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Robert Trebor
Robert Trebor
Robert Trebor
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Robert Alan Trebor (né Schenkman; June 7, 1953 — March 11, 2025) was an American character actor, known for starring as Salmoneus in the television series Hercules: The Legendary Journeys and Xena: Warrior Princess.

Key Information

Life and career

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Background

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Trebor was born and grew up in Northeast Philadelphia. He was of Jewish descent. He first showed signs of interest in acting around age 13. He was soon taking acting classes and participating in local theater groups. He also won several filmmaking awards from Kodak short film competitions, and the local ABC Philadelphia and PBS affiliates for a short black and white film called Communicate!?.

His first lead role on the stage was as Finch in How to Succeed in Business Without Really Trying for the St. Joseph's Summer Music Theatre Festival. He also won several national awards from Scholastic Magazines for writing film and theatre reviews. One of his award-winning reviews was for John Frankenheimer's The Fixer; years later he would appear in Frankenheimer's 1986 film 52 Pick-Up.[1] After a brief focus on oratory, he returned to acting, majoring in theater at Northwestern University. He returned to Philadelphia to star with Bill Irwin in a revival of George Gershwin's Strike Up The Band for the inaugural season of the American Music Theatre Festival at the historic Walnut Street Theatre. The pseudonym he chose for himself has the particularity of being a palindrome.

Trebor played the Son of Sam killer in Out of the Darkness.[2] He plays a killer in the 1987 American comedy horror film My Demon Lover.[3] On television, after playing Waylin the slave in Hercules and the Lost Kingdom, the second of five TV movies, Trebor rose to fame playing the merchant Salmoneus, a character originating on Hercules: The Legendary Journeys and making occasional crossovers to sister show Xena: Warrior Princess. He appeared in the 2016 Coen Brothers film Hail, Caesar!.

In 2007 Trebor performed in the one-man show The Return of Brother Theodore. The Los Angeles Weekly gave the show its prized "GO" recommendation and said, "actor Robert Trebor reincarnates Gottlieb in a 45-minute late-night solo performance that paints Brother Theodore's belligerent reflections on a twisted life with broad yet powerful comedic strokes." The production was nominated by The LA Weekly for Best Solo Performance of 2007. Trebor starred as the Russian Major Viktor Davidykov in the drama Ravensridge by TS Cook. His performance was praised by Variety.

Trebor died of sepsis on March 11, 2025, at the age of 71. He had been diagnosed with leukemia in 2012.[4] He was interred at Hollywood Forever Cemetery.[5]

Author

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Trebor was the author of The Haircut Who Would Be King which parodies Donald Trump and his relationship with Vladimir Putin.[6][7]

Filmography

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References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Robert Trebor

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Robert Trebor (born Robert Alan Schenkman; June 7, 1953 – March 11, 2025) was an American character actor best known for his recurring role as the scheming merchant in the syndicated television series : The Legendary Journeys (1995–1999) and its spin-off Xena: Warrior Princess (1996–2001). Born in , , to a father who supplied materials for the U.S. Army, Trebor demonstrated early creative interests by composing music, directing amateur short films, and writing reviews for scholastic publications. He adopted the stage name "Trebor," his surname spelled backward, and honed his craft through stage acting in and after attending . Trebor's breakthrough in film came with supporting roles in 1980s productions such as (1986), directed by , and a notable television portrayal of David Berkowitz in the 1985 film Out of the Darkness. His career spanned guest appearances on series including , , and , alongside directing theater productions and participating in fan conventions. Later work included films like (2004) and (1999), reflecting his versatility as a character performer in both dramatic and comedic contexts. Trebor passed away in at age 71, leaving a legacy tied to the enduring popularity of 1990s .

Early Life

Childhood and Family Background

Robert Trebor was born Robert Alan Schenkman on June 7, 1953, in , , into a Jewish family. His father, Gerald Schenkman, procured supplies for the U.S. Army, while his mother, Edith, served as a homemaker; he was one of two children, with a brother who later collaborated with him on creative projects. Trebor grew up in , where his family emphasized group activities and initially steered him toward aspirations like . As a child, he displayed early creative tendencies, including composing and co-writing and directing plays with his brother, fostering an environment of performative experimentation. His parents supported these inclinations by enrolling him in neighborhood playhouse classes around age 13, after noting his disinterest in and budding interest in performance from as early as age 10. This familial encouragement laid the groundwork for his emerging passion for amid a supportive yet pragmatic household dynamic.

