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Queenadreena
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Queenadreena[i] were an English alternative rock band that formed in London, England in 1998 by vocalist KatieJane Garside and guitarist Crispin Gray, who had previously collaborated in the celebrated but short-lived band Daisy Chainsaw.[1] Garside and Gray, who had earned a reputation for their abrasive songwriting with Daisy Chainsaw, incorporated elements of blues rock and other genres with Queenadreena, in addition to their predominant noise rock influences.[3]
Key Information
The band released four studio albums between 2000 and 2008, beginning with the critically acclaimed Taxidermy (2000). The band signed with Rough Trade Records for their second release, Drink Me (2002), before being dropped by the label, after which they signed with the independent label One Little Indian. The band also released a live album, Live at the ICA, which was recorded at the Institute of Contemporary Arts. In 2009, the group disbanded and Garside pursued other solo projects, namely Ruby Throat.
History
[edit]Formation, Taxidermy: 1998–2001
[edit]Queenadreena formed in 1998 after guitarist Crispin Gray reunited with vocalist KatieJane Garside, with whom he had collaborated in 1989 when they formed the band Daisy Chainsaw.[4] Garside left Daisy Chainsaw after completing two years with the band, and went into seclusion in the Lake District,[5] where she lived in the historic Rigg Beck, a retreat for artists and bohemians.[6][7] There, Garside began writing and recording her own material.[8] Reflecting on leaving the music industry, Garside commented: "If I hadn't left, it would have killed me... Because I didn't write the songs [in Daisy Chainsaw] I could never give enough, never go far enough. I couldn't bleed in words, I couldn't bleed in lyrics—I could only bleed in performance, and that meant attacking [myself], literally."[9]
Returning to London in 1998, Garside moved to Belsize Park, where Gray had also been living, and the two reconnected to form the group.[10] Garside said the band name came from when she was writing in Wales: "She just arrived in my head. She came in as Princess Adreena, and I had to write her story. She'd been a warrior princess who'd cut off her left breast for better use of bow and arrow, stuff like that. That's where she came from and then we crowned her, made her into Queen Adreena".[2]
Gray and Garside were joined by drummer Billy Freedom and bassist Orson Wajih[11] and released their debut single, "X-ing Off the Days" / "Heavenly Surrender" on 25 October 1999.[9] The band subsequently released their first studio album, Taxidermy, in early 2000, on the Blanco y Negro Records imprint. Some of the material featured on the album, namely the track "X-ing Off the Days," was written solely by Gray in the years following the breakup of Daisy Chainsaw.[10] NME gave the album a positive review, writing: "While carrying on Daisy Chainsaw's predilection for rock as infantile nightmare, here the scope is much wider than a one-track take on banshee pop. There are some obvious precedents, notably Björk and PJ Harvey, but much more than either of those two reference points, this debut album is frequently akin to eavesdropping on psychotherapy."[12]
To support the record, the band toured nationally supporting Nine Inch Nails,[10] as well as performances at the 2000 Reading and Leeds Festivals.[13] After its release, the band's name stylized as Queenadreena, and subsequent releases reflect this.[2] During this time, the band released a split single, featuring a cover of Dolly Parton's "Jolene," and the folk ballad "Pretty Polly".[14]
Label shifts, The Butcher and the Butterfly: 2002–2006
[edit]
Billy Freedom was replaced in 2002 by drummer Pete Howard, formerly of The Clash. The band signed with Rough Trade for their second album, 2002's Drink Me.[15] The record spawned the single "Pretty Like Drugs," which garnered the band attention from rock press. The album was well received by such publications as Drowned in Sound, who gave it a 7/10 rating, writing: "KatieJane Garside is the kind of woman who makes ordinarily rational grown guys go weak at the knees. "Pretty Like Drugs" will show you why. As her cutesy lost girl Tori Amos/Björk-isms erupt into fearsome hollers that would have piss dribbling down Courtney Love's surgically enhanced thighs, it'll all make sense."[16] The French publication Les inrockuptibles described the record as "Gothic, dark, and threatening."[17]
Rough Trade dropped the group shortly after the release of Drink Me, and Wajih left the band while they embarked on a tour supporting Garbage.[10] Janie Jarvis, formerly of Radiator, joined the band as a temporary bassist for their tour, before former Daisy Chainsaw bassist Richard Adams joined the group.[10] Adams shortly after left the band, and they appeared at the Castle Donington Download Festival in 2003.[10]
The band signed with One Little Indian Records in 2004, and released The Butcher and the Butterfly with KatieJane's sister Melanie Garside on bass, who left soon after and was replaced by Paul Jackson (not to be confused with the fusion bassist of the same name). On 22 March 2005, the band recorded a live album at the Institute of Contemporary Arts in London. The album was released in September as Live at the ICA.
