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Rodney Moore (actor)
Rodney Moore (actor)
Rodney Moore (actor)
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Rodney Moore (born May 9, 1950)[2][3] is an adult video performer, director, and producer.

Key Information

He entered the business in 1991, shooting couples and amateurs and selling the tapes. He would eventually meet people within the industry and his career began to flourish.[4] Moore was one of the early adopters of the gonzo/POV style of pornography which immersed the viewer in the experience. Moore focused on having humorous storylines to start off his scenes. He also became known for his larger than normal ejaculations and was nicknamed "the King of Cream" by Paul Fishbein, publisher of AVN (The Adult Video News). Adult video reviewer "Dirty Bob" christened the term "I Survived a Rodney Blast" for girls who had worked with Moore. Some of his early signature series were "Creme de la Face," "The Cumm Brothers," "I Swallow" and "Northwest Pecker Trek." In 2002, Moore began working with trans women using the alias Sammy Mancini. In 2012, Moore, under the name Mancini, was given the Lifetime Achievement Award at the 2012 Transgender Erotica Awards.[5]

He is also a songwriter and musician, posting several musical videos on his YouTube channel performing original music and cover songs as his real name David Perry.[1] He retired from shooting at the end of 2019 to focus fully on his music.[citation needed]

Awards

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References

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Rodney Moore (actor)

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Rodney Moore (born David Perry; May 9, 1950) is an American film , director, and renowned for pioneering point-of-view (POV) and gonzo-style , particularly featuring cumshots and simulated pick-up scenarios. Entering the industry in 1991 at age 41 using a VHS camera, he has performed in and directed thousands of scenes over three decades, often under aliases such as Sammy Mancini for content. Moore's career began with amateur-style productions in the area, quickly evolving into professional work that emphasized raw, first-person perspectives and niche themes including barely legal, BBW, and hairy performers. He founded one of the earliest websites dedicated to adult video in 2002 and launched his flagship site, RodneyMoore.com, which became a cornerstone for his independent output. By the early , his series such as Goo Girls, Monster Facials, and Night of the Giving Head established him as a prolific creator, blending performance with direction across genres like parodies ( XXX) and gonzo compilations. His contributions earned widespread recognition, including induction into the AVN Hall of Fame in 2006 for his innovative directing and performing, followed by the XRCO Hall of Fame in 2013. Additional honors include the Lifetime Achievement Award at the 2012 (as Sammy Mancini) and multiple nominations across AVN, XRCO, and for best director and gonzo work from 2001 to 2019. Moore remains active as a director into 2025, with a legacy defined by over 25 years of boundary-pushing content in the adult entertainment field.

Early life and music career

Childhood and musical beginnings

Rodney Moore, born David Perry on May 9, 1950, in the United States, is of Caucasian ethnicity. Growing up in the area, Moore developed an early passion for music, becoming hooked on just before turning 13, which inspired him to begin writing songs and pursue music as a creative outlet. At age 13, he started playing guitar, learning his first song, "Wipe Out," using a simple with multi-tracking capabilities to experiment with recordings. This initial foray quickly expanded as he honed skills on keyboards and , with guitar becoming his primary instrument, alongside proficiency in bass and basic . In the mid-1970s, Moore began performing live with local bands in , including one that featured a young , marking his entry into the regional music scene through gigs and studio work. These early experiences laid the groundwork for his musical development, eventually leading him to transition into professional music engineering in , where he worked in a 24-track studio.

Professional music career before adult industry

In 1978, Rodney Moore relocated to , to work as a recording engineer and producer during the height of the disco era. He joined a studio owned by a former associate from , where he quickly established himself by engineering and producing tracks for emerging artists. This move capitalized on the booming scene, allowing Moore to contribute to several dance-oriented releases that gained commercial traction. One of Moore's early successes was producing a disco cover of Len Barry's 1965 hit "1-2-3" for vocalist Pete Salazar, released on First American Records. The track peaked at No. 60 on the Disco Top 100 chart in 1980, marking Moore's breakthrough and securing a production deal with the label. Building on this momentum, he followed with a rendition of The Four Seasons' "Let's Hang On!" also featuring Salazar and on saxophone, which climbed to No. 21 on the same chart later that year. These productions highlighted Moore's ability to adapt classic pop songs into high-energy dance formats, blending orchestral elements with pulsating rhythms typical of late-1970s . Throughout the 1980s, Moore expanded his portfolio to include commercial jingles, creating over 100 pieces for radio and television advertisements, many of which he wrote and performed himself. He also wrote and produced "Keep on Talking" in 1980, which received a Pick Hit. He engaged in charitable efforts, penning the song "Give Just A Little" in 1984 as a response to "," enlisting local celebrities for a collaborative recording aimed at raising funds for social causes. During this period, Moore performed in a Top 40 from 1984 to 1988 and recorded approximately 40 to 50 original songs, including sessions with singer-songwriter . By 1990, after a series of professional setbacks in Seattle's evolving music landscape, Moore relocated to in hopes of revitalizing his career. The move exposed him to new opportunities in the entertainment industry, though persistent challenges ultimately prompted a pivot away from music production.

