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Seeru
Theatrical release poster
Directed byRathina Shiva
Written byRathina Shiva
Produced byIshari K. Ganesh
StarringJiiva
Riya Suman
Navdeep
Varun
Gayathri Krishnaa
CinematographyPrasanna Kumar
Edited byLawrence Kishore
Music byD. Imman
Production
company
Vels Film International
Release date
  • 7 February 2020 (2020-02-07)
Running time
124 minutes
CountryIndia
LanguageTamil

Seeru (transl. Roar) is a 2020 Indian Tamil-language action drama film written and directed by Rathina Shiva. The film stars Jiiva, Riya Suman, Navdeep, Varun, and Gayathri Krishnaa in the lead roles.[1] D. Imman composes music for the film and the film is bankrolled by Ishari K. Ganesh under his production studio Vels Film International. Principal photography commenced on 4 December 2018.[2] The film was released on 7 February 2020 and opened to predomimately positive reviews, particularly praising Jiiva's performance despite the age old storyline.[3]

Plot

[edit]

The film begins with two girls driving on the road when two policemen stop them, who then proceed to attempt to rape them. One of the girls sends a voice message to a WhatsApp group, explaining their situation. Manimaran hears the voice message and rescues them. He is from a neighbouring place called Mayiladuthurai (erstwhile Mayavaram), where he runs a local TV channel called Kokkarako TV. The MLA opposes it and keeps getting outsmarted by Maran. Exasperated, he pays a local goon named Vyasarpadi Malli to kill him. Malli reaches Maran's home, where his pregnant sister Ilakkiya goes into labour.

Malli takes Ilakkiya to the hospital and admits her while providing her blood. Maran reaches the hospital and finds that his sister is out of danger and has given birth to a boy. Ilakkiya asks Maran to find the person who saved her and bring him to her so she can properly thank him. Maran discovers that the person is Malli, who had threatened to kill him. Maran keeps calling and asking to meet him. Eventually, he finds Malli on the verge of death after being backstabbed by his associates. Maran beats up the associates who were nearby, and Maran admits Malli into Laksha Hospitals. It turns out that Malli's associates tortured Malli at the orders of Ashok Mithran, a leading advocate who got stabbed in court and who wants to know who stabbed him. He planned to torture Malli since he knew who did it. Mithran sends more goons to all hospitals, where Maran beats them up and admits them to Aruna Hospitals. Mithran deduces that Malli is in Laksha Hospitals and sends some goons there. Maran uses a walkie-talkie that a police officer left in a hurry in a restaurant, masquerading as a police officer. He eventually goes with the goons. Mithran instructs the goons to stand near a phone booth where Malli was last contacted. A girl calls Malli's phone, which Mithran tracks, and he orders his goons to kill her. Simultaneously, the MLA sends a photo of Maran to the goon that he is with. A fight erupts between Maran and the goons, and Maran emerges victorious. He saves the girls, who narrate their story to him.

Past: The state topper of their village is Pavithra, a close friend of the girls. The press interviewed her. She announces that she wants to become a lawyer and eradicate all wrongs in the legal system. At the behest of a reporter, she names some cases that she will account for. Mithran heads these mentioned cases. She further insults Mithran on live television, causing him to get enraged. He sponsors many items for her, including theme park tickets. Mithran kills Pavithra at the theme park and leaves her body outside. Her friends later discover her lifeless, bloodied corpse. After her death, he indirectly forces her grandfather to state that she died from a fall from the Ferris wheel. This news enrages her friends, who disguise themselves as lawyers and stab Mithran in court; Malli sees them and lets them go. They contact him and tell him their story. He agrees to help them before his associates torture him.

Present: The story moves Maran and offers to help them. However, the police arrest him for stealing the walkie-talkie. But the policeman lets him go when it is revealed that the girl he had saved at the start is the officer's wife. Mithran takes the girls, and Maran goes to rescue them. A fight between the two breaks out, where Maran defeats Mithran and lets the girls finish him. The film ends with Malli meeting Maran's sister and Maran's girlfriend, Vasuki.

