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Re-Stitch These Wounds
View on Wikipediafrom Wikipedia
| Re-Stitch These Wounds | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | July 31, 2020 | |||
| Recorded | 2019[1] | |||
| Studio | Jake Pitts' Studio, Los Angeles, California[1] | |||
| Genre | ||||
| Length | 41:37 | |||
| Label | Sumerian | |||
| Producer | Jake Pitts | |||
| Black Veil Brides chronology | ||||
| ||||
| Singles from Re-Stitch These Wounds | ||||
| ||||
Re-Stitch These Wounds is a studio album by American rock band Black Veil Brides, released through Sumerian Records on July 31, 2020. It is a re-recorded version of the band's first album, We Stitch These Wounds, to commemorate its 10th anniversary. Intended to be a "companion piece" to the first album rather than a "replacement", the band stated they "hope fans can enjoy and see the musical evolution of the band in a unique way."[2] This is their first full-length studio album to feature Lonny Eagleton as bassist.
Track listing
[edit]| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "The Outcasts (Reborn)" | Andrew Biersack | 0:30 |
| 2. | "We Stitch These Wounds" | Biersack, Chris Stewart, Jake Pitts, Black Veil Brides | 3:58 |
| 3. | "Beautiful Remains" | Biersack, Pitts, Jeremy Ferguson, Black Veil Brides | 4:14 |
| 4. | "Children Surrender" | Biersack, Pitts, Ferguson, Black Veil Brides | 3:12 |
| 5. | "Perfect Weapon" | Biersack, Pitts, Ferguson, Black Veil Brides | 4:07 |
| 6. | "Knives and Pens" | Biersack, Stewart, Black Veil Brides | 4:16 |
| 7. | "The Mortician's Daughter (Overture III)" | Biersack, Jeremy Ferguson | 3:30 |
| 8. | "All Your Hate" | Biersack, Pitts, Black Veil Brides | 3:10 |
| 9. | "Heaven's Calling" | Biersack, Pitts, Ferguson, Black Veil Brides | 3:18 |
| 10. | "Never Give In" | Biersack, Pitts, Ferguson, Black Veil Brides | 3:51 |
| 11. | "Sweet Blasphemy" | Biersack, Pitts, Ferguson, Black Veil Brides | 3:56 |
| 12. | "Carolyn" | Biersack, Pitts, Black Veil Brides | 4:29 |
| Total length: | 41:37 | ||
Personnel
[edit]Black Veil Brides
[edit]- Andy Biersack – lead vocals, piano
- Jake Pitts – lead guitar
- Jeremy "Jinxx" Ferguson – rhythm guitar,[3] string arrangement, violin, cello, backing vocals
- Lonny Eagleton – bass, backing vocals
- Christian "CC" Coma – drums, percussion
Production
[edit]- Jake Pitts – production, engineering, digital editing, additional production, mixing
Artwork
[edit]- Luca Solo Macello – cover illustration[4]
Charts
[edit]| Chart (2020) | Peak positions |
|---|---|
| Uk Rock & Metal Albums (OCC)[5] | 10 |
References
[edit]- ^ a b Pettigrew, Jason (July 6, 2020). "BLACK VEIL BRIDES REVEAL THE BIG CHANGES ON 'RE-STITCH THESE WOUNDS'". AltPress. Retrieved August 22, 2020.
- ^ a b Schaffner, Lauryn (June 26, 2020). "Black Veil Brides to Re-Record 'We Stitch These Wounds,' Release 'Sweet Blasphemy'". Loudwire. Retrieved August 21, 2020.
- ^ Sharma, Amit (July 31, 2020). "Black Veil Brides: "We really hated the lead tones on that first album - it was exciting to go back and re-record it all"". Guitar World. Retrieved August 22, 2020.
- ^ Kerrang! Staff (June 18, 2020). "BLACK VEIL BRIDES ANNOUNCE REISSUE OF THEIR DEBUT ALBUM, RE-STITCH THESE WOUNDS". Kerrang!. Retrieved August 22, 2020.
- ^ "Official Rock & Metal Albums Chart Top 40". Official Charts Company. August 7, 2020. Retrieved April 15, 2022.
