which was recorded with his backing band at the time. Lovesexy reached No. 11 on the Billboard 200 and No. 5 on the R&B albums chart.[116] The lead single, "Alphabet St.", peaked at No. 8 on the Hot 100 and No. 3 on the R&B chart;[104] it sold 750,000 copies.[117]

Prince again took his post-Revolution backing band (minus the Bodyguards) on a three-leg, 84-show Lovesexy World Tour; although the shows were well-received by huge crowds, they failed to make a net profit due to the expensive sets and props.[118][119]

Prince performing during the Nude Tour in Tokyo, Japan, in 1990

In 1989, Prince appeared on Madonna's studio album Like a Prayer, co-writing and singing the duet "Love Song" and playing electric guitar (uncredited) on the songs "Like a Prayer", "Keep It Together", and "Act of Contrition". He also began work on several musical projects, including Rave Unto the Joy Fantastic and early drafts of his Graffiti Bridge film,[120][121] but both were put on hold when he was asked by Batman (1989) director Tim Burton to record several songs for the upcoming live-action adaptation. Prince went into the studio and produced an entire nine-track album that Warner Bros. released on June 20, 1989. Batman peaked at No. 1 on the Billboard 200,[122] selling 4.3 million copies.[123] The single "Batdance" topped the Billboard Hot 100 and R&B charts.[104]

The single "The Arms of Orion", with Sheena Easton, charted at No. 36, and "Partyman" charted at No. 18 on the Hot 100 and at No. 5 on the R&B chart, while the love ballad "Scandalous!" went to No. 5 on the R&B chart.[104] Prince had to sign away all publishing rights to the songs on the album to Warner Bros. as part of the deal to do the soundtrack.[citation needed]

In 1990, Prince went back on tour with a revamped band for his back-to-basics Nude Tour. With the departures of Boni Boyer, Sheila E., the Horns, and Cat, Prince brought in keyboardist Rosie Gaines, drummer Michael Bland, and dancing trio the Game Boyz (Tony M., Kirky J., and Damon Dickson). The European and Japanese tour was a financial success with a short, greatest hits setlist.[124] As the year progressed, Prince finished production on his fourth film, Graffiti Bridge (1990), and the 1990 album Graffiti Bridge. Initially, Warner Bros. was reluctant to fund the film, but with Prince's assurances it would be a sequel to Purple Rain as well as the involvement of the original members of the Time, the studio greenlit the project.[125] Released on August 20, 1990, the album reached No. 6 on the Billboard 200 and R&B albums chart.[126] The single "Thieves in the Temple" reached No. 6 on the Hot 100 and No. 1 on the R&B chart;[104] "Round and Round" placed at No. 12 on the US charts and No. 2 on the R&B charts. The song featured the teenage Tevin Campbell (who also had a role in the film) on lead vocals. The film, released on November 20, 1990, was a box-office flop, grossing $4.2 million.[127] After the release of the film and album, the last remaining members of the Revolution, Miko Weaver, and Doctor Fink, left Prince's band.[citation needed]

1991–1996: Name change, Diamonds and Pearls and The Gold Experience

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Prince performing during the Act I and II tour in Zürich, Switzerland in 1993

1991 began with a performance in Rock in Rio II[128] and marked the debut of Prince's new band, the New Power Generation. With guitarist Miko Weaver and long-time keyboardist Doctor Fink gone, Prince added bass player Sonny T., Tommy Barbarella on keyboards, and a brass section known as the Hornheads to go along with Levi Seacer (taking over on guitar), Rosie Gaines, Michael Bland, and the Game Boyz.[129] With significant input from his band members, Diamonds and Pearls was released on October 1, 1991. Reaching No. 3 on the Billboard 200 album chart,[130] Diamonds and Pearls saw four hit singles released in the United States. "Gett Off" peaked at No. 21 on the Hot 100 and No. 6 on the R&B charts, followed by "Cream", which gave Prince his fifth US No. 1 single. The title track "Diamonds and Pearls" became the album's third single, reaching No. 3 on the Hot 100 and the top spot on the R&B charts. "Money Don't Matter 2 Night" peaked at No. 23 and No. 14 on the Hot 100 and R&B charts respectively.[131] Diamonds and Pearls would sell more than 2 million copies in the United States alone.[132]

In 1992, following the success of Diamonds and Pearls, Prince renewed his contract with Warner Bros., agreeing to what was reportedly a $100 million deal to release six more albums with the label.[133] In November, Prince released his 14th studio album, the second to feature the New Power Generation. It bore only an unpronounceable symbol on the cover (later copyrighted as "Love Symbol #2") as its title;[134] the symbol was explained as being a combination of the symbols for male (♂) and female (♀). It was preceded by the releases of "Sexy MF" and "My Name Is Prince", which reached No. 66 and No. 36 respectively on the Billboard Hot 100. The third single "7" would peak at No.7.[131] The album, later referred to as Love Symbol, peaked at No. 5 on the Billboard 200[135] and went on to sell 2.8 million copies worldwide, falling short of expectations.[136]

In 1993, in rebellion against Warner Bros., which refused to release Prince's enormous backlog of music at a steady pace,[137][138] Prince formally adopted the "Love Symbol" as his stage name.[134] To use the symbol in print media, Warner Bros. organized a mass mailing of floppy disks with a custom font.[139] At this time, Prince was often referred to as "the Artist Formerly Known as Prince" or "the Artist".[140] That same year, Warner Bros. released a greatest hits compilation with the three-disc The Hits/The B-Sides in 1993. The first two discs were also sold separately as The Hits 1 and The Hits 2. The collection features the majority of Prince's hit singles, and several previously hard-to-find recordings, including B-sides from across Prince's career and previously unreleased tracks such as the Revolution-recorded "Power Fantastic" and a live recording of "Nothing Compares 2 U" with Rosie Gaines. Two new songs, "Pink Cashmere" and "Peach", were chosen as promotional singles.

In 1994, Warner Bros. allowed the single "The Most Beautiful Girl in the World" to be released via a small, independent distributor, Bellmark Records, in February. The release reached No. 3 on the US Billboard Hot 100 and No. 1 in many other countries. Prince began to release albums in quick succession as a means of releasing himself from his contractual obligations to Warner Bros. This led to the previously aborted Black Album being given a limited official release seven years after its initial recording. Prince pushed to have his next two albums, Come and The Gold Experience, released simultaneously. Warner Bros. accepted both albums, but delayed the release of The Gold Experience, fearing market saturation. In retaliation, Prince began making public appearances with "slave" written on his face.[66] The Gold Experience would not be released until September 1995. The album was not in print for a long period due to a plagiarism case relating to "The Most Beautiful Girl in the World", but the album was released on streaming with Prince’s catalog in 2018, and reissued on CD and vinyl in 2022.[141]

In 1996, the album Chaos and Disorder was released. Prince submitted another album titled The Vault: Old Friends 4 Sale to Warner Bros. that same year, completing his contract with the label. Although the album was not released until 1999, Warner Bros. agreed to release Prince from his contract now that he had delivered the promised number of albums to them.

1996–2000: Emancipation, Crystal Ball and Rave Un2 the Joy Fantastic

[edit]

Free of any further contractual obligations to Warner Bros., Prince attempted a major comeback later that year with the release of Emancipation, a 36-song, three-CD set (each disc was exactly 60 minutes long). The album was released via his own NPG Records with distribution through EMI. To publish his songs on Emancipation, Prince did not use Controversy Music – ASCAP, which he had used for all his records since 1981, but rather used Emancipated Music Inc.[142] – ASCAP.

Emancipation was certified Platinum by the RIAA. It is the first Prince record featuring covers of other artists' songs: Joan Osborne's top ten hit song of 1995 "One of Us";[143] "Betcha by Golly Wow!" (written by Thom Bell and Linda Creed);[144] "I Can't Make You Love Me" (written by James Allen Shamblin II and Michael Barry Reid);[145] and "La-La (Means I Love You)" (written by Thom Bell and William Hart).[146]

Prince released Crystal Ball, a five-CD collection of unreleased material, in 1998. The distribution of this album was disorderly, with some fans pre-ordering the album on his website up to a year before it was shipped; these pre-orders were delivered months after the record had gone on sale in retail stores. The retail edition has only four discs, as it is missing the Kamasutra disc. There are also two different packaging editions for retail; one is a four-disc sized jewel case with a white cover and the Love Symbol in a colored circle while the other contains all four discs in a round translucent snap jewel case. The discs are the same, as is the CD jacket. The Newpower Soul album was released three months later. His collaborations on Chaka Khan's Come 2 My House and Larry Graham's GCS2000, both released on the NPG label around the same time as Newpower Soul, were promoted by live appearances on Vibe with Sinbad and the NBC Today show's Summer Concert Series.

In 1999, Prince once again signed with a major label, Arista Records, to release a new record, Rave Un2 the Joy Fantastic.

The pay-per-view concert, Rave Un2 the Year 2000, was broadcast on December 31, 1999, and consisted of footage from the December 17 and 18 concerts of his 1999 tour. The concert featured appearances by guest musicians, including Lenny Kravitz, George Clinton, Jimmy Russell, and the Time. It was released to home video the following year.

2000–2007: Musicology and 3121

[edit]

On May 16, 2000, Prince stopped using the Love Symbol as his name, since his publishing contract with Warner/Chappell had expired. In a press conference, he stated that after being freed from undesirable relationships associated with the name "Prince", he would revert to using his real name. Nevertheless, Prince continued to use the symbol as a logo and on album artwork and to play a Love Symbol–shaped guitar. For several years following the release of Rave Un2 the Joy Fantastic, Prince primarily released new music through his Internet subscription service, NPGOnlineLtd.com, which later became NPGMusicClub.com.[147] Albums from this period are Rave In2 the Joy Fantastic (2001), The Rainbow Children (2001), One Nite Alone... (2002), Xpectation (2003), C-Note (2004), The Chocolate Invasion (2004) and The Slaughterhouse (2004).

In 2001, Warner Bros. released a second compilation album, The Very Best of Prince, containing most of his commercially successful singles from the 1980s. In 2002, Prince released his first live album, One Nite Alone... Live!, which features performances from the One Nite Alone...Tour. The three-CD box set also includes a disc of "aftershow" music entitled It Ain't Over!. During this time, Prince sought to engage more effectively with his fan base via the NPG Music Club, pre-concert sound checks, and at yearly "celebrations" at Paisley Park, his music studios. Fans were invited into the studio for tours, interviews, discussions and music-listening sessions. Some of these fan discussions were filmed for an unreleased documentary, directed by Kevin Smith.

On February 8, 2004, Prince appeared at the 46th Annual Grammy Awards with Beyoncé.[38][148] In a performance that opened the show, they performed a medley of "Purple Rain", "Let's Go Crazy", "Baby I'm a Star", and Beyoncé's "Crazy in Love".[149] The following month, Prince was inducted into the Rock and Roll Hall of Fame.[150] The award was presented to him by Alicia Keys along with Big Boi and André 3000 of OutKast.[151] As well as performing a trio of his own hits during the ceremony, Prince also participated in a tribute to fellow inductee George Harrison in a rendering of Harrison's "While My Guitar Gently Weeps", playing a two-minute guitar solo that ended the song.[152][153][154] He also performed the song "Red House" as "Purple House" on the album Power of Soul: A Tribute to Jimi Hendrix.[155]

In April 2004, Prince released Musicology through a one-album agreement with Columbia. The album rose as high as the top five on some international charts (including the US, UK, Germany, and Australia). The US chart success was assisted by the CDs being included as part of the concert ticket purchase, thereby qualifying each CD (as chart rules then stood) to count toward US chart placement.[156] Three months later, Spin named him the greatest frontman of all time.[157] That same year, Rolling Stone magazine named Prince as the highest-earning musician in the world, with an annual income of $56.5 million,[158] largely due to his Musicology Tour, which Pollstar named as the top concert draw among musicians in the US. He played 96 concerts; the average ticket price for a show was US$61 (equivalent to $102 in 2024). Musicology went on to receive two Grammy wins, for Best Male R&B Vocal Performance for "Call My Name" and Best Traditional R&B Vocal Performance for the title track. Musicology was also nominated for Best R&B Song and Best R&B Album, and "Cinnamon Girl" was nominated for Best Male Pop Vocal Performance. Rolling Stone ranked Prince No. 27 on their list of the 100 Greatest Artists of All Time.[159]

In April 2005, Prince played guitar (along with En Vogue singing backing vocals) on Stevie Wonder's single "So What the Fuss", Wonder's first since 1999. In late 2005, Prince signed with Universal Music to release his album, 3121, on March 21, 2006. The first single was "Te Amo Corazón", the video for which was directed by actress Salma Hayek and filmed in Marrakech, Morocco, featuring Argentine actress and singer Mía Maestro. The video for the second single, "Black Sweat", was nominated at the MTV VMAs for Best Cinematography. The immediate success of 3121 gave Prince his first No. 1 debut on the Billboard 200 with the album.

To promote the new album, Prince was the musical guest on Saturday Night Live on February 4, 2006, 17 years after his last SNL appearance on the 15th-anniversary special, and nearly 25 years since his first appearance on a regular episode in 1981.[160] At the 2006 Webby Awards on June 12, Prince received a Webby Lifetime Achievement Award in recognition of his "visionary use of the Internet to distribute music and connect with audiences", exemplified by his decision to release his album Crystal Ball (1998) exclusively online.[161][162]

In July 2006, weeks after winning a Webby Award, Prince shut down his NPG Music Club website, after more than five years of operation.[163][164] On the day of the music club's shutdown, a lawsuit was filed against Prince by the British company HM Publishing (owners of the Nature Publishing Group, also NPG). Despite these events occurring on the same day, Prince's attorney stated that the site did not close due to the trademark dispute.[163]

Prince appeared at multiple award ceremonies in 2006: on February 15, he performed at the 2006 Brit Awards, along with Wendy & Lisa and Sheila E.,[165] and on June 27, Prince appeared at the 2006 BET Awards, where he was awarded Best Male R&B Artist. Prince performed a medley of Chaka Khan songs for Khan's BET Lifetime Achievement Award.[166] In 2006, he was invited to dub the Prince XII cat in the film Garfield: A Tail of Two Kitties, but gave up for unknown reasons and was replaced by actor Tim Curry.