Cast

[edit]
  • Jiiva as Manimaran
  • Riya Suman as Vasuki
  • Navdeep as Ashok Mithran
  • Varun as Vyasarpadi Malli
  • Gayathri Krishnaa as Ilakkiya
  • Sathish as Gopi, Manimaran's friend
  • R. N. R. Manohar as MLA
  • Dr. Soori
  • Chandni as Pavithra
  • Swaminathan as Priest
  • Kadhal Saravanan
  • Jerald Milton as Dubai Mapillai, Manimaran's friend and brother-in-law
  • Sekar as Inspector Kishore
  • BlackSheep Shamni as one of Schoolgirls (Uncredited)
  • Ival Nandhini (BlackSheep) as one of the Schoolgirls (Uncredited)

Production

[edit]

Rathina Shiva, who is known for his work in Rekka, initially had discussions with actor Silambarasan during March 2018 to team up for a film and reports revealed that STR liked the script of the director with speculations and buzz were created among the audience about the possible shooting of the film within few days following the announcement.[4] However, it was revealed that STR could not progress on the script due to other pending works, and later, the filmmakers hired Jiiva to replace STR as the lead actor for the untitled film.[5][6]

The shooting of the film commenced in December 2018, and the film was officially launched by Vijay Sethupathi.[7] The filmmakers cast Riya Suman on her Tamil acting debut opposite Jiiva.[8][9] Navdeep was hired into play the role of antagonist.[10][11] The film was titled as Seeru in January 2019.[12]

Soundtrack

[edit]
Seeru
Soundtrack album by
D. Imman
Released2 February 2020
Recorded2019
VenueChennai
StudioD.Imman’s Sound Factory
GenreFeature film soundtrack
Length20:58
LabelSony Music India
ProducerD. Imman
D. Imman chronology
Namma Veettu Pillai
(2019) 		Seeru
(2020) 		Bhoomi
(2021)

The music is composed by D. Imman, and released on Sony Music India label.

Track list
No.TitleLyricsSinger(s)Length
1."Vaa Vasuki"VivekaShivam Mahadevan4:19
2."Sevvanthiye"ParvathyNochipatti Thirumoorthi4:00
3."Vaasana Poochenda"ParvathyRajaganapathy1:29
4."Kannaala Poduraaley"Viveka, RJ VijayNakash Aziz & RJ Vijay4:36
5."Sevvanthiye (Female Version)"ParvathyVaikom Vijayalakshmi3:59
6."Ignite the Fire (Theme)" (Instrumental) D.Imman2:35
Total length:20:58

Reception

[edit]

The Times of India wrote "Even though it starts off as a mass hero movie, Seeru turns out to be a solid masala movie that nicely balances sentiment and action".[13] The Hindu wrote "Seeru comes across as a film that’s at least a decade old, in terms of its outdated presentation and over-the-top sequences [..] But the surprises within the traditional masala format, and an earnest performance by Jiiva, keep it engaging".[14] Cinema Express rated the film 1.5/5 stars and wrote wrote, "Making a ‘masala film’ doesn’t mean that one can sell anything and expect the audience to lap it up. The lack of coherence or effort in this film is blasphemous. And it is just disheartening to see able actors like Jiiva in such projects".[3] Firstpost wrote "On the whole, Seeru is an unpretentious regular commercial cocktail and watchable to an extent if you have two hours to while away."[15] Sify rated 3 out of 5 stars stating "Seeru starring Jiiva, Varun and Riya is a commercial timepass entertainer that is worth a watch".[16]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Seeru

View on Grokipedia
from Grokipedia
Seeru (transl. Roar) is a 2020 Indian Tamil-language action drama film written and directed by Rathina Shiva. The film stars as the protagonist Manimaaran, a resident of the small town of , alongside , , Varun, and Gayathri Krishnaa in key roles. It centers on Manimaaran's confrontation with a ruthless criminal to protect his friend and sisters from . Produced by under V House Productions, the soundtrack was composed by , contributing to its commercial masala elements blending action, drama, and rural themes. Despite its formulaic narrative drawing from small-town heroism tropes, Seeru garnered mixed for its uneven pacing and reliance on predictable confrontations, though praised for some engaging subplots and performances. The film highlights tensions between rural ethics and urban corruption, reflecting common motifs in Tamil commercial cinema.