Entry into adult entertainment

Relocation and initial amateur work

In 1990, Rodney Moore relocated to from , where he had spent over a decade pursuing opportunities in the music industry as a songwriter, performer, and recording engineer. Frustrated with the stagnation in his music career, he took a job to cover rent while continuing to seek musical work. This move marked a pivotal shift, as Moore, then 40, leveraged his technical expertise from years of audio engineering to explore new creative outlets. Later that year, in late 1991, Moore acquired a bulky as payment for composing a , which prompted him to experiment with at age 41. He began by hiring a local couple to shoot his first adult film, focusing on self-produced content featuring real couples in intimate scenarios. These early efforts were informal and low-budget, distributed through direct sales to video companies like Mr. Peepers and Odyssey Amateurs after receiving guidance on legal requirements such as model releases from industry contacts. The income from these sales soon surpassed his earnings, allowing him to quit that job and commit fully to . Moore's initial amateur work emphasized gonzo-style formats, characterized by unscripted, documentary-like footage, often shot in point-of-view (POV) perspectives to immerse viewers. As a startup operation, he incorporated humorous, lighthearted storylines to add entertainment value without high production costs, drawing on his creative background to differentiate his content in the emerging amateur market. This approach not only facilitated his entry into the adult entertainment industry but also laid the groundwork for his later innovations in the genre.

First professional productions

Rodney Moore's entry into professional adult video production occurred in the early 1990s, following his initial efforts. On December 22, 1991, he shot his first scene with an amateur couple who responded to an advertisement he placed in LA Xpress, filming at a near in . This marked the beginning of his work in the industry, initially focused on capturing authentic, unscripted encounters. By 1992, Moore had transitioned to supplying content to established distributors, selling his amateur tapes to companies such as Mr. Peepers and Odyssey Amateurs. These early professional releases retained an amateur aesthetic—characterized by raw, point-of-view (POV) shots and natural settings—but benefited from polished distribution and marketing through reputable labels. His earnings from these sales soon surpassed his prior income, enabling him to commit fully to adult entertainment. Drawing briefly from his music production background, Moore applied technical skills in audio and to enhance the quality of his footage. That same year, Moore began performing on-camera and directing professionally, with his directorial output starting to appear under studios like LBO Entertainment and . He founded Rodney Moore Productions in the mid-1990s, establishing his own imprint to gain greater creative control and focus on niche content. Early productions under this banner and related efforts emphasized humorous scenarios and ejaculate-centric climaxes, a style that quickly earned him the moniker "The King of Cream" within the industry.

Career as performer and innovator

Signature style and industry contributions

Rodney Moore distinguished himself in the adult film industry through his innovative approach to gonzo and point-of-view (POV) , frequently weaving in comedic narratives to add levity and narrative depth to scenes. This style, which immersed viewers directly into the action, helped shape the genre's evolution toward more humor-infused content during the and early . His early amateur experiments with POV shooting laid the groundwork for this performer-centric format, emphasizing close-up interactions and playful setups that influenced subsequent creators in the field. A hallmark of Moore's performances was his notably voluminous ejaculations, earning him the moniker "King of Cream" within industry circles. This distinctive trait became a central element of his on-screen persona, often highlighted in facial-focused scenes that prioritized visual impact and performer endurance. Moore's commanding physical build and use of aliases like Howard Ramone further enhanced his versatility, allowing him to embody varied characters in these lighthearted, high-energy productions.

