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Richard Brooks
Richard Brooks (born Reuben Sax; May 18, 1912 – March 11, 1992) was an American screenwriter, film director, novelist and film producer. Nominated for eight Academy Awards in his career, he was best known for Blackboard Jungle (1955), Cat on a Hot Tin Roof (1958), Elmer Gantry (1960; for which he won the Academy Award for Best Adapted Screenplay), In Cold Blood (1967) and Looking for Mr. Goodbar (1977).
Brooks was born Reuben Sax in Philadelphia to Hyman and Esther Sax, Russian Jewish immigrants. The parents were married teenagers when they immigrated to the US in 1908. They found employment in Philadelphia's textile and clothing industry. Reuben, their only child, was born in 1912. He attended public schools Joseph Leidy Elementary, Mayer Sulzberger Junior High School and West Philadelphia High School, graduating from the latter in 1929.
Sax took classes at Temple University for two years, studying journalism and playing on the school's baseball team. He dropped out and left home when he discovered that his parents were going into debt to pay for his tuition. He rode freight trains around the East and Midwest for a period of time, eventually returning to Philadelphia to seek work as a newspaper reporter. At some point in the 1930s, during the Great Depression, Sax began using the name Richard Brooks professionally. He changed his name legally in 1943.
Brooks wrote sports for the Philadelphia Record and later joined the staff of the Atlantic City Press-Union. He moved to New York to work for the World-Telegram; shortly afterward he took a job with radio station WNEW for a larger paycheck. As a newsman for the station, he reported and read stories on the air and provided commentary. Brooks also began writing plays in 1938 and tried directing for Long Island's Mill Pond Theater in 1940. A falling out with his theater colleagues that summer led him to drive to Los Angeles on a whim, hoping to find work in the film industry. He also may have been trying to escape a marriage; a legal document indicates he was married at least part of the time he lived in New York.
He did not find film work but was hired by the NBC affiliate to write original stories and read them for a daily fifteen-minute broadcast called Sidestreet Vignettes. His marriage, in 1941, to Jeanne Kelly, an actress at Universal Studios, may have helped to open the door to writing for the studio. He contributed dialogue to a few films and wrote two screenplays for the popular actress Maria Montez, known as the "Queen of Technicolor." With no prospect of moving into more prestigious productions, he quit Universal and joined the U.S. Marine Corps in 1943 during World War II.
Brooks never served overseas during the war, instead working in the Marine Corps film unit at Quantico, Virginia, and at times at Camp Pendleton, California. In his two years in uniform he learned more about the basics of filmmaking, including writing and editing documentaries. He also found time to write a novel, The Brick Foxhole, a searing portrait of some stateside soldiers who were tainted by religious and racial bigotry, and opposed to homosexuals. In 1944 he divorced his wife, then known in films as Jean Brooks. Later he said he had been a self-centered husband and unsuitable for what she needed.
His book was published in 1945 to favorable reviews. It was adapted as the film Crossfire (1947) with the homosexual element removed. It was the first major Hollywood film to deal with anti-Semitism, receiving an Oscar nomination. The novel drew the attention of independent producer Mark Hellinger, who hired Brooks as a screenwriter after he left the Marines.
Working for Hellinger brought Brooks back to the film industry and led to a long friendship with actor Humphrey Bogart, a close friend of the producer. Brooks provided an uncredited screen story for The Killers (1946), which introduced actor Burt Lancaster. He wrote the scripts for two other Hellinger films, notably Brute Force (1947), also starring Lancaster. After Hellinger died suddenly in 1947, Brooks wrote screenplays for three Warner Brothers films, including Key Largo (1948), starring Bogart and wife Lauren Bacall and directed and co-written by John Huston, another Brooks mentor. Huston and Brooks had both worked together previously in the uncredited rewrite for The Killers, and Huston would be the only co-writer Brooks ever had. While filming Key Largo, Huston allowed Brooks to be on the Key Largo set during shooting, so that he could learn more about directing a Hollywood film.