Djin and dissolution: 2007–present
[edit]In 2007, Queenadreena independently released Ride a Cock Horse, an album composed of early demos. Further line-up changes saw Nomi Leonard becoming the new bass player and, in the latter half of 2008, Pete Howard being replaced on drums by Stephen Gilchrist.
On 8 October 2008 Queenadreena released their fourth studio album, Djin, initially only in Japan through Imperial Records. The album eventually saw a release in the United Kingdom September 2009, but was not actively promoted by the band which, by then, was effectively on hiatus. Incorporating influences of blues rock more heavily than the band's early releases did, Allmusic called the record "[Queenadreena's] masterpiece, balancing all their characteristically mercurial elements on the solid basis of the mastery of an accomplished band, which was left by the media to grow at its own pace."[3]
In 2011, Crispin Gray stated, "I wouldn't rule out some kind of reunion gigs in the future. I don't think there will be another record from Queenadreena though, I would be very surprised myself. I haven't heard from Katie in well over a year and I don’t know where she is."
In a 2020 interview on Conan Neutron’s Protonic Reversal Garside, who released an album under the name Liar, Flower, expressed extreme skepticism about working with Gray in the future or further Queenadreena material including her contributions.[18]
Their final studio album Djin was re-released in a limited edition, gatefold double neon pink vinyl set by Cadiz Entertainment on 16 April 2021. The reissue included six additional new demo tracks and a previously unheard song "Heaven Doesn't Wait", co-written and recorded with the late Andy Gill from Gang of Four.[19]
Gray was interviewed at length in May 2021 about the formation and history of Queenadreena, as well as his other bands.[20]
Members
[edit]- KatieJane Garside – vocals (1998–2009)
- Crispin Gray – guitar, backing vocals (1998–2009)
- Pete Howard – drums (2002–2008)
- Nomi Leonard – bass (2006–2009)
- Past members
- Orson Wajih – bass (1999–2002. Played on the 'Taxidermy' tour and on Drink Me)
- Billy Freedom – drums (1999–2002. Provided drums on Taxidermy)
- Melanie Garside – bass (autumn 2003 – early 2005. Played bass at the Killing Joke support at the Astoria, London (as seen on the Queenadreena Live DVD), and provided bass on The Butcher and the Butterfly, co-writing several tracks, and played live gigs for over a year before leaving)
- Paul Jackson – bass (2005–06. Played live for about a year)
- Michael Vakalis – bass (May/June 2003. Played on a French tour)
- Bambi – drums (2008–09)
- Janne Jarvis – bass (autumn 2002. Played on the Drink Me tour)
- Richard Adams – bass (December 2002 – spring 2003. Played the 'Crash' live soundtrack, and toured in early 2003. Co-wrote 'Pull Me Under' which was played live under the title 'Carpet Burn')
- Dom Bouffard – bass (summer/autumn 2003. Played on UK tour)
Discography
[edit]- Taxidermy (2000)
- Drink Me (2002)
- The Butcher and the Butterfly (2005)
- Ride A Cock Horse (2008)
- Djin (2008)
Notes
[edit]References
[edit]- ^ a b c d e "Queenadreena". AllMusic. Archived from the original on 11 February 2023.
- ^ a b c Cameron, Liane (9 August 2002). ""I want to have a past"". Drowned in Sound. Archived from the original on 30 August 2017. Retrieved 1 September 2017.
- ^ a b Severa, Alan (8 October 2008). "Djin – QueenAdreena". AllMusic. Retrieved 22 September 2016.
