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Raising Dad
Raising Dad
Raising Dad
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Raising Dad
GenreSitcom
Created byJonathan Katz
Starring
Theme music composerNoah Hartman
Country of originUnited States
Original languageEnglish
No. of seasons1
No. of episodes22
Production
Executive producersJonathan Katz
Andy Ackerman
John Markus
Bob Saget
Norman Steinberg
Camera setupMulti-camera
Running time22 minutes
Production companies
Original release
NetworkThe WB
ReleaseOctober 5, 2001 (2001-10-05) –
May 10, 2002 (2002-05-10)

Raising Dad is an American television sitcom that aired on The WB from October 5, 2001, to May 10, 2002. The series stars Bob Saget on his first television series since Full House ended in 1995.[1] It also stars Kat Dennings, Brie Larson, Riley Smith, Beau Wirick and Jerry Adler,[2] and was produced by Albion Productions in association with Paramount Television.

Premise

[edit]

Matt Stewart is a widower trying to raise his two daughters, Sarah and Emily, with the help of his live-in father, Sam, a former baseball player for the Boston Red Sox. Further complicating matters, Matt works as an English teacher at Sarah's high school. Matt struggles to keep his nose out of his daughter's social life while attempting to find his own.

Cast

[edit]

Main

[edit]

Recurring

[edit]

Episodes

[edit]
No.TitleDirected byWritten byOriginal release date Viewers
(millions)
1"Pilot"Andy AckermanJonathan KatzOctober 5, 2001 (2001-10-05)4.53[3]
Matt can't stop sharing personal information about Sarah with his high school English class. Sam and Emily are lying to her school so she can spend more time at home.
2"Sex Ed"Lee Shallat ChemelBill BraudisOctober 12, 2001 (2001-10-12)3.53[4]
Matt agrees to be a substitute teacher for a Sex Ed class, not realizing that Sarah will be in attendance. Emily is researching careers in the want ads and Sam misplaces his car at the mall and worries that he might be losing his marbles.
3"Baby, You Can't Drive My Car"Lee Shallat ChemelBill MastersOctober 19, 2001 (2001-10-19)3.28[5]
Sarah wants to get her license, but her driving lessons don't go as planned because her dad is a nervous driver. Matt's feelings get hurt when Sarah searches for a less stressful substitute. With Grandpa's help, Emily makes a Rube Goldberg machine for a school contest.
4"For Mature Audiences Only"Philip Charles MacKenzieNancy CohenOctober 26, 2001 (2001-10-26)3.4[6]
5"Fight for Your Right to Party"Philip Charles MacKenzieB. J. NovakNovember 2, 2001 (2001-11-02)4.28[7]
6"We'll Always Have Scrabble"Dana DeVally PiazzaKimberly Karp & Phil BremanNovember 9, 2001 (2001-11-09)3.77[8]
7"The Drama Club"Dana DeVally PiazzaStory by : Jonathan Katz
Teleplay by : Jonathan Katz & Bill Braudis		November 16, 2001 (2001-11-16)3.7[9]
8"The New Room"Lee Shallat ChemelMiriam TrogdonDecember 7, 2001 (2001-12-07)3.33[10]
9"Teacher Evaluations"Wil ShrinerChuck SklarDecember 14, 2001 (2001-12-14)3.92[11]
10"Matt&Sarah@Gossip.com"Wil ShrinerAdam Markowitz & Marc RubelJanuary 11, 2002 (2002-01-11)3.2[12]
11"First Date"Wil ShrinerNorman SteinbergJanuary 18, 2002 (2002-01-18)2.8[13]
12"Sam's Enchanted Evening"John WhitesellJim Armogida & Steve ArmogidaJanuary 25, 2002 (2002-01-25)2.9[14]
13"Mentor Matt"Ken WhittinghamB. J. NovakFebruary 1, 2002 (2002-02-01)2.62[15]
14"The Math Problem"Philip Charles MacKenzieNancy CohenFebruary 15, 2002 (2002-02-15)2.4[16]
15"Attending a Family Dysfunction"Wil ShrinerEd DriscollFebruary 22, 2002 (2002-02-22)2.70[17]
16"Miss Communication"Wil ShrinerBill Braudis & Jonathan KatzMarch 22, 2002 (2002-03-22)2.72[18]
17"A Kiss Is Still a Kiss"Wil ShrinerRobert BruceApril 5, 2002 (2002-04-05)2.80[19]
18"Home Plates"Lee Shallat ChemelJimmy Aleck & Jim KeilyApril 12, 2002 (2002-04-12)2.2[20]
19"The House of Stewart"Will MackenzieKimberley Karp & Phil BremanApril 19, 2002 (2002-04-19)2.4[21]
20"Bully"Will MackenzieChuck SklarApril 26, 2002 (2002-04-26)2.07[22]
21"Daughter Nose Beat"Wil ShrinerEd CrasnickMay 3, 2002 (2002-05-03)3.29[23]
22"Losing It"Norman SteinbergNorman Steinberg & Bill MastersMay 10, 2002 (2002-05-10)2.50[24]

