Hubbry Logo
Slaughter HotelSlaughter HotelMain
Open search
Slaughter Hotel
Community hub
Slaughter Hotel
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Slaughter Hotel
Slaughter Hotel
Slaughter Hotel
View on Wikipedia
from Wikipedia

Slaughter Hotel
Italian film poster
Directed byFernando Di Leo
Screenplay by
  • Fernando Di Leo
  • Nino Latino
Produced by
Starring
CinematographyFranco Villa
Edited byAmedeo Giomini
Music bySilvano Spadaccino
Production
company
Cineproduzioni Daunia 70
Distributed byFlorida Cinematografica
Release date
  • 2 August 1971 (1971-08-02)
Running time
97 minutes
CountryItaly
LanguageItalian

Slaughter Hotel (Italian: La bestia uccide a sangue freddo, lit. 'The beast kills in cold blood'), also known as Asylum Erotica and Cold Blooded Beast, is a 1971 Italian thriller erotic film directed by Fernando Di Leo and starring Klaus Kinski.[1] The film follows a masked killer murdering the wealthy female inmates of a sanitorium. The building that was used as the mental hospital in this film was used several years earlier as the set for the 1966 giallo The Murder Clinic.[2]

Plot

[edit]

A hooded, axe-wielding killer lurks around a large rural villa which has been converted into an asylum. It begins when a woman named Ruth is committed to the clinic by her husband. She attempts to escape by assaulting an orderly as well as attempting suicide, but is restrained. One of the residents, named Cheryl, is visited by her husband, Mr. Hume, who had committed her because of a suicide attempt due to her stressful job working as head of their company. Mr. Hume talks with the clinic director Dr. Francis Clay and his associate, Dr. Austin, about the possibility of Cheryl being cured. Dr. Clay tells Mr. Hume that Cheryl's suicidal urges may relapse once she is released, but Hume thinks that his wife only needs some more rest at the clinic.

Meanwhile, Helen is a nurse who is tending to resident Mara, who tells Nurse Helen that she seems to be improving with her treatment. Another patient is Anne, who is a diagnosed nymphomaniac. Anne attempts to follow the gardener to seduce him, but she is called back to her room by Dr. Austin, who counsels her about her "impulsive" and "excessive" sexual desires. Anne is visited by her brother, Peter, and wants them to return to the 'affectionate' ways they together had as children, and clearly has sexual feelings for him. Peter says they must resist this now they are adults.

Later that evening, as the attendants and patients sit in a room to mingle and play cards and board games, Anne sneaks out the front door and runs to the greenhouse. The hooded and cloaked person is outside, and after a nurse walks by (seeing and ignoring the person), she is beheaded with a scythe.

Anne sees the gardener, takes off all her clothes, approaches him, and seduces him into having sex with her in the greenhouse. Meanwhile, Helen goes to Mara's room and tells her that she can join the others if she wants and says that she will check on her later. Dr. Austin is told that Anne is missing, and the attendants go to find her. After having sex with Anne, the gardener tells her that she must leave for he will suffer the consequences of their tryst. Anne does not want to leave, so the gardener smacks her. Anne hits him back, calmly puts her clothes back on and leaves. She walks over and kisses the male attendants that find her until Austin calls her to stop. Meanwhile, Cheryl asks Dr. Clay if she will be like she was before, and the doctor tells her that she has been cured.

The killer goes back inside the clinic, gets a knife, and unlocks Ruth's door as she sleeps. The killer takes off his hood; Ruth awakens and she goes for the killer with the knife, but she gets knocked aside and the killer then chokes her and stabs her in the chest.

Dr. Austin looks around the hallway with a flashlight and finds Nurse Helen, who says that she heard a noise. A chauffeur enters the building and drinks all of the drinks left over from the get-together. After looking around, the killer shows up and murders the chauffeur by pushing him into an iron-maiden-esque device, and his blood pours out. The killer next walks around with a sword and angrily hits on the bed in Cheryl's empty room. Cheryl meets with Dr. Clay in the hallway and they leave together. Dr. Clay and Cheryl talk of their potential relationship, and he leaves to "do the rounds".

While Nurse Helen enters Mara's room and clearly attempts to seduce her while Mara is taking a bath, the killer walks into Anne's room while she sleeps, shuts her window, and takes off his hood. Anne's eyes open, she sees the killer standing over her bed and asks him to lie down next to her. The killer chooses instead to axe her to a bloody death.

