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Roger Steinmann
Roger Steinmann
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Roger Steinmann (Swiss Standard German: [ˈroːɡər ˈʃtaɪnman], French: [ʁɔʒe ʃtajnman]; born November 6, 1961 in Zurich, Switzerland) is a Swiss writer, director, and businessman, known for his work in film and theater.

Key Information

Most notable is his biopic Illusion Infinity (aka Paradise, 2004), starring Dee Wallace, Mickey Rooney,[2] Timothy BottomsBarbara Carrera, Martin Kove, Theresa Saldana,[3] and Lilyan Chauvin.[4][5]

In autumn 2018, the production of the farce feature film PhonY was interrupted due to the unexpected death of lead actor Burt Reynolds.[6] Since then, the fate of the already to 70% shot farce-comedy, with Elke Sommer and Barbara Carrera as its leading ladies, became uncertain.[7][8][9]

Steinmann turned to the theater and created the two-character farce Win=Win as writer, director and producer. The premiere was held in Zurich on October 7, 2022. Bodo Krumwiede and Florine Elena Deplazes acted on stage;[10] off-roles were voiced by Christa Rigozzi, Gilles Tschudi, René Rindlisbacher, Heidi Maria Glössner and Bella Neri.[11]

Steinmann created the stage play, the 'One-Lady-Trauma' Teufelskreis, about the fate of Ruth Madoff, the wife of 65-billion dollar Ponzi-fraudster Bernard Madoff. He adapted the play into English as Ruthless - the tragic Survival of Ruth Madoff and produced the London 3 June 2025 world premiere, with a run through 29 June. Emily Swain impersonated the title role under his direction.[12][13][14][15][16][17][18][19][20][21]

Early life

[edit]

At the age of 8, Steinmann shot his first short film with a Super-8 camera. In the next five years, another 30 films followed. Four of them received awards.[22]

One of the early award-winning films was Die Maschinentiere (The Machine Animals), a 1977-documentary on large-scale animal husbandry in contrast to classic farming.[23]

In Die Flutkatastrophe (The Flood Disaster) Steinmann showed the consequences of a broken dam of a nearby reservoir and the flooding of his hometown Zurich. Along an interview, it was aired on Swiss TV in November 1978, the month Steinmann turned 17.[24][25]

Career

[edit]

Still in his teens, Steinmann aimed to execute larger scale feature-projects based on his original screenplays. In 1978/79, he developed the conception Krebs! (Cancer!) about the life-threatening virus in a woman's organism, visualized by a simultaneous life-threat of the organism of an entire city by a Godzilla-like monster-crab. In German language the title "Krebs!" bears the double meaning of Cancer and Crab.[22]

Theater

[edit]

Steinmann turned to theater as well; notable are:

1982: Beschti Referenze (aka Buchhalter Noetzli / Bookkeeper Noetzli), Steinmann in his function as producer and director was the first to bring this play by Hans Schubert to the Swiss stage. Four years later, the same play served the popular Swiss folk actor Walter Roderer as was his probably greatest success, on stage as well as in film.[26][27]

1986: Achtung-Fertig-Los! (aka Nume Theater mit em Sunntigsbsuech / Ready-Steady-Go!), Steinmann producing and writing this unique farce-comedy concepting disguised actors among the real audience. His friend Markus Imthurn was directing, becoming Steinmann's closest artistic collaborator to date.[28][29]

1988: Schelmereie (Sweet Cheating) at the theater in Oberentfelden, Switzerland: Steinmann directing.[30]

Hollywood

[edit]

From 1991, Steinmann lived alternatively in Los Angeles. There, he wrote several screenplays on spec, alone but mostly in association, e.g. Bum and the Kid with Scott Steindorff,[31][32] outlines, e.g. Love of my Life with Don Mankiewicz, rewrites, e.g. Project: Metalbeast.[33][34]

Illusion Infinity (aka Paradise, 2004)

[edit]
Roger Steinmann (right) directs Mickey Rooney in Illusion Infinity, Los Angeles, November 2002

Among Steinmann´s several projects, Illusion Infinity (aka Paradise, 2004) caught the eye of casting director Gerald I. Wolff. He was able to engage seven well known Hollywood actors: Dee Wallace, Mickey Rooney,[2] Timothy BottomsBarbara Carrera, Martin Kove, Theresa Saldana,[3] and Lilyan Chauvin.