In November 2006, Prince was inducted into the UK Music Hall of Fame;[38] he appeared to collect his award but did not perform. Also in November 2006, Prince opened a nightclub called 3121, in Las Vegas at the Rio All Suite Hotel and Casino. He performed weekly on Friday and Saturday nights until April 2007, when his contract with the Rio ended.[167] On August 22, 2006, Prince released Ultimate Prince. The double-disc set contains one CD of previous hits, and another of extended versions and mixes of material that had largely only previously been available on vinyl record B-sides. That same year, Prince wrote and performed a song for the hit animated film Happy Feet (2006). The song – "The Song of the Heart" – appears on the film's soundtrack, which also features a cover of Prince's earlier hit "Kiss", sung by Nicole Kidman and Hugh Jackman. In January 2007, "The Song of the Heart" won a Golden Globe for Best Original Song.[168]

2007–2010: Super Bowl XLI show, Planet Earth and Lotusflower

[edit]

On February 4, 2007, Prince played at the Super Bowl XLI halftime show in Miami, Florida, on a large stage shaped like his symbol. The event was carried to 140 million television viewers, his biggest-ever audience.[169] His 12-minute performance in the rain began with an intro of the Queen song "We Will Rock You" and concluded with "Purple Rain".[170] In 2015, Billboard ranked it the greatest Super Bowl performance ever.[171]

Prince played 21 concerts at the O2 Arena in London during the Earth Tour in mid-2007. Tickets for the 20,000-capacity venue were capped by Prince at £31.21 ($48.66). Featuring Maceo Parker in his band, Prince's residency at the O2 Arena was increased to 15 nights after all 140,000 tickets for the original seven sold out in 20 minutes,[172] before it was then further extended to 21 nights.[173]

Prince performed with Sheila E. at the 2007 ALMA Awards. On June 28, 2007, the Mail on Sunday stated that it had made a deal to give Prince's new album, Planet Earth, away for free with the paper, making it the first place in the world to get the album. This move sparked controversy among music distributors and also led the UK arm of Prince's distributor, Sony BMG, to withdraw from distributing the album in UK stores.[174] The UK's largest high street music retailer, HMV, stocked the paper on release day due to the giveaway. On July 7, 2007, Prince returned to Minneapolis to perform three shows. He performed concerts at the Macy's Auditorium (to promote his new perfume "3121") on Nicollet Mall, the Target Center arena, and First Avenue.[175] It was the first time he had played at First Avenue (the club appeared in the film Purple Rain) since 1987.[176]

Prince at the Coachella Festival in 2008

From 2008, Prince was managed by UK-based Kiran Sharma.[177] On April 25, 2008, Prince performed on The Tonight Show with Jay Leno, where he debuted a new song, "Turn Me Loose". Days after, he headlined the 2008 Coachella Festival. Prince was paid more than $5 million for his performance at Coachella, according to Reuters.[178] Prince canceled a concert, planned at Dublin's Croke Park on June 16, 2008, at 10 days' notice. In October 2009 promoters MCD Productions went to court to sue him for €1.6 million to refund 55,126 tickets. Prince settled the case out of court in February 2010 for $2.95 million.[179][180] During the trial, it was said that Prince had been offered $22 million for seven concerts as part of a proposed 2008 European tour.[181] In October 2008, Prince released a live album entitled Indigo Nights, a collection of songs performed live at aftershows in the IndigO2.

Prince premiered four songs from his new album on LA's Indie rock radio station Indie 103.1 on December 18, 2008.[182] The radio station's programmers Max Tolkoff and Mark Sovel had been invited to Prince's home to hear the new rock-oriented music. Prince gave them a CD with four songs to premiere on their radio station. The music debuted the next day on Jonesy's Jukebox, hosted by former Sex Pistol Steve Jones.[183]

On January 3, 2009, the new website LotusFlow3r.com was launched; streaming and selling some of the recently aired material and concert tickets. On January 31, Prince released two more songs on LotusFlow3r.com: "Disco Jellyfish", and "Another Boy". "Chocolate Box", "Colonized Mind", and "All This Love" were later released on the website. Prince released a triple album set containing Lotusflower, MPLSoUND, and an album credited to Bria Valente, called Elixer, on March 24, 2009, followed by a physical release on March 29.

On July 18, 2009, Prince performed two shows at the Montreux Jazz Festival, backed by the New Power Generation, including Rhonda Smith, Renato Neto and John Blackwell. On October 11, 2009, he gave two surprise concerts at the Grand Palais in Paris.[184] On October 12, he gave another surprise performance at La Cigale. On October 24, Prince played a concert at Paisley Park.[185]

2010–2016: Final albums

[edit]

In January 2010, Prince wrote a new song, "Purple and Gold", inspired by his visit to a Minnesota Vikings football game against the Dallas Cowboys.[186] The following month, he let Minneapolis-St. Paul public radio station 89.3 The Current premiere his new song "Cause and Effect" as a gesture in support of independent radio.[187]

In 2010, Prince was listed in Time's annual ranking of the "100 Most Influential People in the World".[188] He released a new single on Minneapolis-St. Paul radio station 89.3 The Current called "Hot Summer" on June 7, his 52nd birthday. The same month, Prince appeared on the cover of the July 2010 issue of Ebony magazine,[189] and he received the Lifetime Achievement Award at the 2010 BET Awards.[190]

Prince released his album 20Ten in July 2010 as a free covermount with publications in the UK, Belgium, Germany, and France.[191] He refused album access to digital download services and closed LotusFlow3r.com. On July 4, 2010, Prince began his 20Ten Tour, a concert tour in two legs, with shows in Europe. The second leg began on October 15[192] and ended with a concert following the Abu Dhabi Grand Prix on November 14.[193] The second half of the tour had a new band, John Blackwell, Ida Kristine Nielsen, and Sheila E.[194] Prince let radio station Europe 1 debut the snippet of his new song "Rich Friends" from the new album 20Ten Deluxe on October 8, 2010.[195] He embarked on the Welcome 2 Tour on December 15, 2010.[196] Prince was inducted into the Grammy Hall of Fame on December 7, 2010.[197]

Prince performing in Paris, 2011

Prince presented Barbra Streisand with an award and donated $1.5 million to charities on February 12, 2011.[198] On the same day, it was reported that he had not authorized the television show Glee to cover his hit "Kiss", in an episode that had already been filmed.[199] Prince headlined the Hop Farm Festival on July 3, 2011, marking his first UK show since 2007 and his first-ever UK festival appearance.[200] Despite having previously rejected the Internet for music distribution, on November 24, 2011, he released a reworked version of the previously unreleased song "Extraloveable" through both iTunes and Spotify.[201] Purple Music, a Switzerland-based record label, released a CD single titled "Dance 4 Me" on December 12, 2011, as part of a club remixes package including the Bria Valente CD single "2 Nite" released on February 23, 2012. The CD features club remixes by Jamie Lewis and David Alexander, produced by Prince.[202]

In January 2013, Prince released a lyric video for a new song called "Screwdriver".[203] In April 2013, Prince announced a West Coast tour titled Live Out Loud Tour with 3rdeyegirl as his backing band.[204] The final two dates of the first leg of the tour were in Minneapolis-St. Paul, where former Revolution drummer Bobby Z. sat in as guest drummer on both shows.[205] In May, Prince announced a deal with Kobalt Music to market and distribute his music.[206] On August 14, 2013, Prince released a new solo single for download through the 3rdeyegirl.com website.[207] The single "Breakfast Can Wait" had cover art featuring comedian Dave Chappelle's impersonation of him, from a 2004 second-season Chappelle's Show comedy sketch on Comedy Central.[208]

In February 2014, he performed concerts with 3rdeyegirl in London titled the Hit and Run Tour. Beginning with intimate shows, the first was held at the London home of singer Lianne La Havas, followed by two performances of what Prince described as a "sound check" at the Electric Ballroom in Camden,[209] and another at Shepherd's Bush Empire.[210] On April 18, 2014, Prince released a new single entitled "The Breakdown". He re-signed with his former label, Warner Bros. Records after an 18-year split.[211] Warner announced that Prince would release a remastered deluxe edition of Purple Rain in 2014 to celebrate the 30th anniversary of the album. In return, Warner gave Prince ownership of the master recordings of his recordings with the company.[212][213]

In February 2014, Prince began what was billed as his "Hit N Run Part One" tour. This involved Prince's Twitter followers keeping an avid eye on second-by-second information as to the whereabouts of his shows. Many of these shows would only be announced on the day of the concert, and many of these concerts involved two performances: a matinee and an evening show. These shows began at Camden's Electric Ballroom, billed as "Soundchecks", and spread throughout the UK capital to KoKo Club, in Camden, Shepherd's Bush Empire and various other small venues. After his London dates, he moved on to other European cities. In May 2014, Prince began his "Hit N Run Part Two" shows, which followed a more normal style of purchasing tickets online and being held in music arenas. In Spring 2014, he launched NPG Publishing, a music company to administer his own music and that of other artists without the restrictions of mainstream record companies.[214]

In May 2015, following the killing of Freddie Gray in police custody and the subsequent riots, Prince released a song, "Baltimore", in tribute to Gray and in support of the protesters in that city.[215][216][217][218] He also held a tribute concert for Gray at his Paisley Park estate called "Dance Rally 4 Peace" in which he encouraged fans to wear the color gray in honor of Freddie Gray.[219] On May 10, he performed a special concert at the Royal Farms Arena in Baltimore called "Rally 4 Peace", which featured a special appearance by Baltimore State's Attorney Marilyn Mosby, and one set performed by Prince alone at a keyboard.[220]

Prince's penultimate album, Hit n Run Phase One, was first made available on September 7, 2015, on the music streaming service Tidal before being released on CD and for download on September 14.[221] His final album, Hit n Run Phase Two, was meant as a continuation of this, and was released on Tidal for streaming and download on December 12, 2015.[222] In February 2016, Prince embarked on the Piano & A Microphone Tour, a tour that saw his show stripped back to only him and a custom piano on stage. He performed a series of warm-up shows at Paisley Park in late January 2016 and the tour commenced in Melbourne, Australia, on February 16, 2016, to critical acclaim.[223] The Australian and New Zealand legs of the tour were played in small-capacity venues, including the Sydney Opera House. Hit n Run Phase Two CDs were distributed to every attendee after each performance. The tour continued to the United States but was abruptly cut short by illness in April 2016.

Illness and death

[edit]
Following his death, fans left flowers, purple balloons and other mementos beneath Prince's star painted on the front of the First Avenue nightclub.

Prince saw Michael T. Schulenberg, a local specialist in family medicine, in Excelsior on April 7, 2016, and again on April 20.[224] On April 7, he postponed two performances at the Fox Theatre in Atlanta from his Piano & a Microphone Tour; the venue released a statement saying he had influenza.[225] He rescheduled and performed what was to be his final show on April 14, despite still not feeling well.[226][227] While flying back to the Twin Cities early the next morning, he became unresponsive, and his private jet made an emergency landing at Quad Cities International Airport in Moline, Illinois, where he was hospitalized and received naloxone, a medication used to block the effects of opioids, especially following an overdose. Once he became conscious, he left against medical advice.[228][229] Representatives said he was dehydrated and had had influenza for several weeks.[226] Prince was seen cycling the next day in his hometown of Chanhassen.[230] He shopped that evening at the Electric Fetus in Minneapolis for Record Store Day and made a brief appearance at an impromptu dance party at his Paisley Park recording studio complex, stating that he was feeling fine.[227][231] On April 19, he attended a performance by singer Lizz Wright at the Dakota Jazz Club.[232]

On April 20, 2016, Prince's representatives called Howard Kornfeld, a California specialist in addiction medicine and pain management, seeking medical help for the star. Kornfeld scheduled to meet with him on April 22, and he contacted a local physician who cleared his schedule for an exam on April 21.[228][233] On April 21, at 9:43 am, the Carver County Sheriff's Office received a 911 call requesting an ambulance be sent to Prince's home at Paisley Park. The caller initially told the dispatcher that an unidentified person at the home was unconscious, then moments later said he was dead, and finally identified the person as Prince.[234] The caller was Kornfeld's son, who had flown in with buprenorphine that morning to devise a treatment plan for opioid addiction.[228] Emergency responders found Prince unresponsive in an elevator and performed CPR, but a paramedic said he had already been dead for at least six hours,[235] and they were unable to revive him. They pronounced him dead at 10:07 am, 19 minutes after their arrival.[228] There were no signs of suicide or foul play.[228] A press release from the Midwest Medical Examiner's Office in Anoka County on June 2 stated that Prince had died of an accidental overdose of fentanyl,[236] at the age of 57.[237]

The fentanyl that led to his overdose was in counterfeit pills made to look like a generic version of the painkiller hydrocodone/paracetamol.[238] The question of how and from what source Prince obtained the drug was the subject of investigations by several law enforcement agencies.[229][233][235] A sealed search warrant was issued for his estate,[239] and another unsealed search warrant was issued for the local Walgreens pharmacy.[240] On April 19, 2018, the Carver County Attorney announced that the multi-agency investigation had ended with no criminal charges filed.[241][242] The investigation did reveal that Prince was addicted to opioids.[243][238][244]

Following an autopsy performed by A. Quinn Strobl,[245] Prince's remains were cremated.[246] On April 26, 2016, Prince's sister Tyka Nelson filed court documents in Carver County, to open a probate case, stating that no will had been found. As of his death, the twice-divorced Prince was neither married nor known to have fathered any surviving children. Under Minnesota law, the absence of a will meant that, in addition to his full sister, Prince's five half-siblings also had a claim to an estate totaling millions of dollars in cash as well as real estate, stocks, and cars.[247][248] Within three weeks of his death, 700 people claimed to be half-siblings or descendants.[249] Bremer Trust was given temporary control of his estate, had his vault drilled open,[250] and was authorized to obtain a blood sample for DNA profiling from the coroner who had performed the autopsy.[251]

Prince's ashes were placed into a custom 3D-printed urn shaped like the Paisley Park estate.[252] The urn, which was co-designed by his sister Tyka and her son President, was placed on display in the atrium of the Paisley Park complex in October 2016.[253][254] As of April 2019, no additional estate claimants were recognized by the courts besides Prince's full sister and five half-siblings.[255] It was reported in August 2022 that the Prince estate had settled. Filings in the Minnesota First Judicial District ordered that the cash in Prince's estate be split evenly between Prince Legacy LLC and Prince OAT Holdings LLC.[256]

Remembrances and reactions

[edit]
Lowry Bridge in Minneapolis illuminated in purple, in remembrance of Prince

Numerous musicians and cultural figures reacted to Prince's death.[257][258] President Obama mourned him,[259] and the United States Senate passed a resolution praising his achievements "as a musician, composer, innovator, and cultural icon".[260] Cities across the U.S. held tributes and vigils, and lit buildings, bridges, and other structures in purple.[261][262][263] In the first five hours after the media reported his death, "Prince" was the top trending (most-used) term on Twitter, and Facebook had 61 million Prince-related interactions.[264] AMC Theatres and Carmike Cinemas screened Purple Rain in select theaters over the following week.[265] Saturday Night Live aired an episode in his honor, titled "Goodnight, Sweet Prince", featuring his performances from the show.[266]

Nielsen Music reported that sales of his material spiked 42,000 percent.[2] The artist's catalog sold 4.41 million albums and songs from April 21 to 28, with five albums simultaneously in the top ten of the Billboard 200, a first in the chart's history.[267] At the 59th Grammy Awards, Morris Day with the Time and Bruno Mars performed a tribute.[268]

The May 2, 2016, cover of The New Yorker featured an illustration of purple rain.[269] In June 2016 Vanity Fair/Condé Nast, released a special edition commemorative magazine, The Genius of Prince. It celebrated the star's life and achievements, with new photography and archive articles, including the original Vanity Fair article from November 1984, written in the wake of the singer-songwriter's breakout success, with other content from the magazine, The New Yorker, Wired, and Pitchfork. The cover of The Genius of Prince featured a portrait by Andy Warhol, Orange Prince (1984).[92][270][271] Casts of the musicals The Color Purple and Hamilton paid tribute to the star during their curtain calls with "Purple Rain" and "Let's Go Crazy", respectively.[272]

In 2016, Minnesota representative Joe Atkins introduced a bill in the state legislature to memorialize Prince with a statue in the National Statuary Hall in the United States Capitol, in recognition of his contributions to music and the state of Minnesota. As of 2020, however, the bill has not had a second reading.[273]

On August 21, 2016, Prince was posthumously inducted into the Rhythm and Blues Music Hall of Fame.[274]

Posthumous projects

[edit]

2016–2019

[edit]

The first posthumous release from the Estate was 4Ever on November 22, 2016. It was a compilation of Prince's hits plus one previously unreleased song, "Moonbeam Levels", originally recorded for the 1999 sessions in 1982.[275]

