Royal Albert Hall
Royal Albert Hall
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Royal Albert Hall

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Royal Albert Hall

The Royal Albert Hall is a concert hall on the northern edge of South Kensington, London, England. It has a seating capacity of 5,272.

Since the hall's opening by Queen Victoria in 1871, the world's leading artists from many performance genres have appeared on its stage. It is the venue for the BBC Proms concerts, which have been held there every summer since 1941. It is host to more than 390 shows in the main auditorium annually, including classical, rock and pop concerts, ballet, opera, film screenings with live orchestral accompaniment, sports, awards ceremonies, school and community events, and charity performances and banquets. A further 1000 events are held each year in the non-auditorium spaces. Over its 153-year history, the hall has hosted people from various fields, including meetings held by suffragettes, speeches from Winston Churchill, Charles de Gaulle, and Albert Einstein, fights by Lennox Lewis, exhibition bouts by Muhammad Ali, and concerts from regular performers at the venue such as Eric Clapton and Shirley Bassey.

The hall was originally to have been called the Central Hall of Arts and Sciences, but the name was changed to the Royal Albert Hall of Arts and Sciences by Queen Victoria upon laying the hall's foundation stone in 1867, in memory of her husband, Prince Albert, who had died six years earlier. It forms the practical part of a memorial to the Prince Consort; the decorative part is the Albert Memorial directly to the north in Kensington Gardens, now separated from the hall by Kensington Gore.

In 1851, the Great Exhibition, organised by Prince Albert, the Prince Consort, was held in Hyde Park, London. The Exhibition was a success and led Prince Albert to propose the creation of a group of permanent facilities for the public benefit, which came to be known as Albertopolis. The Exhibition's Royal Commission bought Gore House, but it was slow to act, and in 1861 Prince Albert died without having seen his ideas come to fruition. However, a memorial was proposed for Hyde Park, with a Great Hall opposite.

The proposal was approved, and the site was purchased with some of the profits from the Exhibition. The hall was designed by civil engineers Captain Francis Fowke and Major-General Henry Y. D. Scott of the Royal Engineers and built by Lucas Brothers. The designers were heavily influenced by ancient amphitheatres but had also been exposed to the ideas of Gottfried Semper while he was working at the South Kensington Museum. The recently opened Cirque d'Hiver in Paris was seen in the contemporary press as the design to outdo.[citation needed] The hall was constructed mainly of Fareham Red brick, with terra cotta block decoration made by Gibbs and Canning of Tamworth.

The dome (designed by Rowland Mason Ordish) was made of wrought iron and glazed. There was a trial assembly of the dome's iron framework in Manchester; then it was taken apart again and transported to London by horse and cart. When the time came for the supporting structure to be removed from the dome after reassembly in situ, only volunteers remained on site in case the structure collapsed. It did drop – but only by five-sixteenths of an inch (7.9 mm). The hall was scheduled to be completed by Christmas Day 1870, and the Queen visited a few weeks beforehand to inspect.

The official opening ceremony of the hall was on 29 March 1871. This had originally been scheduled for 1 May, the twentieth anniversary of the opening of the Great Exhibition, but was brought forward at the request of Queen Victoria. A welcoming speech was given by Edward, the Prince of Wales because the Queen was too overcome to speak; "her only recorded comment on the Hall was that it reminded her of the British constitution".

The composer, organist, and choir conductor William Carter founded and directed a choir specifically for the opening of Royal Albert Hall. In the concert that followed, the hall's acoustic problems immediately became apparent. Engineers first tried to remove the strong echo by suspending a canvas awning below the dome. This helped and also sheltered concert-goers from the sun, but the problem was not solved: it used to be jokingly said the hall was "the only place where a British composer could be sure of hearing his work twice".

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