Shelley Hack
Shelley Hack
Main page
2052250

Shelley Hack

logo
Community Hub0 subscribers
What are your thoughts?
Be the first to start a discussion here.
Be the first to start a discussion here.
Shelley Hack

Shelley Marie Hack (born July 6, 1947) is an American actress, model, producer, and political activist. She is best known as the face of Revlon's Charlie perfume from the mid-1970s until the early 1980s, and for her role as Tiffany Welles in the fourth season of Charlie's Angels (1979–80).

Hack was born in Greenwich, Connecticut on July 6, 1947, the eldest of six children. Her father was a Wall Street financial analyst, and her mother was a former Conover model. She graduated from Greenwich Academy and Smith College, where she spent her junior year studying archeology at the University of Sydney.

Hack began her career as a teen fashion model whose first job put her on the cover of Glamour magazine. Later she became the face of Revlon's "Charlie" perfume from the mid-1970s until the early 1980s, during which it became the world's top selling fragrance. Life proclaimed her one of the "million-dollar faces" in the beauty industry; select models who were able to negotiate previously unheard-of lucrative and exclusive deals with giant cosmetics companies, were instantly recognizable, and whose names became known to the general public. Hack ranked among a handful of 1970s "supermodels".

Hack's feature-film debut was a bit part in Woody Allen's Academy Award-winning film Annie Hall (1977) as "Street Stranger." She had a leading role in the Joe Brooks romance drama, If Ever I See You Again ("A bomb", she admitted).

Shortly thereafter she was cast as Kate Jackson's replacement on the television series Charlie's Angels, playing the sophisticated character Tiffany Welles for one season (1979–1980). She beat out many competitors for the role, including Michelle Pfeiffer and Barbara Bach. Although there was an initial rise in the ratings (her debut episode was number one in the weekly Nielsen ratings), they began to decline. Responding to the fallen ratings, ABC released Hack from her contract in February 1980.

A statement later issued by Spelling-Goldberg read: "When she signed her contract for the series, Miss Hack had a personal agreement that she could review her continuation with the show at the end of her first season since series television represented an enormous change in her career and lifestyle. In case Miss Hack decides not to come back next season on a regular basis, she has agreed to do several guest-star appearances on the show." " This implied that Hack was included in the decision to exit Charlie's Angels. In an interview, Hack said, "They can say I didn't work out, but it isn't true. What happened was a network war. A business decision was made. Change the timeslot or bring on some new publicity. How to get publicity? A new Angel hunt. Who is the obvious person to replace? I am — the new kid on the block." Hack later said she "never expected to be there more than a year and I wasn't. I did my year and I moved on."

Hack played a variety of starring and supporting roles. She starred with Annette O'Toole and Meredith Baxter Birney in Vanities (1981), a television production of the comedy-drama stage play about the lives, loves and friendship of three Texas cheerleaders starting from high school to post-college graduation; it aired as a part of Standing Room Only, a series on the premium-television channel HBO.

She received positive reviews for her portrayal of Cathy Long in Martin Scorsese's film The King of Comedy (1983). She had leading roles in two cult films: the comedy-horror film, Troll (1986) and the horror film The Stepfather (1987). She was also a regular on two short-lived TV series of the 1980s, Cutter to Houston (1983) and Jack and Mike (1986–87). In addition to several more notable appearances in film and television and on stage, she narrated the audiobook The Lord of Hawkfell Island, for which AudioFile stated "Shelley Hack's mellifluous voice brings this Viking tale alive."

See all
User Avatar
No comments yet.