Back in Mara's room, she dances a bit for Helen to a song on the radio. As Mara looks out of her window, the killer fires a crossbow, hitting her in the neck with an arrow, killing her instantly. Helen screams, and a crowd gathers outside her door. Austin and Clay see the dead woman, and Austin tells an attendant not to let anyone in the room. The two doctors and Cheryl look around the building when they find blood on the antique weapons and discover the chauffeur's body. Clay points out that the other sword from the display is missing, and Austin finally calls the police, stating to the police commissioner that the killer is still inside the clinic.

The police and medical attendants remove the bodies of Anne, Ruth, Mara, and the other nurse from the area, but they are angry that Dr. Austin moved some weapons and tried to keep the killings a secret, thus making him an accessory after the fact. The police inspector suggests using Cheryl as bait, and Dr. Clay tries to get her to rethink the idea after she agrees to it.

While all the other clinic patients are moved into a single room for their own protection, Cheryl awaits in her room. The killer approaches with a rope to strangle where he removes his hood... finally revealing himself to be her husband, Hume. The police detectives show up before he can finish strangling Cheryl and chase Hume around the building. Clay and Austin theorize that Cheryl's husband wanted to kill his wife for some time and he created the idea of a maniac spree killer so that no one would suspect him of Cheryl's murder. Hume knocks out two of the cops chasing him and upon running into a room to hide, discovers all of the clinic's female nurses in it. Hume goes on a brutal killing spree, killing every woman in the room before the police run in and finally shoot Hume dead.

Cast

[edit]
  • Klaus Kinski as Dr. Francis Clay
  • Margaret Lee as Cheryl Hume
  • Rosalba Neri as Anne Palmieri
  • Jane Garret as Mara
  • John Karlsen as Professor Osterman
  • Gioia Desideri as Ruth
  • Giangiacomo Elia as Gardener (as John Ely)
  • Fernando Cerulli as Augusto, the chauffeur
  • Sandro Rossi as Policeman
  • Giulio Baraghini as Policeman
  • Ettore Geri as Inspector
  • Antonio Radaelli as Policeman
  • Monica Strebel as Nurse Helen
  • Carla Mancini as Nurse
  • Franco Marletta as Male Nurse
  • Piero Nistri as Cheryl's Husband
  • Daniela Di Bitonto as Patient
  • Enzo Spitaleri as Ruth's Husband
  • Marco Mariani as Male Nurse
  • Gilberto Galimberti as Policeman
  • Rosanna Braida as Patient
  • Lina Franchi as Nurse Killed with Scythe (uncredited)

Release

[edit]

The film was released theatrically in the United States by Hallmark Releasing and American International Pictures in 1972 under the titles Slaughter Hotel and Asylum Erotica, where it was usually shown on double and triple bills with other Hallmark/AIP releases such as Twitch of the Death Nerve[3] and Don't Look in the Basement.[4] There is also a version released in France under the title Les insatisfaites poupées érotiques du docteur Hitchcock containing explicit sexual scenes.[5] The film was released on DVD by Media Blasters on their sub-label Shriek Show in 2004.[6]

Reception

[edit]

In a contemporary review, David McGillivray reviewed a dubbed 74 minute version of the film titled Cold Blooded Beast in the Monthly Film Bulletin.[7] McGillivray found the film to be a "crude and meretricious Italian murder mystery" in which "a great many killings (all clumsily presented without a trace of suspense) are interspersed with regular doses of sex, and the director has an annoying habit of regurgitating a good percentage of the footage each time a character recalls a past event."[7]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Slaughter Hotel

View on Grokipedia
from Grokipedia
Slaughter Hotel (Italian: La bestia uccide a sangue freddo), also known as Asylum Erotica, is a 1971 Italian directed by . The story is set in a remote converted into a private asylum for wealthy women suffering from various mental disturbances, where a masked psychopath begins systematically murdering the patients and staff using medieval weapons such as crossbows and axes. Starring as the enigmatic Dr. Francis Clay, the asylum's head physician, the film also features prominent performances by as a seductive patient and Margaret Lee as another resident, blending elements of eroticism, suspense, and characteristic of the genre. Produced in with a runtime of approximately 97 minutes, Slaughter Hotel was released domestically in 1971 and later in the United States in 1972, gaining a for its exploitation-style thrills despite mixed critical reception upon release. The film's atmospheric setting and voyeuristic tone highlight Di Leo's venture into horror, diverging from his more renowned work in crime cinema.