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Richard Brooks
Richard Brooks (born Reuben Sax; May 18, 1912 – March 11, 1992) was an American screenwriter, film director, novelist and film producer. Nominated for eight Academy Awards in his career, he was best known for Blackboard Jungle (1955), Cat on a Hot Tin Roof (1958), Elmer Gantry (1960; for which he won the Academy Award for Best Adapted Screenplay), In Cold Blood (1967) and Looking for Mr. Goodbar (1977).
Brooks was born Reuben Sax in Philadelphia to Hyman and Esther Sax, Russian Jewish immigrants. The parents were married teenagers when they immigrated to the US in 1908. They found employment in Philadelphia's textile and clothing industry. Reuben, their only child, was born in 1912. He attended public schools Joseph Leidy Elementary, Mayer Sulzberger Junior High School and West Philadelphia High School, graduating from the latter in 1929.
Sax took classes at Temple University for two years, studying journalism and playing on the school's baseball team. He dropped out and left home when he discovered that his parents were going into debt to pay for his tuition. He rode freight trains around the East and Midwest for a period of time, eventually returning to Philadelphia to seek work as a newspaper reporter. At some point in the 1930s, during the Great Depression, Sax began using the name Richard Brooks professionally. He changed his name legally in 1943.
Brooks wrote sports for the Philadelphia Record and later joined the staff of the Atlantic City Press-Union. He moved to New York to work for the World-Telegram; shortly afterward he took a job with radio station WNEW for a larger paycheck. As a newsman for the station, he reported and read stories on the air and provided commentary. Brooks also began writing plays in 1938 and tried directing for Long Island's Mill Pond Theater in 1940. A falling out with his theater colleagues that summer led him to drive to Los Angeles on a whim, hoping to find work in the film industry. He also may have been trying to escape a marriage; a legal document indicates he was married at least part of the time he lived in New York.
He did not find film work but was hired by the NBC affiliate to write original stories and read them for a daily fifteen-minute broadcast called Sidestreet Vignettes. His marriage, in 1941, to Jeanne Kelly, an actress at Universal Studios, may have helped to open the door to writing for the studio. He contributed dialogue to a few films and wrote two screenplays for the popular actress Maria Montez, known as the "Queen of Technicolor." With no prospect of moving into more prestigious productions, he quit Universal and joined the U.S. Marine Corps in 1943 during World War II.
Brooks never served overseas during the war, instead working in the Marine Corps film unit at Quantico, Virginia, and at times at Camp Pendleton, California. In his two years in uniform he learned more about the basics of filmmaking, including writing and editing documentaries. He also found time to write a novel, The Brick Foxhole, a searing portrait of some stateside soldiers who were tainted by religious and racial bigotry, and opposed to homosexuals. In 1944 he divorced his wife, then known in films as Jean Brooks. Later he said he had been a self-centered husband and unsuitable for what she needed.
His book was published in 1945 to favorable reviews. It was adapted as the film Crossfire (1947) with the homosexual element removed. It was the first major Hollywood film to deal with anti-Semitism, receiving an Oscar nomination. The novel drew the attention of independent producer Mark Hellinger, who hired Brooks as a screenwriter after he left the Marines.
Working for Hellinger brought Brooks back to the film industry and led to a long friendship with actor Humphrey Bogart, a close friend of the producer. Brooks provided an uncredited screen story for The Killers (1946), which introduced actor Burt Lancaster. He wrote the scripts for two other Hellinger films, notably Brute Force (1947), also starring Lancaster. After Hellinger died suddenly in 1947, Brooks wrote screenplays for three Warner Brothers films, including Key Largo (1948), starring Bogart and wife Lauren Bacall and directed and co-written by John Huston, another Brooks mentor. Huston and Brooks had both worked together previously in the uncredited rewrite for The Killers, and Huston would be the only co-writer Brooks ever had. While filming Key Largo, Huston allowed Brooks to be on the Key Largo set during shooting, so that he could learn more about directing a Hollywood film.
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