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Rob Pope
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Robert Pope is an American musician, best known as the bassist for Spoon and The Get Up Kids.
History
[edit]Rob Pope grew up in Olathe, Kansas. In the summer of 1994, he was in a band called "Kingpin" with his brother Ryan and future Get Up Kids bandmate Jim Suptic. After the band broke up due to internal conflicts, Rob and Jim re-formed with Matt Pryor, who had been playing with Secular Theme and friend Nathan Shay on drums. After Shay was replaced with Rob's brother Ryan, the band recorded its first release, Four Minute Mile.
After The Get Up Kids called it quits, Rob joined the band Koufax, along with his brother Ryan to form their new rhythm section. Together they recorded the album Hard Times are in Fashion in 2005. In the same year he joined the band White Whale to record their album WW1. Soon afterward he joined the band Spoon and recorded their album Ga Ga Ga Ga Ga. He currently lives in Lawrence, Kansas.
On July 9, 2019, it was announced that Pope was leaving Spoon.[1]
Discography
[edit]with The Get Up Kids
[edit]- Four Minute Mile (1997)
- Something to Write Home About (1999)
- On a Wire (2002)
- Guilt Show (2004)
- There Are Rules (2011)
- Kicker (2018)
- Problems (2019)
with The New Amsterdams
[edit]- Never You Mind (2000)
with Reggie and the Full Effect
[edit]- Songs Not to Get Married To (2005)
with Koufax
[edit]- Hard Times are in Fashion (2005)
- Why Bother at All (2005)
with White Whale
[edit]- WW1 (2006, Merge Records)
with Spoon
[edit]- Ga Ga Ga Ga Ga (2007, Merge Records)
- Transference (2010, Merge Records)
- They Want My Soul (2014, Republic Records)
- Hot Thoughts (2017, Matador Records)
- Everything Hits at Once: The Best of Spoon (2019, Matador Records)
References
[edit]- ^ "Spoon Bassist Rob Pope Exits Band". Pitchfork. 10 July 2019.
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Rob Pope
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Early life
Upbringing in Kansas
Rob Pope was born in Olathe, Kansas, in the late 1970s, into a family that would later see two of its members become prominent figures in the indie rock scene.[3] Growing up in the suburban Johnson County community, Pope experienced a typical Midwestern childhood, with Olathe serving as a gateway to the broader Kansas City metropolitan area, known for its evolving music culture.[4] Central to Pope's early years was his close relationship with his younger brother, Ryan Pope, who would go on to become a drummer and frequent musical collaborator. The brothers shared a bond forged in their shared upbringing, often collaborating creatively from a young age, which laid the groundwork for their later joint ventures in bands and business.[4][5] This sibling dynamic provided a supportive environment amid the rhythms of family life in Olathe. During the 1980s and 1990s, the Kansas City area fostered a vibrant underground music scene that influenced local youth, including Pope, with roots in punk rock evolving into the emo and post-hardcore movements by the mid-1990s.[6] As a student at Olathe South High School, where he was a senior in 1995, Pope encountered these genres through the regional punk and emo communities that were gaining traction in venues and DIY spaces around Kansas City.[7] This exposure during his high school years introduced him to the energetic, emotionally charged sounds that would shape his musical path.[6]Musical beginnings
Rob Pope's musical journey began in the mid-1990s amid the burgeoning Kansas City underground scene, where he took up the bass guitar and immersed himself in local punk and emo performances. His first band, Kingpin, formed in 1994 as a short-lived project that introduced him to collaborative songwriting and live gigs in suburban venues around Olathe and Kansas City.[8][1] As the bassist in Kingpin, Pope played alongside his brother Ryan on drums and friend Jim Suptic on guitar, focusing on crafting a robust low-end sound that set him apart from standard pop-punk aesthetics. He drew inspiration from Led Zeppelin's John Paul Jones, aiming for a fuller, more dynamic bass tone rather than the thin, aggressive style common in the scene at the time. The band's brief tenure ended in a quick breakup, but it provided essential experience through informal rehearsals and early shows that helped Pope refine his technical skills and stage presence in the raw, DIY environment of Midwest basements and small clubs.[9] The dissolution of Kingpin directly led to Pope co-founding The Get Up Kids in 1995 with Ryan, Suptic, and vocalist-guitarist Matt Pryor, transitioning his role into a more enduring outlet for the energetic performances he had begun exploring locally. This new group built on those formative gigs, often debuting freshly written songs at shows just a week after composition, fostering a fast-paced creative process that defined Pope's early development as a musician.[5][9]Career