Narrative

Plot

Slaughter Hotel is set in a secluded rural repurposed as a private for affluent women suffering from various psychological ailments. The story introduces several key s and staff: Ruth, a prone to unconscious violent spells; , a fragile and suicidal visiting the facility with her possessive husband, Hume; , a nymphomaniac resident struggling with her compulsive behaviors; and Mara, a reclusive amnesiac kept in isolation to manage her severe . Nurse Helen, a compassionate yet overly involved , tends to Mara with intimate personal attention, while Dr. Clay, the facility's voyeuristic , monitors the women through hidden peepholes, developing a particular fixation on Cheryl's vulnerability. The narrative escalates with the arrival of a masked intruder wielding medieval weapons from the villa's antique collection, initiating a series of brutal murders among the staff and patients. The killings begin when a nurse is decapitated with a scythe in the grounds, followed by Ruth's strangulation and stabbing with a sword in her room as she settles in. Anne meets her end hacked to death with an axe while asleep, her nymphomaniac tendencies having led to a late-night encounter. The chauffeur, Augusto, is trapped and impaled in an iron maiden device, and Mara is pierced by a crossbow bolt during a tense, sensual evening session with Nurse Helen, who witnesses the attack in horror. These assaults create paranoia within the sanatorium, with Dr. Clay's secretive observations heightening the tension, though his voyeurism distracts from the growing threat. As the body count rises with additional patients bludgeoned by a flail in a frenzied attack, suspicions fall on various figures, including the isolated Mara and the enigmatic Dr. Clay. The revelation unfolds that Hume is the masked killer, driven by a desire to Cheryl and disguise the crime as the work of a deranged to cover his tracks. Posing as a concerned , Hume exploits Cheryl's emotional fragility to keep her institutionalized and vulnerable. In the climax, police, alerted to the rampage, set a trap using Cheryl as bait in the villa's armory. During Hume's final assault, Cheryl unmasks him, sparking a chaotic chase through the bloodied halls. Officers intervene and shoot Hume dead, halting the killings. The resolution leaves the in disarray, with surviving patients and staff reeling from the trauma, the once-serene retreat forever scarred by the violence.

Themes and Style

Slaughter Hotel explores themes of and nymphomania within the confined setting of a women's asylum, where female patients are depicted as afflicted by uncontrollable desires that the institution seeks to suppress. The film portrays characters like the nymphomaniac Anne, whose insistent pleas for intimacy—"I just want to make love. That’s all. Make love!"—are met with denial by staff, underscoring the punitive control over female sexuality in a repressive environment. This dynamic reflects broader conventions of the early 1970s, where women are often shown as fragile and sexually repressed, their vulnerabilities exploited in narratives of psychological distress. Voyeurism emerges as a central motif through the watchful of figures like Dr. Clay (), who observes patients via peepholes, transforming into a of that heightens themes of and invasion of . and further complicate interpersonal relations, as seen in Hume's of his wife , illustrating how familial motives perpetuate institutional . These elements align with giallo's frequent of among confined ensembles, amplifying the asylum's role as a microcosm of societal duplicity. As a , the film adheres to genre archetypes, including a masked killer in a black cloak who wields medieval weapons such as axes, hatchets, and a morning star, symbolizing archaic, brutal that contrasts sharply with the modern psychiatric facade. The cold-blooded murders, often executed with graphic precision, punctuate erotic interludes, creating a of that deviates from intricate plotting by emphasizing visceral shocks over mystery resolution. Stylistically, Slaughter Hotel fuses through the seamless integration of explicit scenes—such as bath rituals and sequences—with sudden slasher kills, building tension via slow-paced lurking and unsubtle that lingers on and vulnerability. The surreal atmosphere of the renovated medieval , filled with antique devices repurposed as decor, evokes a dreamlike isolation that underscores female peril, prioritizing softcore sensuality over narrative complexity. This approach marks a departure from purer forms, leaning into exploitation to explore misogynistic undercurrents of voyeuristic depravity and gendered violence.