Illusion Infinity was labeled as a biopic; however, it was an original screenplay by Steinmann about the supposed real Las Vegas singer Patricia Paradise (played by Dee Wallace) and her life-long search for a genuine soul-mate, and a home she calls Shangri-La.[2][4][5]

The PartyKillers and Ladies First

[edit]

In 2014, Thai film star Mike Angelo became interested to star in ‘The PartyKillers’,[35] a screwball-comedy about a humble inventor of a magical teddy-bear crashing the engagement party of a toy manufacturer. This screenplay Steinmann wrote back in 1995/98 in collaboration with Rodney Heeringa.[36]

But another concept of a screwball comedy fit Angelo's talent even better: A male singer gaining success only when performing as a woman, attracting both a father and his daughter. After Angelo agreed to star in this dual role, Steinmann originated the 2015-screenplay ‘Ladies First’. Swiss actors Beat Schlatter and Pascal Ulli confirmed their interest to participate, the latter also as co-produce.[37][38][39][40]

PhonY

[edit]
Roger Steinmann (left) on the set of 'PhonY' in Phuket/Thailand

What would happen if all cells and computers became unusable? This topic led to the 2016/2018-screenplay PhonY with the unique interactivity between segments based in Los Angeles, Switzerland, Australia, Thailand and Canada.[7][41][42]

In spring 2018, the filming commenced in Switzerland with Pascal Ulli and Gilles Tschudi; it was followed by the Thai segment with a local cast. The remaining segments with Burt Reynolds, Talia Shire and Barbara Carrera were scheduled in Los Angeles for October 2018.[6][8] Though, a mere month before, Reynolds untimely died, and the production stalled.[6][42] Golden Globe Award winners Arnold Schwarzenegger and Elke Sommer[9] were set for the reshoot, with Shire still on board. However, the outbreak of the COVID-19 pandemic and its restrictions once again ruined the shooting scheduled of April 2020. Since then, the fate of the feature film, shot to 70%, has become uncertain.

WIN=WIN

[edit]
Roger Steinmann at the premiere of Win=Win, Zurich, October 7, 2022

Due to the cinematic inactivity in spring 2020, Steinmann turned after a hiatus of more than 30 years once again to the theater and created Win=Win, a two-person farce about the 'panic-stricken' distancing - aka 'social distancing' - of two very different neighbors. The stage is set up two-parted, thus the two protagonists' actions is viewed simultaneously.

Casting with Bodo Krumwiede and Florine Elena Deplazes[10] were completed by the end of April 2022, rehearsal began at the end of June and the world premiere of Win=Win took place October 7, 2022, in Zurich.[11]

In addition to the Swiss production, international actors such as Didi Hallervorden, and, shortly before his death[43] Karl Dall along, for the English adaption, Timothy Bottoms, were interested in a respective national premiere[44]

RUTHLESS - the tragic Survival of Ruth Madoff

[edit]

Since 2021, Steinmann was in the works of the semi-biographical 'One-Lada-Trauma' about Ruth Madoff, the wife of 62 years of Bernie Madoff, the infamous USD 65 billion Wall Street ponzi fraudster. Her husband in jail for life, and her sons Mark and Andrew having died, one by suicide, the other by accelerated cancer - Ruth's is now all alone and destitute, as gone is her glamorous New York jet-set life. Is Ruth Madoff innocent - or guilty as complicit? Steinmann adapted the German original Teufelskreis into English as Ruthless; he produced and directed it with Emily Swain to the London world premiere on June 3, 2025, with a run through 29 June.[12][13][14][15][16][17][18][19][20][21]

Further theater activities

[edit]

In 2020/21, Steinmann actualized his 1986-stage play Achtung-Fertig-Los! anew in Swiss-German as Nume Theater mit em Sunnigsbsuech, and in high German as Nur Theater mit dem Sonntagsbesuch. Notably, he created an entire new development within the second act leading to a new ending of this eleven-character farce-comedy.[11]

Since 2023, Steinmann authored Wenn der Drilling mit der Zwilling, a humorous, Agatha Christie-Witness for the Prosecution-styled crime-comedy, and as well the 'one-man satire' w. w. Steinzeit, and its English adaption w. w. Stone Age, about the near dystopian future of our digitized world.[11][13][14]

Other activities

[edit]

1981: Steinmann concluded his education at the Swiss Business School in Zurich.