The Get Up Kids
Rob Pope co-founded The Get Up Kids in 1995 in Kansas City, Missouri, alongside vocalist and guitarist Matt Pryor, guitarist Jim Suptic, and his brother Ryan Pope on drums, with Pope serving as the band's bassist.[10] The group initially emerged from the local Midwest punk and emo scenes, blending melodic pop-punk with emotional lyricism that would define their sound. Keyboardist James Dewees joined shortly after formation, enhancing their arrangements with atmospheric elements.[11] The band's breakthrough came with their 1997 debut album Four Minute Mile and the follow-up Something to Write Home About in 1999, which propelled them to prominence in the burgeoning emo and punk movements.[10] These releases garnered critical acclaim for their catchy hooks and introspective themes, establishing The Get Up Kids as influencers in the early 2000s emo scene alongside acts like Jimmy Eat World and Saves the Day. Subsequent albums On a Wire (2002) and Guilt Show (2004) expanded their reach, incorporating polished production while maintaining raw energy, leading to mainstream success through tours and Vagrant Records support.[12] Pope's bass lines provided a driving foundation for these works, often interlocking with Ryan's drumming to create the band's signature rhythmic propulsion.[13] In 2005, following the Guilt Show tour, The Get Up Kids announced an indefinite hiatus, citing burnout and shifting personal priorities as the band members pursued individual paths.[12] During this period, Pope contributed to various side projects, including work with The New Amsterdams and Koufax. The hiatus lasted until 2008, when the band reunited for sporadic performances, starting with a hometown show at Kansas City's Record Bar on November 16, followed by a 2009 reunion tour celebrating the 10th anniversary of Something to Write Home About.[14] These appearances kept the group's legacy alive but remained intermittent through 2011. A full reunion materialized in 2018, marked by the release of the EP Kicker on Polyvinyl Records—their first new material in over a decade—and an accompanying U.S. tour.[15] This resurgence culminated in the 2019 full-length album Problems, their first studio album since 2004, which explored themes of loss and maturity while reaffirming their melodic style.[16] Pope played a key role in the album's creation, co-writing tracks and delivering bass performances that anchored the record's emotional depth.[17] In live settings during these active phases, Pope's energetic stage presence and precise bass work contributed to the band's reputation for dynamic, crowd-engaging shows that blended nostalgia with renewed vigor.[18] As of 2025, The Get Up Kids remain active, headlining a 25th anniversary tour for Something to Write Home About that began in 2024 and extended into North America through March 2025, featuring support from Hot Rod Circuit and The Anniversary.[19] The tour includes headline dates across cities like St. Louis, Nashville, and Cleveland, showcasing full album performances that highlight the band's enduring influence.[20]Other projects
During the active years of The Get Up Kids, Rob Pope contributed to Matt Pryor's acoustic side project, The New Amsterdams, serving as a bassist in the backing band alongside local musicians Alex Brahl and Jake Cardwell.[21] This involvement spanned from 2000 to 2011, allowing Pope to explore more stripped-down, melodic arrangements that contrasted with the punk-inflected energy of his primary band.[22] Pope also performed bass duties for Reggie and the Full Effect, the side project of Get Up Kids keyboardist James Dewees, from 1998 to 2008, participating in both recordings and tours that blended emo, synth-pop, and experimental elements.