Development and Pre-production

Concept and Writing

Seeru's core concept emerged from director Rathina Shiva's response to widespread , including daylight murders that highlighted societal failures in protection and justice. Shiva envisioned a where women serve as central heroes, capable of fierce retaliation against aggressors, symbolized by the dialogue equating them to deer bearing sharp antlers alongside bulls. This approach rooted the story in observed real-world dynamics of and vulnerability, prioritizing women's agency over passive victimhood. The title derives from the phrase "Seeruvor Seeru" in Subramania Bharati's Puthiya Aathichudi, evoking controlled unleashing of rage at opportune moments, which Shiva adapted into a commercial action framework blending vengeance with mass appeal. Following his 2016 film Rekka, Shiva penned the initial screenplay as a broad action tale without a predetermined lead, later refining it upon Jiiva's interest in a full-throttle commercial vehicle distinct from his prior roles. Script development emphasized causal drivers of criminal behavior drawn from empirical patterns of unchecked , integrating subtle commentary on women's safety through plot mechanics where female characters propel the arc, aided rather than overshadowed by male figures. Shiva avoided didactic elements, focusing instead on authentic motivations—such as opportunistic predation enabled by weak enforcement—to construct a narrative grounded in tangible societal frictions rather than abstracted moralism. This process yielded a -driven structure tailored for visceral engagement, with revisions ensuring polished execution suited to genre expectations.

Casting

Jiiva was selected to play the protagonist Manimaran, a local cable TV operator in who confronts a criminal , after the initial choice of as the male lead fell through due to the actor's other commitments. was cast opposite him as Vasuki for her Tamil-language acting debut, having previously appeared in Telugu films such as Majnu (2016). portrayed the antagonist Ashok Mithran, depicted as a involved in criminal activities. The supporting ensemble included Varun Kamal as Malli, a key associate in the central conflict, and Gayathri Krishnaa in a prominent role to contribute to the film's rural ensemble dynamics. was brought on as , providing comedic relief amid the action sequences without dominating the narrative. These selections emphasized actors capable of handling the film's blend of rural authenticity and high-stakes confrontations, though specific challenges in finalizing the lineup beyond the lead replacement were not publicly detailed.

Filming and Production

Principal Photography

Principal photography for Seeru took place primarily in , with scenes captured in both rural and urban settings to reflect the film's narrative contrast between small-town life and city environments. Portions were filmed in , where the story is set, to achieve authenticity in depicting provincial locales. In , the production utilized an abandoned factory in for key action sequences, including the climax confrontation involving lead actors and . This sequence was shot on May 21, 2019, emphasizing physical stunts in a gritty, industrial backdrop. The filming schedule aligned with the film's commercial action-drama tone, incorporating on-location shoots to support the director's focus on engaging, trope-reimagined sequences rather than stylized effects. No major logistical disruptions were reported, though the production wrapped prior to the February 2020 release.

Technical Aspects

The cinematography of Seeru was handled by Prasanna S. Kumar, whose work focused on capturing the film's rural locales and urban confrontations in a manner consistent with commercial Tamil action films. Kumar's approach utilized practical locations for exteriors, contributing to a visual style that emphasizes straightforward depiction over ornate effects. Editing responsibilities fell to Lawrence Kishore, who assembled the film into a 124-minute runtime finalized ahead of its February 7, 2020 release. This pacing aligns with masala action conventions, delivering a brisk rhythm that sustains engagement across action sequences and emotional interludes without extended lulls, as noted in contemporary reviews. Sound design integrated diegetic elements—such as ambient rural noises and impact sounds in fights—to heighten immersion, supporting the narrative's grounded portrayal of crime and retribution rather than relying on hyperbolic stylization common in some Tamil genre entries. This functional audio layering complements D. Imman's score, prioritizing causal clarity in confrontations over abstract flourishes.