Education and Early Interests

Trebor developed an early interest in acting around age 13, enrolling in classes at local venues such as the and Cheltenham Playhouse in . During high school, he participated in theatrical activities but encountered resistance from his drama coach, who excluded him from productions in his senior year; in response, Trebor joined the debating team and secured national speech awards, including progression to the finals of the competition and recognition from the Knights of Pythias. He also pursued creative outlets like composing music and writing and directing short films in 8mm and 16mm formats, alongside contributing film and theater reviews that earned him multiple national awards from Scholastic Magazines, with his first accolade for a critique of John Frankenheimer's The Fixer (1968). Trebor attended , where he earned a degree in in 1975. His university studies built on these foundational interests, providing formal training in and laying the groundwork for his subsequent pursuits in and writing, though specific program details beyond the theatre major remain undocumented in available accounts.

Acting Career

Early Roles and Breakthrough

Trebor's professional acting career commenced with minor television roles in the early 1970s, including appearances as a desk clerk in episodes of , marking his on-screen debut. These initial guest spots provided foundational experience amid the competitive landscape of network television, where actors often navigated limited lines and brief screen time to gain visibility. His feature film debut arrived in 1980 with the role of Rabbi Blowitz in Gorp, a set at a Jewish that highlighted his emerging comedic timing in ensemble casts. Throughout the mid-1980s, Trebor accumulated supporting parts in independent and studio productions, such as a copy boy in Turk 182! (1985) and a reporter in Woody Allen's (1985), roles that underscored the grind of auditioning for peripheral characters while honing versatility. A pivotal early achievement came in 1985 with his portrayal of serial killer in the telefilm Out of the Darkness, opposite as the investigating detective; Trebor later described the role's psychological depth and lack of levity as a career breakthrough that demanded intense emotional preparation. This performance preceded key film credits, including Leo Franks, a sleazy associate in the blackmail scheme of John Frankenheimer's noir thriller (1986), featuring and . He continued with Charles Sawyer in the horror-comedy (1987), navigating the era's low-budget genre fare amid persistent challenges of inconsistent employment and relocation pressures that prompted many actors to shift from New York stages to opportunities. These roles exemplified Trebor's perseverance through bit-part persistence, building a resume reliant on character-driven intensity rather than leads.

Hercules and Xena Franchise

Robert Trebor first portrayed Salmoneus, a fast-talking merchant prone to get-rich-quick schemes, in the second episode of Hercules: The Legendary Journeys, titled "Eye of the Beholder," which aired on February 5, 1995. The character emerged after Trebor's prior role as Waylin in the 1994 telefilm Hercules and the Lost Kingdom, with producers tailoring Salmoneus to his comedic style of schmoozing and opportunism. Salmoneus featured in 18 episodes across the series' five seasons, often providing comic relief through ventures like peddling fake ambrosia or exploiting mythical events for profit, while occasionally demonstrating loyalty to Hercules amid his materialistic pursuits. Trebor described adding humanity to the role, rounding out the schemer beyond mere greed for wealth and women. In episodes such as "As Darkness Falls" (March 5, 1995) and "The Gauntlet" (May 14, 1995), Salmoneus's wit and haggling skills aided against threats like vampires and , evolving from a self-serving opportunist to a reluctant ally in moral dilemmas. A notable appearance occurred in season 2's "Outcast" (1995), where Salmoneus encounters prejudice in an Athenian village, babysits a centaur's child, and faces bandits alongside , highlighting the character's adaptability in blending humor with tension. Production on the New Zealand-filmed series emphasized Salmoneus's entrepreneurial antics as a to 's heroism, with Trebor's drawing on real-world salesmanship for authenticity. Trebor reprised Salmoneus for four crossover episodes in : Warrior Princess from 1996 to 1999, including season 1's "The Black Wolf" and "The Greater Good," as well as season 2's "Miss ," where his scheming clashed entertainingly with Xena's warrior ethos. These appearances preserved the character's core traits—verbose persuasion and dubious deals—while integrating into Xena's narrative, such as impersonations or contest rigging, without further roles post-1999. Trebor also directed one episode, season 3's "A Rock and a Hard Place" (1996), involving Salmoneus in a mining scam, leveraging his franchise familiarity for behind-the-scenes input.