[23] His contributions helped support Dewees' multifaceted vision, often incorporating guest appearances from the broader Kansas City music scene.[24] Following The Get Up Kids' initial breakup in 2005, Pope joined Koufax for a brief stint, providing bass on their album Hard Times Are in Fashion and forming the rhythm section with his brother Ryan on drums.[25] This collaboration infused the indie rock outfit with a seasoned dynamic drawn from Pope's emo roots.[22] In 2007, Pope co-formed White Whale, a short-lived indie rock supergroup featuring members from bands like Butterglory and Thee Higher Burning Fire, resulting in a single self-titled album that evoked classic rock influences with modern twists.[26] The project highlighted Pope's versatility in collaborative settings beyond punk and emo genres.[22] Throughout the early 2000s, Pope balanced commitments across these ensembles while maintaining his role in The Get Up Kids, navigating overlapping tour schedules and recording sessions within the tight-knit Kansas City indie scene.[24]Spoon
In 2006, Rob Pope joined Spoon as the band's bassist, replacing Joshua Zarbo who had been with the group since 2002.[27] Pope's arrival coincided with the recording sessions for the band's fifth studio album, Ga Ga Ga Ga Ga, released in 2007 on Merge Records. Over the next decade, he contributed to Spoon's subsequent albums, including Transference (2010), They Want My Soul (2014), and Hot Thoughts (2017), providing bass lines, percussion, and backing vocals while participating in extensive touring that supported the band's growing international profile.[28][29] During Pope's 13-year tenure, Spoon evolved from its indie rock roots toward a more experimental art rock sound, incorporating electronic elements, intricate rhythms, and atmospheric production that earned widespread critical acclaim in the 2010s. Albums like Transference and Hot Thoughts exemplified this shift, with the latter receiving a Grammy nomination for Best Engineered Album, Non-Classical, and praise for its bold, genre-blending approach. Pope's rhythmic contributions were integral to this development, as seen in his driving bass lines on tracks like the title song "Hot Thoughts," which underscored the album's pulsating, dance-infused energy. His steady, melodic bass work helped anchor frontman Britt Daniel's eclectic songwriting, contributing to Spoon's reputation for consistency and innovation that led Metacritic to name the band Artist of the Decade for the 2000s, with momentum carrying into the following era.[30][31] On July 9, 2019, Pope announced his departure from Spoon via the band's social media, stating that after 13 years, he sought to spend more time with his family and pursue personal projects.[32] The announcement came amid a tour, and Spoon quickly introduced Ben Trokan as his replacement, allowing the band to continue without interruption.[33]Personal life
Family and residence
Rob Pope was born in 1978 in Liverpool, England. He is married to Nadine Pope, with whom he tied the knot in October 2020.[34] The couple has a daughter, Bee Catherine Pope, born on 27 March 2018.[35] Pope resides in Liverpool, where he works as an emergency veterinarian, having joined Roundwood Pet Hospice in September 2024 after over 20 years in the profession.[36][37] In 2016, he temporarily relocated to the United States with his then-partner (now wife) to undertake his Forrest Gump-inspired run, before returning to the UK.[38]Discography
with The Get Up Kids
Rob Pope performed bass guitar on all of The Get Up Kids' studio albums.[39] On the band's debut album Four Minute Mile, released in 1997 by Doghouse Records, Pope provided bass guitar across all tracks.[40] For the 1999 follow-up Something to Write Home About, issued by Vagrant Records, Pope handled bass guitar duties, contributing to the album's signature emo sound.[41] Pope continued on bass for On a Wire (2002, Vagrant Records), where his playing supported the band's shift toward a more polished production.[42] The 2004 album Guilt Show (Vagrant Records) featured Pope on bass guitar for all songs, as part of the core band performance lineup.[43] Pope returned to bass on the reunion album Problems (2019, Polyvinyl Record Co.), delivering foundational lines for tracks like "Satellite" and "The Problem Is Me."[44] In addition to studio albums, Pope contributed bass guitar to several EPs and compilations. On the Red Letter Day EP (1999, Vagrant Records), he played bass on all tracks, including covers and originals.[45] Other releases include the Woodson EP (1997, Haymarket Riot Records), where Pope provided bass, and the rarities compilation Eudora (2001, Vagrant Records), featuring his bass work on previously unreleased material and B-sides.[39]with The New Amsterdams