Music and Soundtrack

Composition

served as the composer for Seeru's music, encompassing both songs and background score, in collaboration with director Rathina Shiva for the second time after their 2016 project Rekka. The background score, developed to underscore the film's action-driven plot involving a small-town protagonist's confrontation with criminals, featured energetic elements that elevated key sequences and provided rhythmic intensity during fights and dramatic peaks. Imman's approach emphasized innovation by introducing fresh musical components tailored to the narrative's demands, aligning the score's pulse with the story's blend of vengeance-fueled action and emotional depth.

Release and Tracks

The Seeru soundtrack , composed by , was released digitally on January 31, 2020, by Entertainment , containing eight tracks. Several tracks were promoted as singles prior to the film's theatrical debut, including "Vaa Vasuki", whose premiered on January 17, 2020, to heighten anticipation among audiences in Tamil-speaking regions. "Vaa Vasuki", sung by Shivam Mahadevan with lyrics by , integrates into the plot's romance subplot, depicting the protagonist's interactions with his love interest through light-hearted, affectionate sequences. Other notable tracks include "Kannaala Poduraaley" (performed by Nakash Aziz and RJ Vijay), a high-energy number aligning with the film's action-oriented heroism; "Sevvanthiye" (featuring Nochipatti Thirumoorthy), which draws on folk influences to reflect rural family dynamics; and "Vaasana Poochenda", a melodic piece underscoring emotional bonds in the narrative. The full track listing is as follows:
Track No.TitlePerformersDuration
1Vaa Vasuki, Shivam Mahadevan4:19
2Kannaala Poduraaley, , RJ Vijay4:36
3Sevvanthiye, Nochipatti N/A
4–8Additional tracks (including "Vaasana Poochenda" and background elements)VariousTotal: 29:19
Lyrics across tracks, penned by collaborators like and Rajaganapathy, emphasize relational ties such as romance and sibling protectiveness, mirroring the protagonist's motivations in safeguarding family amid conflict.

Release and Distribution

Theatrical Release

Seeru received a U/A certification from the (CBFC) on January 22, 2020, permitting viewing by audiences under parental guidance due to content including moderate violence. The certification followed the standard review process for Tamil action dramas, with no publicly detailed cuts specified beyond general suitability adjustments. The film had its worldwide theatrical premiere on February 7, 2020, marking a direct rollout without festival screenings or staggered international debuts typical of some regional cinema. This date followed a postponement from an initial December 20, 2019, plan, attributed to production refinements rather than external disruptions. Distribution logistics focused on Tamil-speaking markets, with the film securing over 385 screens in Tamil Nadu for its opening run, emphasizing multiplexes and single-screen theaters in urban and semi-urban areas. Unlike many contemporaneous Tamil releases postponed by the pandemic's onset in March 2020, Seeru's early February timing allowed an uninterrupted theatrical window, enabling standard exhibition before nationwide lockdowns curtailed cinema operations. The rollout prioritized Tamil original prints, with limited dubbing into Telugu for select markets, aligning with cross-regional strategies for action genres but without expansive pan-Indian screen allocations.

Marketing and Promotion

The official trailer for Seeru was released on January 23, 2020, via YouTube by Sony Music South, showcasing high-octane action sequences, Jiiva's transformation into a mass hero character from a small-town background, and glimpses of the film's social confrontations against a ruthless criminal lawyer. The trailer emphasized the protagonist's protective stance toward family and friends, aligning with the narrative's themes of loyalty and justice. Promotional activities intensified in the lead-up to the February 7, 2020, release, including back-to-back promo videos uploaded on February 6, 2020, featuring cast members , Varun, and in interviews and scene highlights to build anticipation. These efforts highlighted the film's family entertainer appeal, targeting audiences in through platforms where the trailer quickly amassed over 800,000 views. Marketing strategies focused on Jiiva's pivot to a commercial mass role, contrasting his earlier urban comedies, with posters and teasers portraying him in rugged, action-oriented avatars to attract a broader demographic seeking formulaic Tamil action dramas. Single tracks from composer D. Imman's soundtrack were released digitally prior to the full album, aiding in sustaining pre-release buzz without a reported grand audio launch event.

