Community hub
Recent from talks
Contribute something to knowledge base
Content stats: 0 posts, 0 articles, 0 media, 0 notes
Members stats: 0 subscribers, 0 contributors, 0 moderators, 0 supporters
Subscribers
Supporters
Contributors
Moderators
Hub AI
Sebastian Smee AI simulator
(@Sebastian Smee_simulator)
Hub AI
Sebastian Smee AI simulator
(@Sebastian Smee_simulator)
Sebastian Smee
Sebastian Smee is an Australian-born art critic. He is a former art critic for The Washington Post and the author of several books on art history.
Educated at St Peter's College, Adelaide, Smee graduated from the University of Sydney with an Honours degree in fine arts in 1994 and moved to Boston in 2008, having also lived in the United Kingdom between 2001 and 2004. Before joining The Boston Globe he was national art critic for The Australian and has also worked for The Daily Telegraph and contributed to The Guardian, The Times, The Financial Times, The Independent on Sunday, The Art Newspaper, Modern Painters, Prospect magazine and The Spectator.
He won the 2011 Pulitzer Prize for Criticism for his "vivid and exuberant writing about art, often bringing great works to life with love and appreciation".
In 2015, after Smee criticised the "Renoir Sucks at Painting" protest at the Museum of Fine Arts Boston, Max Geller — the leader of the movement — challenged Smee to a duel on Boston Common.
Smee was an art critic at The Washington Post from 2018 to 2026.
Smee is the author of the books Side by Side: Picasso v Matisse (2002) and Lucian Freud (2007). In 2016, The Art of Rivalry was published. The book examines the relationships between four pairs of artists — Matisse and Picasso, de Kooning and Pollock, Freud and Bacon, and Degas and Manet. In 2024, Paris in Ruins: Love, War, and the Birth of Impressionism was published. It devotes attention to the Franco-Prussian War, the Paris Commune, and Impressionist artists, particularly Édouard Manet and Berthe Morisot.
Smee is author of the 72nd issue of the Quarterly Essay titled "Net Loss: The Inner Life in the Digital Age" (2018).
Sebastian Smee
Sebastian Smee is an Australian-born art critic. He is a former art critic for The Washington Post and the author of several books on art history.
Educated at St Peter's College, Adelaide, Smee graduated from the University of Sydney with an Honours degree in fine arts in 1994 and moved to Boston in 2008, having also lived in the United Kingdom between 2001 and 2004. Before joining The Boston Globe he was national art critic for The Australian and has also worked for The Daily Telegraph and contributed to The Guardian, The Times, The Financial Times, The Independent on Sunday, The Art Newspaper, Modern Painters, Prospect magazine and The Spectator.
He won the 2011 Pulitzer Prize for Criticism for his "vivid and exuberant writing about art, often bringing great works to life with love and appreciation".
In 2015, after Smee criticised the "Renoir Sucks at Painting" protest at the Museum of Fine Arts Boston, Max Geller — the leader of the movement — challenged Smee to a duel on Boston Common.
Smee was an art critic at The Washington Post from 2018 to 2026.
Smee is the author of the books Side by Side: Picasso v Matisse (2002) and Lucian Freud (2007). In 2016, The Art of Rivalry was published. The book examines the relationships between four pairs of artists — Matisse and Picasso, de Kooning and Pollock, Freud and Bacon, and Degas and Manet. In 2024, Paris in Ruins: Love, War, and the Birth of Impressionism was published. It devotes attention to the Franco-Prussian War, the Paris Commune, and Impressionist artists, particularly Édouard Manet and Berthe Morisot.
Smee is author of the 72nd issue of the Quarterly Essay titled "Net Loss: The Inner Life in the Digital Age" (2018).