Production

Development

The screenplay for Slaughter Hotel (originally titled La bestia uccide a sangue freddo) was co-written by director and Nino Latino, drawing inspiration from Edgar Allan Poe's "The System of Doctor Tarr and Professor Fether" while incorporating elements of the emerging genre's emphasis on psychological suspense and erotic undertones. Di Leo, renowned for his gritty crime films such as Milano calibro 9 (1972), ventured into horror with this project as a departure, blending sexploitation motifs with thriller conventions to explore themes of and institutional confinement, though he later described the film as "shabby" in a retrospective interview. Casting emphasized intensity and sensuality, with selected for the role of the enigmatic Dr. Francis Clay to infuse the character with a brooding, unpredictable edge reflective of the actor's reputation in European cinema. Italian actress was chosen as Anne Palmieri to highlight the film's aspects, leveraging her established presence in exploitation roles. Produced by Cineproduzioni Daunia 70 in association with Sitoro, the film was a typical low-budget Italian genre effort, constrained by financial limitations that influenced its confined-set design and reliance on a small ensemble. Di Leo aimed to craft a centered on a masked killer's methodical rampage—"the beast kills "—within a female-dominated asylum environment, prioritizing suspenseful set pieces amid erotic tension over the of his prior crime works.

Filming and Technical Aspects

Principal photography for Slaughter Hotel took place in 1971 primarily at Castello Chigi in Castel Fusano, near , , where the historic structure served as the primary location for the film's isolated asylum setting to emphasize themes of confinement and remoteness. Additional scenes were shot at Elios Studios in . Franco Villa employed an anamorphic 2.35:1 to capture the of the villa, utilizing dramatic framing, unconventional angles, and occasional crash zooms to heighten tension in interior sequences. Natural lighting was favored for exterior shots to contrast the shadowy, claustrophobic interiors achieved through selective lens choices. Special effects were limited by the film's modest budget, relying on practical techniques such as blood squibs for simulated wounds and prop weapons—including axes, crossbows, and medieval torture devices like an —for the kill scenes, with no significant optical effects employed. These elements contributed to the graphic yet rudimentary gore typical of early Italian thrillers. The music score, composed by Silvano Spadaccino, features a suspenseful and groovy arrangement blending light cocktail elements with experimental soundscapes to underscore both the erotic interludes and horror sequences. Editing by Amedeo Giomini incorporated hyperactive cuts and a neurotic to build suspense through fragmented pacing, while involved into both Italian and English to facilitate international distribution.

Cast and Crew

Principal Cast

leads the cast as Dr. Francis Clay, the eccentric who oversees the private asylum and displays voyeuristic tendencies toward his patients, contributing to the film's tense and perverse atmosphere. Margaret Lee portrays Cheryl Hume, the vulnerable yet sensual central female protagonist who becomes the primary target of the mysterious killer, heightening the and undertones central to the . plays Anne Palmieri, a nymphomaniac patient whose provocative behavior underscores the movie's exploitation elements and adds layers of sexual intrigue amid the killings. Jane Garret depicts Mara, a reclusive grappling with and under the care of Nurse Helen, which introduces psychological isolation and emotional depth to the asylum's dynamics. In key supporting roles, Monica Strebel appears as Nurse Helen, whose intimate relationship with Mara forms a subplot that amplifies the film's themes of forbidden desire and interpersonal tension. Piero Nistri plays Mr. Hume, Cheryl's husband.

Key Crew Members

The film was directed by , who shaped its overall vision as a blend of mystery and sexploitation elements, emphasizing a deliberate pacing that alternates between suspenseful tension and explicit sequences. The was co-written by and Nino Latino, crafting a that intertwines erotic intrigue with tropes in a secluded setting. Producers Tiziano Longo and Armando Novelli oversaw the financing and logistical aspects of the production through Cineproduzioni Daunia 70, enabling the film's realization as a low-budget Italian genre entry. Franco Villa handled the visuals, employing wide-angle lenses and strategic lighting to create an atmospheric, claustrophobic environment that heightens the film's sense of dread and . Composer Silvano Spadaccino provided the original score, featuring eclectic motifs that mix lounge-like with dissonant, suspenseful electronic elements to underscore the film's shifting tones of and horror. Editor Amedeo Giomini assembled the footage, using rapid, neurotic cuts to establish a rhythmic flow that juxtaposes moments of and , contributing to the film's disorienting energy.