- ^ Larkin 2000, p. 111.
- ^ "Five Minutes With... KatieJane Garside". Sound Sphere Magazine. 8 September 2006. Retrieved 22 September 2016.
- ^ "Landmark Lakes House Destroyed By Fire Was 'Home' To Stars". Newsandstar.co.uk. Archived from the original on 16 October 2015. Retrieved 5 September 2014.
- ^ O'Brien, Lucy (25 February 2000). "A way with the fairies". The Guardian. Retrieved 16 October 2013.
- ^ Slater, Heather (14 October 1999). "Chainsaw girl set to slay new audience". Burntwood Mercury. p. 34 – via Newspapers.com.
- ^ a b "Right royal return". Cannock Chase Post. 14 October 1999. p. 38 – via Newspapers.com.
- ^ a b c d e f "MusicMight :: Artists :: QUEENADREENA". Rock Detector. 2009. Archived from the original on 4 April 2016. Retrieved 23 September 2016.
- ^ "Queenadreena Biography". MTV. Archived from the original on 23 September 2016.
- ^ "Taxidermy". NME. 12 September 2005. Archived from the original on 11 February 2023.
- ^ "Reading Festival 2000". Reading Festival. Archived from the original on 17 September 2016. Retrieved 20 September 2016.
- ^ Dan, Jen (9 June 2010). "Interview with Ruby Throat". Delusions of Adequacy. Archived from the original on 22 August 2017. Retrieved 20 September 2016.
- ^ Young 2006, p. 184.
- ^ Anonymous, Adam (2002). "Album Review: Queen Adreena – Drink Me". Drowned in Sound. Archived from the original on 22 April 2016. Retrieved 21 September 2016.
- ^ "Queenadreena". Les Inrockuptibles. 385–9. Editions Indépendantes: 42–3. 2003.
- ^ "Ep181: KatieJane Garside (Daisy Chainsaw, Liar, Flower, Queen Adreena)". Conan Neutron's Protonic Reversal. 24 June 2020. Archived from the original on 27 June 2020. Retrieved 24 June 2020.
- ^ "Queen Adreena – Djin – Limited Edition Neon Pink 2LP Vinyl / CD". Archived from the original on 4 June 2021. Retrieved 22 March 2021.
- ^ Archived at Ghostarchive and the Wayback Machine: "Interview with Crispin Gray (Guitarist for Starsha Lee; ex-Queenadreena, ex-Daisy Chainsaw)". 26 May 2021 – via YouTube.
Bibliography
[edit]- Larkin, Colin (2000). The Virgin Encyclopedia of Nineties Music. Virgin. ISBN 978-0-753-50427-7.
- Young, Rob (2006). Rough Trade. Labels Unlimited. Black Dog Publishing. ISBN 978-1-90477-247-7.
External links
[edit]
- Queen Adreena at One Little Indian Records Archived 19 December 2011 at the Wayback Machine
- Queenadreena - Music and videos Archived 14 May 2013 at the Wayback Machine
- Interview and live videos at wenn's rockt! WebTV
- Interview with Crispin Gray on current status of the band
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Queenadreena
View on GrokipediaHistory
Formation and early releases (1998–2001)
Queenadreena was formed in London in 1998 by vocalist KatieJane Garside and guitarist Crispin Gray, both former members of the punk band Daisy Chainsaw. The duo, drawing on their prior collaboration, assembled an initial lineup that included bassist Orson Wajih and drummer Billy Freedom to complete the rhythm section. This configuration marked the band's raw, post-punk foundation, emphasizing Garside's intense vocal delivery and Gray's angular guitar work. The band signed with Blanco y Negro Records, a Warner Music UK imprint, and recorded their debut album Taxidermy at Orinoco Studios in London during 1999. Produced by Ken Thomas alongside band members Garside and Gray, the album was released on March 14, 2000, featuring 13 tracks that blended noise rock with gothic elements. Key songs included "Pretty Like Drugs," a frenetic opener showcasing distorted guitars and Garside's visceral screams, and "Soda Dreamer," which highlighted the band's chaotic yet melodic dynamics. To promote the album, Queenadreena issued early singles such as "X-ing Off the Days" / "A Heavenly Surrender" in November 1999 and "I Adore You" / "Weeds" on February 28, 2000, both on Blanco y Negro. The band supported these releases with a national tour opening for Nine Inch Nails in 2000 and appearances at the Reading and Leeds Festivals that August, where they delivered high-energy sets emphasizing their live intensity. Initial critical reception praised the album's raw energy and Garside's haunting, grating vocal style—described as veering between personal confession and ecstatic frenzy—though it positioned the band as a niche act in the alternative rock scene.Label transitions and expansion (2002–2006)
