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Queens Logic
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| Queens Logic | |
|---|---|
![]() Theatrical release poster | |
| Directed by | Steve Rash |
| Written by | Tony Spiridakis Joseph W. Savino |
| Produced by | Russell Smith Stuart Oken |
| Starring | |
| Cinematography | Amir M. Mokri |
| Edited by | Patrick Kennedy |
| Music by | Joe Jackson |
Production company | |
| Distributed by | Seven Arts (through New Line Cinema) |
Release date |
|
Running time | 113 minutes |
| Country | United States |
| Language | English |
| Budget | $12 million |
| Box office | $612,781[1] |
Queens Logic is a 1991 American ensemble coming-of-age comedy-drama film from Seven Arts Pictures starring Kevin Bacon, Linda Fiorentino, Joe Mantegna, Jamie Lee Curtis, John Malkovich, Ken Olin, Chloe Webb and Tom Waits. It was directed by Steve Rash.
Synopsis
[edit]This film depicts a cohort of Astoria, Queens[2] working-class, now-thirtysomething childhood neighborhood friends confronting their history together and their future, while behaving both like children and mature adults, and both deceiving and revealing. Ray, the central character, and his childhood friends Al, Dennis and Vinny struggle with issues of commitment in their romantic relationships. Eliot is a gay, later friend who roomed with all of them in a two bedroom apartment as adults and is lonely but dislikes "camp" men. Al and his wife Carla are having serious marital issues, mainly due to his happy go lucky, immature personality. Ray is engaged to Patricia, a wary hairdresser, but he is scared of the effect the marriage may have on his ambitious oil painting career. Vinny is a struggling actor who has dysfunctional one night stands and desires something more meaningful. Dennis is a musician who moved to "Hollywood" to hit the "big time". His braggadocio subsides as he starts dealing with issues he left behind in Queens. The film centers around the preparations for an anniversary, a bachelor party and a wedding which challenges the characters to emotionally mature. The characters face adulthood and discover the meaning of 'Queens Logic.' This comedy film takes a look at the concepts of friendship, loyalty, and love.
Cast (in credits order)
[edit]| Publicity Stills | |
|---|---|
| getty images | |
- Kevin Bacon as Dennis
- Linda Fiorentino as Carla
- John Malkovich as Eliot
- Joe Mantegna as Al
- Ken Olin as Ray
- Tony Spiridakis as Vinny
- Bruce MacVittie as Joey Clams' Nephew
- Tom Waits as Monte
- Chloe Webb as Patricia
- Jamie Lee Curtis as Grace
- Michael Zelniker as Marty
- Kelly Bishop as Maria
- Terry Kinney as Jeremy
Production
[edit]Astoria native Tony Spiridakis wrote the first draft of the screenplay for the film in 1986. He shopped it around to various producers before settling on Stuart Oken, a Chicago theater producer whose previous film production, About Last Night, had been a modest box office hit in the same year. During the filming of the movie, Spiridakis had a dispute with some of his own friends from Brooklyn, who had claimed co-ownership of the script.[3]
Reception
[edit]The movie garnered mixed reviews.
Janet Maslin of The New York Times wrote that the film "fans the flames of its characters' dissatisfaction only to put them out again, which makes it more tidily circular than surprising"; she did, however, commend the "big and eminently watchable cast, brought together for ceaseless partying and clowning".[4] Roger Ebert gave it two-and-a-half stars, compared it to a number of other coming-of-age films and those set in the Brooklyn-Queens area, and remarked that "the screenplay by Tony Spiridakis introduces a large gallery of characters in no apparent order and then moves casually among their stories".[5] He and Gene Siskel both gave it thumbs down on their television series; Gene felt it was too purposelessly overloaded with stereotypes for its own good.[6]
Michael Wilmington took a negative view of the film in the Los Angeles Times, stating:
Remember all the good times we think we had, the questionably rosy glow we paste on our pasts? In "Queens Logic", writer-actor Tony Spiridakis ransacks his reveries, brings back the old gang—as wedding bells may partially be breaking them up. But he can’t shake the trap of nostalgia. He can’t make his memories breathe.