Notable performing roles and series

Rodney Moore's performing career in adult films spanned from 1991 to 2020, during which he became known for his roles in gonzo and POV-style productions emphasizing facials and aesthetics. His on-screen presence often featured him as the central male performer, interacting with female co-stars in , conversational scenarios that highlighted explicit oral and facial finishes. One of Moore's flagship series, Creme de la Face, launched in the mid-1990s and ran for over 50 volumes, centering on elaborate cumshots delivered to a variety of performers in casual, interview-led encounters. In representative entries like Creme de la Face 1 (1994), Moore collaborated with mainstream stars such as Cumisha Amado, Lana Sands, and Kira, building scenarios around pickup-style seductions leading to group or solo facials. Later installments, such as Creme de la Face 38: The Rodney Show (1999), paired him with European performers including Maeva Exel and Océane, maintaining the series' amateur vibe through lighthearted banter and outdoor settings. The series exemplified Moore's signature style, with its focus on voluminous ejaculations and performer reactions, influencing similar gonzo formats in the industry. The Cumm Brothers, a comedic series co-starring Moore alongside Wolf Savage as fictional siblings, debuted in 1994 and emphasized humorous, over-the-top scenarios in everyday backdrops like traffic school or trips. Volumes such as The Cumm Brothers 6: Hook, Line and (1995) featured Moore and Savage with performers including Kimberly Kyle and Esa Marie, blending with explicit group action culminating in shared facials. By The Cumm Brothers 13: Rump Rangers (1995), collaborations extended to actresses like Jasmine Johnson and Catherine Kelly, reinforcing the series' amateur of adventure tropes while prioritizing Moore's central role in the climactic sequences. This ongoing franchise through the highlighted Moore's versatility in ensemble dynamics within mainstream heterosexual content. The I Swallow series, starting in 1999, shifted focus to oral ingestion themes, with Moore performing in multi-scene compilations that showcased women eagerly consuming semen after extended blowjobs. In I Swallow 1 (1999), he worked with established performers like Shanna McCullough, Bobbi Bliss, and Obsession, structuring scenes around seductive interviews that transitioned to intense oral play. Subsequent entries, including I Swallow 13 (2001) with Darla Crane and Alecia Knight, maintained the amateur feel through casual settings like strip clubs, earning nominations for best oral-themed series at industry awards. Moore's roles here underscored his reliability as a performer in high-volume production, often involving multiple partners per installment up to the series' later volumes in the 2000s. Northwest Pecker Trek, an early 1990s series inspired by Moore's roots, captured amateur pickups and outdoor romps with local talent, frequently ending in facials amid natural landscapes. Volumes like Northwest Pecker Trek 3 (1994) paired Moore with performers such as Jasmine Johnson in roadside and rural encounters, emphasizing spontaneous chemistry over polished production. In Northwest Pecker Trek 5: Cumming to King County (1995), collaborations included Sundae Brunch, Lynx Dyan, and , with scenes filmed in county settings to evoke exploratory treks leading to explicit rewards. This series, running through the mid-1990s, solidified Moore's reputation for authentic, location-based amateur in mainstream cinema.

Directing and producing career

Rodney Moore Productions

Rodney Moore founded Rodney Moore Productions in the early 1990s, beginning with self-produced amateur videos featuring couples and solo performers that he personally distributed through mail-order sales. His initial experiences as a performer in these early works influenced the raw, unscripted style that became central to his company's output. The company specialized in gonzo-style adult content, characterized by point-of-view (POV) cinematography, simulated real-life pickup scenarios, and humorous, lighthearted narratives often culminating in exaggerated facial cumshots. Moore directed over 800 titles under this banner from 1992 through 2025, earning recognition as a pioneer of the gonzo genre during its explosive growth in the . Signature series such as Creme de la Face and I Survived a Rodney Blast exemplified his focus on comedic elements and niche themes like hairy women and BBW performers, blending entertainment with explicit action. Rodney Moore Productions operated on a , bypassing traditional distributors by selling videos via tapes and DVDs through its official , rodneymoore.com, launched in the late . As digital technology advanced, the company transitioned to streaming and downloads, offering subscription access to its extensive library of over 1,000 scenes while maintaining strict age verification protocols. This evolution allowed Moore to retain creative control and build a loyal fanbase through personalized content and fan interactions.

