Welcome to the community hub built on top of the Rooty Wikipedia article.
Here, you can discuss, collect, and organize anything related to Rooty. The
purpose of the hub is to connect people, foster deeper knowledge, and help improve
the root Wikipedia article.
The name of the album is taken from Basement Jaxx's regular club event called "Rooty", held at a small bar in Brixton. The cover art featured Snowflake, the world's only known albino gorilla.[2]
Felix Burton explained the album's concept as "not geared to one specific vibe. Musically, we made it so that it wasn't just for cokeheads who wanted pounding beats all night," a philosophy that gave the duo "musical freedom".
As the title for the album, it was explained by the duo as "raw" and "soulful", as well as "about being happy about things that don't fit in" and "things that are a bit different. That's why the album's got an albino gorilla on the cover."[3]
During a July 2000 appearance on TRL, Janet Jackson expressed admiration for Basement Jaxx's debut album Remedy, and contacted the duo to collaborate.[4] Basement Jaxx approached Jackson to collaborate on "Get Me Off" for the album, though the singer ultimately declined.[5][6] Buxton recalled the collaboration attempt as follows: "She told us she loved our stuff, but she thought we were Zero 7. We wished her every success in hooking up with a British dance duo eventually and said, 'Cheerio, Celine.'"[7]
The album's first single, ""Romeo"", was released on 4 June 2001, three weeks before Rooty was released on 25 June.[8] Further singles released from the album were "Jus 1 Kiss" on 17 September,[9] "Where's Your Head At" on 19 November,[10] "Get Me Off" on 17 June 2002,[11] and "Do Your Thing" in Australia only on 24 February 2003.[12] The album was reissued in late 2022, 20 years after it was first released.[13]
Rooty pulls together individual strands of London music that typically wouldn’t mix, particularly in the pre-broadband internet era when musical boundaries were more zealously guarded. No one would bat an eyelid at a punkhouse jam or R&Bgarage shuffler in 2021; back then, these kind of mixtures were more unusual, which makes Rooty a very prophetic album — a 5G release in the era of dial-up.[25]
Rooty has been well received by critics. John Bush of AllMusic gave it 5 out of 5 stars, calling it "so raw you can't believe they spent over an hour per track, so perfect you're glad they stopped noodling about long before most producers would, and so poppy they should get picked up by commercial radio in America as well as the rest of the world".[15] David Browne of Entertainment Weekly gave it an A− grade and called the album "where heart and feet meet and lovingly coexist".[17]Robert Christgau of Village Voice gave it the same grade, writing "no catchier collection of jingles has come to my attention since Steve Miller made his mint off jet airliners".[24]Billboard said the album "revels in exploiting rhythms that shouldn't work—but definitely do".[26]PopMatters's Andy Hermann was mixed, calling the album "either a brilliantly innovative record, or an unlistenable mess, depending on your point of view".[27]
Pitchfork's initial opinion on the album, however, was generally negative. While calling band members Felix Buxton and Simon Ratcliffe "two of the weirdest, most innovative and talented house producers on the scene," reviewer Malcolm Seymour III wrote that "[Basement Jaxx] have taken kitsch too far," noting that the music is "often so tacky that it's impossible to stomach."[20] However, Pitchfork would later name Rooty the 33rd best album of the 2000s.[28]
Q listed Rooty as one of the best 50 albums of 2001.[29]Kludge ranked it at number three on their list of top 10 albums of 2001.[30]
^Smith, Gary (19 May 2001). "Dance Grooves". Music & Media. Vol. 18, no. 21. p. 6. Romeo is released on June 4 with the album Rooty to be released June 25.
[16]