Following the release of their debut album Taxidermy on Blanco y Negro, Queenadreena departed the label amid professional challenges and signed with Rough Trade Records for their second album, Drink Me, issued in August 2002.[5] The album was produced by the band alongside Ken Thomas and Morgan Nicholls, capturing a more polished yet intense evolution of their raw sound with tracks such as "S Joins G," a frenetic opener blending punk energy and atmospheric tension, and "100%," a visceral exploration of emotional extremes.[6] Drummer Pete Howard, formerly of The Clash, joined the lineup for these sessions, providing a solid rhythmic foundation that supported KatieJane Garside's dynamic vocal range and Crispin Gray's angular guitar work.[7] Rough Trade dropped the band shortly after Drink Me's release, citing insufficient commercial success, prompting Queenadreena to seek new stability.[8] Bassist Orson Wajih departed around this time, with Paul Jackson temporarily filling the role during subsequent tours and recordings.[9] The band signed with One Little Indian Records in 2004, aiming for greater creative control, but faced delays in album production due to lineup flux and label adjustments, pushing the release of their third LP, The Butcher and the Butterfly, to May 2005.[10] The record featured eclectic arrangements, including a haunting cover of Tom Waits' "Ruby's Arms" that showcased Garside's vulnerable delivery amid orchestral swells, and highlighted the band's shift toward broader sonic experimentation.[11] During this period, Queenadreena undertook extensive tours across Europe and the United States to build momentum, including dates supporting acts like Placebo in 2003, which exposed them to wider alternative rock audiences despite ongoing instability.[12] Drink Me garnered critical acclaim for its raw power and Garside's commanding presence, with AllMusic praising its "seething, visceral energy" that elevated the band beyond their indie roots.[13] In contrast, The Butcher and the Butterfly received mixed reviews for its ambitious, genre-blending style—ranging from noise rock to folk-infused ballads—which some critics found uneven, though its artistic risks were noted as a bold progression.[14] The album achieved modest commercial impact, peaking at No. 40 on the UK Independent Albums Chart in 2005.[15]Final album and disbandment (2007–2009)
In 2008, Queenadreena recorded their fourth studio album, Djin, at The Cowshed Studios in London, with production handled by Teo Miller and mixing credited to both the band and Miller.[16][17] The album incorporated elements of garage rock, noise rock, and psychedelic influences, marking a raw yet evolved sound for the band.[18][19] Djin was initially released exclusively in Japan on October 8, 2008, through Imperial Records, featuring tracks such as "Year (Of You)," "Angels," "Killer (Tits)," and the extended closer "You (Don't Love Me)."[16][20] The band's lineup solidified around this period, with Nomi Leonard established on bass since 2006 and drummer Pete Howard replaced by Stephen Gilchrist in the latter half of 2008.[5] Supporting the Japanese release, Queenadreena undertook their final major tour in late 2008, including UK performances at venues like The Cellars in Portsmouth on November 18 and the 100 Club in London on November 20.[12] These shows represented the last significant live activity for the group, as internal challenges began to surface.[21] A limited-edition UK version of Djin followed in September 2009, self-released by the band with no major promotional push, coinciding with an announcement of hiatus.[16] The album received positive critical reception, praised for its maturity and completeness as Queenadreena's most cohesive work to date, though it achieved limited commercial success.[22][18] By late 2009, growing disconnects between vocalist KatieJane Garside and guitarist Crispin Gray—marked by over a year of no communication—led to the band's effective disbandment, with Garside shifting focus to solo endeavors under the moniker Ruby Throat.[5]Post-breakup developments (2010–present)