Reception

[edit]

Carole Horst of Variety reviewed the first episode of Raising Dad and wrote: "a family trying to cope with the death of the mother... isn't funny, but it is touching at times", and added that the cast "is fine, and "Dad" shows some promise. It probably will keep Reba's audience tuned in to end a nice family night of TV."[25]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Raising Dad

View on Grokipedia
from Grokipedia
Raising Dad is an American sitcom television series created by that aired on network from October 5, 2001, to May 10, 2002, spanning one season of 22 episodes. The show centers on Matt Stewart, a widowed high played by , who navigates the challenges of single parenthood while raising his three children: the rebellious teenager (), the younger (), and son Evan (), often with unhelpful advice from his live-in father-in-law, Sam (). Produced by Albion Productions and , Raising Dad marked Saget's return to starring in a family-oriented following the end of in 1995, and it aired in the Friday night 9:30 PM ET slot during its run. The series also featured supporting roles by actors such as as Sarah's best friend Katie and as Matt's colleague Jared Ashby. Despite its premise of blending humor from generational clashes and parenting mishaps, the program struggled with low viewership ratings and received mixed critical reception, ultimately leading to its cancellation after the first season. Notably, Raising Dad provided early career breakthroughs for Dennings and Larson, who later achieved prominence in films and series like and , respectively.

Production

Development

Raising Dad was created by , who served as the primary writer and executive producer, drawing on his experience with understated humor from projects like while adapting to traditional family sitcom dynamics reminiscent of . Katz's concept centered on a widowed father navigating single parenthood, pitched to in early 2001 as a vehicle for relatable family comedy. Executive production duties were shared with Norman Steinberg, overseeing the project's transition from script to screen. Production commenced in the summer of 2001 under Albion Productions in association with Television, filmed in a multi-camera format at studios in Hollywood. This setup allowed for the standard 22-minute episode length typical of network sitcoms. The WB greenlit an initial order of 22 episodes for the 2001-2002 season, positioning the series as a family-oriented entry to attract viewers with its blend of generational humor and everyday challenges.

Casting

was cast in the lead role of Matt Stewart, leveraging his established comedic style as a paternal figure from his previous series , which had ended in 1995, marking his return to a similar sitcom archetype after a six-year hiatus from starring in network television. Kat Dennings landed the role of the teenage daughter Sarah Stewart at age 15, serving as her breakout performance in a leading television part following minor guest spots. At just 12 years old, Brie Larson was chosen for the younger daughter Emily Stewart, an early showcase of her comedic timing in her first regular series role opposite Saget. Veteran actor Jerry Adler portrayed the grandfather Sam Stewart, capitalizing on his established presence in dramatic series like The Sopranos to bring gravitas to the multigenerational family setup. Riley Smith and Beau Wirick were cast in supporting roles to add youthful dynamics to the ensemble.

Premise and Characters

Premise

Raising Dad is an American sitcom that centers on Matt Stewart, a widowed high school English teacher who navigates the challenges of single parenthood while raising his two daughters—a teenager and a pre-teen—in a suburban home. The series portrays Stewart's efforts to balance his demanding job at the local high school—where his older daughter is a student—with the everyday demands of family life, complicated by the well-intentioned but meddlesome interference from his retired live-in father. This core premise highlights the comedic tensions arising from overlapping professional and personal spheres, particularly the awkwardness of a parent-teacher dynamic in a teenage environment. The show explores thematic elements of generational family dynamics, as the multigenerational household grapples with differing perspectives on , , and adjustment to loss following the mother's . It emphasizes the struggles of maintaining harmony amid evolving roles, with humor drawn from cultural clashes between the father's traditional views and the daughters' modern experiences, including interactions with peers like Sarah's best friend . Balancing professional responsibilities with personal growth forms a key focus, underscoring the protagonist's journey to rebuild his life while fostering his daughters' development. Adopting a light-hearted tone typical of early family sitcoms, Raising Dad blends situational from misunderstandings, mishaps, and relational woes—such as navigating as a single parent—with occasional poignant moments addressing and support. The narrative unfolds primarily in the family home and the high school, evoking the routines of everyday middle-class during that era, where ordinary settings amplify the relatable humor of domestic and scholastic chaos. portrays the central father figure, Matt Stewart, anchoring the show's exploration of paternal resilience.