On February 9, 2017, Prince's estate signed a distribution deal with Universal Music Group, which includes the post-1995 recordings on his NPG Records label and unreleased tracks from his vault.[276] On June 27, Comerica (acting on behalf of the estate) requested that Carver County District Judge Kevin Eide cancel the estate's deal with Universal, as UMG's contract would interfere with a contract with Warner Music Group that Prince signed in 2014. After Universal's attorneys were granted access to the Warner contract, the attorneys also offered to cancel the deal.[277] On July 13, the court voided Universal's deal with Prince's estate, though Universal will continue to administer Prince's songwriting credits and create merchandise.[278]

On April 19, an EP featuring six unreleased Prince recordings, Deliverance, was announced with an expected release date for later that week.[279] The next day, Prince's estate was granted a temporary restraining order against George Ian Boxill, an engineer who co-produced the tracks and was in possession of the master tapes, and halted the release of the EP.[280]

On June 23, a deluxe reissue of Purple Rain was released.[281] The most expansive edition contained the first being a remaster of the original album made in 2015 and overseen by Prince himself, a bonus disc of previously unheard material called From the Vault & Previously Unreleased plus single and maxi-single edits, B-sides and the first DVD issue of Prince and the Revolution: Live recorded in Syracuse on the Purple Rain Tour.[282] The album debuted at No. 4 on the Billboard 200 and at No. 1 on both the Billboard R&B Albums and Vinyl Albums charts.[281]

In April 2018, the previously unreleased original recording of "Nothing Compares 2 U" from 1984 was released as a single.[283] A music video was also released consisting of edited rehearsal footage shot in the summer of 1984.[284] Troy Carter, adviser for Prince's estate, later announced in an interview with Variety that a full-length album was planned for release on September 28.[285]

In June of that year, the Prince estate signed a distribution deal with Sony Music Entertainment including the rights to all of Prince's studio albums, plus unreleased music, remixes, live recordings, music videos and B-sides.[286] From 2021 onwards, Prince's Warner Bros. albums from 1978–1996 are distributed by Sony/Legacy Recordings in the United States, with Warner Music Group still controlling the international rights.[287]

On August 17, all 23 post-Warner Bros. albums by Prince were released digitally on streaming platforms, together with a new compilation album entitled Anthology: 1995–2010.[288] Only one song remained unavailable to stream, "The Most Beautiful Girl in the World", due to a plagiarism lawsuit in Italy that was not resolved until 2022. On September 21, Piano and a Microphone 1983 was released, an intimate recording of Prince privately rehearsing with a piano.[289]

The Sony/Legacy reissues began in 2019. Throughout that year, Musicology, 3121, Planet Earth, Rave Un2 the Joy Fantastic, Rave In2 the Joy Fantastic, Chaos and Disorder and Emancipation were reissued on CD and vinyl. Ultimate Rave was also released, a 2 CD and 1 DVD set which included the concert film of Rave Un2 the Year 2000.[290][291] The Versace Experience - Prelude 2 Gold was also reissued for Record Store Day.[292]

In June, a compilation of Prince's original recordings of songs given to other artists, entitled Originals, was released - initially exclusively through TIDAL, then later on CD and vinyl.[293] In October, a single of Prince's previously unheard original acoustic demo of "I Feel for You"[294] was released digitally and as a limited 7" single.

In October 2019, Prince's incomplete memoir The Beautiful Ones was published by Random House.[295] Prince had worked on the memoir project with Dan Piepenbring [de] during the Piano and a Microphone Tour in 2016 and had managed to complete around 50 pages before his death.[296] The book includes those pages plus a lengthy account by Piepenbring of how the project came to be, a scrapbook of rare personal photos and miscellanea from the vault, and Prince's original handwritten concept for the film Purple Rain.

In November, a Deluxe reissue of 1999 was released. This reissue had several configurations, the most expansive including 35 previously unreleased songs and two live concerts.[297]

Since 2020

[edit]

In 2020, a Super Deluxe reissue of Sign o' the Times was released. This reissue had various configurations, with the most expansive containing the original album, the single and maxi-single mixes, related B-sides, plus 45 previously unissued studio tracks, a live show from the Sign o' the Times Tour in Utrecht plus a DVD featuring the New Year's Eve 1987 show at Paisley Park.[298] Pitchfork rated the Super Deluxe version 10 out of 10 and named it Best New Reissue.[299] In June 2021, The Truth was reissued on vinyl for Record Store Day.[300] The following month saw the release of Welcome 2 America, a completely unheard album originally recorded and shelved in 2010.[301] In 2022, Prince and the Revolution: Live was reissued on Blu-Ray, along with the soundtrack which was also released on CD and vinyl for the first time.[302] This year also saw the release of "The Most Beautiful Girl in the World" on streaming services. It had previously been unavailable due to a plagiarism lawsuit in Italy which the estate has now resolved; Bruno Bergonzi and Michele Vicino are now legally recognized as co-writers in Italy.[303]

In 2023, a Super Deluxe reissue of Diamonds and Pearls was released, containing the original album plus remixes and B-sides from this era, 33 previously unheard tracks and a Blu-ray of a live concert recorded at Glam Slam in Minneapolis as a rehearsal for the 1992 Diamonds and Pearls Tour.[304]

As of 2024, a nine-hour documentary on Prince was produced by Ezra Edelman for release on Netflix.[305] The estate were reportedly unhappy with the project, considering it a "sensationalized" depiction of his life. A few people saw a rough cut of the film;[306] one of them, Sasha Weiss, wrote in The New York Times Magazine that it contained at least one instance of a former girlfriend accusing him of abuse. She said "We're asked to sit with Prince's multiplying paradoxes for many hours, allowing them to unsettle one another".[305] In February 2025, the project was officially cancelled and it was announced that "a new documentary featuring exclusive content from Prince's archive" would be produced by the estate instead; this has been described as "a watered-down take, to placate the powers that be".[306] The Prince estate's social media accounts then posted a video of a vault door being opened with the caption "The vault is free."[307]

Artistry and legacy

[edit]

Music and image

[edit]
Prince street art in Hagen, Germany

Prince is widely regarded as "the greatest musician of his generation" for Billboard.[8] Rolling Stone ranked Prince at No. 27 on its list of 100 Greatest Artists, "the most influential artists of the rock & roll era".[159] In 2010, Prince was ranked number 7 on VH1's "100 Greatest Artists of All Time".[308] In 2023, Rolling Stone ranked Prince at No. 16 on their list of the 200 Greatest Singers of All Time.[309]

In 2003, Rolling Stone's 500 Greatest Albums of All Time list included Purple Rain at number 72,[310] Sign o' the Times at number 93,[311] 1999 at number 163,[312] and Dirty Mind at number 204.[313] In 2004, on their 500 Greatest Songs of All Time list, Rolling Stone included "When Doves Cry" at number 52, "Little Red Corvette" at number 108, "Purple Rain" at number 143, "1999" at number 212, "Sign o' the Times" at number 299, and "Kiss" at number 461.[314]

The Los Angeles Times called Prince "our first post-everything pop star, defying easy categories of race, genre and commercial appeal".[315] Jon Pareles of The New York Times described him as "a master architect of funk, rock, R&B and pop", and highlighted his ability to defy labels,[316] while Geoffrey Himes described him as a leading artist in "a tradition of left-wing black music", or "progressive soul", although even he conceded the term may be "too narrow".[6] Los Angeles Times writer Randall Roberts called Prince "among the most versatile and restlessly experimental pop artists of our time," writing that his "early work connected disco and synthetic funk [while his] fruitful mid-period merged rock, soul, R&B and synth-pop."[317] Simon Reynolds called him a "pop polymath, flitting between funkadelia, acid rock, deep soul, schmaltz—often within the same song".[318] AllMusic wrote that, "With each album he released, Prince showed remarkable stylistic growth and musical diversity, constantly experimenting with different sounds, textures, and genres [...] no other contemporary artist blended so many diverse styles into a cohesive whole."[319] Jon Pareles has named Prince among the "pantheon" of artists in the album era, in which the album format was the dominant form of recorded music expression and consumption.[320]

A costume worn by Prince and associated memorabilia, displayed at a Hard Rock Cafe in Australia

As a performer, he was known for his flamboyant style and showmanship.[316] He came to be regarded as a sex symbol for his androgynous, amorphous sexuality,[321] play with signifiers of gender,[322][323] and defiance of racial stereotypes.[324] His "audacious, idiosyncratic" fashion sense made use of "ubiquitous purple, alluring makeup and frilled garments".[315] His androgynous look has been compared to those of Little Richard[321][325][326], Marc Bolan,[327] and David Bowie.[328] In 2016, Reynolds described it as "Prince's '80s evasion of conventional gender definitions speaks to us now in this trans-aware moment. But it also harks backwards in time to the origins of rock 'n' roll in racial mixture and sexual blurring".[327] Prince was known for the strong female presence in his bands and his support for women in the music industry throughout his career.[329] Slate said he worked with an "astounding range of female stars" and "promised a world where men and women looked and acted like each other".[330] Prince also wore high-heeled shoes and boots both on and off-stage.

Many artists have cited Prince as an influence and inspiration, including Beyoncé, Justin Timberlake, Bruno Mars, Rihanna, Alicia Keys, Usher, Janelle Monáe, the Weeknd, Lady Gaga, Lorde,[331] Marilyn Manson,[332] Lenny Kravitz, André 3000, Mark Speer,[333] Jamie Lidell,[334] Dua Lipa,[335] Frank Ocean, Miguel,[336][337] Mya,[338] Robyn,[339] D'Angelo, H.E.R.,[340] Ciara,[341] The-Dream,[342] St. Vincent,[343] Ween,[344] and Beck.[345][346] Bono of U2 regarded Prince as one of his "favorite composers of the twentieth century".[347] Beyoncé expressed her admiration for Prince in the book Prince: A Private View, calling him "my mentor" and also praising his independence: "He dared to fight for what was rightfully his: his freedom, wrapped up in words and music he created."[348]

In August 2017, Pantone Inc. introduced a new shade of purple () in their color system in honor of Prince. The shade is called Love Symbol #2.[349][350]

Influences and musicianship

[edit]

Prince's music synthesized a wide variety of influences,[316] and drew inspiration from a range of musicians, including Ike Turner,[351][352] James Brown,[353][354][355][328] George Clinton,[353][354][328] Joni Mitchell,[353] Duke Ellington,[356] Jimi Hendrix,[353][328] the Beatles,[353][328] Chuck Berry,[353] David Bowie,[353] Earth, Wind & Fire,[353] Mick Jagger,[353] Rick James,[353] Jerry Lee Lewis,[353] Little Richard,[353] Curtis Mayfield,[353][357] Elvis Presley,[353] Todd Rundgren,[358] Carlos Santana,[353] Sly Stone,[353][359][354][328][360] Jackie Wilson,[353] and Stevie Wonder.[360][361][362]

Prince has been compared with jazz artist Miles Davis in regard to the artistic changes throughout his career.[353][363] Davis said he regarded Prince as an otherworldly blend of James Brown, Jimi Hendrix, Marvin Gaye, Sly Stone, Little Richard, Duke Ellington, and Charlie Chaplin.[364][356][365] Prince and Miles Davis performed together in December 1987 for a Charity Event at Paisley Park. This performance was viewed as the pinnacle of their on-again, off-again partnership.[27]

Journalist Nik Cohn described him as "rock's greatest ever natural talent".[366] Prince had a wide vocal range from falsetto to baritone, and performed rapid, seemingly effortless shifts of register.[367] Prince was also renowned as a multi-instrumentalist.[328][368] He is considered a guitar virtuoso and a master of drums, percussion, bass, keyboards, and synthesizer.[369] On his first five albums, he played nearly all the instruments,[370] including 27 instruments on his debut album,[371] among them various types of bass, keyboards and synthesizers. Prince was also quick to embrace technology in his music,[372] making pioneering use of drum machines like the Linn LM-1 on his early '80s albums and employing a wide range of studio effects.[373] The LA Times also noted his "harnessing [of] new-generation synthesizer sounds in service of the groove", laying the foundations for post-'70s funk music.[317] Prince was also known for his prolific and virtuosic tendencies, which resulted in him recording large amounts of unreleased material.[374]

Prince also wrote songs for other artists, and some songs of his were covered by musicians, such as the hit songs "Manic Monday" (performed by the Bangles), "I Feel for You", originally on Prince's self-titled second album from 1979, covered by Chaka Khan, and "Nothing Compares 2 U", written for Prince's side project the Family, and covered very successfully by Sinéad O'Connor. Prince co-wrote "Love... Thy Will Be Done" with singer Martika, for her second album, Martika's Kitchen, and also gifted Celine Dion a song for her second album, Celine Dion, titled "With This Tear"; it was a song Prince had written specifically for her.[375] Prince also wrote "U" for Paula Abdul, appearing on her 1991 release Spellbound.

Equipment

[edit]
Signature and custom guitars
  • HS Anderson/Hohner Madcat Telecaster copy (197?)
  • Cloud Guitar White (1983)
  • Cloud Guitar Gold (1983)
  • Model C (19??)
  • Cloud Guitar Yellow (1989)
  • Cloud Guitar Blue (19??)
  • Gold Fender Stratocaster (????)
  • Prince Symbol Purple (19??)
  • Prince Symbol Gold (19??)
  • G1 Purple Special (2007)
  • Gus G3 Prince Bass (2016)

A guitar virtuoso, Prince was also known to have a stylish and flamboyant custom guitar collection, which consisted of 121 guitars.[376][377] One notable series is his Cloud Guitars, which were commissioned and released in colored versions of white, yellow and purple. The white version is prominently shown in the Purple Rain film and the "Raspberry Beret" video.[378][379] Other notable guitars are The Love Symbol guitars, which were designed in the separate colors of gold and purple. The guitar that was used for the majority of Prince's music career was the H.S. Anderson Madcat guitar – a Telecaster copy created by Hohner. Several versions of the guitar were used throughout his career – due to one being donated for charitable reasons, while one or more were stolen.[380][381] Another guitar primarily used in his later years was the Vox HDC-77, which was introduced to him by 3rdeyegirl member Ida Kristine Nielsen, both a Blackburst version, and a White Ivory version.[382] Two other noteworthy guitars are the G1 Purple Special, and the black-and-gold Gus G3 Prince bass, which would become the last two guitars to ever be made for him.[383][384][385][386]

[edit]

Pseudonyms

[edit]

In 1993, during negotiations regarding the release of The Gold Experience, a legal battle ensued between Warner Bros. and Prince over the artistic and financial control of his musical output. During the lawsuit, Prince appeared in public with the word "slave" written on his cheek.[387] He explained that he had changed his name to an unpronounceable symbol to emancipate himself from his contract with Warner Bros., and that he had done it out of frustration because he felt his own name now belonged to the company.[388][389]

Prince sometimes used pseudonyms to separate himself from the music he had written, produced or recorded, and at one point stated that his ownership and achievement were strengthened by the act of giving away ideas.[140] Pseudonyms he adopted, at various times, include: Jamie Starr and The Starr Company (for the songs he wrote for the Time and many other artists from 1981 to 1984), Joey Coco (for many unreleased Prince songs in the late 1980s, as well as songs written for Sheena Easton and Kenny Rogers), Alexander Nevermind (for writing the song "Sugar Walls" [1984] by Sheena Easton), and Christopher (used for his songwriting credit of "Manic Monday" [1986] for the Bangles).