1983: Steinmann invented an automatic bottle stopper; patented in 1985.[45][46]

1983: Steinmann prevailed in the German TV-quiz show ‘Alles oder Nichts’, winning 10'000.[47][48]

1984: Steinmann founded the Rotsch AG,[49] a joint-stock company, to market his invention. At that time, he was 22 years old and became the youngest president ever of such an entity in Switzerland. He sold that entity in 1996.

1986: Steinmann started distributing greeting cards, partly of own designing, in Switzerland but as well in Europe and throughout the world. His products were among the most luxurious on the market.

1995: Steinmann founded the film production company SUNSET International AG, a joint-stock film production company.[50]

2009: At his home of choice in Phuket, Steinmann opened the four star boutique hotel Oasis Villa what he manages at the side.

2022: Steinmann founded the theater production company WIN WIN Productions AG.[51]

2022: Steinmann's every day life in Phuket was aired in Europe's largest TV-station RTL in three installments within the popular German docu-series Die Alltagskämpfer.[52]

Steinmann speaks eight languages: his original Swiss-German, German, French, English and Spanish, and has basic knowledge in Portuguese, Italian, and Thai.[52]

Filmography (selection)

[edit]

Film

[edit]
Year Title Director Writer Producer Notes Ref.
1969 Zürich Yes Yes Yes First film; Short Documentary
1976 Die Türe Yes Yes Yes Short film; won TV-Competition, aired on Swiss TV [53]
1976 Die Zwei vom Klub Yes Yes Yes Short film; won Award [54]
1976 Die Welt steht Kopf Yes Yes Yes Short film; Experimental [55]
1977 Die Maschinentiere Yes Yes Yes Short Documentary; won Top-Award by Swiss Animal-Protection-Association [56]
Die Flutkatastrophe Yes Yes Yes Short film; won Award, aired in Swiss TV [24][25][56][57][58]
1978 Ein Tag in der Tierarztpraxis Yes Yes Yes Short film; won Top-Award by Swiss Animal-Protection-Association
1985 Kamera: Albert G. No Yes No Short film; Line Producer
1987 Achtung-Fertig-Los! No Yes Yes Video [29][28]
1990 Rotsch Yes Yes Yes Commercial; Ursula Schaeppi in Dual-Role
1995 Project: Metalbeast No Yes No Additional rewritte by Steinmann [33][34]
2004 Illusion Infinity (aka Paradise) Yes Yes Yes Starring Dee Wallace, Mickey RooneyTimothy BottomsBarbara Carrera, Martin Kove, and Theresa Saldana. [2][4][5]
2016/20 PhonY Yes Yes Yes filming [7][41][6]

Theater (selection)

[edit]
  • 1982: Beschti Referenze (aka ‘Buchhalter Noetzli’; comedy; director and producer, premiere in Zurich June 5, 1982)[26][27]
  • 1986-1987: Achtung-Fertig-Los! (farce-comedy; author and producer, premiere in Zurich April 10, 1987)[29][28]
  • 1988: Schelmereie (comedy; director; premiere in Oberentfelden (Kanton Aargau) January 10, 1988)[30]
  • 1989: Der Zahnklempner (comedy; author; yet unproduced)
  • 1990: Sturmfrei (comedy; author; yet unproduced)
  • 2020: WIN=WIN (farce-comedy; author; in German; director and producer; premiere in Zurich 7.10.2022)
  • 2021: Nume Theater with em Sunntigsbsuech (aka 'Nur Theater mit dem Sonntagsbesuch'; author actualization of the 1986-farce-comedy, in Swiss German as well adaption in High-German)[52]
  • 2023: Teufelskreis (drama; author) [12][13][14][15][16][59][17][60][18][19][20][21]
  • 2023: Ruthless (drama; author, English adaption from the German original; in preparation for a 2025-premiere in London as director and producer) [12][13][14][15][16][59][17][60][18][19][20][21][61]
  • 2024: Wenn der Drilling mit der Zwilling (crime-comedy; author)[11][52]
  • 2025: w.w.Steinzeit (satire; author)[13][14]
  • 2025: w.w.Stoneage (satire; author, Englisch adaption from the German original)[13][14]

Unproduced screenplays (selection)