Main Characters

Matt Stewart serves as the central figure of the series, portrayed as an overprotective widower and high school English teacher who grapples with balancing his professional responsibilities—particularly since he teaches at the same school as his older daughter—with his efforts to raise his two daughters following the death of his wife. His character embodies the challenges of single parenthood, often leading to comedic conflicts as he attempts to maintain authority while navigating his own desire for a social life and dating again. This dynamic highlights his well-intentioned but sometimes overbearing parenting style, which strains his relationships with his increasingly independent children. Sarah Stewart, Matt's older daughter, is a rebellious 16-year-old high who frequently feels embarrassed by her father's involvement in her life, prioritizing her , peer approval, and budding romantic interests over closeness. Her teenage angst drives much of the series' tension, as she navigates typical adolescent concerns like and , often clashing with Matt's protective instincts in ways that underscore the generational gap within the . Emily Stewart, the younger daughter at 12 years old, contrasts her sister with a more innocent and affectionate demeanor toward her father, though she begins exploring early teen challenges such as forming friendships and school avoidance schemes alongside her grandfather. Her character adds lighter, more playful elements to the family dynamics, frequently teaming up with Sam for mischievous antics that provide comic relief while highlighting her transition from childhood. Sam Stewart, Matt's live-in father and the girls' grandfather, is an eccentric retired professional baseball player for the Boston Red Sox, whose outdated perspectives and meddlesome nature contribute to the household's humor through misguided advice and interference in . As a widower himself, his presence offers sporadic support but often exacerbates conflicts with his boisterous personality and reluctance to adapt to modern parenting.

Cast

Main Cast

Bob Saget starred as Matt Stewart, the widowed high school and struggling to balance his professional and personal life. At age 45 during the show's 2001 production, Saget was returning to a leading role in a following the end of in 1995, leveraging his established clean-cut comedic style to portray a relatable, overly accommodating dad figure. Kat Dennings played Sarah Stewart, Matt's sarcastic teenage daughter, in what was her first major television role at age 15. Dennings delivered a sharp, witty performance that highlighted her natural comedic timing, a trait that would later define her success in 2 Broke Girls. Brie Larson portrayed Emily Stewart, the younger daughter, marking an early regular series role for the then-12-year-old actress. This appearance showcased her budding versatility in comedic ensemble work, predating her shift toward more dramatic parts like her Academy Award-winning performance in Room. Jerry Adler appeared as Sam Stewart, Matt's gruff but supportive father, bringing his extensive experience from over 50 Broadway productions as a director and manager to the role at age 72. Adler's portrayal added a layer of seasoned, no-nonsense charm drawn from his long television guest spots and emerging acting career. Meagan Good played Katie, Sarah's best friend, appearing in 22 episodes and contributing to storylines involving teenage friendships and social dynamics. portrayed Mr. Travers, Matt's colleague at the high school, providing workplace humor in multiple episodes throughout the series.

Recurring Cast

The recurring cast of Raising Dad featured several supporting who appeared in multiple episodes, contributing to subplots involving life, teenage relationships, and workplace humor at Matt Stewart's high school. These characters often provided and relational tension for the main family, interacting with the Stewart household through the daughters' social circles or Matt's professional environment. Ben Indra portrayed Josh, Sarah Stewart's classmate and friend, appearing in 20 episodes to highlight teenage peer dynamics and occasional school-based adventures that contrasted with the family's home life. His role added layers to Sarah's high school experiences, serving as a reliable in group scenarios. Beau Wirick played Evan, Emily Stewart's close friend and potential romantic interest, in 17 episodes, emphasizing subplots around crushes and youthful mischief that occasionally pulled Emily away from family obligations. Evan's presence helped develop Emily's through lighthearted conflicts with her father. Camille Guaty appeared as Olivia, a feisty friend in Sarah's social circle, across 12 episodes, contributing to storylines focused on adolescent friendships, dilemmas, and that intertwined with the Stewart sisters' daily challenges. Olivia's bold personality often amplified the humor in Sarah's rebellious phases. recurred as Jared Ashby, Sarah's boyfriend, in 9 episodes, driving romantic subplots that created tension with Matt's overprotective parenting and explored themes of young love within the context. Jared's appearances introduced rival suitor dynamics, adding relational contrast to the core ensemble. Tembi Locke played Vice Principal Liz Taylor in 5 episodes, bringing authority and workplace to school-related plots by interacting with Matt as his colleague and occasionally mediating student issues involving the Stewart kids. Her role underscored the challenges of Matt's professional life bleeding into family matters. Fred Stoller appeared as Bert, a quirky colleague or acquaintance of Matt's, in 3 episodes, providing humor through awkward encounters that highlighted Matt's social struggles outside the home. Bert's minor arcs offered brief respites of ensemble without overshadowing the main narratives. Courtney Peldon portrayed Alison, a recurring peer in the girls' social circle, in 3 episodes, contributing to subplots about school friendships and group activities that enriched the teenage ensemble dynamics. Her appearances helped flesh out the extended school environment around the Stewart family.