[edit]

On September 14, 2007, Prince announced that he was going to sue YouTube and eBay, because they hosted his copyrighted material, and he hired the international Internet-policing company Web Sheriff.[390][391] In October, Stephanie Lenz filed a lawsuit against Universal Music Publishing Group claiming that they were abusing copyright law after the music publisher had YouTube take down Lenz's home movie in which the Prince song "Let's Go Crazy" played faintly in the background.[392][393] On November 5, several Prince fan sites formed "Prince Fans United" to fight back against legal requests which, they claim, Prince made to prevent all use of photographs, images, lyrics, album covers, and anything linked to his likeness.[394] Prince's lawyers claimed that this constituted copyright infringement; Prince Fans United said that the legal actions were "attempts to stifle all critical commentary about Prince". Prince's promoter AEG stated that the only offending items on the three fansites were live shots from Prince's 21 nights in London at the O2 Arena earlier in the year.[395]

On November 8, Prince Fans United received a song named "PFUnk", providing a kind of "unofficial answer" to their movement. The song originally debuted on the PFU main site,[396] was retitled "F.U.N.K.", but this is not one of the selected songs available on the iTunes Store. On November 14, the satirical website b3ta.com pulled their "image challenge of the week" devoted to Prince after legal threats from the star under the Digital Millennium Copyright Act (DMCA).[397]

At the 2008 Coachella Valley Music and Arts Festival ("Coachella Festival"), Prince performed a cover of Radiohead's "Creep"; however, immediately afterward, he forced YouTube and other sites to remove footage that fans had taken of the performance despite Radiohead's request to leave it on the website.[398] Days later, YouTube reinstated the videos, as Radiohead had said: "It's our song, let people hear it." In 2009, Prince put the video of the Coachella performance on his official website.[citation needed]

In 2010, Prince declared: "the internet is completely over", elaborating five years later that "the internet was over for anyone who wants to get paid ... tell me a musician who's got rich off digital sales".[367]

In 2013, the Electronic Frontier Foundation granted Prince the inaugural "Raspberry Beret Lifetime Aggrievement Award"[399] for what they said was abuse of the DMCA takedown process.[400]

In January 2014, Prince filed a lawsuit titled Prince v. Chodera against 22 online users for direct copyright infringement, unauthorized fixation, contributory copyright infringement, and bootlegging.[401] Several of the users were fans who had shared links to bootlegged versions of Prince concerts through social media websites like Facebook.[402][403] In the same month, he dismissed the entire action without prejudice.[404]

Prince was one of a small handful of musicians to deny "Weird Al" Yankovic requests to parody his music. (Yankovic does not always need legal permission to parody songs, but he requests artists' permission as a professional courtesy.)[405][406] By Yankovic's account, he'd done so "about a half-dozen times" and has been the sole artist not to give any explanation for his rejection beyond a flat "no".[407]

Personal life

[edit]
Paisley Park, Prince's home and recording studio in Chanhassen, Minnesota

Prince had seven siblings, six of whom were half-siblings. As Prince had no will, the six siblings who survived him at the time of his death could inherit his estate.[408] As of November 2024, only three of them, half sisters Sharon and Norraine Nelson and half brother Omar Baker, are still living.[409] However, only the two surviving half sisters still have shares in Prince's estate.[409]

His half sister Lorna died in 2006. Another half brother Alfred Jackson died in August 2019.[410] On September 3, 2021, John R. Nelson, Prince's eldest half brother, died.[411] On November 4, 2024, musician Tyka Nelson, who was Prince's only full sibling,[412] died.[413][414] In July 2021, Omar Bakker and late half brother Alfred Jackson's interest would sell all of the shares they owned of Prince's estate to Primary Wave Music, while Tyka Nelson would sell 90%.[409][415]

Relationships

[edit]

Prince was romantically linked with many women over the years, including Kim Basinger, Madonna, Vanity, Jill Jones, Sheila E., Carmen Electra, Susannah Melvoin, Ophélie Winter and Sherilyn Fenn.[416][417][418][419][420] Susannah Melvoin recalled how, around the time of Sign o' the Times, "Wendy [Melvoin, her twin sister] and Lisa [Coleman] and I lived together and we would have [Prince] stay at our place. We became really close. He got to be in a family of three women, and we got to have our Prince. Not many people had that kind of relationship with him."[417]

In 1990, he saw 16-year-old dancer Mayte García standing outside his tour bus and referred to her as his "future wife" when pointing her out to bandmate Rosie Gaines. García began working as one of his backup singers and dancers after graduating from high school. They were married on February 14, 1996, when he was 37 and she was 22.[421][422] According to García, she and Prince had a son named Amiir (born October 16, 1996), who died a week after being born due to Pfeiffer syndrome. Attempts by publications to independently verify the child's name, birth, and cause of death proved difficult due to Prince's focus on privacy. The distress of losing a child and García's subsequent miscarriage took a toll on the marriage, and the couple divorced in 2000.[423][424]

Prince married Manuela Testolini, a Canadian businesswoman of Italian and Egyptian descent, in a private ceremony in 2001; she hails from Toronto, which led the couple to live there part-time.[425] They separated in 2005 and filed for divorce in May 2006,[426] which was finalized in October 2007.[427]

Religious beliefs

[edit]

Prince was an observant religious person from childhood and throughout his life. An abiding love of God and Jesus were recurring themes in his work, often closely intertwined with romance, sexuality and sensuality on songs such as "I Would Die 4 U" and albums such as Lovesexy. In March 2016, while discussing his childhood during a show in Oakland, he told the audience:

I wanted to be like my father and I loved everything he loved — my mother, the Bible, and music.[428]

A complete recitation of The Lord's Prayer featured in the full-length album version of his 1981 hit "Controversy." His 1984 track "Darling Nikki", while dealing with explicit subject matter involving an encounter with a sex worker, contained the following backward message: "Hello, how are you?/Fine, fine, ’cause I know that the Lord is coming soon/Coming, coming soon." That same year, he released a B-side simply entitled "God."

Prince became a Jehovah's Witness in 2001 as a result of his friendship with bassist Larry Graham. He did not consider it a conversion but a "realization", comparing his connection with Graham to Morpheus and Neo in the film The Matrix. He attended meetings at a local Kingdom Hall and occasionally knocked on people's doors to discuss his faith.[429][430] His newfound faith would also heavily influence his 2001 album The Rainbow Children. The CD edition of his 2003 instrumental album N.E.W.S contained an Adobe Flash file that slowly display the words "He Causes 2 Become" when the disc was inserted into a computer, being a reference to the name of Jehovah in Witness theology.[431]

Shortly after he became a Witness, former bandmates Wendy Melvoin and Lisa Coleman reached out to him for a potential reunion of their 1980s band the Revolution. Melvoin claims he declined due to her lesbian and Jewish identities, then asked her to hold a press conference in which she would disavow homosexuality and become a Jehovah's Witness herself. She resigned herself to never hearing from him again.[432] However, Prince later reunited with Melvoin in 2004 to perform a stripped-back acoustic version of the song "Reflection" on the Tavis Smiley Tonight Show[433] and subsequently performed "Purple Rain" with her and Coleman at the Brit Awards 2006. Anti-gay marriage comments were attributed to him in 2008 but later denied by his management[434] and walked back by him personally, as he later stated, "I have friends who are gay, and we study the Bible together."[435] Despite his ambiguous, contradictory and evolving personal convictions throughout his lifetime, Prince is often considered a queer icon by his fans for his influence on music, fashion and culture in a manner infused with religious themes.[436][437][438][439]

García said of Prince's religious beliefs: "He was always a spiritual seeker ... fascinated in all possibilities to integrate the signs of the zodiac and third eye and reincarnation into the Christian beliefs his Baptist mother and Seventh-day Adventist father had exposed him to."[440] At the time of his death, Prince's display picture on Twitter was an illustration of him with both eyes closed and a third eye on his forehead open.[441]

Political beliefs and activism

[edit]

Prince rarely expressed partisan political beliefs directly for the majority of his career. However, he did not shy away from political themes and commentary in early songs such as "Partyup", "Ronnie Talk to Russia" (which directly addressed then-President Ronald Reagan), "America", "Sign O' the Times" and later "Money Don't Matter 2 Night", in part a protest against the Gulf War. His 2002 song "Avalanche" contained the lyric "Abraham Lincoln was a racist" and discussed the Thirteenth Amendment. In 2004, the music video for his single "Cinnamon Girl" depicted a young Muslim woman facing Islamophobia and racial abuse and then detonating a suicide bomb in a crowded airport, before revealing it had all been a dream.[442]

In a 2009 interview with Tavis Smiley, when asked for his opinion on the recent election of Barack Obama, Prince replied that he did not vote for him and has in fact never voted at all. He also expressed a belief in the chemtrail conspiracy theory during the same interview.[443]

Towards the end of his life, Prince was a supporter of Black Lives Matter. According to Al Sharpton, he donated to the family of Trayvon Martin in 2012 and later arranged for Eric Garner's family to attend one of his concerts.[444] Before handing out the Grammy for Best Album in 2015, he told the audience, "Albums — remember those? Albums still matter. Albums, like books and black lives, still matter.”[445] He organized a "Rally 4 Peace" concert in the city of Baltimore in the aftermath of the killing of Freddie Gray.[446] The following day, he released a single entitled "Baltimore" with lyrics that mentioned Gray and Michael Brown. The music video for "Baltimore" featured footage of Black Lives Matter protests in the city, and closed with a message from Prince:

The system is broken. It’s going to take the young people to fix it this time. We need new ideas, new life.[447]

Animal rights

[edit]

Prince was an animal rights activist who followed a vegan diet for part of his life but later described himself as vegetarian.[448][449][450] He previously adhered to a pescetarian diet in the 2000s,[451][452] and, according to an interview with the Vegetarian Times, Prince first expressed curiosity in removing meat from his diet around 1987 when he ceased eating all red meat.[448] Prince required Paisley Park guests and staff to maintain a vegetarian diet or pescetarian diet while present in order to keep the environment meatless. In honor of Prince's personal ethos, Paisley Park continues to require that individuals leave the premises if they would like to eat meat.[453] The liner notes for his album Rave Un2 the Joy Fantastic featured a message about the cruelty involved in wool production.[454]

Charitable endeavors

[edit]

Prince did not speak publicly about his charitable endeavors. The extent of his activism, philanthropy, and charity was only publicized after his death, and much of it remains undocumented.[455]

In 2001, he anonymously donated $12,000 to the Louisville Free Public Library system to keep the historic Western Branch Library (the country's first full-service library for African-Americans) from closure.[456] That same year, he anonymously paid off the medical bills of drummer Clyde Stubblefield, who was undergoing cancer treatment.[457]

In 2015, he conceived and launched YesWeCode, paying for many hackathons outright and performing musical acts at some of them.[455][458] He also helped fund the Green for All initiative.[455]

According to Australian musician Ed Le Brocq's autobiography Danger Music, written about Le Brocq's time as a music teacher in Afghanistan, Prince had "quietly donated to PARSA (Physiotherapy and Rehabilitation Services for Afghanistan) for years", which had funded the revival of the Afghanistan Scout Association.[459]

Achievements

[edit]
Stars honoring Prince and his band the Revolution on the outside mural of the Minneapolis nightclub First Avenue

Prince sold at least 150 million records worldwide,[20] ranking him among the best-selling music artists of all time.[460] He was inducted into the Rock and Roll Hall of Fame in 2004, the UK Music Hall of Fame in 2006, the National Rhythm & Blues Hall of Fame in 2016, and Songwriters Hall of Fame in 2024.[274][461] In 2016, he was posthumously honored with a Doctor of Humane Letters by the University of Minnesota.[462] He was inducted into the Black Music & Entertainment Walk of Fame in 2022.[463] Prince was named the 14th greatest guitarist of all time by Rolling Stone in 2023.[464]

He has won seven Grammy Awards, seven Brit Awards, six American Music Awards, four MTV Video Music Awards, an Academy Award (for Best Original Song Score for the film Purple Rain), and a Golden Globe Award.[465] Two of his albums, Purple Rain and Sign o' the Times, received the Grammy Award for Album of the Year nominations. 1999, Purple Rain and Sign o' the Times have all been inducted into the Grammy Hall of Fame.[466] At the 28th Grammy Awards, Prince was awarded the President's Merit Award.[466] Prince was also honored with the American Music Award for Achievement and American Music Award of Merit at the American Music Awards of 1990 and American Music Awards of 1995 respectively. At the 2013 Billboard Music Awards, he was honored with the Billboard Icon Award.[467][468][469] In 2019, the 1984 film Purple Rain was added by the Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant".[470]

Prince has been honored with a star on the outside mural of the Minneapolis nightclub First Avenue,[471] recognizing performers that have played sold-out shows or have otherwise demonstrated a major contribution to the culture at the iconic venue.[472] Receiving a star "might be the most prestigious public honor an artist can receive in Minneapolis", according to journalist Steve Marsh.[473] The Revolution also has a star on the mural, to the immediate right of Prince's. Originally painted silver like the other stars on the mural, Prince's star was repainted in gold leaf during the night of May 4, 2016, about two weeks after Prince's death.[474] Originally anonymous, the artist was revealed a few months later to be graphic designer and graffiti artist Peyton Russell, who had worked for Prince at his club Glam Slam in the 1990s and wanted to pay tribute.[475]

Discography

[edit]

Collaborative albums

Demo albums

Filmography

[edit]
Film
Year Film Role Director
1984 Purple Rain The Kid Albert Magnoli
1986 Under the Cherry Moon Christopher Tracy Prince
1987 Sign o' the Times Himself Prince
1990 Graffiti Bridge The Kid Prince
1994 3 Chains o' Gold Himself Prince
Television
Year Show Role Notes
1997 Muppets Tonight Himself Episode 11
2014 New Girl Himself Episode: "Prince"
2020 Let's Go Crazy: Grammy Salute to Prince Himself (archive footage)

Tours

[edit]

Books

[edit]
  • Prince; Gydesen, Terry (1994). Prince Presents: The Sacrifice of Victor. Minnesota: Paisley Park Enterprises. ISBN 9780967850115. OCLC 34307402.
  • Prince; Piepenbring, Dan (2019). The Beautiful Ones. New York: Spiegel & Grau. ISBN 9780399589652. OCLC 1117550641.

See also

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Notes

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References

[edit]

Sources

[edit]

Further reading

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Prince Rogers Nelson (June 7, 1958 – April 21, 2016), known professionally as Prince, was an American singer, songwriter, multi-instrumentalist, record producer, and performer celebrated for his virtuosic musicianship, genre-blending compositions that fused funk, rock, pop, R&B, and soul, and his extravagant stage presence. Born in Minneapolis, Minnesota, he began his career in the late 1970s, achieving breakthrough success with albums such as For You (1978), Prince (1979), and Dirty Mind (1980), which showcased his innovative use of synthesizers, explicit lyrical themes, and self-played instrumentation across multiple tracks. His 1980s output, including 1999 (1982) and the multimedia project Purple Rain (1984)—which spawned the iconic title track and film—propelled him to superstardom, with Purple Rain alone generating over 38 million equivalent album units worldwide through a combination of pure sales and streaming equivalents. Over his four-decade career, Prince released dozens of albums, sold more than 100 million records globally, earned multiple Grammy Awards, and influenced generations of artists with his boundary-pushing creativity and mastery of guitar, keyboards, and vocals. A pivotal controversy arose in 1993 when, frustrated by contractual restrictions imposed by Warner Bros. Records limiting his output and control over his masters, he adopted an unpronounceable glyph as his name—subsequently dubbed "the Artist Formerly Known as Prince"—as a symbolic protest against corporate ownership of his artistic identity, reverting to "Prince" only after his contract expired in 2000. Prince died at age 57 from an accidental fentanyl overdose at his Paisley Park complex, an event that highlighted risks associated with counterfeit opioids mimicking prescription painkillers.