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| Extended plays | |
| Other releases | |
| Singles | |
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Re-Stitch These Wounds
View on Grokipediafrom Grokipedia
Background
Original Album Overview
We Stitch These Wounds is the debut studio album by American rock band Black Veil Brides, released on July 20, 2010, through the independent label StandBy Records.[5] The band, formed in 2006 in Cincinnati, Ohio, and later based in Hollywood, California, consisted at the time of vocalist Andy Biersack, bassist Ashley Purdy, lead guitarist Jake Pitts, rhythm guitarist and violinist Jinxx, and drummer Sandra Alvarenga.[6] Alvarenga departed the band later in 2010. This lineup marked the group's solidification after earlier iterations, with the album capturing their emerging sound rooted in post-hardcore and glam rock elements. The album debuted at No. 36 on the Billboard 200 chart, selling nearly 11,000 copies in its first week, a notable achievement for an independent release in the post-hardcore scene.[7][8] Critics praised its theatrical style and glam metal influences, often drawing comparisons to 1980s acts like Mötley Crüe and Kiss for the band's dramatic aesthetics and energetic performances.[9] Reviews highlighted the album's blend of heavy riffs, anthemic choruses, and visual flair, positioning it as a fresh entry in the genre despite mixed opinions on its emo-tinged lyrics.[10] We Stitch These Wounds played a pivotal role in Black Veil Brides' breakthrough, establishing their presence in the post-hardcore and glam rock scenes and attracting attention from major labels. The success of the album, particularly singles like "Knives and Pens," led to a signing with Lava Records/Universal Republic, enabling their major-label debut with Set the World on Fire in 2011.[11] This transition solidified the band's trajectory toward broader commercial viability and a dedicated fanbase.Re-Recording Rationale
Black Veil Brides announced the re-recording of their debut album We Stitch These Wounds as Re-Stitch These Wounds on June 17, 2020, in celebration of the original's 10-year anniversary.[12] The project was released on July 31, 2020, via Sumerian Records, marking a shift from the band's previous major label affiliations with Universal Republic and Lava Records, which had constrained creative decisions.[13] This move to an independent label allowed for greater artistic freedom, enabling frontman Andy Biersack to pursue the re-recording without external interference after contractual obligations were resolved following the 2018 album Vale.[13][2] The primary motivations stemmed from Biersack's desire to reclaim creative control amid past label disputes and to address the original album's rushed production, which was completed on a limited budget of approximately $6,000 in a small Los Angeles jingle studio during unconventional hours.[12] Biersack described the re-recording as an opportunity to "fix some of the regrets I had with the original record," realizing the vision he had envisioned a decade earlier.[14] Additionally, the band's evolution in recording quality over the years, coupled with persistent fan demand for a refreshed take on the material, drove the decision to update the sound with their current, more experienced lineup.[13] Biersack noted, "We were so interested in how much better our recordings sounded through the course of our career," highlighting the improved production capabilities unavailable during the debut's hasty creation.[13] Band dynamics had stabilized significantly since 2014, with the core lineup—including guitarist Jinxx, guitarist Jake Pitts, and drummer Christian Coma—providing a consistent foundation for matured performances.[13] The addition of new bassist Lonny Eagleton in late 2019 further solidified this unit, allowing the group to infuse the re-recording with refined energy without the turnover that marked earlier years.[12] Biersack emphasized the project's sentimental value, calling it "a love letter to the fans who have supported us over the years" and a way to deliver the "big-sounding" version of the songs that live performances had long suggested was possible.[14][12]Recording and Production
Studio Process