Box Office and Financial Performance

Budget and Earnings

The production budget for Seeru totaled approximately ₹6.35 , encompassing remuneration—such as ₹90 for lead and ₹35 for supporting —along with ₹2.70 in core production expenses, ₹60 for music, and additional costs for prints, publicity, and distribution. Pre-release deals generated ₹5.80 , including ₹3.50 from theatrical rights, ₹55 from satellite rights, and ₹35 from , leaving a shortfall of ₹55 against the and requiring a distributor share of ₹4.55 for . Theatrical earnings in reached a gross of ₹6.57 by February 13, 2020, with an estimated lifetime gross of ₹7.40 , yielding a share of ₹2.90 from that region. Worldwide collections aligned closely with performance due to limited overseas appeal, resulting in a net loss of ₹1.65 after refunds to s.

Market Analysis

Seeru exhibited a modest opening primarily in 's single-screen theaters, leveraging lead actor Jiiva's established fanbase among regional audiences, with collections reaching approximately ₹53 lakhs over the opening weekend of February 7-9, 2020. This performance aligned with expectations for a mid-tier action drama, but it trailed slightly behind concurrent release , which garnered ₹55 lakhs in the same market during the initial days. Pre-COVID theater conditions supported initial screenings without capacity restrictions, yet the film's overall gross remained limited due to its reliance on core local circuits rather than multiplex dominance. Sustained theatrical runs were hindered by mixed word-of-mouth and direct competition in early 2020, as audiences shifted toward alternatives amid the film's formulaic masala elements failing to generate strong repeat viewership. Empirical data from the period indicates typical occupancy drops post-weekend for similar releases, exacerbated by the absence of breakout mass appeal beyond Jiiva's draw. In comparison to other Tamil masala films of comparable scale, Seeru's return on investment lagged, mirroring patterns in Jiiva's prior action ventures where domestic earnings rarely exceeded 1.5-2 times budget without exceptional hype or festival boosts. Overseas performance was negligible, with no notable acquisitions or diaspora-driven collections reported, confining to the Tamil heartland and underscoring limited appeal beyond ethnic enclaves. This contrasted with higher-ROI peers in the genre that benefited from dubbed versions or broader , highlighting Seeru's constrained commercial viability in a market favoring pan-Indian or star-driven spectacles even pre-pandemic.

Reception and Critical Analysis

Critical Reviews

Critical reception to Seeru was mixed, with reviewers praising lead actor Jiiva's committed performance in action sequences while critiquing the film's reliance on outdated commercial tropes and superficial narrative handling. Aggregate critic scores hovered around 2.5 out of 5, reflecting a consensus on its value for mass audiences tempered by structural weaknesses. awarded it 3 out of 5 stars, commending director Rathina Shiva for balancing sentiment-driven family elements with high-octane action, particularly in Jiiva's portrayal of a local TV channel operator confronting threats. Jiiva's energetic execution of mass-hero mannerisms received consistent acclaim, positioning the film as a for his comeback in commercial cinema after a string of underperformers. Reviewers noted the effective integration of stunt and brisk pacing in confrontation scenes, which kept viewers engaged despite formulaic plotting. However, rated it 1.5 out of 5, faulting the script for lacking focus and depth, with antagonist motivations—centered on Navdeep's underdeveloped —appearing contrived and failing to sustain causal logic beyond initial setup. Critics highlighted preachiness in social messages about and friendship, which felt diluted amid excessive commercial flourishes, rendering the film unintentionally comedic in its earnestness. The Hindu acknowledged it as a "neat entertainer" but criticized the decade-old presentation style, arguing that clichéd tropes overshadowed any fresh insights into rural media rivalries or personal vendettas. Overall, while action execution provided passable thrills, the consensus pointed to narrative inconsistencies and overreliance on conventions as barriers to deeper resonance.