Early life

Family background and childhood influences

Prince Rogers Nelson was born on June 7, 1958, at in , , to John Lewis Nelson, a jazz pianist and songwriter born in 1916 in , and Mattie Della Shaw, a jazz singer born in 1933. John Nelson, who performed under the stage name Prince Rogers as part of the Prince Rogers Trio, and Mattie Shaw met through shared musical circles in , where John worked various day jobs while pursuing jazz composition and performance. The couple named their son after John's stage persona, reflecting the centrality of music in their lives and aspirations for the child. The Nelsons' marriage dissolved when Prince was 10 years old, around 1968, amid reported tensions that left the young Prince shuttling between his parents' homes. Following the separation, Mattie remarried Hayward Baker, a union that strained Prince's relationship with his stepfather and contributed to a turbulent home environment marked by feelings of isolation. He initially stayed with his father but later moved to his mother's residence, experiencing what he later described as emotional challenges, including seizures attributed to around age 12. Prince had one full sibling, sister , and several half-siblings from his parents' prior relationships, including Sharon, Norrine, and John R. Nelson from his father's side, totaling five half-siblings. His paternal grandfather, Clarence Nelson, was part of a of four other children, though details on direct influence remain limited. Music permeated Prince's early environment, with his father's piano playing in the home providing a foundational influence; John composed pieces like "Funk Machine," which Prince later adapted. Self-taught on piano by age seven to emulate his father, Prince drew from the jazz styles his parents performed, fostering an early drive to master multiple instruments despite limited formal guidance. This familial immersion in jazz contrasted with the broader Minneapolis scene, instilling a blend of discipline and experimentation that shaped his prodigious talent amid personal upheaval.

Musical education and early performances

Prince's musical education was predominantly self-taught, beginning with under the influence of his , , a and songwriter who left an upright piano in the family home following his separation from Mattie Shaw around 1966. Prince, determined to match his 's skill, practiced extensively on this instrument without formal instruction, drawing further inspiration from his mother's background as a singer. By his early teens, he had expanded to self-teaching multiple instruments, including guitar and drums, achieving proficiency in at least 13 by age 16 through dedicated, solitary practice rather than structured lessons. Although largely autonomous in his learning, Prince received limited guidance from a local music teacher named Hamilton, who emphasized and contemporary songs to complement his innate abilities, confirming that Prince was "mostly self-taught." This informal approach fostered his versatility, evident in his later ability to perform on over two dozen instruments during recordings. He also collaborated early with peers like , jamming after school on instruments at Cymone's home, which honed his ensemble skills amid Minneapolis's local music scene. Prince's early performances reflected this self-reliant foundation, starting with informal sessions that evolved into local gigs by his mid-teens. His first documented professional shows as a solo artist took place on January 5 and 6, 1979, at the Capri Theater in North , where he was backed by and other collaborators shortly after signing with Warner Bros. Records in 1977 and releasing his debut album For You in 1978. These appearances marked his transition from basement rehearsals to public venues, showcasing original material and building a regional following in a city known for its burgeoning and rock circuits.

Career trajectory

1970s: Formation of early bands and debut recordings

In 1971, during his high school years in Minneapolis, Prince formed his first band, Grand Central, initially featuring himself on keyboards and guitar, André Anderson (later known as André Cymone) on bass, and Anderson's cousin Charles Smith on drums. The group, which performed covers and original material in local venues, later renamed itself Champagne around 1974, incorporating additional members such as Morris Day on drums and Linda Anderson on keyboards. These early ensembles honed Prince's skills in a competitive local funk and soul scene, emphasizing self-taught proficiency across instruments amid limited formal resources. By 1975, Prince began transitioning toward professional recordings, contributing guitar tracks to sessions with 94 East, a Minneapolis-based outfit led by Willie, the husband of Prince's cousin. The collaboration yielded demo tapes featuring Prince's distinctive riffing on tracks like "Games" and "Rock This House," though 94 East's output remained unreleased until archival compilations decades later. This period marked Prince's initial foray into studio work outside band settings, building demo reels that attracted label interest through Willie's industry connections. Pursuing a solo path, Prince, at age 19, secured a landmark three-album contract with Warner Bros. Records on June 25, 1977, stipulating that he would produce, arrange, compose, and perform all elements—a rare concession for an unproven artist. The deal, reportedly valued at up to $1 million across the albums, reflected Warner's wager on his demos despite his youth and lack of prior releases. Prince recorded his debut album, For You, primarily between September 1977 and February 1978 at studios including Sound 80 in Minneapolis, handling every instrumental and vocal part to demonstrate his multi-instrumental command. Released on April 7, 1978, the 11-track effort blended funk, soul, and pop with sensual themes, peaking at No. 163 on the Billboard 200 and spawning singles "Soft and Wet" (No. 92 on the Hot 100) and "Just as Long as We're Together" (No. 74 R&B). Despite modest sales of around 180,000 copies initially, For You established Prince's studio autonomy and foreshadowed his genre-fusing approach.

Early 1980s: Rise with Dirty Mind and Controversy


Prince's third studio album, , arrived on October 8, 1980, via Records, introducing raw sexual explicitness with tracks detailing in "Head," incestuous fantasies in "," and group encounters in "Uptown." The record fused , and synth elements, paired with Prince's high-register and androgynous stage presence—high heels, , and minimal clothing—which amplified its provocative edge.
Commercially modest at launch, peaked at No. 45 on the and No. 7 on the R&B albums chart, eventually earning gold certification for 500,000 U.S. sales by June 1984. Its unfiltered lyrics on , , and boundary-testing drew backlash, including radio blackouts and parental complaints, foreshadowing industry-wide explicit content warnings; one track's vulgarity directly influenced the 1990 RIAA "" sticker mandate. Critics divided, some hailing its boldness as a pop , others decrying it as obscene, yet it cultivated a devoted underground following amid rivalries like that with . The Dirty Mind Tour, spanning December 1980 to spring 1981, mirrored these tensions: initial theater dates suffered low turnout and heckling over Prince's attire and content, prompting a pivot to intimate club shows that intensified audience connection through raw performances. Building momentum, Prince issued Controversy on October 14, 1981, with the title track preemptively tackling gossip—"Am I straight or gay? ... Do I believe in God? Do I believe in me?"—while weaving politics, religion (sampling the Lord's Prayer), and sexuality into funk grooves. The album outperformed Dirty Mind, hitting No. 21 on the Billboard 200 and No. 3 on R&B, bolstered by the single "Controversy" reaching No. 70 on the Hot 100, No. 3 on R&B/Hip-Hop, and No. 1 on Dance Club Songs. Tracks like "Do Me, Baby" and "Private Joy" sustained explicit intimacy, provoking further scrutiny from conservative outlets but earning critical nods for thematic depth. This era cemented Prince's ascent, transforming controversy into cultural cachet and priming explosive mainstream breakthrough.

Mid-1980s: Purple Rain and global superstardom

Following the success of his 1982 album 1999, Prince collaborated with Warner Bros. to develop a multimedia project encompassing a feature film and its accompanying soundtrack album, Purple Rain, recorded primarily between 1983 and early 1984 at studios including Sunset Sound in Hollywood. The album, credited to Prince and the Revolution, was released on June 25, 1984, and debuted at number seven on the Billboard 200 before ascending to the top spot on August 4, where it remained for 24 consecutive weeks. It achieved rapid commercial success, certified platinum by the RIAA on August 29, 1984, and reaching eight-times platinum by November of that year, with worldwide sales eventually exceeding 25 million copies. The soundtrack's lead single, "When Doves Cry," released in May 1984, topped the Billboard Hot 100 for five weeks, notable for its unconventional production omitting a bass line, followed by "Let's Go Crazy" which also reached number one in September. The title track "Purple Rain" peaked at number two before hitting number one in December, marking Prince's first chart-topping singles and contributing to Purple Rain becoming his debut number-one album. These releases propelled Prince to unprecedented visibility, with the album's fusion of rock, pop, funk, and R&B elements broadening his appeal beyond niche audiences. The semi-autobiographical film Purple Rain, directed by and starring Prince as "The Kid," premiered on July 27, 1984, with a budget of $7 million, grossing over $70 million domestically and establishing Prince as a cinematic draw. The project's synergy made Prince the first artist to simultaneously occupy the number-one positions on the , Hot 100, and charts. At the 1985 , Prince won the Oscar for Best Original Song Score, while the album earned Grammys for Best Rock Performance by a Duo or Group with Vocal and Best Album of Original Score Written for a Motion Picture or Television Special. Capitalizing on this momentum, the commenced on November 4, 1984, at Detroit's , spanning nearly 100 dates across through April 1985 and selling approximately 1.7 million tickets, with most shows selling out months in advance. The tour's elaborate staging, including hits from Purple Rain alongside earlier material, solidified Prince's transition to global superstardom, evidenced by his dominance of airwaves, theaters, and arenas during this period.

Late 1980s: Sign o' the Times through Batman

In late 1986, following the dissolution of the Revolution after the , Prince assembled material from shelved projects including the Dream Factory collaboration and the unreleased triple album , ultimately condensing it into the Sign o' the Times, released on March 30, 1987, by . The album featured 16 tracks showcasing Prince's multi-instrumentalism and addressed social issues like AIDS and urban poverty alongside personal and erotic themes, with production emphasizing layered synths, guitar, and minimalistic arrangements recorded primarily at Studios. It debuted at number 6 on the and yielded four singles: "Sign o' the Times" (released February 18, 1987, peaking at number 3 on the ), "If I Was Your Girlfriend" (number 67), "U Got the Look" (featuring , number 2), and "I Could Never Take the Place of Your Man" (number 10). The Sign o' the Times Tour, running from March to December 1987 across and , featured Prince supported by a rotating ensemble of musicians including on guitar, Dr. Fink on keyboards, and on drums for select dates, emphasizing theatrical staging with a large band setup contrasting the album's solo-heavy origins. Amid this period, Prince experienced internal tensions, including the abrupt exit of longtime engineer in 1987, prompting shifts toward more self-reliant production. Transitioning to a more optimistic and spiritually infused sound, Prince recorded Lovesexy in seven weeks from mid-December 1987 to late January 1988 at Paisley Park, releasing it on May 10, 1988, as a single-disc album rejecting the darker tones of the abandoned The Black Album bootleg. Tracks like "Alphabet St." (peaking at number 8 on the Billboard Hot 100) blended funk, gospel, and pop, with Prince handling most instruments and vocals, supported by guest appearances from Cat Glover on vocals and Levi Seacer Jr. on guitar. The ensuing Lovesexy Tour (July 1988 to January 1989) spanned Europe, North America, and Japan, grossing over $24 million from 54 shows with an elaborate stage production including a cherry picker, choir, and dancers, backed by a core band of Seacer, Miko Weaver, Rosie Gaines on keyboards, and others. In parallel, Prince composed the soundtrack for Tim Burton's Batman film, released June 20, 1989, by Warner Bros., featuring six new songs with industrial funk elements and dialogue samples from the movie, despite not appearing in the film itself. The album topped the for six weeks, sold over five million copies worldwide, and produced hits including "Batdance" (number 1 for five weeks), "Partyman" (number 18), "Scandalous!" (number 5 on the R&B chart), and "The Arms of Orion" (number 36), capitalizing on the film's success. This period marked Prince's continued commercial dominance amid creative experimentation, though fan reception to Lovesexy was mixed due to its overt positivity contrasting prior edgier works.

1990s: Name dispute era and independent ventures

In the early , Prince's relationship with Warner Bros. Records deteriorated due to disagreements over artistic control and release schedules, as the label resisted his desire to flood the market with new material from his extensive vault of unreleased recordings. By 1992, he released the Love Symbol Album on October 13, featuring the new band the and the hit single "7," which peaked at number 6 on the , though commercial success was muted compared to prior eras. On June 7, 1993—his 35th birthday—Prince announced the death of his former persona and adopted an unpronounceable glyph (a combination of male and female symbols with a horn-like flourish) as his name, arguing that Warner Bros. owned the name "Prince" under his contract, which he publicly likened to modern-day slavery by writing the word on his cheek during performances. Referred to in media as the "Artist Formerly Known as Prince" or TAFKAP, this change symbolized his rebellion against the label's restrictions on output and ownership. Despite the dispute, Warner released subsequent albums under the symbol: Come on August 16, 1994; The Gold Experience on September 26, 1995, including the single "The Most Beautiful Girl in the World" which reached number 3 on the Billboard Hot 100; and Chaos and Disorder on July 16, 1996, intentionally recorded hastily to fulfill contractual obligations. To circumvent Warner's constraints, Prince founded as an independent imprint in 1993, initially distributing music through alternative channels like his own concerts and mail-order. This venture enabled side projects and vault material releases, such as the 1995 The Vault: Old Friends 4 Sale compilation, though major output remained tied to Warner until the contract expired in 1996. During this period, he toured extensively, including the 1993 extension and the 1995 Ultimate Live Experience, where he emphasized his independence by performing unreleased tracks and symbol-era material to sold-out arenas. Following contract termination, Prince celebrated with Emancipation, a triple album released November 19, 1996, via NPG and , comprising 36 tracks across rock, funk, pop, and R&B genres, with singles like "!" signaling his liberation. The album sold over 500,000 copies in its first week, debuting at number 11 on the , and marked his pivot to self-managed distribution. Later independent efforts included the five-CD on January 29, 1998, sold directly to fans via his website for $100 per set, bypassing traditional retail and foreshadowing digital-era models, followed by on November 10, 1998, under NPG/Arista, which peaked at number 22 on the . These releases underscored Prince's commitment to retaining master ownership and creative autonomy amid the decade's industry shifts.

2000s: Revival with Musicology and later albums

Prince's album Musicology, released to U.S. retail on April 20, 2004, marked a significant commercial resurgence following the relative underperformance of his 1990s output. The record drew on funk and soul influences, earning Prince a Grammy Award for Best Traditional R&B Vocal Performance for the title track. Its supporting tour spanned 77 dates across 55 U.S. cities, selling over 1.4 million tickets and grossing substantial revenue, which reinforced Prince's live draw and revitalized his market presence. Building on this momentum, Prince delivered a headline halftime performance at on February 4, 2007, in , amid rainy conditions that enhanced the dramatic delivery of hits like "Purple Rain." The set, featuring covers and originals performed with his band, garnered widespread acclaim for its energy and spectacle, further elevating his visibility. Subsequent releases sustained this revival. The 2006 album , issued on March 21, debuted at number one on the with 183,000 copies sold in its first week, incorporating electro-funk and Latin elements. Planet Earth, released July 15, 2007, entered the chart at number three, moving 96,000 units initially, and notably included a giveaway with the UK's Mail on Sunday newspaper, sparking debates over chart eligibility due to non-retail distribution. Later efforts like the 2009 double album Lotusflowr / MPLSound and in 2010 continued his independent release strategy through targeted promotions and tours, maintaining fan engagement without recapturing Musicology's broad commercial peak.