The recording sessions for Re-Stitch These Wounds began in October 2019 and were completed in time for the album's release on July 31, 2020, marking the 10th anniversary of the band's debut album.[13] Guitarist Jake Pitts oversaw production at his home studio in Los Angeles, where he and co-guitarist Jinxx tracked the guitar parts, utilizing digital modeling tools such as the Axe-Fx and JST/STL plug-ins to achieve enhanced tones that addressed the original album's brittle and harsh lead sounds.[15] Drummer Christian Coma recorded his parts at Steakhouse Studios in Los Angeles, incorporating new arrangements to inject fresh energy into the tracks.[13] Bassist Lonny Eagleton re-recorded the bass parts, marking his first contribution to a full Black Veil Brides album.[13] Frontman Andy Biersack re-recorded all vocals separately, aiming to reflect the band's evolved performance dynamics honed through years of live shows, while Pitts handled editing and mixing through an iterative process involving band feedback.[13] Jinxx contributed violin elements, including an orchestral intro to "The Mortician's Daughter," drawing from classical influences to add depth without altering the core structures.[13] The re-recording process allowed the band to overcome the original's low-budget constraints, such as rushed sessions and limited resources, enabling more refined solos and overall production.[15] The finished album spans 12 tracks with a total runtime of 41 minutes and 44 seconds.[16]Technical Differences from Original
The re-recording of Re-Stitch These Wounds represents a significant departure from the original 2010 album We Stitch These Wounds in terms of production techniques, primarily due to the band's access to higher budgets, advanced equipment, and matured skills, resulting in a fuller, more dynamic sound overall.[2][15] The original was constrained by a low-budget setup in a small Los Angeles jingle studio with limited session times, leading to a rushed and somewhat "small" audio profile, whereas the 2020 version employed digital modeling and plug-ins for enhanced clarity, deeper low-end response, and reduced harshness in the highs.[2][17] Specifically, guitar tones shifted from traditional analog amplifiers like the Marshall JCM800—described by guitarist Jake Pitts as producing "brittle and harsh" leads prone to feedback—to digital profilers such as the Axe-Fx, incorporating modern plug-ins like JST/STL suites for precise reverb, distortion, and overall polish.[15] This upgrade allowed for a "beefed-up" guitar presence and tighter mixing, elevating the album to contemporary production standards while mitigating the original's technical limitations.[17][13] Vocal performances underwent notable evolution, with frontman Andy Biersack's delivery benefiting from a decade of experience and vocal maturation since his late teens during the original sessions.[2] In Re-Stitch These Wounds, his range extends to higher notes with greater control and consistency, eliminating the raw, occasionally strained inflections that characterized the youthful energy of the 2010 tracks, such as in "Never Give In," where refinements enhance lyrical clarity and melodic flow.[17][13] This results in a smoother, more powerful vocal layer that integrates seamlessly with the upgraded instrumentation, though some listeners note a preference for the original's higher mix placement.[17] Instrumentation saw targeted enhancements to achieve a more immersive and modern texture. Guitar work features revisited solos with added flair and precision, played on upgraded gear like Les Paul models with EMG 81/85 pickups and Evertune bridges, contrasting the original's simpler Schecter setups and providing richer tones without altering core riffs.[15] Violin and orchestral elements, handled by Jinxx, are more prominent through multi-tracking and new introductions—such as the piano-led rendition of "The Mortician's Daughter (Overture III)" with added strings, shifting from the original's acoustic focus for heightened drama.[17][13] Drums, re-recorded by Christian Coma at The Steakhouse studio, incorporate fresh parts for a fuller, more dynamic punch, contributing to the album's overall "immense" scale compared to the original's restrained percussion.[13][17] Track alterations maintain the original structure but introduce subtle rearrangements for improved pacing and impact, exemplified by the more dramatic instrumentation in the spoken-word opener "The Outcasts (Reborn)" and enhanced breakdowns in songs like "Knives and Pens."[17] No entirely new tracks were added, but these tweaks—combined with the shift to 2020-era digital mastering—preserve the album's foundational riffs and energy while delivering the "massive" fidelity the band envisioned a decade earlier.[13][2]Musical Style and Themes
Composition and Instrumentation