Other Television and Film Work

Trebor portrayed David Berkowitz, the "Son of Sam" serial killer, in the 1985 CBS television movie Out of the Darkness, marking an early dramatic lead role opposite Martin Sheen as the pursuing detective. He followed with guest appearances in procedurals such as The Streets of San Francisco in 1976 and Night Court in the late 1980s, showcasing his ability to play authoritative or quirky supporting figures in law-and-order formats. In the short-lived police comedy Joe Bash (1986), Trebor appeared as a recurring character alongside Danny Aiello, contributing to the series' blend of humor and urban grit. Transitioning to sitcoms, Trebor guest-starred in (1987–1988), a series depicting cultural clashes in New Orleans cuisine, where his role added to the ensemble's exploration of Southern eccentricity. His film work during this period included the thriller (1986), directed by , in which he played Leo Franks, a blackmailer entangled in a high-stakes plot. Trebor also featured in (1987), Susan Seidelman's romantic comedy about an android and its creator, and the horror-comedy (1987) as Charles, a hapless suitor. In Oliver Stone's (1988), he appeared in a minor audience role, supporting Eric Bogosian's intense portrayal of a . Into the 1990s, Trebor took on the motel owner in Jean-Claude Van Damme's Universal Soldier (1992), a role that highlighted his versatility in genre fare amid reanimated soldier chaos. He sustained activity in the with supporting parts like Mr. Wesson, a music instructor, in the teen drama Raise Your Voice (2004) starring , and Marty Walker in Rob Zombie's The Devil's Rejects (2005), portraying a victim in the brutal family-on-the-run narrative. These roles across thrillers, comedies, and action-horror underscored Trebor's range beyond fantasy, maintaining a steady output of character work through episodic television and independent films.

Later Career and Directing

In the years following the conclusion of the Xena: Warrior Princess series in 2001, Trebor pursued a more selective array of roles, emphasizing character parts in diverse genres. He appeared as Marty Walker, a critic providing expertise on horror movie tropes to investigators, in Rob Zombie's (2005), an uncredited performance that highlighted his ability to blend comedic timing with tense thriller elements. Subsequent credits included the role of Feldman in the (2006), where he delivered a brief but memorable supporting turn. Trebor's output diminished further after his 2012 diagnosis of , followed by a stem-cell transplant in 2013 that produced persistent side effects affecting his stamina and availability for projects. He nonetheless secured occasional work, such as Dr. Rosen in the Hip-Hop Headstrong (2010) and the in-universe producer of Hail, Caesar! in the ' Hail, Caesar! (2016), reflecting a deliberate choice for roles allowing limited physical demands amid health constraints. Trebor expanded his contributions to the medium through directing, helming episodes of Hercules: The Legendary Journeys such as "A Rock and a Hard Place" (1997), which demonstrated his grasp of action-comedy pacing developed from years of on-set experience. No major directing projects post-2000 are recorded, aligning with his pivot toward sporadic acting amid personal health trials.

Writing and Other Contributions

Literary Works

Trebor began his writing career in high school, earning several national awards from Scholastic Magazines for film and theater reviews, including one for John Schlesinger's . These early pieces demonstrated his analytical approach to critiquing narrative structures and performances, published in Scholastic outlets reaching wide student audiences. In 1999, Trebor published Dear Salmoneus: The World's First Guide to Love and Money, a satirical advisory framed as ancient wisdom from his recurring acting character , offering humorous takes on financial and relational strategies through fictional letters and responses. The work blends parody with practical parody, drawing on mythological tropes to lampoon genres prevalent at the time. Trebor's most prominent literary contribution came in 2019 with The Haircut Who Would Be King: A Political Fable, a novella-length satire portraying the ascent of "Donald Rump," a self-obsessed tycoon mirroring Donald Trump, and his opportunistic alliance with "Vlad the Invader," evoking Vladimir Putin, amid critiques of electoral dysfunction and international power dynamics. Through anthropomorphic elements and exaggerated archetypes, the narrative targets perceived absurdities in political leadership and public complicity, emphasizing causal chains in power consolidation from personal vanity to geopolitical maneuvering. In author interviews, Trebor articulated the intent as exposing flaws in collective political behavior without endorsing partisan solutions, prioritizing observational acuity over ideological alignment. The received acclaim for its incisive humor, with reviewers noting Trebor's "sharp attunement to the politically absurd" and talent for fable-like distillation of real-world events. It garnered a 4.83 average rating on from early readers, who praised its farcical yet pointed dissection of authoritarian tendencies and media influence. Independent critiques, such as from Readers' Favorite, awarded it five stars for blending whimsy with substantive political commentary.