Spiridakis, and director Steve Rash ("The Buddy Holly Story"), and an uncommonly gifted cast, obviously want us to feel the juice of old friendships, recapture the special street dirt, rhythm and nervy intimacy of Queens itself. The movie’s dominating image is the Hellgate Bridge: both crossway to a better life, and a test of male prowess. In the two key scenes, Al the stud (Joe Mantegna) tries twice to climb a rope that has been dangling, apparently forever, from the girders.
Al may or may not make it, but the movie sure doesn't. "Queens Logic" should be funny, pungent, poignant, but somehow it keeps turning strident and sentimental. It's not that the incidents are false—many seem obviously plucked from life—but they're written and played false: too large, too broad, too planted with meaning.[7]
Jonathan Rosenbaum of the Chicago Reader said of the film,
The form and the material couldn’t be more familiar: a bachelor party in Queens that brings together several working-class childhood friends, very much in the manner of something like Diner. What makes it sparkle is the cornucopia of actors' shtick provided by the talented cast: Joe Mantegna, John Malkovich, Kevin Bacon, Linda Fiorentino, Tom Waits, Ken Olin, Chloe Webb, and Jamie Lee Curtis. Steve Rash directed Tony Spiridakis's script as if we haven't already received its gist countless times before, and the actors somehow managed to follow suit.[8]
Time Out magazine wrote a sharply critical review of the film, calling it "yet another post-Big Chill way-we-were movie: a bunch of buddies hang out remembering the good times, the bad times, the godawful records. [ . . . ] Steve Rash handles the slightly diffuse business with sensitivity, but the film coasts mainly on the acting. Mantegna stands out for sheer bravado; Chloe Webb just about contrives to steal the show with a lipful of feistiness. But, as usual, it's really a boys' film, about leering, beering and losing your swim-shorts, and for straight boozy larking, Hangin' with the Homeboys has it licked by a mile."[9]
Later, it was reevaluated and received some praise from online critics. Although Ted Baehr's MovieGuide website objected to the film's view of homosexuality, he did say "the picture is quite well-acted."[10] Frederic and Mary Ann Brussat of the website Spirituality & Practice called the film "a deft snapshot of men who cannot unravel the mystery of women or free themselves from the male bonding of their adolescence."[11] Doc Ezra of the website Need Coffee praised the film immensely, but criticized Artisan Entertainment for not providing a widescreen transfer of the film on its DVD release.[12]
Christine Spagnuolo, an intern at the Queens Chronicle, lauded the film in a June 24, 2015 essay, praising the multi-borough scope of the film's shooting locations, and adding that "well-known actors such as Kevin Bacon and Jamie Lee Curtis embodied the characteristics of nitty-gritty, ordinary people and a realistic Queens attitude that most people who grew up in the area are able to relate to."[13]
Box office
[edit]The movie was not successful on limited release.[14]
DVD release
[edit]The film was released on DVD three times. Once in 1999 under the Pioneer label, the second time in 2002 under the Platinum Disc label, and the third time that same year by Artisan Home Entertainment. The DVD contains just the film and its theatrical trailer.[15]
Queens Logic was filmed in the summer of 1989, but didn't get released until February 1991. Although released theatrically in the US, Queens Logic was released direct-to-video in the UK.
See also
[edit]- American Graffiti (1973)
- Return of the Secaucus 7 (1980)
- Diner (1982)
- The Big Chill (1983)
- St. Elmo's Fire (1985)
- Five Corners (1988)
References
[edit]- ^ Queens Logic at Box Office Mojo
- ^ "A Mixture of Diversity and Culture - Astoria, Queens". The New York Cooperator. New York, NY: Yale Robbins Publications, LLC. February 2011. Retrieved 6 March 2021.
The 1991 movie Queens Logic was filmed all around Astoria and features an Astoria landmark—The Hell Gate Bridge. One of the screenwriters had roots in Astoria.
- ^ "Queens Logic". TVGuide.