Mancini Productions and transgender-focused work

In 2002, Rodney Moore adopted the alias Sammy Mancini to pursue work in , allowing him to separate this niche from his mainstream industry activities and avoid potential professional repercussions. Under this , he began directing and performing in content focused on trans women, starting with solo masturbation scenes that pioneered for transgender websites. That same year, Mancini founded Mancini Productions (later rebranded as Mancini Pictures) as a dedicated entity for producing transgender-specific adult content, including websites like ShemaleStrokers.com and BlackTrannyWhackers.com. The company emphasized high-quality photography and directing of solo and interactive scenes featuring trans performers, with early examples including work with Allenina as the first "Shemale Stroker." Mancini's approach highlighted performers' individual fantasies and fetishes, contributing to the genre's growth by providing original, performer-centered material distributed through platforms like Exquisite Multimedia. Mancini Productions expanded into notable series such as Bang My Tranny Ass (later rebranded as Bang My Trans Ass) and Transational Fantasies (formerly Shemale Strokers), which featured point-of-view scenes and showcased both emerging and established trans talents like Jessy Bells and Simone Alyssa. In response to evolving community standards, the label undertook a effort in 2017–2018, removing terms like "shemale" and "tranny" from titles and sites to promote respect for trans and LGBTQ+ audiences, including relaunching ShemaleStrokers.com via AdultDVDEmpire.com. Mancini's photography work earned him the Tranny Award for Best Photographer in 2012, while his directing received multiple nominations, including for Best Transsexual Director at the from 2015 to 2019. As of 2025, Mancini continues directing and updating content for sites like TransationalFantasies.com, maintaining an active presence in the niche.

Awards and recognition

Mainstream adult industry awards

Rodney Moore received a nomination at the 2003 for Best Director (Non-Feature) for his work on Goo Girls 10. In 2006, Moore was inducted into the AVN Hall of Fame. In 2009, Moore earned multiple AVN Award nominations, including for Best Director for Night of the Giving Head, reflecting his ongoing contributions to gonzo-style directing and performing. For the 2013 AVN Awards, he was nominated in the Best Director - Parody category for The Addams Family XXX, highlighting his versatility in themed adult productions. That same year, Moore was inducted into the XRCO Hall of Fame, recognizing his three-decade impact as a performer, director, and innovator in the adult industry. In 2019, Moore received a nomination for Producer/Studio of the Year at the BBW Awards for his ScaleBustinBabes series, acknowledging his niche influence on plus-size content.

Transgender erotica awards

In 2012, under the professional pseudonym Sammy Mancini, Rodney Moore received the Lifetime Achievement Award (Behind the Camera) from the (), honoring his decade-long dedication to producing and innovating within adult content. This accolade, sponsored by performer Jett and accompanied by a $1,000 prize, acknowledged Mancini's pivotal role in shaping the through high-quality and scene production. That same year, Mancini also won the Best Photographer/Scene Producer award at the TEA, recognizing his extensive body of work across numerous series that spanned nearly a dozen years. These achievements were largely driven by his leadership at Mancini Productions, which specialized in -focused and helped elevate production standards in the niche. The 2012 TEA honors for Mancini underscored the burgeoning professional legitimacy of , spotlighting creators who bridged amateur roots with sophisticated, performer-centric filmmaking to foster greater industry visibility and respect for the category.

Later life and return to music

Retirement from performing

Rodney Moore retired from on-screen performing in 2020, marking the end of a nearly 30-year career that began in 1991. This decision came after decades of contributions to the adult film industry, where his as a performer stood out amid the typically short careers of male talent. Following his retirement from performing, Moore reduced his personal on-camera involvement while maintaining an active role in directing, with credits extending into 2025. His productions continued to emphasize creative and comedic elements in content, though without his direct participation as an actor.

Ongoing music pursuits

In 2016, Rodney Moore revived his music career by releasing the original song "Goodbye Hello," which he wrote and composed, via a on under his longtime musical alias David Perry. The track marked a deliberate return to after decades in the adult industry, serving as an uplifting anthem that showcased his songwriting roots. Moore has since incorporated live performances into his routine, utilizing pre-recorded backing tracks played on a large monitor while he sings and plays guitar. He hosts intimate music parties for 30 to 40 friends in , where these sessions have become a regular outlet for his performances over the past several years. His ongoing music output is shared primarily through the YouTube channel youtube.com/user/dpmusic100, where he posts covers and originals under the David Perry name, extending the foundations of his 1970s and 1980s professional music phase into contemporary digital formats. As of 2025, Moore balances these pursuits with limited directing in the adult industry, allowing music to take precedence following his retirement from on-camera performing.