2010s: Final recordings and live focus

In 2010, Prince released the album 20Ten exclusively through European newspapers and international mail order, comprising ten new tracks without prior announcement or traditional promotion. The release coincided with the 20TEN Tour, a series of European festival headline appearances and arena shows, including performances at Rock Werchter in Belgium on July 1 and the Hop Farm Festival in England on July 3. That same year, Prince recorded the album Welcome 2 America with his band, addressing themes of digital distraction and societal division, but shelved it for unreleased vault storage. By 2014, Prince formed the all-female backing band and released two collaborative albums: Plectrumelectrum, credited to Prince and , and his solo Art Official Age, both issued on September 30 via independent distributor after parting ways with major labels. These works featured rock-oriented sounds with live instrumentation, diverging from his earlier electronic experiments. The releases supported the Hit and Run Part I Tour, commencing in on October 28, 2014, and extending to , emphasizing high-energy live renditions of classics alongside new material. Prince continued extensive touring into 2015 with Hit and Run Part II, performing over 40 dates across Europe and the U.S., often improvising setlists and incorporating fan requests, which underscored his shift toward live performance as the primary outlet for creativity amid reduced studio output. In 2015, he exclusively streamed via Tidal on August 7, followed by the physical and digital release of on November 25, 2016, after his death; these albums drew from recent sessions but prioritized immediate accessibility over polished production. He opened Studios to public performances and events starting in 2013, hosting intimate shows and after-parties that reinforced his focus on direct audience engagement. Prince's final public concert occurred on April 14, 2016, at the Fox Theatre in , Georgia, featuring a two-show marathon billed as "Piano & a ," though the evening set included band accompaniment and extended to classics like "Purple Rain." He was found unresponsive on April 21, 2016, at and pronounced dead at age 57; autopsy confirmed accidental death from fentanyl toxicity, a synthetic , with evidence of pills containing the substance scattered throughout the compound, indicating for without prescribed oversight. No criminal charges resulted from the investigation, as the fentanyl-laced Vicodin pills were not traceable to a specific supplier.

Artistry and technical approach

Musical style, genre fusion, and innovations

Prince's musical style was characterized by a dynamic interplay of rhythmic drive and melodic intricacy, drawing heavily from 's syncopated grooves, rock's aggression, and pop's accessible hooks, while incorporating soulful vocal inflections and R&B's emotive phrasing. This foundation enabled a sound that prioritized groove-oriented propulsion, often featuring tight bass lines and percussive guitar riffs layered over synthesizers and programmed beats, as evident in tracks like "" from the album , where minimalist instrumentation created maximal impact. His vocals, ranging from ethereal highs to gritty lows, added a layer of androgynous expressiveness that blurred traditional gender norms in performance without relying on external stylization. Genre fusion defined Prince's output, as he seamlessly integrated disparate elements—such as the of with James Brown's polyrhythms and Sly Stone's soul- hybrids—into cohesive tracks that defied categorization. On the album 1999, he merged synth-pop's electronic textures with guitar solos and R&B balladry, exemplified in "Little Red Corvette," where futuristic keyboard arpeggios underpinned a narrative-driven pop structure. Similarly, Sign o' the Times (1987) blended new wave's angular rhythms, jazz-inflected horns, and hip-hop's percussive sampling precursors, creating genre-defying suites like the title track, which shifted from minimalist to orchestral swells within minutes. This stemmed from his self-taught mastery across instruments, allowing organic cross-pollination rather than contrived assembly, as he recorded foundational tracks in isolation before selective overdubs. Innovations in instrumentation and production marked Prince as a pioneer of the one-man-band ethos in the studio, where he performed and layered nearly all parts on early albums like For You (1978), using multi-tracking to simulate full ensembles with precise control over dynamics and timbre. He advanced guitar techniques by extending Hendrix's wah-wah and feedback into funk contexts, employing custom-modified axes like the Hohner Mad Cat for razor-sharp leads that cut through dense mixes, as on "When Doves Cry" (1984), which notably omitted bass guitar entirely—a radical departure yielding a stark, propulsive groove via synth bass and drum machine. Production-wise, Prince pioneered dense overdubbing of vocals and instruments at Paisley Park Studios, creating immersive soundscapes through analog tape manipulation and early digital effects, influencing subsequent artists in achieving solo virtuosity without compromising ensemble feel. His approach emphasized causal fidelity to rhythmic pocket over polished perfection, prioritizing live-like energy in recordings that captured improvisational sparks.

Songwriting, production, and multi-instrumentalism

Prince exhibited prodigious multi-instrumental proficiency, enabling him to perform the majority of parts on his recordings independently. On his debut album For You (released May 1978), he played all 27 instruments credited, including electric guitar, bass guitar, drums, keyboards, clavinet, acoustic piano, electric piano, synthesizers, congas, water drums, and finger cymbals, while also providing all lead and background vocals through multi-tracking. This one-man approach stemmed from his early immersion in music, practicing extensively as a youth and leveraging innate talent for rhythm and melody across guitar-family, keyboard-family, and percussion instruments. His command of these allowed seamless genre-blending, as he could prototype full arrangements solo before involving collaborators sparingly on later works. In songwriting, Prince operated as a self-contained creator, generating and compositions that prioritized rhythmic drive, harmonic complexity, and thematic depth, often drawing from personal experiences of sensuality, , and social critique. He composed over 1,000 songs across his career, many stored in the Vault, with a process emphasizing spontaneity—jotting ideas during late-night sessions and refining them through iterative playback. His structures typically featured concise verses, expansive bridges, and hooks rooted in grooves or pop accessibility, as evidenced by tracks like "" from Prince (1979), where he layered harmonies over minimalist synth bass to evoke emotional immediacy. This method minimized external input, fostering originality but occasionally leading to dense, idiosyncratic results that prioritized artistic autonomy over commercial polish. As a , Prince exerted total sonic control, self-producing nearly all his albums from For You onward and employing techniques like extensive , varispeed manipulation for vocal pitch-shifting (e.g., creating feminine registers on early demos), and improvised drum treatments such as duct-taping for compressed tones. At his Studios (opened 1987), he engineered live-band organicism alongside studio experimentation, multi-tracking guitar riffs and bass lines to simulate ensemble interplay while retaining precision—evident in Sign o' the Times (1987), where he rerecorded solo after band disbandment, achieving polished isolation through meticulous mixing. This hands-on ethos, born of necessity in basement setups, yielded albums with and textural innovation, though it demanded relentless iteration, as he reportedly rerecorded tracks obsessively to capture fleeting inspirations. His integrated workflow—conceiving songs, executing instrumentation, and finalizing production in isolation—facilitated rapid output, with estimates of dozens of albums' worth of material vaulted by his death on , 2016. This virtuosity not only accelerated creativity but also ensured fidelity to his vision, uncompromised by intermediaries, though it sometimes strained collaborations due to his exacting standards.

Signature equipment and studio techniques

Prince relied on a core set of custom and modified guitars throughout his career, with the HG-490 "Mad Cat" serving as an early signature instrument due to its lightweight hollow-body design and bright tone, which he used prominently from the late into the for recordings like those on (1980). He later adopted the Cloud guitar, a custom aluminum-bodied model built by Dave Rusan in 1983, prized for its sustain and stage presence during the Purple Rain era tours and sessions in 1983–1984. The Auerswald Symbol guitar, introduced in the early and embodying his unpronounceable name , featured on such as (1988) and became a visual emblem of his identity, though its ergonomic design prioritized aesthetics over playability in some critiques. Fender Stratocasters, often modified with pickups, provided versatile clean and overdriven tones across multiple projects, including (1987). For keyboards and synthesizers, Prince extensively employed Oberheim models, starting with the SEM on early albums and progressing to the OB-X and OB-Xa for their polyphonic capabilities and rich analog warmth, integral to tracks on Purple Rain (1984) and subsequent releases through the 1980s. The digital synth marked his shift toward FM synthesis on Purple Rain, enabling bell-like and metallic timbres that defined hits like "." Drum machines such as the and supplied programmed rhythms, with Prince layering multiple instances—pitching and processing them—to craft dense, human-like percussion beds, as heard in "" (1984), where he routed drum machine outputs through guitar pedals for added and texture. In studio techniques, Prince's multi-instrumentalism allowed him to perform and overdub nearly all parts himself, exemplified by his debut For You (), where he credited playing 27 instruments including guitars, bass, , keyboards, and percussion without session musicians. At Studios, constructed in 1987 as his self-contained creative complex in , he favored analog tape recording for its organic sound, often tracking live to two-inch multitrack machines before digital transitions, emphasizing isolation booths for focused layering and minimal external input to maintain artistic control. This approach yielded innovations like the bass-less arrangement of "," achieved by syncing sparse synth bass with guitar fills and drum effects, prioritizing rhythmic propulsion over traditional low-end foundation—a deliberate causal choice rooted in his view of music as holistic groove rather than genre convention. Engineers noted his perfectionism, involving rapid iterations of takes and effects chains, such as vocal treatments with plate reverb and compression at 's custom consoles.

Personal life and worldview

Romantic relationships and family dynamics

Prince's parents, pianist and songwriter John L. Nelson (1916–2001) and jazz singer Mattie Della Shaw (1933–2002), met through mutual musical connections and married in 1957, influencing his early immersion in performance arts. The couple divorced around 1965 when Prince was approximately seven years old, an event that reportedly exacerbated his childhood epileptic seizures and shaped themes of familial discord in his later work, as explored in his posthumous memoir The Beautiful Ones. Following the split, Prince initially resided with his father before moving to his mother's home, where he continued developing his musical talents amid a blended family environment marked by both encouragement and tension. Prince had one full , sister (born May 18, 1960; died November 4, 2024), with whom he shared a musical upbringing, though their relationship remained relatively private. From his parents' prior unions, he acquired several half-siblings, including Sharon Nelson, Norrine Nelson, John R. Nelson (deceased), and Omarr Baker (Mattie's son), totaling at least five known half-siblings who later contested aspects of his estate after his 2016 death. Family dynamics often revolved around music as a bonding and coping mechanism, with John Nelson contributing lyrics to Prince's songs like "," yet public interviews revealed strains, such as a 1991 Current Affair segment highlighting generational clashes over his career choices. Prince maintained limited public disclosure about sibling interactions, prioritizing professional autonomy over familial narratives. Throughout his career, Prince's romantic involvements frequently overlapped with professional collaborations, involving musicians, dancers, and actresses, often with significant age gaps and intense but short-lived intensities. Early relationships included (Denise Matthews), whom he dated briefly after meeting at the 1980 , inspiring elements of his project before her departure in 1983. He was reportedly engaged to percussionist in the late 1970s, with their partnership yielding hits like "The Glamorous Life" but evolving into professional tensions by the 2010s, culminating in her 2011 announcement of no further performances together. , twin sister of Revolution guitarist , lived with Prince in the mid-1980s and was briefly engaged to him around 1985–1986, influencing tracks like "The One" amid a dynamic blending personal intimacy with creative input. Prince dated actress in the late 1980s, overlapping with her Batman role and his Scandalous video appearance, recording private material like The Scandalous Sex Suite during this period. He married dancer on February 14, 1996, after meeting her as a 16-year-old fan under his guardianship and beginning a relationship at her age 19; their son, Amiir, was born October 16, 1996, but died six days later on October 23 from complications of type 2, a genetic cranial disorder, profoundly straining their union and leading to divorce in 2000. Garcia later reflected that the loss irreparably altered Prince, who never fully recovered emotionally. His second marriage, to Manuela Testolini in 2001, ended in divorce by 2007 without children; Testolini, a Canadian philanthropist met through charity work, described the relationship as supportive yet challenged by Prince's demanding lifestyle. Prince fathered no surviving children, and his relational patterns—favoring younger creative partners—reflected a prioritization of artistic synergy over long-term domestic stability.

Religious evolution from secular to Jehovah's Witness

Prince Rogers Nelson was raised in a Seventh-day Adventist household in , regularly attending services at the Glendale Church with his grandmother during his childhood. His early exposure included biblical teachings emphasizing observance and moral conduct, though his parents' divorce in 1966 and subsequent living arrangements diluted consistent religious practice. By his late teens and into adulthood, Prince distanced himself from organized religion, embracing a secular lifestyle reflected in his music's explicit themes of sexuality, , and spiritual ambiguity, as seen in albums like (1980) and 1999 (1982). His lyrics occasionally referenced or apocalyptic motifs—drawing from Adventist influences—but prioritized personal exploration over doctrinal adherence, aligning with a phase of agnostic or pantheistic leanings rather than active . In the late , bassist , a Jehovah's Witness since 1975 and collaborator on Prince's projects, began Bible studies with him, serving as spiritual mentor and addressing Prince's questions on and prophecy. This culminated in Prince's conversion to in 2001, followed by in March 2003 at a convention, marking a rejection of his prior secular excesses. Post-conversion, Prince adhered to Jehovah's Witness practices, including door-to-door proselytizing in neighborhoods, regular attendance, and abstaining from in speech and performances. He altered lyrics in live shows to excise explicit content, opposed publicly, and expressed remorse for earlier work conflicting with teachings on and end-times preparation. This shift, observed by congregation members as "dramatic," integrated into his worldview, influencing album themes like redemption in (2001), though he maintained artistic autonomy without fully proselytizing through music.

Political stances, activism, and social commentary

Prince eschewed direct involvement in partisan politics, particularly after his 2001 conversion to Jehovah's Witnesses, a faith that prohibits voting and governmental participation as incompatible with allegiance to God's kingdom. He confirmed in a 2009 interview with Tavis Smiley that he abstained from voting, even in Barack Obama's historic 2008 election, stating, "I don't vote... I respect other people who do," attributing this to his religious convictions. Influenced by Jehovah's Witnesses doctrine, Prince held conservative positions on social issues, opposing same-sex marriage and abortion; he explained in a 2008 New Yorker profile, "The reason why is that I'm one of the Jehovah's Witnesses," linking these views to biblical interpretations. He critiqued both major U.S. political parties for systemic failures but avoided endorsements, though he donated $2,000 to Republican Senator Rudy Boschwitz's 1990 reelection campaign. His activism manifested through music and low-profile philanthropy rather than public advocacy. Prince conducted benefit concerts for community causes, such as the May 11, 2015, "Rally 4 Peace" in following Freddie Gray's death in police custody on April 19, 2015, where he urged attendees to wear gray in solidarity and emphasized youth-led reform. He donated anonymously to initiatives like $23,000 to The Bridge for Youth shelter for homeless and runaway youth around 2006 via his Love 4 One Another charity, and $50,000 starting in the mid-2000s to environmental groups addressing and clean energy. Activist described Prince's efforts as using concerts in cities like and as "covers" to connect with and fund local organizations aiding urban youth in and . Social commentary permeated his lyrics, addressing inequality, racial injustice, and institutional corruption without explicit partisanship. The 1981 track "Ronnie Talk to Russia" implored President Reagan to pursue diplomacy with the amid escalation, singing, "Ronnie, talk to before it's too late." In 2009's "Ol' Skool Company," he lambasted bailouts during the , decrying "$700 billion" for "fat cats" while "my old neighborhood, ain’t nothing changed." Responding to police violence, he released "" on April 30, 2015, invoking Gray and Michael Brown with lines like, "Does anybody hear us pray for Michael Brown or Freddie Gray?" and declaring, "The system is broken. It’s going to take the young people to fix it." At the February 8, 2015, , Prince affirmed, "Albums still matter. Like books and black lives, albums still matter," signaling awareness of racial disparities amid the movement's rise. Earlier, 2004's "Dear Mr. Man" critiqued , , and elite corruption, quoting Matthew 5:5 on the meek inheriting the earth.

Contract battles with Warner Bros.