Audience and Commercial Reception

Audience feedback on platforms, particularly , emphasized Seeru's strengths as a commercial action entertainer, with users highlighting its engaging mass appeal and messages on women's safety issues alongside sister sentiments as relatable elements. This positive sentiment contrasted with more critical professional reviews, positioning the film as a crowd-pleaser for those seeking formulaic thrills over narrative depth. Viewer discussions on forums like revealed mixed responses, with some expressing frustration over cringeworthy dialogues and illogical plot developments that undermined the story's momentum, particularly in side arcs that overshadowed the main revenge narrative. Despite these polarizing aspects in handling social issues like and protection, many family-oriented audiences deemed the film paisa vasool, delivering sufficient entertainment value through action sequences and emotional beats to justify the ticket price.

Accolades and Nominations

Seeru received limited formal recognition in post-release award cycles. was nominated for Best Female Debut – Tamil at the held in 2021, acknowledging her performance as in the film. This nomination highlighted her entry into , though she did not win, with the award going to for . No other cast or crew members from Seeru secured nominations or wins in major categories at regional events like SIIMA's broader fields or national honors. The production also lacked entries or acknowledgments in technical aspects, such as editing or music, across verifiable ceremonies including . Overall, the film's empirical merit did not translate to broader accolades, consistent with its modest critical and commercial profile.

Themes, Symbolism, and Cultural Impact

Core Themes

The narrative of Seeru centers on a revenge-driven rooted in the Manimaran's confrontation with a Chennai-based criminal and associated , triggered by assaults on his friend and sisters, highlighting the causal vulnerability of small-town inhabitants to external predatory networks that evade local . This motif illustrates how individual agency emerges when institutional mechanisms prove inadequate against cross-jurisdictional , with Manimaran's cable TV operator background symbolizing grassroots economic stakes overshadowed by urban power structures. Family loyalty forms the emotional and motivational core, depicted through Manimaran's unyielding protection of his , where personal bonds empirically dictate heroic resolve rather than detached ideals of ; this bond causally propels his escalation from community disputes to direct retaliation, as systemic delays—such as delayed police intervention—render abstract ineffective. The film's portrayal avoids idealization by grounding actions in tangible relational imperatives, showing as a pragmatic evolutionary driver that sustains defiance amid power imbalances, evidenced in sequences where peril directly incites tactical confrontations. Vigilantism is framed not as but as a calculated reaction to governance gaps, with character decisions tracing causally from failed deterrence—local politicians hiring out-of-town enforcers—to self-reliant countermeasures, emphasizing empirical outcomes like personal risk over glorified heroism. This theme critiques reliance on distant authorities by demonstrating how proximate threats demand localized, kin-motivated responses, aligning with observable patterns where community isolation amplifies individual initiative.

Portrayal of Social Issues

Seeru portrays and threats to women's through sequences depicting night-time and street-level vulnerabilities, drawing on real-world patterns documented in reports, which recorded 445,256 crimes against women in 2022, with urban areas like showing elevated rates of and often occurring in low-visibility conditions. The narrative integrates these elements to emphasize and individual agency in confronting predators, positioning proactive resistance as a counter to victimhood dynamics prevalent in societal responses to such incidents. This approach lends relatability by mirroring verifiable risks—such as the 86 daily rapes and 49 hourly offenses against women reported in 2021 NCRB data—without delving into systemic policy shortcomings, thereby prioritizing personal empowerment over institutional critique. The film's masala entertainer style successfully disseminates these messages to mass audiences, fostering awareness of everyday urban perils in a format accessible beyond elite discourse. Critics, however, argue the depictions lean toward , with gratuitous violence in action set-pieces potentially normalizing brutality rather than dissecting causal factors like inadequate policing or failures, as evidenced by the film's moderate gore rating and uneven emotional realism. Such tokenistic integration of social concerns—framed within commercial tropes—has been faulted for superficiality, substituting visceral thrills for rigorous analysis of persistent enablers, though it avoids outright by grounding crises in brother-sister protection dynamics reflective of familial support structures in Indian .