Re-Stitch These Wounds blends glam rock at its core with post-hardcore aggression, incorporating symphonic elements through violin and punk-inspired tempo shifts for dynamic energy.[15][17] The re-recording enhances these elements, drawing from the band's evolution to emphasize theatrical flair and melodic heaviness while retaining the original's raw edge.[13] The album's songs follow a typical verse-chorus format, often featuring extended bridges and breakdowns that build tension through classical motifs or aggressive riffs. Tracks average around 3:30 in length, contributing to a cohesive flow across the 12 songs, with choruses employing gang vocals to create an anthemic, communal intensity.[15][18] Instrumentation centers on dual guitars handled by Jake Pitts and Jinxx, delivering harmonized riffs and intricate solos that drive the melodic and aggressive sections. Bass lines from Lonny Eagleton provide a steady rhythmic foundation, while Christian Coma's drums add punchy propulsion, particularly in faster punk-influenced segments. Jinxx's violin introduces orchestral textures, notably enriching tracks like "Children Surrender" with sweeping, symphonic layers that contrast the rock elements.[15][13] The band has cited Mötley Crüe as a key influence for the album's theatricality and 1980s hair metal aesthetics, which the re-recording amplifies through bolder guitar tones and staging. Avenged Sevenfold's impact is evident in the melody-heavy arrangements and shredding solos, inspired by guitarist Synyster Gates.[15] Notable compositions include power ballads such as "Knives and Pens," which open with acoustic intros before transitioning to electric builds and breakdowns, showcasing the album's emotional range and structural depth.[17]Lyrical Content
The lyrics of Re-Stitch These Wounds center on themes of overcoming adversity, youth rebellion, love and loss, with the recurring motif of "stitching wounds" symbolizing the process of healing emotional scars from betrayal and hardship.[19] These elements draw from personal turmoil, portraying relationships fractured by deceit and the resilience required to move forward.[19] Frontman Andy Biersack's influences infuse the lyrics with autobiographical details, reflecting his upbringing in Cincinnati, Ohio, and the challenges he faced after moving to Hollywood at age 18, including living out of his car while pursuing music.[20] Songs like "Knives and Pens" incorporate anti-suicide messages, presenting a choice between self-destruction (knives) and creative expression (pens) as a response to bullying and misunderstanding.[21] Although the lyrics in Re-Stitch These Wounds are identical to those of the original 2010 album, Biersack's more mature vocal delivery in the 2020 re-recording imparts greater emotional weight, enhancing the exploration of identity and the burdens of fame accumulated over a decade.[13] Poetic devices are prominent, including repetitive choruses that underscore urgency and resolve, such as the title track's hook "We stitch these wounds," which reinforces the album's central metaphor.[22] Imagery of darkness, lies, and redemption permeates the verses, evoking a journey from isolation to self-reclamation.[22] The lyrics form a cohesive narrative arc across the album, beginning in despair and relational decay—as in "Beautiful Remains," which grapples with loss and finality—and building toward empowerment and defiance in "The Perfect Weapon," where the protagonist rejects victimhood.[4]Release and Promotion
Release Details
Re-Stitch These Wounds, the tenth-anniversary re-recording of Black Veil Brides' debut album, was officially released on July 31, 2020, through Sumerian Records.[23] This independent label handled the project's distribution, continuing its support for the band's anniversary initiatives, in contrast to the original 2010 album's release on the similarly independent StandBy Records without major label backing.[24][3] The album launched in multiple formats to cater to fans, including digital downloads, a deluxe CD edition featuring a 16-panel booklet housed in a retro wallet-style case that echoed the original's 2010 aesthetic, and limited-edition vinyl pressings in black and splatter variants such as neon yellow inside clear with black splatter.[25][3] It was also made available for streaming on major platforms like Spotify and Apple Music.[26] Physical bundles offered through official merchandise channels included signed posters alongside the CD and vinyl options.[27][28]Promotional Activities