- ^ Maslin, Janet (February 1, 1991). "Big Decisions And Small Horizons In Queens". The New York Times. Archived from the original on May 25, 2015. Retrieved March 16, 2022.
- ^ Ebert, Roger (February 1, 1991). "Queens Logic: movie review & film summary (1991)". Chicago Sun-Times. Sun-Times Media Group. Archived from the original on February 28, 2022. Retrieved March 6, 2021 – via RogerEbert.com.



- ^ "Queens Logic, Run, Meet the Applegates, The Vanishing, 1991". Siskel and Ebert Movie Reviews. Retrieved March 6, 2021.
Two Thumbs Down
- ^ Wilmington, Michael (February 1, 1991). "Male Bonding Unglued in Disappointing 'Queens Logic'". Los Angeles Times. Archived from the original on March 16, 2022. Retrieved March 16, 2022.
- ^ Rosenbaum, Jonathan (November 1, 1994). "Queens Logic". Chicago Reader. Retrieved March 6, 2021 – via Jonathan Rosenbaum.
- ^ "Queens Logic". Time Out. Archived from the original on March 16, 2022. Retrieved March 6, 2021.
- ^ "QUEENS LOGIC". Movie Reviews for Christians. August 18, 2012.
- ^ Brussat, Frederic; Brussat, Mary Ann. "Queens Logic". Film Review. Spirituality & Practice. Retrieved March 6, 2021.
- ^ Ezra, Doc. "Queens Logic (1991) Review". needcoffee. Archived from the original on January 21, 2004. Retrieved 6 March 2021.
- ^ Spagnuolo, Christine (June 24, 2015). "'QUEENS LOGIC'". Queens Chronicle. Archived from the original on March 16, 2022. Retrieved December 15, 2021.
Intern
- ^ Broeske, Pat H. (February 5, 1991). "WEEKEND BOX OFFICE : 'Home Alone' Holds Its Own". Los Angeles Times. Retrieved June 3, 2012.
- ^ Amazon.com: Queens Logic: Movies & TV
External links
[edit]- Queens Logic at IMDb
- "Queens Logic (1991): Reviews & Preview". Rotten Tomatoes. Archived from the original on 12 November 2001. Retrieved 6 March 2021.
- "Queens Logic (1991)". CATALOG OF FEATURE FILMS THE FIRST 100 YEARS 1893–1993. American Film Institute.
- "Queens Logic". tv tropes.
Queens Logic
View on GrokipediaPremise and characters
Plot synopsis
Queens Logic centers on a group of lifelong friends from Astoria, Queens, who reunite over a weekend for the bachelor party and wedding of their buddy Ray, an aspiring artist on the verge of marrying his fiancée Patricia, a practical hairdresser who supports his dreams despite their frequent arguments.[2] The gathering forces each man to confront personal crises amid nostalgic reminiscences of their youth, highlighting themes of male camaraderie and the bittersweet shift from adolescence to responsible adulthood in their tight-knit Italian-American community.[4] The story opens with Al, Ray's boisterous cousin and a successful fishmonger, missing his eighth wedding anniversary to Carla, leading to a heated confrontation where she punches him and leaves with their daughters for her mother's house.[4] Desperate to reconcile, Al enlists the help of his old friends—Dennis, a down-on-his-luck trumpeter returning from Hollywood with unrequited feelings for Carla; Vinny, a self-absorbed aspiring actor and parking lot attendant fixated on his ex-girlfriend; and the eccentric Eliot, Al's celibate and repressed gay business partner at the fish market—while avoiding explanations for his black eye at work.[5] As the group assembles for Ray's bachelor party on a rooftop, antics ensue, including a visit to a strip club where tensions simmer over their diverging life paths, evoking memories of childhood adventures like Al's daring climb up the Hell Gate Bridge.[2] Subplots intertwine during the chaotic weekend: Ray grapples with cold feet about the marriage, fearing it will trap him in Queens' familiar but limiting confines, while Patricia asserts her roots and commitment; Al pursues a fleeting affair with a glamorous woman named Joy, only to realize his immaturity has strained his family life.[6] Dennis pines silently for Carla, complicating Al's reconciliation efforts, and Vinny's narcissistic complaints about his love life grate on the group, leading to raw emotional confessions about loyalty and change. Eliot, meanwhile, delivers a poignant monologue on his internal struggles with identity, underscoring the film's exploration of unspoken desires within longstanding friendships.