Criticisms and Controversies

Critics have pointed to the film's reliance on formulaic commercial tropes, with reviewer Pillai describing as clichéd and the plot as predictable leading to a foreseeable . This approach, characteristic of many Tamil masala entertainers, was seen as undermining narrative depth despite strong performances in antagonistic roles, such as Navdeep's menacing portrayal let down by underdeveloped writing. The action sequences, while engaging for mass audiences, drew comments on their over-the-top nature, prioritizing over realism in a story centered on familial protection and vengeance. Some feedback highlighted the need for restraint in depicting tied to the "sister sentiment" motif, where threats to female characters drive the hero's rage, echoing broader discussions in about balancing intensity with sensitivity to avoid gratuitous elements. However, no verified calls from reviewers specifically urged toning down such scenes in Seeru, and the film's fast-paced fights were generally credited with maintaining viewer interest. Debates emerged around the integration of moral messaging on and , with some viewing the undertones as preachy injections rather than organic plot drivers, reflecting shortcuts in commercial filmmaking. Pillai noted the director's implicit defense of such elements as catering to Tier 2 and 3 screen preferences, potentially prioritizing audience appeasement over substantive storytelling. Perspectives varied, with conservative-leaning commentary questioning if these messages served the narrative or imposed unearned moralizing, in contrast to progressive praise for addressing social bonds amid action. No major scandals or public backlash arose, distinguishing Seeru from more contentious releases.