In 1992, Prince extended his relationship with Warner Bros. Records by signing a $100 million contract, one of the largest deals in music history at the time, which encompassed six albums and incorporated publishing rights through Warner/Chappell. The agreement provided advances of up to $10 million per album, provided the previous release shipped at least five million copies, while stipulating a maximum of one new album per year to align with Warner's sales projections. Conflicts intensified shortly thereafter, as Prince's prolific recording pace—exceeding 50 tracks annually—clashed with the label's controlled release schedule, which he viewed as artificially limiting his output to protect prior album revenues. countered that frequent drops would cannibalize sales, prioritizing long-term catalog value over immediate saturation, a stance rooted in standard industry practices for maximizing per-unit profitability. Prince amassed a vault of over 500 unreleased songs and sought to distribute them, but the label retained veto power, exacerbating disputes over creative sovereignty and master recording ownership. Prince framed the impasse as akin to , arguing that contractual terms effectively commodified his identity and back catalog without granting reciprocal control, a critique echoing broader frustrations with major labels' leverage in negotiations. To meet obligations amid stalled talks, he accelerated releases like in September 1995 and the triple-disc in 1996 via his NPG imprint, though the latter marked his exit strategy. The standoff concluded in 1996 when Prince fulfilled the deal's terms and severed ties with , transitioning to EMI-Capitol for Emancipation's independent distribution, thereby regaining short-term freedom from release constraints. Lingering ownership issues persisted until a 2014 reconciliation, where he reacquired masters to his Warner-era recordings, underscoring the protracted nature of reclaiming digital-era rights under pre-streaming contracts.

Name change to symbol and pseudonym usage

In June 1993, amid escalating disputes with Warner Bros. Records over creative control and ownership of his name—which he viewed as a form of artistic enslavement—Prince Rogers Nelson legally changed his name to an unpronounceable glyph known as the Love Symbol #2, combining elements of male and female gender symbols with a horn-like flourish. This act on his 35th birthday, June 7, 1993, symbolized his rejection of the label's contractual restrictions, which limited album releases and output despite his prolific recording pace, effectively rendering "Prince" as intellectual property controlled by Warner Bros. He subsequently appeared publicly with the word "slave" written on his cheek to underscore his grievances, and Warner Bros. referred to him as "The Artist Formerly Known as Prince" (TAFKAP) in press materials to maintain market recognition while adhering to the contract's terms. Albums released during this period, such as Come (1994) and The Gold Experience (1995), bore the symbol prominently on covers and credits, complicating promotion and licensing as media and fans grappled with the lack of a pronounceable moniker. The change did not immediately resolve his contractual obligations, which extended until 1996 for recordings and into 2000 for publishing, but it highlighted tensions over artistic autonomy versus commercial demands, with Prince arguing that excessive output demands stifled quality and innovation. On May 16, 2000, following the expiration of his Warner/Chappell publishing deal on December 31, 1999—which had tied the name "Prince" to the label—Nelson announced his return to using "Prince" as his legal and stage name, reclaiming it after seven years to align with independent ventures like . Throughout his career, Prince employed numerous pseudonyms for songwriting credits, alter egos, and side projects to experiment with personas, evade label scrutiny, or obscure contributions to protégés, reflecting his multifaceted approach to identity and control. Notable examples include "Camille," a pitched-up feminine voice used on tracks like "If I Was Your Girlfriend" from (1987) and planned for a shelved 1987 album of androgynous funk material; "Alexander Nevermind" for songs given to ; and "Joey Coco" or "Jamie Starr" for productions tied to The Time. These aliases, often tied to specific sonic or thematic experiments, allowed compartmentalization of his output amid industry pressures, though they occasionally fueled speculation about ghostwriting without direct attribution until posthumous revelations. Prince vigorously enforced his copyrights against unauthorized reproductions and distributions of his performances, particularly targeting bootleg recordings shared online. In January 2014, he filed a federal lawsuit in against 22 individuals, including users and website operators, accusing them of "massive infringement and bootlegging" by posting or linking to unauthorized videos and audio of his live shows, seeking $1 million in damages per defendant for a total of $22 million under federal and anti-bootlegging statutes. The suit alleged violations through embedding or hyperlinking to infringing content hosted on platforms like , but it was voluntarily dismissed less than two weeks later amid widespread fan backlash and criticism for pursuing ordinary enthusiasts rather than primary uploaders. Earlier instances reflected a pattern of aggressive toward fan-shared content. In 2007, Prince initiated legal actions against multiple fan websites for hosting photos, audio clips, and video footage from his concerts without permission, demanding their removal to safeguard his . He also opposed the statutory compulsory mechanical licensing under U.S. law, which permitted other artists to record covers of his songs upon paying a fixed royalty rate without his approval, arguing it eroded his artistic authority and control over interpretations of his work. Prince asserted absolute ownership over his entire music catalog, including masters and publishing rights, viewing label claims as encroachments on his creative autonomy. This stance culminated in a 2014 agreement with Warner Bros. Records, where he reacquired ownership of his pre-1996 master recordings—previously contractually assigned to the label—marking a rare reclamation of such assets by an artist from a major label. He extended this ownership philosophy to digital platforms, withholding his music from streaming services like and aggressively issuing takedown notices on for user-uploaded content, contending that inadequate royalty structures failed to compensate creators adequately for exploitation. These actions underscored his broader contention that artists should retain perpetual dominion over their output, free from intermediary dilutions.

Controversies and personal failings

Allegations of grooming and relational abuse

In 1990, Prince met , then a 16-year-old belly dancer, after viewing videos of her performances submitted by fans; he was 32 at the time and subsequently invited her to his concerts and maintained contact, including writing her a letter expressing romantic interest. has stated that Prince waited until she turned 19 before initiating a sexual relationship and until age 22 before their marriage in 1996, denying any grooming and describing the early years as platonic . Critics, however, have characterized this dynamic—and similar patterns with other young female fans or protégées, such as Anna Fantastic, with whom Prince reportedly shared a bed platonically as a teenager—as indicative of grooming due to the significant age disparity and his position of influence as a . No legal actions or contemporaneous complaints substantiated grooming claims during Prince's lifetime. Allegations of relational abuse center on Prince's reportedly controlling tendencies in romantic partnerships, including dictating partners' appearances, careers, and behaviors. Denise Matthews (), who dated Prince in the early 1980s, described frequent arguments stemming from his demands for exclusivity amid his own infidelity and professional oversight of her group , ultimately leading her to leave the relationship and his orbit. Garcia, in her 2017 memoir, detailed Prince's increasing emotional withdrawal and rigidity following the 1996 death of their infant son from , portraying him as obsessively private and resistant to , though she emphasized no physical violence and defended him against broader abuse narratives. Physical abuse claims emerged posthumously, notably from , who in her 2021 memoir alleged that during a 1991 meeting at Prince's home—arranged to discuss her cover of ""—he initiated a violent intended to harm her, after which she fled; she further labeled him a "violent abuser of women" based on rumored treatment of female associates. An unreleased 2024 documentary directed by , originally commissioned by , featured similar accusations from multiple ex-partners, including singer claiming Prince punched her repeatedly in the face in 1984 at a hotel after she slapped him in jealousy, dissuading her from police involvement by invoking career repercussions. The film, which interwove these unverified personal accounts with analysis of Prince's artistry and , was shelved in 2025 following a settlement between and Prince's estate, which controls his image and catalog; his music companies stated they were addressing the matters internally without endorsing the claims. Garcia publicly rebutted O'Connor's characterizations, asserting Prince was never violent toward women. No criminal charges were ever filed against Prince for these alleged incidents.

Drug use denial and health mismanagement

Despite publicly projecting an image of abstinence from intoxicants, Prince privately managed chronic pain through opioids without proper medical oversight or personal prescriptions, concealing his dependency to maintain privacy and avoid stigma. In a 2009 encounter recounted by an associate, Prince explicitly stated, "I don't do drugs or I'd give you a joint," reinforcing his longstanding teetotaler persona that aligned with his pre-2001 secular sobriety and post-conversion Jehovah's Witness beliefs emphasizing moral purity. This denial extended to associates; shortly after his death, his longtime lawyer passionately rejected claims of drug involvement, despite emerging evidence of long-term Percocet abuse dating back decades, as revealed by family members to prior attorneys. Court documents from the death investigation disclosed systematic concealment tactics, including storage of narcotic painkillers in mislabeled aspirin bottles to evade detection by staff, and acquisition of oxycodone prescriptions under associates' names—such as friend and bodyguard—to circumvent direct linkage. None of the opioids found strewn across his home, including fentanyl-laced counterfeits, bore his name on labels, indicating reliance on unregulated or proxy sources rather than monitored treatment. This approach exacerbated risks, as Prince ingested what he believed to be Vicodin but was actually counterfeit pills adulterated with , a synthetic 30-50 times more potent than , without verifying authenticity or dosage. Confidants observed acute withdrawal symptoms in the weeks prior, including flu-like distress after a , yet Prince resisted comprehensive intervention, opting instead for a last-minute flight to on April 15, 2016, for counseling with an specialist using —a partial for dependency management—only after an Narcan revival from an apparent overdose on his jet from . mismanagement stemmed from this isolationist pattern: forgoing legitimate prescriptions to preserve his drug-free public facade, bypassing sustained or protocols, and depending on enablers who sourced pills informally, which delayed recognition of addiction's severity until irreversible escalation. Such practices, common in high-profile cases avoiding scrutiny, prioritized image over empirical safeguards like supervised tapering or alternative therapies for performance-related ailments.

Peer rivalries and industry criticisms

Prince maintained a competitive stance toward contemporaries in the music industry, particularly during the when he vied for dominance in pop and funk genres. His most publicized rivalry was with , fueled by media comparisons of their chart successes and artistic innovations; on February 28, 1984, Prince watched Jackson win eight in one night for Thriller, an event that reportedly motivated Prince to accelerate production on Purple Rain to counter Jackson's momentum. Tensions escalated in 1985 when Jackson invited Prince to contribute to for USA for Africa, but Prince declined, citing discomfort with the collaborative format and a preference for solo expression, which some interpreted as professional jealousy amid Jackson's surging popularity. Despite mutual respect for each other's talents—Prince once praised Jackson's dancing in interviews—their interactions remained distant, with Prince avoiding direct confrontation and Jackson expressing no overt animosity. Similar friction marked Prince's relationship with , a fellow pioneer whose career paralleled Prince's early trajectory; both released debut albums in , and their overlapping styles led to direct competition in the late 1970s and early . During a co-headlining tour, backstage conflicts arose, including allegations that Prince upstaged James by extending sets or engaging in pranks, exacerbating James's resentment; James later claimed Prince snubbed his mother by refusing her an autograph, viewing it as emblematic of Prince's arrogance. James publicly dismissed Prince's versatility as overrated, arguing in interviews that Prince lacked genuine street credibility compared to his own raw roots, though their rivalry subsided as James's career waned amid personal struggles. Prince's brief romantic involvement with Madonna in the mid-1980s, as labelmates on , soured into mutual disdain; after their fling ended, Prince described their conflicts as largely media-invented in a 2013 interview, yet he critiqued her persona as derivative and less innovative than his own boundary-pushing work. reciprocated by mocking Prince's androgynous style and stage antics in later accounts, positioning herself as more commercially adaptive while implying Prince's eccentricity hindered broader appeal. These peer dynamics often stemmed from Prince's insistence on total creative , which peers like —former protégés fired by Prince in 1983 for producing Jackson's Control without permission—later cited as evidence of his controlling nature stifling collaboration. Industry executives frequently criticized Prince's uncompromising demands and erratic behavior, portraying him as difficult to manage; staff in the 1990s described him as a "nightmare" due to his refusal to adhere to release schedules, penchant for vaulting unreleased material, and public stunts like the 1993 to an unpronounceable , which they saw as sabotaging marketability. Label representatives argued his battles over master recordings and royalties—escalating after his 1995 contract exit—reflected paranoia rather than principled stands, leading to stalled projects and fan frustration; for instance, his 2010s withdrawal of catalog from streaming platforms was decried by promoters as shortsighted amid digital shifts. Peers and insiders, including , echoed these sentiments, with Richards in 1980s interviews labeling Prince's flamboyance as affected and his guitar skills overhyped compared to rock traditionalists. Such critiques contrasted with Prince's own rebukes of the industry as exploitative "vultures," but empirical sales data—over 150 million records sold—substantiated his leverage, suggesting his "difficulties" yielded long-term artistic control unattainable by more compliant artists.

Health decline and death

Chronic pain, addiction, and medical interventions

Prince suffered from chronic hip pain attributed to the physical demands of his performance style, including high kicks, splits, and jumps accumulated over decades of touring. This pain reportedly stemmed from hip arthritis and joint deterioration, exacerbated by repetitive strain rather than acute injury. Associates, including collaborator Sheila E., noted that Prince endured ongoing discomfort from hip and ankle issues but concealed its severity to maintain his image as an indefatigable performer. Childhood epilepsy, which Prince disclosed in a 2009 interview as involving seizures until around age nine, resolved without apparent long-term connection to his adult pain complaints. To manage the hip pain, Prince began using prescription opioids, initially prescribed Percocet in 2009, which escalated into dependency as tolerance developed—a common progression in cases involving these medications. He reportedly underwent corrective hip around 2010, though details varied between replacement procedures and less invasive interventions like removal, with some accounts suggesting he declined more extensive due to religious convictions as a Jehovah's Witness. Despite these efforts, pain persisted, leading to surreptitious use; investigators later found his residence stocked with unlabeled pills in aspirin bottles, including fentanyl-laced counterfeit without valid prescriptions. Prince publicly denied any drug use, aligning with his faith's prohibitions, which likely delayed overt intervention despite associates' awareness of his struggles. In the days before his April 21, 2016, death, he sought emergency treatment, flying to on April 20 for administration of —a medication-assisted combining partial agonist effects with counseling to mitigate cravings and symptoms. This late-stage attempt, however, proved insufficient, as confirmed accidental toxicity as the , underscoring the challenges of concealed in high-achieving individuals reliant on pain relief for professional demands.

Overdose events and death circumstances

On , 2016, following a performance at the Fox Theatre in , Prince's private jet en route to made an at Quad City International Airport in , around 1:00 a.m. local time. The pilot reported an unresponsive passenger, later identified as Prince, prompting paramedics to administer , a medication used to reverse overdoses. He was transported to a nearby hospital, treated, and released within hours; his publicist initially attributed the episode to influenza, though subsequent investigations linked it to opioid use. Five days later, on April 20, 2016, Prince sought treatment at a medical clinic near , receiving an intravenous infusion described as vitamins but suspected by associates to address pain or withdrawal symptoms. The following morning, April 21, staff grew concerned after he failed to respond to knocks and calls; one employee briefly dialed 911 before hanging up. Around 9:43 a.m., a security employee discovered him unresponsive in a residential at the complex in . Emergency responders pronounced him dead at the scene, with no signs of trauma or foul play evident. The Hennepin County Medical Examiner's autopsy, released on June 2, 2016, determined the cause of death as an accidental overdose, with reports indicating "exceedingly high" concentrations—450 micrograms per kilogram in his liver, far exceeding typical postmortem levels associated with overdose. No other drugs, alcohol, or contaminants were found, and the was self-administered via counterfeit pills resembling Vicodin, which contained the synthetic instead of the intended . Authorities recovered mislabeled pills hidden in the bathroom, but investigations yielded no criminal charges, as no supplier or enabler could be identified, and the death was ruled unintentional. Following his death, conspiracy theories claimed that Prince was either a member of the Illuminati or satanic elite, or that he was murdered by them to silence his alleged opposition to topics such as chemtrails or Hollywood corruption. These theories lack credible evidence and circulate primarily in fringe online communities, in contrast to the official ruling of accidental fentanyl overdose.