Advocacy and Awards

Trebor advocated for performers' rights in theater and , emphasizing improved working conditions and creative input for actors, as reflected in his off-screen engagements and documented positions. He maintained active involvement in the theater community, drawing on his extensive stage experience to support professional standards amid industry challenges. In recognition of his early contributions to criticism, Trebor won multiple national awards from Scholastic Magazines for writing film and theater reviews. These honors, earned during his formative years, highlighted his analytical skills in evaluating dramatic works, including a notable critique that secured one of the prizes. No major acting-specific accolades, such as CableACE nominations, are recorded in verified sources for his television or film roles.

Personal Life

Marriage and Relationships

Trebor was married to Hennings for 43 years, from approximately 1982 until his death in 2025. The couple met while attending a business class at in and began dating thereafter. They relocated to in 1990 to support Trebor's acting career. Public records indicate no children from the , and Trebor maintained a low profile regarding his personal relationships, with no documented prior or additional partnerships. His family life remained largely private, as evidenced by the scarcity of details in biographical accounts beyond the enduring union with Hennings.

Health Issues and Death

Trebor was diagnosed with in 2012. He underwent a stem-cell transplant the following year to treat the condition, but experienced persistent side effects that compromised his health in subsequent years. These complications progressed, ultimately leading to as the immediate cause of his decline. On March 11, 2025, Trebor died at Medical Center at the age of 71 from , as confirmed by his wife, Deirdre Hennings. The transplant-related side effects had limited his physical capacity in his final decade, though he continued select professional activities amid ongoing medical management.

Legacy

Reception of Performances

Trebor's portrayal of Salmoneus in Hercules: The Legendary Journeys garnered acclaim for its comedic flair and layered characterization, establishing the role as a fan favorite among viewers for blending entrepreneurial scheming with opportunistic charm. The character's appearances across nearly two dozen episodes over five seasons highlighted Trebor's ability to deliver humorous relief while occasionally revealing deeper motivations, as noted in contemporaneous fan analyses and actor reflections. Interviews with Trebor emphasized the role's enjoyment and commercial success, contrasting it with his prior dramatic work and underscoring its appeal in injecting levity into mythological narratives. In dramatic turns, such as in the 1985 television film Out of the Darkness, Trebor received positive evaluations for physical resemblance, vocal mimicry, and mannerisms that captured the killer's essence, though the role's brevity limited broader impact. Trebor himself described the as emotionally and physically taxing, requiring immersion during shoots while balancing evening commitments, without generating significant awards recognition or mainstream critical buzz. Peers and reviewers acknowledged his versatility in shifting from such intense portrayals to lighter fare, yet substantive critiques of emerged sparingly, primarily in actor discussions noting the challenge of escaping comedic associations post-Salmoneus. Overall, Trebor's reception as a leaned toward appreciation for reliability and depth in supporting roles rather than leading acclaim, with limited of widespread complaints but consistent praise for commitment across genres. No major industry awards marked his performances, aligning with the niche visibility of syndicated television and made-for-TV projects during his peak.

Cultural Impact and Tributes

Trebor's portrayal of Salmoneus contributed to the comedic elements that helped Hercules: The Legendary Journeys achieve top ratings in syndicated action programming during the 1990s, often surpassing shows like . The character's appearances in 22 episodes across and Xena: Warrior Princess sustained fan interest through reruns, with enthusiasts valuing the role's blend of scheming entrepreneurship and humor in fantasy settings. This enduring appeal manifested in Trebor's participation at conventions, such as Toronto Trek in 1999, where fans engaged with his insights on the character. Upon Trebor's death from on March 11, 2025, tributes from and communities highlighted Salmoneus's wit and Trebor's intelligent delivery, with posts and fan groups expressing widespread appreciation for the character's lasting charm. Producer publicly mourned Trebor, specifically recalling the merchant's scheming persona as a memorable fixture in the series. These responses underscored the role's niche influence on genre , where Salmoneus episodes continue to draw citations for their lighthearted ventures amid mythological narratives.

References

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  32. https://roberttrebor.net/book/the-haircut-who-would-be-king/
  33. https://www.goodreads.com/book/show/44908337-the-haircut-who-would-be-king
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  49. https://x.com/robtapert/status/1908329372563702263
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