Broadcast and Episodes

Airing History

Raising Dad premiered on October 5, 2001, as part of The WB's Friday night lineup, airing its first season without interruptions until the series finale on May 10, 2002. The sitcom consisted of 22 episodes, all of which were broadcast during its single-season run. Initially slotted at 9:30 p.m. ET on Fridays following Reba, the show competed against ABC's family-oriented programming in a block aimed at similar demographics. In January 2002, Raising Dad swapped time slots with Maybe It's Me, moving to 8:30 p.m. ET starting January 4 to better align with the teen-skewing at 8:00 p.m., while Reba remained at 9:00 p.m. The WB positioned Raising Dad within its early 2000s strategy to expand youth-oriented family comedies, leveraging Bob Saget's established appeal from as a vehicle to draw family audiences on Friday nights. This approach included surrounding the show with other lighthearted sitcoms to build a cohesive block for pre-teens and families. Mid-season performance issues prompted The WB to announce the non-renewal of Raising Dad in spring 2002, leading to its cancellation after one season despite the airing of all produced episodes. International broadcasts were limited following the U.S. conclusion, with sporadic syndication in select markets.

Episode List

Raising Dad aired a single season consisting of 22 episodes from October 5, 2001, to May 10, 2002, on . The series structure emphasized standalone stories centered on weekly family dilemmas, with Matt Stewart and his daughters and Emily often driving the plots through their interactions and challenges. Production credits varied across episodes, with directors including for the pilot and for later installments like "Bully," while writers frequently included Chuck Sklar, alongside contributions from , Norman Steinberg, and others. Viewership began solidly with the pilot drawing 3.53 million viewers but trended lower by the finale, reflecting the show's overall modest performance. The following table lists all episodes with available production details and viewership where documented:
No.TitleDirected byWritten byOriginal air dateViewers (millions)
1PilotAndy AckermanJonathan Katz, Chuck SklarOctober 5, 20013.53
2Sex Ed--October 12, 2001-
3Baby, You Can't Drive My Car--October 19, 2001-
4For Mature Audiences Only--October 26, 2001-
5Fight for Your Right to Party--November 2, 2001-
6We'll Always Have Scrabble--November 9, 2001-
7The Drama Club--November 16, 2001-
8The New Room--December 7, 2001-
9Teacher Evaluations--December 14, 2001-
10Matt&[email protected]--January 11, 2002-
11First Date-Norman Steinberg, Chuck SklarJanuary 18, 2002-
12Sam's Enchanted Evening--January 25, 2002-
13Mentor Matt--February 1, 2002-
14The Math Problem--February 15, 2002-
15Attending a Family Dysfunction--February 22, 2002-
16Miss Communication--March 22, 2002-
17A Kiss is Still a Kiss--April 5, 2002-
18Home Plates--April 12, 2002-
19The House of Stewart-Kimberly Karp, Phil Breman, Chuck SklarApril 19, 2002-
20BullyWill MackenzieChuck SklarApril 26, 2002-
21Daughter Nose Best--May 3, 2002-
22Losing It--May 10, 2002-
Episode synopses:
  • 1. "Pilot": Matt struggles with Sarah’s privacy at school while teaching her class; fakes illness to avoid school, leading Sam to investigate. The episode introduces the Stewart family setup as Matt navigates single parenthood.
  • 2. "Sex Ed": Matt substitutes in Sarah’s class and faces unexpected student questions; meanwhile, Sam loses his car at the mall.
  • 3. "Baby, You Can't Drive My Car": Overprotective Matt refuses to teach Sarah to drive, prompting her to seek lessons elsewhere.
  • 4. "For Mature Audiences Only": Sarah and her friend Olivia sneak into an R-rated movie; selects her own film for family movie night.
  • 5. "Fight for Your Right to Party": Matt forbids Sarah from attending a party; tries to break into a kids’ world records book.
  • 6. "We'll Always Have ": After Sarah skips family game night, Matt buys concert tickets to bond with her.
  • 7. "The Drama Club": Sarah grapples with a decision in the school club; Matt attempts to fire the family housekeeper.