Public reactions and immediate tributes

Upon confirmation of Prince's death on April 21, 2016, fans rapidly assembled at , his Chanhassen, Minnesota studio complex, and First Avenue, the Minneapolis nightclub featured in Purple Rain, to lay flowers, balloons, and handwritten notes in tribute. Hundreds gathered outside within hours, creating impromptu memorials that grew over subsequent days despite requests from authorities to avoid the private property. Celebrities and musicians voiced immediate shock and admiration across social media and public statements. Madonna described Prince as a "visionary who changed the world," while Mick Jagger noted his "limitless" talent. Aretha Franklin, among the first to react, expressed devastation, and Carmen Electra, a former associate, recalled his focus on life and enthusiasm for music. Tributes extended to global landmarks, with the Apollo Theater in Harlem altering its marquee and numerous buildings, including Minneapolis's Lowry Bridge, illuminated in purple. Social media platforms overflowed with grief-stricken posts from fans worldwide, emphasizing Prince's innovative influence, as news outlets reported an outpouring that reflected his enduring cultural impact.

Estate litigation and posthumous output

Will absence and inheritance disputes

Prince Rogers Nelson died on April 21, 2016, without a valid will, trust, or any formal documents, leaving his estate to be distributed under intestacy laws. This absence triggered immediate proceedings in , where the court appointed Bremer Trust as a temporary special administrator to inventory assets, including extensive unreleased music in his vault, real estate, and rights valued collectively at an initial estimate exceeding $200 million. Under Minnesota statutes, with no surviving spouse, children, or parents, inheritance passed equally to Prince's six closest siblings: his full sister and five half-siblings—Sharon L. Nelson, Lorna Nelson, John R. Nelson, Norrine Nelson, and Omar Baker—as determined after and dismissal of over two dozen invalid claims from purported relatives. However, two half-siblings died during the process—John R. Nelson in 2017 and Lorna Nelson in 2020—introducing their respective heirs and further fragmenting control among approximately 11 parties by 2022. A purported handwritten will discovered in a was invalidated in May 2017 after forensic analysis revealed it predated Prince's death by years and lacked authentication. The lack of a will fueled protracted disputes among , who divided into competing factions over estate , asset , and distribution priorities, resulting in over $10 million in legal fees by 2022 and delayed from licensing and vault releases. In 2017, the court transitioned administration to Bank and Merkle & Henderson as corporate executors to resolve conflicts, but tensions persisted; for instance, primary heirs objected to secondary ' involvement, leading to mediated agreements on equal shares only after IRS valuation disputes settled at $156.4 million in 2022. Post-settlement litigation continued, exemplified by a 2024 Delaware lawsuit filed by former advisers Londell McMillan and Charles Spicer against four (including ), alleging breach of fiduciary duties in managing Prince Legacy LLC and seeking to block a potential sale of publishing rights. These inheritance battles underscored the inefficiencies of for high-value estates, as law's equal sibling distribution ignored Prince's complex family dynamics and business preferences, amplifying tax liabilities—estimated at 40% without planning—and stalling posthumous projects until partial resolutions in . Despite the 2022 global settlement distributing assets , ongoing suits highlight unresolved control issues, with heirs' infighting contrasting Prince's lifetime emphasis on artistic autonomy.

Vault management and release delays

Prince maintained a vast archive of unreleased recordings in a secure vault at his Studios complex near , estimated to contain around 8,000 songs spanning decades of his prolific output. Following his death on April 21, 2016, without a will, initial access to the vault required intervention by professional safe crackers to open locked compartments containing tapes, hard drives, and other media. Management fell to court-appointed administrators, initially Comerica Bank, amid ongoing disputes among his six heirs—his full sister and five half-siblings—which complicated decisions on preservation and commercialization. Early efforts revealed significant preservation challenges, including and general degradation of analog tapes stored in the basement vault, prompting concerns over potential loss of material if not addressed promptly. Legal battles further delayed releases; a proposed $31 million licensing deal with for vault rights in 2017 was contested by , stalling broader exploitation of the archive as attorneys prioritized estate valuation and tax disputes with the IRS, which were not fully resolved until a 2021 settlement. By 2025, control had shifted more to primary like attorney Londell McMillan, but fans and observers criticized the pace, noting only sporadic posthumous albums such as Piano & a Microphone 1983 (2018) and Welcome 2 America (2021) had emerged from the vault amid fears of market saturation. The estate has cited curation needs—digitizing fragile media, selecting high-quality tracks, and avoiding over-release—as reasons for restraint, with some material reportedly moved off-site for safety from environmental risks at Paisley Park. At the 2025 Prince Celebration event, representatives discussed ongoing vault digitization and hinted at reissues of 1980s albums like The Black Album, but no firm timelines for major new vault dumps were provided, fueling perceptions of mismanagement despite assertions of protecting long-term value. These delays contrast with Prince's lifetime practice of controlled leaks and have led to independent efforts, such as leaked bootlegs, underscoring tensions between archival integrity and public demand for access.

Releases and reissues through 2025

The Prince Estate, in collaboration with labels such as and , has overseen a series of posthumous releases drawing from Prince's vault of unreleased recordings—estimated to contain thousands of tracks accumulated over decades—and expanded reissues of his catalog albums, beginning shortly after his death on April 21, 2016. These efforts, often involving remastering, bonus tracks, and previously unheard material, aim to capitalize on his prolific output while navigating legal and archival challenges. Early releases focused on compilations and intimate vault selections, transitioning to deluxe editions of landmark albums by the early . In November 2016, the first major posthumous project, Prince 4Ever, a 40-track compilation spanning his career, was issued by , featuring hits and select rarities but no extensive vault excavation. This was followed in 2017 by the Purple Rain Deluxe Expanded Edition, which added 11 previously unreleased songs, B-sides, and remixes to the original 1984 soundtrack, peaking at number three on the Billboard 200. The 2018 release of Piano and a Microphone 1983, a nine-track solo recording from sessions at Prince's Kiowa Trail home studio, marked the estate's initial deep dive into the vault; it included intimate demos of songs like "Purple Rain" and "Strange Relationship," produced with input from Prince's engineer . Subsequent vault albums included Originals in June 2019, a 15-track collection of Prince's unreleased versions of tracks he wrote for others, such as "Nothing Compares 2 U" (for The Family) and "The Glamorous Life" (for ), curated with input from collaborators like Troy Carter. Welcome 2 America, recorded in 2010 but shelved by Prince, emerged in July 2021 as a full band effort critiquing fame and technology, featuring the title track's prophetic lyrics on ; it debuted at number 12 on the 200. Reissues gained momentum with the 2019 1999 Super Deluxe Edition (six CDs or seven LPs), incorporating 65 tracks including vault demos and live recordings, and the 2020 Sign o' the Times Super Deluxe Edition (16 CDs/13 LPs), which expanded the 1987 double album with over 100 unreleased songs, alternate mixes, and video content. The 2023 Diamonds and Pearls Super Deluxe Edition similarly augmented the 1991 album with dozens of rarities, B-sides, and remasters. By 2025, activity included hints of vinyl editions for Prince's final lifetime albums, HITnRUN Phase One and HITnRUN Phase Two (both 2015 digital releases), announced at the June Paisley Park Celebration event, addressing long-standing fan demand for physical formats amid the estate's push for catalog accessibility. The most prominent 2025 reissue, Around the World in a Day (Deluxe Edition)—celebrating the 40th anniversary of the 1985 album with The Revolution—arrived on November 21 via NPG Records, Paisley Park Enterprises, Warner Records, and Legacy Recordings; the 2-CD/3-LP set features remastered stereo audio, Dolby Atmos mixes, extended versions of A- and B-sides (including a remix of "Paisley Park"), B-sides, and rarities, though without a super-deluxe box set incorporating extensive vault material. These outputs, while praised for preserving Prince's experimental ethos, have drawn criticism from fans for selective curation and delays in exhausting the vault's potential, estimated to support annual releases for over a century.
YearReleaseTypeKey Details
2018Vault album9 tracks; solo demos; peaked at #5 Billboard 200.
2019OriginalsVault album15 tracks; demos for other artists; executive produced by Prince's estate.
2021Vault album2010 sessions; critiques modern society; #12 Billboard debut.
20191999 Super DeluxeReissue65 tracks; includes unreleased Vault material.
2020Sign o' the Times Super DeluxeReissue130+ tracks; extensive alternates and videos.
2023Diamonds and Pearls Super DeluxeReissueDozens of rarities; remasters.
2025Around the World in a Day DeluxeReissue40th anniversary; Atmos mixes, B-sides; Nov 21 release.

Legacy and assessment

Commercial successes and awards

Prince's music catalog has generated over 100 million records sold worldwide, establishing him as one of the best-selling artists in history. In the United States, his RIAA-certified album sales exceed 36 million units, with equivalent album sales surpassing 136 million globally when accounting for streaming and other formats. His breakthrough came with the 1984 Purple Rain soundtrack, which topped the for 24 consecutive weeks and achieved 13× platinum certification for 13 million units shipped in the US. The album's title track reached number 2 on the , while preceding singles and both hit number 1, marking his first two chart-toppers. Subsequent releases sustained this momentum, with 1999 (1982) certified 4× platinum for 4 million US sales and featuring the number 1 hit "Little Red Corvette." Around the World in a Day (1985) and Sign o' the Times (1987) each reached 2× platinum status, the latter peaking at number 6 on the Billboard 200 despite its double-album format. Prince amassed five Billboard Hot 100 number 1 singles in total—"When Doves Cry," "Let's Go Crazy," "Kiss" (1986), "Batdance" (1989), and "Cream" (1991)—along with 19 top-10 entries and 47 charted singles overall. From 1980 to 2000, he secured 20 top-20 albums on the Billboard 200, a record of chart consistency unmatched by many peers during that period.
AlbumUS RIAA CertificationPeak Billboard 200 PositionGlobal Equivalent Sales (millions)
Purple Rain (1984)13× Platinum138.6
1999 (1982)4× Platinum9~13.0
Around the World in a Day (1985)2× Platinum1~7.5
Sign o' the Times (1987)2× Platinum6~9.0
Prince received seven Grammy Awards from the Recording Academy, including three in 1985 for Purple Rain: Best Rock Performance by a Duo or Group with Vocal ("Beat It" collaboration aside, but core for album tracks), Best Score Soundtrack Album for Visual Media, and Best Rock Instrumental Performance ("The Yam Song" component). Additional wins spanned Best Traditional R&B Vocal Performance (1991 for "Scandalous" from Batman soundtrack), Best Male R&B Vocal Performance (twice, for "Kiss" in 1987 and The Gold Experience tracks), and a lifetime achievement nod. He earned an Academy Award in 1985 for Best Original Song Score for Purple Rain, alongside a Golden Globe nomination in the same category. Inducted into the Rock & Roll Hall of Fame on March 15, 2004, by Alicia Keys, Prince performed "Let's Go Crazy" and joined a supergroup jam of "While My Guitar Gently Weeps" at the ceremony. Other honors include multiple American Music Awards and Billboard Music Awards, reflecting his dominance in pop, R&B, and rock crossover sales through the 1980s and early 1990s.

Cultural influence and genre contributions

Prince developed the , an electro-funk subgenre blending synthesizer-heavy production, rock guitar riffs, and R&B vocals that gained prominence in the late through his early albums like For You (1978) and Prince (1979). This style, marked by tight rhythms, dense layering, and crossover appeal, drew from funk pioneers like while incorporating new wave electronics, enabling Prince to bridge black and white musical audiences in a racially divided era. By producing acts such as The Time and , he extended the sound's reach, fostering a scene that produced hits like "Jungle Love" in 1984. His genre fusion extended beyond regional innovation, merging , , and pop in works like Purple Rain (1984), which sold over 13 million copies in the U.S. and topped charts across , and R&B categories simultaneously. Prince's multi-instrumentalism and production techniques, including innovative guitar effects and studio experimentation, influenced practices, as seen in his emphasis on live-like in recordings. This boundary-defying approach prefigured modern hybrid genres, with his catalog demonstrating causal links between funk's groove and synth-pop's futurism through verifiable track analyses, such as the Linn LM-1 drum machine's role in 1999 (1982). Culturally, Prince's androgynous aesthetic—featuring ruffled shirts, high heels, and makeup—challenged gender norms, influencing designers like and , who adopted similar flamboyant silhouettes. His , blending masculine with feminine , served both personal expression and strategic branding, impacting artists like Andre 3000 and in visual style and performance. In music videos, such as "" (), he integrated eroticism and narrative depth, elevating the medium's artistic status and foreshadowing MTV's role in cultural dissemination. Numerous musicians credit Prince with shaping their sound, including Miguel, who named him his greatest influence for virtuosic fusion, and , , and for stylistic swagger and genre-blending. This influence manifests empirically in tributes, such as Beyoncé's adoption of his theatricality and Pharrell's production nods to Minneapolis-era synths. While mainstream sources often emphasize progressive reinterpretations of his sexuality, Prince's own statements reveal a pragmatic view, prioritizing artistic control over ideological conformity, as evidenced by his 1999 comments on music's dual capacity for inspiration and excess.

Critical reevaluations and unresolved debates

Following Prince's death on April 21, 2016, critics and fans have reevaluated his oeuvre for its unprecedented fusion of funk, rock, pop, and R&B, crediting him with pioneering multi-instrumental self-production that influenced artists from to . This reassessment emphasizes his technical mastery—playing over 20 instruments proficiently—and his rejection of genre constraints, as seen in albums like (1980), where he integrated rock's raw energy with explicit sexual provocation to challenge racial and sexual binaries. However, such views contrast with earlier dismissals of his flamboyant persona as gimmicky, with posthumous analyses highlighting how his visual subversion amplified musical rebellion, rendering him a "living work of art" whose screen presence in films like Purple Rain (1984) embedded cultural critique. Persistent debates center on whether Prince's legacy is inflated by cultural mythology or undervalued by mainstream metrics. Proponents argue he remains underrated due to the sheer volume and depth of his catalog—39 studio albums over four decades—often overshadowed by Purple Rain's dominance, with outlets like Current Affairs positing that casual listeners miss his experimental breadth, from symphonic flourishes to minimalist funk. Detractors, including forum commentators and Quora users, contend he is overrated, citing repetitive percussion-heavy arrangements beyond his 1980s peak and pretentious name changes (e.g., adopting an unpronounceable symbol in 1993) as evidence of ego eclipsing innovation. These views fuel discussions on his post-1987 output, where some attribute a perceived quality dip to Jehovah's Witnesses conversion (1996 onward), which prompted lyrical shifts away from eroticism toward spiritual themes, alienating secular fans while others see it as authentic evolution amid contract disputes. A core unresolved contention involves Prince's guitar prowess, lauded in live moments like his 2004 Rock and Roll Hall of Fame solo on "" but questioned for lacking the raw distortion or improvisational edge of peers like or . Admirers praise his melodic precision and funk integration, positioning him as a top-tier stylist; skeptics, including guitar enthusiasts, rank him as "good but not elite," arguing his tones prioritized flash over sustain and that hype from non-guitarists inflates rankings. This divide persists without consensus, as archival live footage reveals virtuosity but studio recordings often bury solos under dense production. Debates also linger on Prince's gender and sexuality ambiguity, which he weaponized in songs like "Controversy" (1981) to query identity ("Am I straight or gay?"), predating broader cultural reckonings yet sparking backlash for blurring lines in an era of rigid norms. While celebrated as progressive iconoclasm that expanded masculinity's boundaries, critics note unresolved tensions in his personal denials of bisexuality rumors despite suggestive imagery, raising questions about performative versus authentic fluidity in his art. These elements, intertwined with his Jehovah's Witnesses adherence, underscore ongoing scholarly and fan disputes over whether his contradictions—genius laced with isolationism—enhance or undermine his status as a transformative figure.

References

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