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Rosemary Davies
Rosemary Davies
Rosemary Davies
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Rosemary Davies (born Rose Douras; June 8, 1895 – September 20, 1963) was an American actress.

Key Information

Life

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Born Rose Douras in Brooklyn, New York, Davies was the sister of actresses Marion Davies and Reine Davies, but never reached the same level of fame as her two sisters. However, Rose Davies' name was mentioned in different circles when she was said to be the mother of Patricia Lake by her first husband, George Barnes Van Cleve. After Patricia Lake's death, her family announced that Lake was in fact the daughter of Marion Davies and William Randolph Hearst, born secretly during a trip abroad between 1920 and 1923.[1]

Davies, who had little film experience, was selected to play the title role in the film Alice, which began production in 1924.[2]

Davies married Louis Adlon who was a German-born American motion picture actor. He died March 31, 1947. She died in 1963 in Bel Air, California. She is buried beside her sister Marion in the Douras mausoleum with Marion's husband Horace Brown, Patricia Lake, and Lake's husband, actor Arthur Lake.

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Rosemary Davies

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Rosemary Davies (June 15, 1903 – September 20, 1963), born Rose Douras, was an American actress and the youngest sister of the prominent star . Best known within Hollywood circles for her family ties and for raising her niece —who was secretly the daughter of and newspaper magnate —she had a limited acting career, appearing in one and on stage. Davies lived much of her life in the shadow of her famous sibling, contributing to the Davies family legacy through personal support rather than public acclaim. Born in , New York, to Bernard J. Douras, a magistrate, and Rose Reilly, an Irish immigrant, Davies was the fifth of five children. Her siblings included actresses (1897–1961), (1882–1938), and Ethel Davies (1896–1940), as well as a brother, Charles Douras (1891–1906), who died young. The family adopted the stage surname "Davies" for the sisters' entertainment pursuits, though Rosemary achieved far less prominence than Marion, who became a major star under the mentorship of . In 1919, at age 16, Davies married theatrical producer George Van Cleve, with whom she had a daughter, , born in 1924; the couple divorced in 1941. To shield Marion from , was publicly presented as Rosemary's biological child, a confirmed only after 's death in 1993. Davies's professional credits were modest: she performed as a stage actress in the early and made her sole screen appearance in the 1925 First National silent drama The Mad Marriage, directed by George Melford, playing a supporting role alongside . Following this, she largely withdrew from the entertainment industry, focusing instead on family matters amid the Davies clan's opulent lifestyle funded by Hearst's fortune. In 1941, she remarried German actor and author Louis Adlon, son of hotelier Lorenz Adlon; he passed away in 1947. Davies spent her later years in , dying of natural causes at age 60 in Bel Air, California, and was interred in the family mausoleum at alongside her mother and siblings.

Early life

Birth and family background

Rosemary Davies was born Rose Douras on June 15, 1903, in , New York. She was the fifth of five children born to Bernard J. Douras, a magistrate of Irish descent, and his wife Rose Reilly Douras, an Irish immigrant. Her siblings included the eldest, Irene "Reine" Douras (1882–1938), who pursued a career as a singer and actress; Ethel Douras (1896–1940); Charles Douras (1891–1906), the family's only son who died young; and Marion Cecilia Douras (1897–1961), who later achieved fame as the actress . Early in her life, Rose adopted the stage name Rosemary Davies, following the professional example set by her sisters and Marion, who also used the surname Davies to anglicize their heritage and appeal to theater audiences.

Childhood and education

The Douras family resided in during Rosemary's early childhood, providing a supportive environment amid the city's growing cultural scene. By 1910, they had relocated to , , placing the family closer to professional opportunities in entertainment. Bernard Douras's legal career as a occasionally brought him into contact with high-society figures, indirectly exposing his daughters to the worlds of theater and performance. Details of Rosemary's formal education are limited, but like her sisters, she likely attended local schools in and before pursuing interests in the . The household prioritized artistic development, aligning with the sisters' budding interests in performing.

Career

Stage acting

Rosemary Davies had a brief stage career in the early 1920s. Like her sisters, she pursued on the stage but achieved far less prominence. Overshadowed by her siblings' greater success, her stage tenure was shorter and less notable, motivated initially by family encouragement in her early life.