  • 8. "The New Room": Sarah demands her own room after and neighbor Henry invade her space.
  • 9. "Teacher Evaluations": During teacher evaluations, students Matt using a lesson on irony.
  • 10. "Matt&[email protected]": Sarah spreads gossip about a new student online; and Sam misplace one of Matt’s prized possessions.
  • 11. "": reacts poorly to Matt’s new date; Sam overindulges at a store.
  • 12. "Sam's Enchanted Evening": After arguing with Matt, Sam temporarily moves out; Sarah and deal with curfew violations and ’s first .
  • 13. "Mentor Matt": Matt discovers a former student’s novel mirrors his own life story.
  • 14. "The Math Problem": Sarah and Olivia compete for the same boy’s attention; Sarah receives tutoring from someone with a crush on her.
  • 15. "Attending a Family Dysfunction": Sarah arranges for Sam to reunite with his ex-wife Debbie, but past issues resurface.
  • 16. "Miss Communication": Sarah is fired from a school job that Matt pressured her into; Sam acquires a .
  • 17. "A is Still a ": Matt attends a with colleague Liz; Sarah books a band for her new job.
  • 18. "Home Plates": Matt and Sam attend a game at ; Sarah’s dinner party is upended by her boyfriend Jared bringing an unexpected date.
  • 19. "The House of Stewart": Sarah notices her boyfriend Jared’s growing interest in her; the family contends with a troublesome neighborhood dog.
  • 20. "Bully": Sarah stands up to a bully by refusing to let a classmate cheat, risking confrontation; learns magic card tricks.
  • 21. "Daughter Nose Best": Sarah secretly schedules a without telling Matt.
  • 22. "Losing It": Sarah contemplates taking her relationship with Jared to the next level; Matt plans a romantic getaway with girlfriend Nina. The finale wraps the season’s family dynamics without resolving ongoing threads.

Reception

Critical Response

Upon its premiere in 2001, Raising Dad received mixed reviews from critics, who praised its heartfelt portrayal of family dynamics while critiquing its predictable storytelling and lack of innovation within the sitcom genre. In a review for Variety, Carole Horst described the series as "touching," highlighting the strong chemistry among the cast, particularly Bob Saget's performance as the widowed father Matt Stewart, and noting its potential to retain viewers from the similar family-oriented show Reba. The Deseret News echoed this sentiment, observing that Saget appeared comfortable returning to a paternal role, albeit edgier than his Full House character, and commended the show's focus on a widower navigating life with his daughters as a sincere, if formulaic, exploration of parental challenges. Critics frequently lauded the potential of the young leads, and , as bright spots in the ensemble. The review by noted that Dennings and Larson delivered solid performances as the daughters Sarah and Emily, bringing authenticity to the awkward teen-parent interactions at the heart of the series. Similarly, 's gave the show a C grade but acknowledged the added heart from creator , which lent warmth to the family bonds depicted. However, common criticisms centered on the show's lack of edge and originality, particularly for The WB's target teen demographic. Reviewers pointed to predictable plots, such as the father's embarrassing revelations about his daughter, as emblematic of its reliance on tired tropes that veered into sentimentality without sufficient humor or bite. The called it "not particularly funny" and "too soft" for the competitive network landscape, while Variety lamented that the humor felt constrained by conventional structures. On , the series holds a 10% Tomatometer score based on 10 critic reviews, reflecting this consensus on its vanilla execution despite a talented cast. Overall, Raising Dad was viewed as a solid but unremarkable entry in the early family landscape, offering comforting familiarity without breaking new ground. Audience reception, as gauged by user ratings, averaged 5.7 out of 10 from 366 votes as of 2023, indicating moderate appeal among viewers who appreciated its relatable domestic scenarios.