To promote Re-Stitch These Wounds, Black Veil Brides released two pre-release singles ahead of the album's launch. The first, a re-recorded version of "Sweet Blasphemy," was made available on June 26, 2020, via Sumerian Records, serving as the lead single to build anticipation for the 10th anniversary re-recording.[29] This was followed by "Perfect Weapon (Re-Stitched)" on July 17, 2020, which included a lyric video uploaded to the band's YouTube channel to further engage fans visually. The band's media rollout emphasized the project's anniversary significance, with frontman Andy Biersack conducting several interviews. In an April 2020 video call with Rock Sound, Biersack discussed the re-recording's origins and the band's evolution since the original album's 2010 release.[30] A July 2020 Loudwire interview highlighted how the effort honored the debut's impact while updating it for modern production standards.[2] Due to the COVID-19 pandemic, traditional in-person events were replaced by virtual experiences, including a full-album listening party-style livestream concert filmed at the Whisky a Go Go in Los Angeles on August 1, 2020, where the band performed the re-recorded tracks in sequence for online audiences.[31] Tour plans were initially set for 2020 but postponed amid the pandemic, evolving into 2021 headline shows under the "In-Between Tour" co-headlining with In This Moment from September to November, during which Black Veil Brides incorporated several Re-Stitch These Wounds songs into their setlists.[32] Supporting the tour and album, the band launched a merchandise line featuring reimagined 2010-era logos on items like limited-edition vinyl variants (e.g., clear with neon yellow and black splatter) and a deluxe CD in retro wallet packaging with a 16-panel insert booklet.[25] Social media played a central role in fan engagement, with teasers and the album announcement posted on the band's official Instagram and YouTube channels starting in June 2020, contributing to their overall platform metrics of over 500 million YouTube views and a combined social reach exceeding 11 million followers.[33]Reception
Critical Reviews
Re-Stitch These Wounds received generally positive reviews from music critics, who praised the album's enhanced production and the band's matured performance while noting some minor mixing issues. On Album of the Year, it holds a critic score of 80 out of 100, based on one review.[18] Reviewers highlighted the improved clarity and energy in the re-recording compared to the original We Stitch These Wounds. Kerrang! described it as a full re-recording that delivers an "immense sound" with beefed-up guitars and dynamic instrumentation, awarding it 4 out of 5 stars.[17] Cryptic Rock lauded the enhanced production for providing greater intensity, clarity, and depth, particularly in the guitars, drums, and bass, giving the album a perfect 5 out of 5 stars.[34] Sputnikmusic called the production and mixing "superior," noting the "massive" sound and improved drumming, rating it 4 out of 5.[35] GRIMM Gent echoed these sentiments, praising the clean, crisp sound and refined tones that preserve the original emotions while modernizing the tracks, scoring it 9.8 out of 10.[36] Critics frequently commended frontman Andy Biersack's vocal growth, describing his performance as smoother, more consistent, and polished with decisive power. Kerrang! noted the absence of the original's occasional strained inflections, while Cryptic Rock emphasized his matured delivery on tracks like "Knives and Pens" and "Carolyn."[17][34] Sputnikmusic and GRIMM Gent similarly highlighted the stability and seamless integration of his screams and melodies.[35][36] Some reviews pointed out shortcomings, such as the vocals being somewhat buried in the mix, which prevented them from fully shining. Sputnikmusic criticized this placement, suggesting it underutilized Biersack's improvements, and also noted the bass was less audible.[35] Kerrang! suggested the vocals could be more forward and wished for additional focus on metalcore screaming elements.[17] Despite these critiques, the consensus viewed the re-recording as a successful revisit that addressed the original's budget-limited sound without losing its core appeal. As Kerrang! put it, the solos "blaze brighter" and the riffs flow better, making it a triumphant evolution.[17]Commercial Performance
Re-Stitch These Wounds debuted at number 14 on the Billboard 200 chart. In the United Kingdom, the album peaked at number 10 on the Official Rock & Metal Albums Chart.[37][38] The album's release was influenced by the COVID-19 pandemic, shifting consumption toward digital formats. As of November 2025, it has accumulated approximately 25 million streams on Spotify.[39] Vinyl editions, including limited collector pressings like neon yellow inside clear with black splatter, contributed to physical sales.[40] As of November 2025, the album has not attained any certifications from the RIAA.[23] The project's success was propelled by 10th-anniversary promotion for the original We Stitch These Wounds.Track Listing
| No. | Title |
|---|---|
| 1 | "The Outcasts (Reborn)" |
| 2 | "We Stitch These Wounds" |
| 3 | "Beautiful Remains" |
| 4 | "Children Surrender" |
| 5 | "Perfect Weapon" |
| 6 | "Knives and Pens" |
| 7 | "The Mortician's Daughter (Overture III)" |
| 8 | "All Your Hate" |
| 9 | "Heaven's Calling" |
| 10 | "Never Give In" |
| 11 | "Sweet Blasphemy" |
| 12 | "Carolyn" |