[edit]
  • Krebs! (1978)[22]
  • Serendipity (1991), co-written with/by James Valentine
  • Bum and the Kid (1992), co-written with/by Robert Scott Steindorff, story by Steindorff[31]
  • Love of my Life (1993), co-written with/by Don Mankiewicz, story by Steinmann/Mario Gmür[62]
  • The PartyKillers (1995/2014), story with/by Rodney Heeringa, Markus Imthurn and Sidonia Held (in development)[35][36]
  • Ladies First (2015) (in development)[37][38][39][40]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Roger Steinmann is a Swiss film director, producer, screenwriter, and playwright known for his independent feature film Illusion Infinity (1999) and his stage play Ruthless – the tragic Survival of Ruth Madoff. Born on November 6, 1961, in Zurich, Switzerland, Steinmann pursued education at the Swiss Business School before entering entrepreneurship at a young age, becoming the president of his own company by age 22. He later transitioned into filmmaking, working as an auteur on projects in Hollywood, Switzerland, and Asia. His most prominent cinematic work, Illusion Infinity, is a film about a Las Vegas singer named Patricia Paradise, starring Dee Wallace, which he directed. In theater, Steinmann has authored and produced works including the 2025 play Ruthless, a fictional dramatization exploring the life of Ruth Madoff following her husband's Ponzi scheme scandal, which premiered in London. His career spans decades, beginning with early Super-8 filmmaking and continuing through independent productions and entrepreneurial ventures.

Early life

Birth and childhood

Roger Steinmann was born on November 6, 1961, in Zurich, Switzerland. He resided in Zurich during his childhood, the city that served as his place of origin and early environment. From an early age, Steinmann showed interest in visual media, teaching himself photography and developing black-and-white photos in 1967 at age 6, and beginning to make Super-8 short films in 1969 at age 8.

Education

Roger Steinmann attended high school in Zurich from 1969 to 1978. His formal education in Zurich concluded by the early 1980s before he pursued entrepreneurship and creative endeavors in filmmaking.

Career beginnings

Super-8 filmmaking and early interests

Roger Steinmann developed an early passion for cinema, beginning with amateur filmmaking using Super-8 cameras at age eight during his youth in Switzerland. Among his award-winning short films, DIE TÜRE and DIE FLUTKATASTROPHE were broadcast on Swiss national television in 1976 and 1978 respectively. This hands-on experimentation with the format allowed him to explore narrative and visual storytelling techniques, igniting his interest in directing and producing. His early Super-8 projects consisted of short experimental and narrative works created with limited resources, serving as a foundation for his later transition to professional film work. These formative experiences contrasted with his formal business education and ultimately shaped his approach to filmmaking.

Business education and transition to entertainment

Steinmann was educated at the Swiss Business School in Zurich. Following his business studies, he engaged in entrepreneurial activities, including presiding over a shareholder company from 1984 onward. In the 1980s, Steinmann turned to theater, marking the beginning of his professional engagement in the entertainment industry. This shift built upon his earlier creative interests in filmmaking while he continued certain business pursuits. In the 1990s, he returned to film as a primary focus, relocating to Hollywood in 1991 to write and develop screenplays for feature-length projects.

Film career

Entry into professional film production

Roger Steinmann entered professional film production in the late 1970s, beginning with roles as a production assistant on Swiss films while still in his teens and early twenties. His initial credits in this capacity include Die Schweizermacher (1978), Brot und Steine (1979), and Das gefrorene Herz (1980), providing him with early hands-on experience in film sets and logistics. In 1981, he contributed to the Oscar-nominated Swiss drama Das Boot ist voll (also known as The Boat Is Full), directed by Markus Imhoof, again as a production assistant. That same year, he also worked as assistant director to Xavier Koller—who later won an Academy Award for Journey of Hope—on the Swiss television program Telearena. After building foundational skills in Switzerland, Steinmann continued in production department roles into the 1990s, including on larger international projects following his relocation to Los Angeles in 1992 to pursue film development opportunities. He served as a production assistant on Francis Ford Coppola's Bram Stoker's Dracula (1992), the Johnny Depp starrer Don Juan DeMarco (1994), and as production coordinator on Frank Oz's Bowfinger (1999). Parallel to these supporting roles, Steinmann began transitioning toward greater creative autonomy by writing, directing, and producing his own short films and video projects starting in the 1980s. Notable in this shift was Rotsch (1990), where he handled writing, directing, and producing duties himself. These efforts built on his earlier Super-8 filmmaking experiences and marked his gradual move toward auteur-style self-directed and self-produced work.

