Richard Rodgers

Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the best-known American composers of the 20th century, and his compositions had a significant influence on popular music.

Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including Pal Joey, A Connecticut Yankee, On Your Toes and Babes in Arms. With Hammerstein he wrote musicals through the 1940s and 1950s, such as Oklahoma!, Flower Drum Song, Carousel, South Pacific, The King and I, and The Sound of Music. His collaborations with Hammerstein, in particular, are celebrated for bringing the Broadway musical to a new maturity by telling stories that were focused on characters and drama rather than the earlier light-hearted entertainment of the genre.

Rodgers was the first person to win all four of the top American entertainment awards in theater, film, recording, and television – an Emmy, a Grammy, an Oscar, and a Tony – now known collectively as an EGOT. In addition, he was awarded a Pulitzer Prize, making him the first ever to receive all five awards (later joined by Marvin Hamlisch). In 1978, Rodgers was in the inaugural group of Kennedy Center Honorees for lifetime achievement in the arts.

Rodgers was born into a Jewish family in Queens, New York, the son of Dr. William Abrahams Rodgers, a prominent physician who had changed the family name from Rogazinsky, and his wife Mamie (née Levy). Rodgers began playing the piano at the age of six. He attended P.S. 166, Townsend Harris Hall and DeWitt Clinton High School. Rodgers spent his early teenage summers in Camp Wigwam (Waterford, Maine) where he composed some of his first songs.

Rodgers, Lorenz Hart, and later collaborator Oscar Hammerstein II all attended Columbia University. At Columbia, Rodgers joined the Pi Lambda Phi fraternity. In 1921, Rodgers shifted his studies to the Institute of Musical Art (now the Juilliard School). Rodgers was influenced by composers such as Victor Herbert and Jerome Kern, as well as by the operettas his parents took him to see on Broadway when he was a child.

In 1919, Richard met Lorenz Hart, thanks to Phillip Levitt, a friend of Richard's older brother. Rodgers and Hart struggled for years in the field of musical comedy, writing several amateur shows. They made their professional debut with the song "Any Old Place With You", featured in the 1919 Broadway musical comedy A Lonely Romeo. Their first professional production was the 1920 Poor Little Ritz Girl, which also had music by Sigmund Romberg. Their next professional show, The Melody Man, did not premiere until 1924.

When he was just out of college Rodgers worked as musical director for Lew Fields. Among the stars he accompanied were Nora Bayes and Fred Allen. Rodgers was considering quitting show business altogether to sell children's underwear, when he and Hart finally broke through in 1925. They wrote the songs for a benefit show presented by the prestigious Theatre Guild, called The Garrick Gaieties, and the critics found the show fresh and delightful. Although it was meant to run only one day, the Guild knew they had a success and allowed it to re-open later. The show's biggest hit—the song that Rodgers believed "made" Rodgers and Hart—was "Manhattan". The two were now a Broadway songwriting force.

Throughout the rest of the decade, the duo wrote several hit shows for both Broadway and London, including Dearest Enemy (1925), The Girl Friend (1926), Peggy-Ann (1926), A Connecticut Yankee (1927), and Present Arms (1928). Their 1920s shows produced standards such as "Here in My Arms", "Mountain Greenery", "Blue Room", "My Heart Stood Still" and "You Took Advantage of Me".