References

  1. https://timesofindia.indiatimes.com/entertainment/tamil/movie-reviews/seeru/movie-review/73990026.cms
  2. https://www.imdb.com/title/tt10022990/
  3. https://www.youtube.com/watch?v=PmUeIaedWDI
  4. https://www.newindianexpress.com/entertainment/review/2020/Feb/08/-seeru-review-a-lazy-unintentionally-funny-film-2100414.html
  5. https://www.thenewsminute.com/flix/women-are-heroes-seeru-director-rathina-siva-tells-tnm-117670
  6. https://www.newindianexpress.com/entertainment/tamil/2020/Feb/13/seeru-director-rathina-shiva-shares-his-love-of-commercial-cinema-2102554.html
  7. https://www.filmibeat.com/tamil/movies/seeru.html
  8. https://timesofindia.indiatimes.com/entertainment/tamil/movies/news/jiivas-seeru-to-release-on-december-20/articleshow/72021482.cms
  9. https://www.imdb.com/title/tt10022990/fullcredits/
  10. https://www.news18.com/india/exploring-mayiladuthurai-the-tamil-nadu-district-thats-a-filmmakers-dream-9038962.html
  11. https://www.thehindu.com/entertainment/movies/on-the-sets-of-jiiva-starrer-seeru/article27246107.ece
  12. https://www.thehindu.com/entertainment/movies/seeru-jiiva-does-a-dishyum-on-navdeep/article27246319.ece
  13. https://www.moviebuff.com/seeru
  14. https://www.studioflicks.com/reviews/seeru-movie-review/
  15. https://www.onlykollywood.com/seeru-movie-review/
  16. https://www.moviecrow.com/News/25681/seeru-music-review
  17. https://www.asianage.com/entertainment/in-other-news/080220/seeru-film-review-how-to-thank-a-thug-who-came-to-kill-you.html
  18. https://www.onlykollywood.com/the-d-imman-interview-on-his-style-of-work-his-methodology-and-where-he-sees-himself-in-the-industry/
  19. https://www.qobuz.com/us-en/album/seeru-d-imman/l4gm772s2k9oc
  20. https://music.apple.com/us/album/seeru-original-motion-picture-soundtrack/1497261285
  21. https://www.behindwoods.com/tamil-movies-cinema-news-16/seeru-song-vaa-vasuki-video-ft-jiiva-riya-suman-d-imman.html
  22. https://www.youtube.com/watch?v=KljKXcHy3Og
  23. https://www.amazon.com/Seeru-Original-Motion-Picture-Soundtrack/dp/B084CVGNMJ
  24. https://www.youtube.com/watch?v=Axi_NFlPIm8
  25. https://www.zoomtventertainment.com/tamil-cinema/article/jiiva-starrer-seeru-cleared-with-ua-certificate-by-censor-board/543458
  26. https://timesofindia.indiatimes.com/entertainment/tamil/movies/news/jiivas-seeru-gets-u/a-certificate/articleshow/73487310.cms
  27. https://www.zoomtventertainment.com/tamil-cinema/article/video-seeru-trailer-out-jiiva-promises-an-intriguing-action-drama/544445
  28. https://www.galatta.com/tamil-movies-cinema-news/jiiva-movie-seeru-release-date-february-2020-vels-film.html
  29. https://timesofindia.indiatimes.com/entertainment/tamil/movies/news/seeru-twitter-review-jiiva-makes-a-comeback-as-a-mass-hero/articleshow/74003971.cms
  30. https://www.tamilmdb.com/movie/6610/2020-seeru
  31. https://www.imdb.com/video/vi341753625/
  32. https://www.youtube.com/watch?v=TaeLNP7f-hw
  33. https://www.facebook.com/VelsFilmIntl/videos/seeru-trailer/185151166020836/
  34. https://www.moviecrow.com/News/25624/jiivas-seeru-trailer-promises-a-racy-action-packed-film
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  36. https://balusboxoffice.quora.com/SEERU-BOX-OFFICE-BUSINESS-REPORT
  37. https://www.moviecrow.com/News/25761/tn-box-office-seeru-performs-marginally-better-than-vaanam-kottattum-in-its-opening-weekend
  38. https://www.moviecrow.com/movie/4234/seeru/story
  39. https://www.firstpost.com/entertainment/seeru-movie-review-jiivas-action-thriller-is-a-time-pass-entertainer-with-all-essential-commercial-ingredients-8014101.html
  40. https://www.thehindu.com/entertainment/movies/seeru-movie-review-a-neat-entertainer-despite-the-outdated-commercial-presentation/article30760025.ece
  41. https://indianexpress.com/article/entertainment/movie-review/seeru-movie-review-rating-6256560/
  42. https://www.moviecrow.com/News/25730/seeru-review
  43. https://www.reddit.com/r/kollywood/comments/1e5cjgo/seeru_i_genuinely_thought_this_film_about_to_get/
  44. https://www.bollywoodlife.com/south-gossip/seeru-meta-review-critics-call-jiivas-film-a-paisa-vasool-mass-entertainer-1566187/
  45. https://www.imdb.com/title/tt10022990/awards/
  46. https://www.imdb.com/title/tt10022990/plotsummary/
  47. https://baradwajrangan.wordpress.com/2020/02/09/readers-write-in-142-thoughts-on-seeru/
  48. https://sprf.in/crimes-against-women-in-india-trends-challenges-and-policy-responses/
  49. https://www.gov.uk/government/publications/india-country-policy-and-information-notes/country-policy-and-information-note-women-fearing-gender-based-violence-india-august-2025-accessible
  50. https://www.thehindu.com/news/national/india-lodged-average-86-rapes-daily-49-offences-against-women-per-hour-in-2021-government-data/article65833488.ece
  51. https://www.imdb.com/title/tt10022990/parentalguide
  52. https://dheerajpanchaksharam.medium.com/glorifying-violence-in-tamil-cinema-09ecfb31444e
  53. https://www.rottentomatoes.com/m/seeru
  54. https://nettv4u.com/movie-review/tamil/seeru
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