Following the band's disbandment in 2009, vocalist KatieJane Garside and guitarist Crispin Gray pursued separate musical paths, with no joint Queenadreena activities until at least 2021. Garside continued her work with the neofolk duo Ruby Throat alongside guitarist Chris Whittingham, releasing the album Out of a Black Cloud Came a Bird in 2009, followed by O' Doubt O' Stars in 2012 and Baby Darling Taporo in 2017. In 2020, Garside and Whittingham launched the project Liar, Flower, debuting with the album Geiger Counter on One Little Indian Records, which explored more experimental and acoustic territories. In 2025, Liar, Flower released Ornamental Gardens on One Little Indian Records.[23] Meanwhile, Gray contributed guitar to Starsha Lee's albums, including We Fall (2013) and The Witch and the Witness Tree (2016), blending rock and experimental elements. He later formed Alien Airforce, releasing the debut album Give Pigeons the Right of Way in 2024.[24] In 2021, Cadiz Music reissued Queenadreena's 2008 album Djin as a limited-edition double neon pink vinyl and CD set, featuring six additional demo tracks, including a previously unreleased version of "Heaven Doesn't Wait" co-written with producer Andy Gill.[22] This reissue marked a rare archival effort tied to the band's catalog, though Gray expressed in a 2021 interview that while he valued the material, no immediate plans for new collaborations with Garside were in place beyond maintaining a positive dialogue.[25] Garside, in a 2020 interview, reflected on her Queenadreena era as a period of intense personal turmoil but affirmed ongoing friendly contact with Gray, without addressing potential reunions.[26] As of 2025, Queenadreena has produced no new original material or undertaken tours, with the members' solo endeavors sustaining interest in their legacy.[27] The band's influence persists in alternative and post-punk revival scenes, where Garside's raw vocal style and Gray's angular guitar work have been cited by contemporary acts exploring gothic and noise rock hybrids, though no major legal disputes over back catalog rights have emerged post-dissolution.[28] Fan communities have occasionally compiled unofficial archival releases, such as early demos, to preserve the band's output amid the lack of official revivals.Musical style and influences
Musical style
Queenadreena's core sound is rooted in alternative rock, incorporating elements of noise rock, punk, and gothic influences, defined by Crispin Gray's distorted, serrated guitar riffs that create a tense, aggressive foundation.[29] Katie Jane Garside's vocals are a hallmark, shifting fluidly from piercing screams and guttural howls to breathy whispers and ethereal croons, evoking a sense of desperation and intensity that drives the band's eerie, heady atmosphere.[30][31] This blend results in music that oscillates between chaotic aggression and haunting introspection, often capturing live energy through raw, visceral delivery.[32] The band's sonic evolution is evident across their discography, beginning with the raw, lo-fi aggression of their 2000 debut Taxidermy, where chaotic structures and minimalistic production amplify psychological turmoil, as in the grunge-infused "I Adore You" and the trip-hop-tinged "Yesterday's Hymn."[29] By 2002's Drink Me, the sound polished into a heavier art rock framework with refined production that heightens unadulterated rage and haunting mystique, featuring sharper riffs and dynamic shifts that balance beauty and horror.[33] Their 2009 swansong Djin pushed toward experimentation, infusing psychedelic textures and subtle electronic elements into garage-noise rock, with dirty punk solos and sensually slow-burning arrangements that maintain catchiness amid unconventional forms.[18][20] Production techniques emphasize feedback loops and abrupt song transitions to mirror thematic chaos, as heard in "Weeds," where sudden shifts underscore emotional volatility while preserving the band's raw live intensity on record.[32] Lyrics recurrently delve into madness, desire, and femininity, portraying self-destructive impulses and psychological monsters with visceral urgency.[29][34]Influences and comparisons
