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Ray Kinney
Ray Kinney
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Key Information

Ray Kinney (September 26, 1900 – February 1, 1972)[1] was a Hawaiian-born singer, musician, composer, orchestra leader, and performer on radio, stage and screen.

Early years

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Kinney was born in Hilo, Hawaii, to Irish-Hawaiian parents William & Pilialoha Kinney. At age 15 he and his six brothers were sent to school in Salt Lake City, Utah.

Career

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Already skilled on the ukulele and with a fine tenor voice, Ray and his brothers formed their own band while still in school and began touring the western US. He returned to Hawaii in 1920 upon the death of his mother.

In 1925 Ray was cast as the lead in the Island opera "Prince of Hawaii" by noted Hawaiian composer Charles E. King. The show began touring in California in 1926.

In 1928 bandleader Johnny Noble chose Kinney among others to appear on his radio show. The show originated from station KPO in San Francisco and was basically an hour long promotion for Hawaiian tourism. Later that year Brunswick Records signed Noble, with Kinney as one of the singers, to a contract that resulted in 110 singles being issued. Those 78s and the show helped introduce and popularize Hawaiian music in the US mainland and lead to a national tour and then an 11-month engagement at the Palace Hotel in San Francisco..

While working in a Taro factory in 1934, Kinney was approached by bandleader Harry Owens to join his orchestra for their opening at the Royal Hawaiian Hotel.

Ray appeared on the premiere broadcast of Webley Edwards' "Hawaii Calls" radio show from the Moana Hotel in July 1935. He regularly appeared on the show for a number of years.

Decca Records signed Johnny Noble and His Orchestra, with Kinney as vocalist, to a contract in 1936. The "phenomenal" sales results kept them under contract for four years.

Kinney[2] became the first Hawaiian entertainer to be in a major Broadway production when he and the "Aloha Maids" were cast in the Olsen and Johnson Broadway revue "Hellzapoppin'" in September 1938. The show lasted 1,404 performances and ran until December 1941. 1938 also saw Kinney beat out the likes of Rudy Vallée and Guy Lombardo in a New York popularity poll of American singers as well as begin a four-year stint in the "Hawaiian Room" of New York's Hotel Lexington leading his own orchestra.

Alfred Apaka was hired by Kinney in 1940 as his vocalist at the "Hawaiian Room" and was featured on several Kinney recordings.

Kinney's 1941 musical short "Ana Lani"[3] is frequently mixed up with the 1947 "Hawaiian Hula Song".[4]

During the war years, Kinney toured 157 military bases and clubs becoming a favorite of Hawaii's 442nd Regiment.

The end of the war saw Kinney return to Hawaii and join Don McDiarmid's Orchestra performing at the Kewalo Inn as vocalist and bass fiddle player.

In 1949, Kinney discovered Eddie Kamae and took him on tour and finally, in 1959, adding Kamae to the "Royal Hawaiian Hotel Orchestra".

Kinney also composed many songs during his career including "Across the Sea",[5] "Not Pau",[6] "Hawaiian Hospitality",[7] "Maile Lau Li'ili'i",[8] "Island Serenade", "Kalapaki Bay", "Ululani", and "Leimana."

Ray signed his last recording contract at age 65, with RCA, noting it was "somewhat of a miracle" that his recording career had lasted nearly forty years and almost 600 songs.

Personal life

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Kinney married Dawn Holt, and they had five children, daughters Leimana, Meymo, Raylani and sons Rankin, and Rayner.

Death

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Ray Kinney died on February 1, 1972, in Honolulu, Hawaii.

Awards and recognition

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2002 Hawaiian Music Hall of Fame Honoree[9]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
''Ray Kinney'' is a Hawaiian-born American singer, musician, composer, and orchestra leader of Irish-Hawaiian descent, known for his dedicated promotion of traditional Hawaiian music through performances, recordings, and radio appearances. He was born on September 26, 1900, in Hilo, Hawaii, and became a charismatic figure in the Hawaiian entertainment scene, performing in the islands' premier hotels until shortly before his death on February 1, 1972, in Honolulu. Kinney led ensembles such as Ray Kinney and His Hawaiians, recording songs that helped popularize Hawaiian melodies and compositions, including his trademark composition "Across the Sea" and recordings with Johnny Noble. His work extended to film appearances and a sustained commitment to presenting authentic Hawaiian music to audiences, earning him posthumous recognition with induction into the Hawaiian Music Hall of Fame in 2002 for his lifelong contributions to the genre. His career spanned several decades, blending performance in Hawaii with occasional mainland exposure, solidifying his legacy as a key figure in mid-20th-century Hawaiian music.

Early life

Family background and childhood

Ray Kinney was born on September 26, 1900, in Hilo, Hawaii, within the Territory of Hawaii. He was the son of William Kinney, his Irish father, and Pilialoha Kinney, his Hawaiian mother. Of Irish-Hawaiian descent, Kinney was one of seven brothers and spent his childhood in Hilo surrounded by his family. This mixed heritage, rooted in his Hawaiian mother's background and the family's life in Hilo, formed the foundation of his later deep connection to Hawaiian music traditions.