References

  1. https://avn.com/profiles/rodney-moore-122235
  2. https://www.iafd.com/person.rme/id=ea26e001-944d-4d1a-8068-43a0810b570f
  3. https://www.imdb.com/name/nm0601815/
  4. https://www.adultfilmdatabase.com/director/97/rodney-moore/
  5. https://avn.com/news/video/rodney-moore-says-goodbye-hello-to-his-first-love-music-149256
  6. https://www.rodneymoore.com/music/background.php
  7. https://www.rodneymoore.com/rms/contents/rodneyinterview.html
  8. https://avn.com/news/video/interview-with-rodney-moore-36351
  9. http://sextech.com/uncategorized/interview-king-of-creme-rodney-moore/
  10. https://avn.com/press/video/rodney-moore-hits-milestone-of-25-years-in-adult-98769
  11. https://www.xbiz.com/features/93410/rodney-moore
  12. https://avn.com/movies?page=1179
  13. https://www.xbiz.com/features/84467/the-godfathers-of-gonzo
  14. https://www.hotmovies.com/12706/rodney-moore-pornstar/spotlight
  15. https://www.adultfilmdatabase.com/videoseries/4107/creme-de-la-face/
  16. https://www.iafd.com/title.rme/id=5abe1c38-5c7b-4a28-9532-815c8ec3b3c0
  17. https://www.iafd.com/title.rme/title=creme%2Bde%2Bla%2Bface%2B38%253A%2Bthe%2Brodney%2Bshow/year=1999/creme-de-la-face-38-the-rodney-show.htm
  18. https://www.adultfilmdatabase.com/videoseries/4110/cumm-brothers/
  19. https://www.imdb.com/title/tt0123763/
  20. https://www.imdb.com/title/tt0123762/
  21. https://www.rodneymoore.com/rms/videos-rv/iswallow/iswallow.html
  22. https://www.imdb.com/title/tt0212236/
  23. https://avn.com/movies/i-swallow-13-20033
  24. https://www.adultfilmdatabase.com/videoseries/143/i-swallow/
  25. https://www.rodneymoore.com/rms/videos/peckertrek.html
  26. https://avn.com/movies/rodney-moore-s-northwest-pecker-trek-3-42400
  27. https://www.imdb.com/title/tt0323435/
  28. https://www.adultfilmdatabase.com/videoseries/9293/north-west-pecker-trek/
  29. https://mikesouth.com/https-mikesouth-com/rodney-moore-remembers-bobby-genova-7219/
  30. https://www.iafd.com/person.rme/id=ea26e001-944d-4d1a-8068-43a0810b570f/rodney-moore
  31. https://rodneymoore.com/
  32. https://www.rodneymooreapp.com/
  33. https://interviews.adultdvdtalk.com/sammy-mancini-aka-rodney-moore/
  34. https://avn.com/press/ts/mancinis-transational-fantasies-6-is-a-mouthful-116669
  35. https://avn.com/news/ts/mancini-pictures-announces-rebranding-of-shemale-sites-series-160472
  36. https://www.imdb.com/event/ev0000010/2009/1/
  37. https://rodneymoore.com/rms/diary/diary.html
  38. https://www.yumpu.com/en/document/view/6962900/2013-nominations-avn-awards
  39. https://www.xbiz.com/news/161671/xrco-honors-2013-hall-of-fame-inductees
  40. https://avn.com/news/video/2013-xrco-award-winners-announced-to-full-raucous-house-132063
  41. https://bbwawardsshow.wordpress.com/2019-nominees/
  42. https://avn.com/news/video/fifth-annual-tranny-awards-hit-new-heights-with-improved-venue-131181
  43. https://www.xbiz.com/news/245474/sammy-mancini-nabs-best-ts-director-nod-from-nightmoves
  44. https://www.xbiz.com/news/215958/rodney-moore-celebrates-25-years-in-adult
  45. https://www.xbiz.com/news/205990/rodney-moore-releases-new-video-for-original-song
  46. https://www.candy.adult/public/pornstars/rodney-moore-releases-new-video-covering-glen-campbell-song
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