Feature films and international projects

Roger Steinmann has focused his feature film work on projects with international dimensions, serving as director, writer, and producer on limited but distinctive productions. His best-known feature is Illusion Infinity (2004), a biopic centered on former Las Vegas singer Patricia Paradise, whose life is depicted amid themes of illusion and reality in the entertainment world. The film features a notable cast including Dee Wallace, Timothy Bottoms, Barbara Carrera, and Mickey Rooney. Produced through his company Sunset International AG, Illusion Infinity reflects Steinmann's Hollywood-oriented style while drawing from his Swiss background and global interests. In 2017, Steinmann initiated PhonY, an ambitious farce he wrote, directed, and produced, incorporating dialogue in English, Swiss-German, and Thai to explore themes of authenticity and deception. The production spanned various international locations, with filming taking place in Phuket, Thailand, as well as Switzerland standing in for other settings. This multilingual and multi-location approach highlights Steinmann's commitment to cross-border filmmaking and collaboration. Production on PhonY was interrupted in autumn 2018, leaving it as an ongoing or incomplete project. These works collectively demonstrate Steinmann's auteur-driven vision in feature films, emphasizing international scope despite a selective output.

Theater career

Playwriting and stage directing

Roger Steinmann has expanded his creative output to include playwriting and stage directing, where he typically serves as the writer, director, and producer of his own works. This approach positions him as a theater auteur who maintains complete artistic control over his stage productions, similar to his method in filmmaking. His theater involvement reflects a multi-disciplinary practice, allowing him to explore dramatic narrative and character-driven stories in live performance contexts. Steinmann's work in this field emphasizes his role as an independent creator who authors original material and oversees its realization on stage, extending his long-standing interest in directing and storytelling beyond cinema. This facet of his career underscores his versatility as an artist who integrates writing, directing, and production across media.

Recent theater productions

In recent years, Roger Steinmann has continued his theater work by writing, directing, and producing the two-character farce WIN=WIN, a social-distancing satire that premiered in Switzerland in 2022. He followed this with RUTHLESS: The Survival of Ruth Madoff, an English-language adaptation of his earlier German play TEUFELSKREIS, which received its world premiere at the Arches Lane Theatre in London in 2025. Steinmann served as the writer, director, and producer for this one-person play, which explores the aftermath of Bernie Madoff's Ponzi scheme through the perspective of his wife Ruth Madoff, depicting her glamorous life imploding and drawing comparisons to characters like Blanche DuBois and Norma Desmond. The production featured previews starting in late May 2025 and ran through June 2025, marking a significant recent stage endeavor for Steinmann as he adapted the piece for an English-speaking audience and emphasized the dramatic challenges of sustaining a solo performance.

Personal life

Later years and current activities

In recent years, Roger Steinmann has maintained his career as a Swiss director, producer, and author, often characterized as the auteur of his own Hollywood films and theatre. He divides his time between his native Switzerland and Phuket, Thailand, where he runs a boutique hotel, while continuing to develop projects with international reach. Amid interruptions to his film work, Steinmann returned to theatre during this period and wrote the social-distancing satire WIN=WIN, which he produced and directed in Switzerland in 2022. He has since adapted his German-language play TEUFELSKREIS into English as RUTHLESS: The tragic Survival of Ruth Madoff, serving as producer and director for its premiere in London on 3 June 2025. The production ran at the Arches Lane Theatre until 18 June 2025. Steinmann also continues work on the feature film PhonY, which he began shooting in 2017 across international locations including Switzerland (as a stand-in for Canada) and Thailand. Production faced setbacks when the final segment, featuring Burt Reynolds, Talia Shire, and Faye Dunaway, was cancelled after Reynolds' death and further impeded by the Covid-19 pandemic. He is developing additional stage plays, including the mistaken-identity crime-comedy WENN DER DRILLING MIT DER ZWILLING and the post-digital-dystopian satire w.w.STEINZEIT, the latter in preparation for a planned 2026 premiere with interest from venues in the USA, Spain, Switzerland, and Germany.

Artistic identity and approach

Roger Steinmann describes himself as a Swiss director and producer who serves as the auteur of his own Hollywood films and theater productions. This self-characterization underscores his commitment to maintaining full creative control by writing, directing, and producing his projects independently. He positions his work within a Hollywood-style framework while operating outside traditional studio systems, blending ambitious production values with personal authorship across both media. His artistic approach incorporates international experience, including relocating from Hollywood in 2003 to live alternately in Zurich and Phuket, Thailand. This global perspective extends to his filmmaking, with projects involving shooting in diverse locations such as Thailand. Steinmann's body of work reflects a consistent emphasis on self-authored narratives, though it has garnered limited mainstream recognition beyond specialized independent and theater circuits.
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