[2] Tensions peak during the group's chaotic gatherings over the weekend, where confrontations erupt, but the Hell Gate Bridge reappears symbolically as Al attempts a reckless adult climb to recapture lost youth, prompting reflections on growth and forgiveness.[5] The narrative culminates at Ray and Patricia's wedding ceremony, where the friends' interventions and heartfelt talks resolve key conflicts: Al mends his marriage through genuine apology, Ray embraces maturity without abandoning his artistic aspirations, and the group reaffirms their bond despite life's transitions.[7] Through these events, Queens Logic weaves a tapestry of nostalgia for Queens' blue-collar ethos, the pains of personal evolution, and the enduring strength of platonic relationships tested by time.[6]Cast and roles
The film features an ensemble cast portraying a group of lifelong friends from Queens, New York, each embodying distinct aspects of working-class life and personal struggles that contribute to the group's interconnected dynamics. The principal roles are introduced in the opening credits in the following order: Kevin Bacon as Dennis, a carefree yet restless musician who has relocated to Hollywood but remains emotionally tied to his roots; Linda Fiorentino as Carla, Al's confident and assertive wife navigating tensions in her marriage; John Malkovich as Eliot, Al's eccentric and aloof business partner at the fish market whose deadpan demeanor and outsider perspective provide subtle comic relief and philosophical undertones to the group's interactions; Joe Mantegna as Al, the jovial fish seller with a Peter Pan-like immaturity that masks deeper marital frustrations; Ken Olin as Ray, the introspective aspiring painter grappling with fears of commitment; and Tony Spiridakis as Vinny, the neurotic parking lot attendant (and aspiring actor) fixated on a past romance, injecting anxious energy into the ensemble's conversations.[2][8] Supporting characters further enrich the ensemble by highlighting relational complexities and community ties. Chloe Webb portrays Patricia, Ray's quirky and free-spirited fiancée, whose unconventional traits add levity and contrast to the groom's hesitations. Jamie Lee Curtis plays Grace, a sophisticated and persuasive woman from out of town whose interactions challenge Al's worldview and introduce themes of aspiration beyond Queens. Tom Waits appears as Monte, a philosophical homeless man whose wry observations offer outsider wisdom to the friends' dilemmas. These roles collectively represent facets of Queens life—from blue-collar trades like fish selling and painting to artistic pursuits in music and acting—fostering a dynamic where humor, tension, and loyalty interplay without resolution.[2][8][9]| Actor | Character | Description Contribution to Ensemble |
|---|---|---|
| Kevin Bacon | Dennis | Carefree Hollywood musician pining for familial connections, bringing nostalgic levity.[2][5] |
| Linda Fiorentino | Carla | Assertive wife of Al, embodying marital realism and independence in a working-class context.[2][1] |
| John Malkovich | Eliot | Eccentric business partner at the fish market with deadpan humor and subtle detachment, offering ironic commentary.[2][1] |
| Joe Mantegna | Al | Immature fish seller dealing with relational strain, driving the group's boisterous energy.[2][9] |
| Ken Olin | Ray | Aspiring painter with commitment anxieties, anchoring the ensemble's central emotional core.[2][10] |
| Tony Spiridakis | Vinny | Neurotic attendant obsessed with lost love, adding frantic intensity to interpersonal exchanges.[2][7] |
| Chloe Webb | Patricia | Quirky bride-to-be, contributing whimsical optimism to the friends' grounded realism.[2] |
| Jamie Lee Curtis | Grace | Wealthy, smooth-talking outsider seeking personal reinvention, disrupting the group's familiarity.[2][10] |
| Tom Waits | Monte | Philosophical drifter, providing sage, offbeat insights that underscore themes of transience.[2][8] |