Ratings and Cancellation

Raising Dad averaged 3.0 million viewers per episode (Nielsen household rating of 1.99) during its single season on The WB, placing it 134th out of 153 programs in the 2001–02 television rankings. The pilot episode drew 3.53 million viewers, the series' highest performance, but viewership declined steadily thereafter, with later episodes falling below 3 million viewers by the finale. This erosion reflected broader challenges in the competitive Friday night slot, where the show faced strong rivals including Fox's animated lineup featuring and , as well as ABC's 20/20 newsmagazine, contributing to consistent loss. The series appealed primarily to family audiences and younger viewers, including tweens drawn to its multigenerational household dynamics and teen characters, aligning with its positioning as a "family night" closer following Reba. However, it underperformed with The WB's core demographic of teens and young adults compared to network hits like , which averaged over 5 million viewers and stronger 18–49 ratings in its sophomore season. Internal scheduling decisions, such as pairing it with other comedies like Maybe It's Me and Reba, aimed to build a family block but failed to capture the teen skew that defined much of The WB's programming success. The WB announced the non-renewal of Raising Dad after the 2001–02 season, citing below-expected ratings as the primary factor for cancellation after one season. Despite the early order of 13 episodes, the network committed to airing a full back-nine order, resulting in all 22 produced episodes being broadcast through May 10, 2002, to fulfill its schedule obligations. Post-cancellation, the series saw limited reruns, with no major syndication deals, which has contributed to its relative obscurity in the years since. Interest in the show has seen minor revivals in discussions following Bob Saget's death in 2022 and the later successes of co-stars and .

Legacy

Awards and Nominations

Raising Dad received limited formal recognition during its run, with the sole nomination coming from youth-focused awards bodies. At the 23rd Young Artist Awards in 2002, was nominated for Best Performance in a TV Series - Leading Young Actress for her role as Emily, the younger daughter of Bob Saget's character. The show did not win in this category, which highlighted emerging child performers in a competitive field of family-oriented sitcoms. Despite featuring established talent like Saget and rising young actors, Raising Dad garnered no nominations from major industry awards such as the or . This absence is attributable to the series' short one-season run of 22 episodes and the saturation of the genre during the early 2000s, which favored longer-running or more critically acclaimed programs. Larson's nod stands as the program's only official accolade, underscoring her early promise as a child actress in a supporting ensemble.

Cultural Impact

Raising Dad provided an early platform for and , both of whom went on to prominent roles in major franchises. Dennings, portraying the eldest daughter Sarah Stewart at age 15, later reflected that the show's failure nonetheless solidified her dedication to acting as a career, marking it as a turning point before her breakout in and her portrayal of Darcy Lewis in the (MCU). Similarly, Larson, who played the younger daughter at age 12, earned her first series regular role on the program, paving the way for her Academy Award-winning performance in and her MCU role as Captain Marvel. These early appearances have retroactively drawn attention to the series, highlighting the "sister" dynamic between Dennings and Larson that predates their MCU involvement. Following Bob Saget's death in 2022, tributes from his Raising Dad co-star Dennings in early 2025 underscored the show's personal significance. In an , Dennings described Saget, who played their widowed Matt Stewart, as "very protective" of her as a young actress, noting his kindness and fatherly demeanor informed by his own daughters: "He was very sweet to me and very protective and very kind." She added, "I only remember very, very nice memories of him," emphasizing the positive set environment despite the series' brevity. These reminiscences have kept the show in cultural conversations, linking Saget's nurturing on-screen persona to his real-life mentorship. The series' limited media availability has contributed to its obscurity while fostering niche interest among fans of early 2000s television. Episodes are available for digital purchase on but lack an official DVD release or widespread streaming options, with no major reruns since its original 2001–2002 run on . This scarcity has amplified its status as a forgotten gem, particularly for viewers discovering connections to the stars' later successes in the MCU and beyond. As part of Saget's post- efforts to reinvent his sitcom image, Raising Dad exemplifies the challenges of short-lived WB family comedies in the early 2000s, reflecting his transition to edgier roles amid concerns.

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  45. https://www.tvinsider.com/people/kat-dennings/
  46. https://www.eonline.com/news/1019173/brie-larson-s-career-milestones-in-photos
  47. https://collider.com/before-the-mcu-every-avengers-first-acting-role/
  48. https://people.com/kat-dennings-says-tv-dad-bob-saget-was-very-protective-of-me-on-raising-dad-god-bless-him-exclusive-8776194
  49. https://play.google.com/store/tv/show/Raising_Dad?id=39BE02E98A1378F4SH&hl=en_US
  50. https://www.biography.com/actors/bob-saget
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