Rob Pope contributed bass to The New Amsterdams' initial releases as part of the band's early lineup alongside frontman Matt Pryor.[46] His playing appears on the debut album Never You Mind, released in 2000 on Vagrant Records and Heroes & Villains Records. He continued providing bass for the follow-up Para Toda Vida (2002), which featured a mix of acoustic and indie rock elements recorded at Z'gwonth Studios in Lawrence, Kansas. Pope's most documented bass work with the band came on Worse for the Wear (2003), where he performed on multiple tracks including "The Spoils of the Spoiled," "Hover Near Fame," "From California," "Hanging On For Hope," "The Smoking Gun," "Asleep At the Wheel," "Poison In the Ink," and the title track.[47]with Reggie and the Full Effect
Rob Pope provided bass for Reggie and the Full Effect's debut album Greatest Hits 84-'87, released in 1999 on Second Nature Recordings, where his playing supported the band's satirical take on 1980s glam and hardcore punk, recorded at Red House Studios with producer Ed Rose.[48][49] On the 2000 release Promotional Copy, Pope's bass lines anchored the album's experimental fusion of electronic beats, punk energy, and synth-pop, marking an evolution in the project's sound under James Dewees' leadership.[50][51] Pope continued as bassist on Under the Tray (2003, Vagrant Records), contributing to its eclectic mix of emo, alternative rock, and electronic elements, with his parts enhancing guest vocals from artists like Matt Pryor and the album's overall dynamic range, again produced by Ed Rose.[52][53] His bass work appears on Songs Not to Get Married To (2005, Vagrant Records), where Pope supported Dewees' introspective lyrics on divorce and relationships through a blend of aggressive riffs and melodic synth layers, solidifying the band's reputation for genre-blending innovation.[54][55]with Koufax
Rob Pope joined Koufax in 2004 as bassist, contributing to the band's third studio album, Hard Times Are in Fashion, released on Doghouse Records in 2005.[56] He is credited with performing bass, guitar, and backing vocals across the record, which also featured his brother Ryan Pope on drums and percussion.[57] This collaboration represented Pope's sole recorded output with the indie rock group from Toledo, Ohio, prior to his departure the following year.[58]with White Whale
Rob Pope served as the bassist for the short-lived indie rock project White Whale on their only album, WW1, released July 25, 2006, by Merge Records.[59] The album, recorded in Lawrence, Kansas, blends anthemic melodies with classic rock influences reminiscent of 1970s radio hits, featuring theatrical vocals and glam-tinged choruses.[60] Pope's bass lines provide a steady, driving foundation throughout the 11-track record, supporting tracks like "June" and "Outer Banks" with his signature melodic yet propulsive style honed from prior work in the Kansas City scene.[61] White Whale, which formed in 2003 and disbanded after this release, toured nationally in support of WW1, highlighting the collaborative chemistry among its members during live performances.[61] Critics praised the album's accomplished debut quality, noting its balance of accessibility and experimentation, though it remains the sole output from the band.[60] Pope's involvement marked a transitional project for him, bridging his time with The Get Up Kids and his subsequent join with Spoon later that year.with Spoon
Rob Pope joined Spoon as bassist in 2006 and contributed to the band's recordings until his departure in 2019.[62] His bass work appears on four studio albums during this period, as well as select singles and EPs.- Ga Ga Ga Ga Ga (2007): Pope provided bass throughout the album, which marked his debut recording with the band.[63][54]
- Transference (2010): He played bass on all tracks of this self-produced album.[28][62][64]
- They Want My Soul (2014): Pope's bass lines supported the album's raw, garage-influenced sound.[62][54]
- Hot Thoughts (2017): He contributed bass and percussion across the record, co-produced with Dave Fridmann.[65][54][62]