Queenadreena's sound drew from a range of post-punk and riot grrrl traditions, with vocalist KatieJane Garside's raw emotional delivery often evoking the intensity of PJ Harvey's work. Critics noted parallels in Garside's haunting vocal range and thematic depth, positioning the band as a successor to Harvey's blend of blues-inflected rock and personal turmoil.[35] The band's roots in riot grrrl were highlighted by contemporaries, with Garside proclaimed an "original Riot Grrrl" by Courtney Love, reflecting shared feminist aggression and punk energy seen in acts like Hole and Babes in Toyland. Queenadreena's early releases, such as Taxidermy, incorporated this heritage through aggressive, unpolished tracks that echoed the movement's defiant spirit.[36][37] Garside's performative style was shaped by her early exposure to theater, particularly a childhood encounter with a stark production of Hamlet that emphasized raw, unadorned transfiguration and risk on stage. This influenced the band's live shows, where Garside's wraith-like presence and shifts from whispered vulnerability to explosive outbursts created a theatrical dynamism.[38] Retrospective reviews have drawn modern parallels to bands like Savages, citing Queenadreena's noise textures and gothic undertones as precursors to their post-punk revival, while elements of blues rock in tracks like those on The Butcher and the Butterfly align with Warpaint's atmospheric introspection.[35]Members
Core lineup
KatieJane Garside served as the lead vocalist for Queenadreena from its formation in 1998 until the band's disbandment in 2009. Previously a member of the punk band Daisy Chainsaw, where she gained recognition for her intense performances, Garside brought a similar chaotic energy to Queenadreena, characterized by her versatile vocal delivery that shifted between soft whispers and explosive shrieks. Her commanding stage presence, often described as performance-art-like, captivated audiences and contributed to the band's raw, visceral live shows. Alongside guitarist Crispin Gray, Garside was a primary songwriter, co-crediting many of the band's tracks and shaping their abrasive yet melodic sound.[39][30][40][41] Crispin Gray was the guitarist and a founding member of Queenadreena, performing with the band from 1998 to 2009. Like Garside, Gray had earlier collaborated with her in Daisy Chainsaw, and their reunion formed the creative core of Queenadreena. He handled much of the guitar arrangements, incorporating noisy, distorted elements and dirty solos that defined the band's alternative rock edge, particularly evident in albums like Djin. Gray also contributed to production on early releases, such as Taxidermy, where he co-produced alongside Garside and others.[1][42][18][43]Former and session members
Queenadreena's rhythm section underwent multiple changes during the band's tenure, with several bassists and drummers contributing to recordings and live performances beyond the core duo of vocalist KatieJane Garside and guitarist Crispin Gray. Orson Wajih, also credited as Dizzy Q, served as the band's original bassist from 1999 to 2002, laying down the bass lines for the debut album Taxidermy (2000) and the sophomore release Drink Me (2002), where his playing emphasized the group's intense, abrasive sound. His contributions included backing vocals on select tracks from Taxidermy.[44][7][44] Billy Freedom, real name Steve Drew, was the initial drummer from 1999 to 2002, handling percussion duties on Taxidermy and supporting the band's early tours with a punk-inflected style that matched their raw energy.[44][4] Melanie Garside, sister of KatieJane Garside, provided bass support from 2003 to 2005, including performances on the 2005 album The Butcher and the Butterfly and related tours, adding familial synergy to the band's evolving lineup.[45] Paul Jackson joined as bassist from 2005 to 2006, appearing on live recordings such as the 2005 Live at the ICA release and contributing melodic elements to mid-period sessions for The Butcher and the Butterfly.[46][4] Pete Howard joined on drums in 2002 and remained until 2008, providing a solid rhythmic foundation through the band's mid-to-late period. Formerly the drummer for The Clash from 1983 to 1986, Howard brought punk-rock precision to tracks across albums like Drink Me, The Butcher and the Butterfly, and Djin. His steady beats anchored the band's dynamic shifts, enhancing their high-energy performances.[16][47][18][7] Nomi Leonard played bass for Queenadreena from 2006 to 2009, joining to stabilize the rhythm section and contributing to the final album Djin and related releases. With a background in the indie rock scene, including later work with projects like The Dogbones, Leonard added acoustic guitar elements and contributed to the polished yet intense sound of the record.[16][48] Bambi (Dominic Howe) served as drummer from 2008 to 2009, providing percussion for late-period live performances following Pete Howard's departure.[9][31] Additional session and touring support came from various contributors to fill rhythm roles during transitions.[9]Discography