Film appearances

Rosemary Davies ventured into film during the mid-1920s, a period when many performers sought opportunities in the burgeoning Hollywood industry transitioning from and theater to silent motion pictures. As the sister of prominent actress , whose career was supported by Hearst's Cosmopolitan Productions, Rosemary attempted to capitalize on familial connections but achieved only limited success in cinema. Her initial foray into film began in 1924 with casting in the title of Alice, an intended silent adaptation of Edward Bulwer-Lytton's novel Alice, or the Mysteries. Directed by an unspecified party and featuring in a key supporting , production started that year, positioning the inexperienced Rosemary as the lead in what was hoped to be her breakout project; however, the film was never completed or released. Davies' sole credited film role came in 1925's silent drama The Mad Marriage, a lost five-reel feature directed by Frank P. Donovan and produced by Rosemary Films, distributed by Film Booking Offices of America. In this film, she played Alice Darvil, a naive young woman whose life unravels through a hasty and ill-fated marriage to an older man, complicated by family secrets and romantic entanglements. Co-starring as Walter Butler and as Dr. John Darvil, the film highlighted Davies' dramatic range in a lead capacity, though it received modest attention upon release. Unlike her sister Marion, who starred in over 30 feature films across two decades, Rosemary Davies did not pursue additional screen or stage roles, focusing instead on family matters thereafter.

Personal life

Marriages

Rosemary Davies, born Rosemary Douras, entered her first marriage to George Barnes Van Cleve, an , in June 1918 in . The union produced at least one child. The couple separated when their daughter was about 7 years old, and in 1927 she brought an action for separate maintenance. They divorced in 1928. Following her divorce, Davies resided in New York before relocating to . She married her second husband, Louis Adlon, a German-born American and who was the grandson of Hotel Adlon founder Lorenz Adlon, on June 13, 1944. This marriage, based in , lasted until Adlon's death on March 31, 1947. Davies did not remarry after 1947, maintaining relational stability within Hollywood social circles, where both her spouses had ties to the entertainment industry.

Family connections and Patricia Lake

Rosemary Davies shared a close familial bond with her sister , both having relocated to where they resided in proximity and maintained strong Douras family connections, including shared burial arrangements in the family mausoleum at . A significant aspect of Davies' family life involved her legal motherhood of (born between 1920 and 1923), whom she raised as her daughter from her first marriage to George Van Cleve, presenting her publicly as such to uphold family privacy. This arrangement served as a protective cover, as revealed posthumously in 1993 after Lake's death on October 3, when her son announced that Lake was actually the biological daughter of and , born secretly amid their long-term relationship to shield their reputations from scandal. Davies facilitated this by allowing her name to appear on altered documents, including Lake's , following the death of her own , while Marion effectively raised Lake in her households. The revelation, based on Lake's deathbed instructions and earlier private tapes recorded around 1990, confirmed long-standing Hollywood rumors from the 1920s about the sisters' collaboration to preserve the family's public image, with Lake buried alongside Marion and other Douras relatives to honor those enduring ties.

Death

Final years

Following the death of her second husband, the actor and author Louis Adlon, on March 31, 1947, Rosemary Davies withdrew from public life and resided quietly in , . She did not return to acting after her limited film and stage work in the . Davies stayed close to her sister until the latter's death in 1961 and continued to support the family of her daughter, (née Van Cleve).

Death and burial

Rosemary Davies died on September 20, 1963, in Bel Air, California, at the age of 60. The cause of her death is not widely documented in . She was interred at in the Garden of Legends section, within the Douras Mausoleum. The mausoleum serves as the final resting place for several family members, including her sister , Marion's husband Horace G. Brown, niece , and Patricia's husband Arthur Lake. Davies' death received minimal public notice, consistent with her relatively modest profile in the entertainment industry compared to her more famous sister. It marked the end of the era for the Douras acting sisters, who had been active in early Hollywood. Posthumously, intrigue surrounding the family intensified in 1993 when , on her deathbed, confirmed she was the biological daughter of and , rather than Rosemary's daughter as previously claimed publicly.
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