Education and early musical activities

Ray Kinney was sent to high school in Salt Lake City, Utah, at age 15 along with his six older brothers, as his Irish father sought to ensure his sons received a thorough education comparable to his own. By that time, Kinney was already an accomplished ukulele player and possessed a fine tenor voice. While attending school in Salt Lake City, Kinney and his brothers formed a band and toured the Rocky Mountain and western United States. In 1920, following the death of his Hawaiian mother, Kinney returned to Hawaii and reconnected deeply with his Hawaiian heritage.

Musical career

Early professional engagements in Hawaii

Ray Kinney returned to Hawaii in 1920 following his education and early experiences on the mainland. In 1925, he was cast in the lead role of Charles E. King's island opera Prince of Hawaii, marking one of his first major professional engagements in his home state. The following year, in 1926, Kinney toured California in the lead role for the same production, gaining exposure beyond the islands. After a period of non-musical work, Kinney was working in a taro factory in 1934 when he was recruited by bandleader Harry Owens to join the orchestra at the Royal Hawaiian Hotel in Waikiki. This opportunity marked his entry into prominent hotel entertainment in Hawaii. In 1935, Kinney performed on the premiere broadcast of Webley Edwards’ Hawaii Calls radio program from the Moana Hotel, establishing himself as a regular featured artist on the show for several years and contributing to its early popularity as a showcase for Hawaiian music.

Collaborations and mainland breakthrough

Ray Kinney's breakthrough to the mainland began in 1928 when bandleader Johnny Noble selected him as one of three entertainers to promote Hawaiʻi as a visitor destination on a national radio program originating from station KPO in San Francisco. This exposure marked the start of a significant collaboration with Noble and helped introduce Kinney's voice to broader audiences beyond the islands. Later that year, Brunswick Records contracted Johnny Noble, with Kinney as one of the singers, resulting in 110 singles that have since become collectors' items. These recordings built on the momentum from the radio appearance and established Kinney as a prominent figure in Hawaiian music on the U.S. mainland. National recognition followed, with Kinney embarking on tours that included New York and culminating in an eleven-month engagement at the Palace Hotel in San Francisco. This period solidified his mainland presence through live performances and ongoing work with Noble. In 1936, Decca Records featured Kinney as vocalist with Johnny Noble and His Orchestra for a series of Hawaiian records, which achieved phenomenal sales and extended their contractual relationship for four years through 1940.

Broadway, New York residency, and wartime tours

In 1938, Ray Kinney achieved a significant milestone in his mainland career by joining the cast of the Broadway revue Hellzapoppin', becoming the first Hawaiian entertainer to appear in a major Broadway production as part of the Aloha Maids ensemble. The show, which opened on September 22, 1938, became one of the longest-running revues in Broadway history with 1,404 performances through 1941. That same year, Kinney won a New York popularity poll that placed him ahead of prominent bandleaders Rudy Vallée and Guy Lombardo, underscoring his rapid rise in appeal among audiences. Following his Broadway debut, Kinney secured a four-year engagement from 1938 to 1942 as the leader of his orchestra and featured singer at the Hawaiian Room in New York's Hotel Lexington, where he presented Hawaiian music and entertainment to East Coast audiences. In 1940, he brought on Alfred Apaka as a vocalist for the venue, and Apaka later contributed to several of Kinney's recordings. During World War II, Kinney contributed to the war effort by touring 157 military bases and clubs, earning particular affection from Hawaii’s 442nd Infantry Regiment as a favorite performer. After the war ended, he returned to Hawaii and joined Don McDiarmid’s Orchestra at Kewalo Inn, performing as a vocalist and bass fiddle player.

Post-war career and later years

Following World War II, Ray Kinney returned to Hawaii and dedicated himself to supporting emerging Hawaiian musicians while continuing his own performances. In 1949, he discovered Eddie Kamae and took him on tour. In 1959, Kinney added Kamae to his Royal Hawaiian Hotel orchestra. Kinney performed regularly in Hawaii's best hotels, where he was celebrated for his beautiful tenor voice and unique falsetto styling that had long distinguished his interpretations of Hawaiian music. He maintained an active performance schedule at top Hawaiian venues until early 1972. At age 65, Kinney signed his last recording contract with RCA, calling it "somewhat of a miracle" that his recording career had stretched over nearly forty years, a span unmatched by any other Hawaiian singer at the time.

Recordings and compositions

Film and radio appearances

Ray Kinney made several film appearances, often in minor or uncredited roles featuring Hawaiian music performances. He appeared as an uncredited singer in the 1937 film Waikiki Wedding, played a band leader in the 1941 short Ana Lani, and had a role as Rami in the 1951 film Savage Drums. He also contributed songs to films, including "Hawaiian Hospitality" for Rhythm in the Clouds (1937, credited as Roy Kinney). Kinney had a notable radio career promoting Hawaiian music. In 1928, he performed on a national radio broadcast from station KPO in San Francisco as part of a promotion for Hawaiʻi tourism alongside Johnny Noble's band. He appeared on the premiere broadcast of Webley Edwards' "Hawaiʻi Calls" radio program in July 1935 from the Moana Hotel and continued performing on the show for many years.

Personal life

Death and legacy

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