Studio albums
Queen Adreena's discography includes four studio albums, each showcasing the band's evolving alternative rock sound characterized by KatieJane Garside's intense vocals and Crispin Gray's guitar work. These releases span from their raw debut to more experimental later efforts, with production varying across labels and collaborators. The band's debut album, Taxidermy, was released on 17 April 2000 by Blanco y Negro Records.[49] It features 12 tracks, including the notable opener "Cold Fish" and the atmospheric "Sleepwalking," which highlights Garside's ethereal delivery.[44] The album was recorded in 1999 at Orinoco Studios in London, emphasizing a gritty, gothic rock aesthetic.[43] Drink Me, the second studio album, followed on 24 June 2002 via Rough Trade Records.[8] Comprising 12 tracks such as "Rough Boy" and "Pretty Like Drugs," it was produced by Ken Thomas and Morgan Nicholls, resulting in a more cohesive sound praised for its dynamic blend of noise rock and melody.[50] The album peaked at number 14 on the UK Independent Albums Chart, spending two weeks there.[51] In 2005, Queen Adreena issued The Butcher and the Butterfly on 23 May through One Little Indian Records.[52] This 13-track release incorporates eclectic elements, including covers and remixes like "Here Come That Sun," alongside originals such as "Medicine Jar" and "Suck."[11] It reached number 40 on the UK Independent Albums Chart for one week.[15] The final studio album, Djin, debuted exclusively in Japan on 8 October 2008 via Imperial Records, with wider releases in 2009 on One Little Indian Records.[20] Featuring 11 tracks, including the experimental "The Gift" and "Killer (Tits)," it explores darker, avant-garde themes.[53] A 2021 reissue by Cadiz Music added bonus tracks, enhancing its availability.[54]Singles and EPs
Queenadreena released a series of singles and split singles primarily during their active years from 1999 to 2005, often featuring dual A-sides or B-sides that showcased their raw, alternative rock sound. These releases were issued through labels such as Blanco y Negro and Rough Trade, with limited editions and promotional formats common, reflecting the band's underground appeal. Chart performance was modest, with a few entries on the UK Singles Chart and indie listings, highlighting their niche following in the alternative scene.[1] The band's singles frequently drew from or promoted their studio albums, such as Taxidermy and Drink Me, but stood alone as promotional vehicles with unique artwork and occasional enhanced CD content like videos. B-sides included original tracks or variants, adding depth to their discography without extensive commercial success. No major EPs were released during their core period, though the live album Live at the ICA (2005, One Little Indian Records) and the compilation Ride a Cock Horse (2008, independent) emerged during their active years.[1]| Year | Title | Label | Format | UK Chart Peak | Notes/B-sides |
|---|---|---|---|---|---|
| 1999 | Cold Fish / Yesterday's Hymn | Blanco y Negro | Single | - | Double A-side single; limited release.[1] |
| 1999 | X-ing Off The Days / A Heavenly Surrender | Blanco y Negro | Single | - | Promotional elements included.[1] |
| 2000 | I Adore You / Weeds | Blanco y Negro | CD single (enhanced) | - | Limited edition; includes video. B-side: Weeds. From Taxidermy.[1][55] |
| 2000 | Jolene / Pretty Polly | Blanco y Negro | CD single (enhanced) | 100 | Includes video; B-side: Pretty Polly.[1][56] |
| 2002 | Pretty Like Drugs | Rough Trade | Single | 102 | From Drink Me; indie chart entry.[1][57][58] |
| 2005 | F.M. Doll | One Little Indian | Single | 81 | Reissue of 2002 single from Drink Me.[1][56][59] |
| 2002 | Kitty Collar Tight / Under A Floorboard World | Rough Trade | 12" promo | - | White label promotional release.[1] |
| 2005 | Medicine Jar | One Little Indian | Single | 109 | From The Butcher and the Butterfly; limited pink vinyl edition. UK Indie No. 15.[1][60][61][62] |
Other releases
- Live at the ICA (live album, 14 October 2005, One Little Indian Records)
- Ride a Cock Horse (compilation album, 2008, independent)