Release

Theatrical and International Distribution

The film premiered in on August 2, 1971, under the title La bestia uccide a sangue freddo, produced by Cineproduzioni Daunia 70. In the United States, it received a theatrical release in 1972, distributed by Hallmark Releasing and , with the title changed to Slaughter Hotel or Asylum Erotica. The version shown was edited for violence and nudity to secure an MPAA R rating. Internationally, the appeared under alternate titles such as Cold Blooded Beast in various European markets, including a theatrical release in on May 5, 1972. It had a limited theatrical run in , constrained by the era's restrictions on explicit sexual content. Marketed primarily as an to capitalize on its blend of and , the film encountered edits or delays in conservative markets due to depictions of nudity and violence. Its box office performance was modest, finding success within Italy's exploitation cinema circuit but achieving limited global earnings owing to its niche appeal and content sensitivities.

Home Media Releases

The film saw its initial home video availability in the 1980s through and tapes released by labels such as Gorgon Video, which offered relatively uncut versions in featuring extended sequences like the greenhouse scene that were trimmed in later editions. The DVD debut occurred in 2004 via Media Blasters' Shriek Show imprint in Region 1, presenting the long European cut at 95:56 minutes with added and a love-making scene absent from some international variants, alongside extras including commentary tracks and trailers. Blu-ray editions began with Raro Video's 2014 HD remaster, distributed in the US by , offering video in 2.35:1 , DTS-HD 2.0 audio in Italian and English, English subtitles, and bonus features such as interviews with director and actress . This release improved upon the prior DVD with cleaner sourcing and additional content, though it retained minor audio glitches in the Italian track. Digital streaming became available on platforms like Mometu (free with ads), Plex, and (rental) as of late 2025, though quality varies by service and region. Limited collector's editions include German Mediabook releases with reversible covers, booklets, and posters (e.g., a 200-unit LE edition), as well as US slipcover variants from Raro Video bundling stills and artwork to appeal to giallo enthusiasts.
FormatLabel/DistributorYearKey Features
DVDShriek Show / Media Blasters (R1)2004Uncut European version (95:56), interview with Di Leo, trailers
Blu-rayRaro Video / Kino Lorber (R0/R1)2014HD remaster (1080p), subtitles, Di Leo interview, slipcover option
Mediabook Blu-ray + DVDGerman limited (e.g., LE 200)2020sReversible artwork, booklet with posters and stills

Reception

Critical Reviews

Upon its release in in 1971, Slaughter Hotel (original title La bestia uccide a sangue freddo) received mixed responses from the Italian press, with critics praising Fernando Di Leo's direction for its atmospheric tension but criticizing the film's formulaic elements, such as the predictable structure and reliance on erotic sensationalism over innovative horror. Italian reviewers noted the blend of and as typical of the era's exploitation trends, though some highlighted the atmospheric setting of the as a strength amid pacing issues. In the United States, where the film was released in 1972 under titles like Asylum Erotica, the film was positioned as lowbrow entertainment for drive-in audiences, emphasizing its exploitation of female vulnerability in a setting, with little regard for narrative depth. Klaus Kinski's performance as the enigmatic Dr. Clay was singled out for its over-the-top intensity, adding a layer of manic energy to the proceedings despite the overall crudeness. The film's 1973 release drew criticism for lacking , with a great many killings overshadowed by gratuitous and a convoluted plot. critics generally highlighted the erotic excess as dominating any horror innovation, viewing the film as more softcore than substantive . European reception varied, with outlets focusing on violence issues during the early , as the film's graphic murders and led to cuts for local distribution via the BBFC, sparking debates on exploitation cinema's boundaries. Common praises centered on the moody ambiance and Di Leo's visual style, while criticisms targeted the predictable plotting and uneven pacing that undermined the sex-violence blend.

Cult Status and Legacy

Slaughter Hotel developed a dedicated during the 1990s and 2000s, primarily through underground VHS trading networks and retrospectives dedicated to the genre, where enthusiasts celebrated its blend of atmospheric tension, campy , and Klaus Kinski's memorably creepy portrayal of the enigmatic Dr. Clay. Fans particularly appreciated the film's unapologetic exploitation of sensuality amid its slasher elements, positioning it as a quintessential example of Italian Euro-horror sleaze that contrasted with more restrained contemporaries. In the 2000s and extending into 2025, modern reevaluations on platforms like and have solidified its status as a guilty pleasure for aficionados, with users lauding its "sleazy fun," graphic nudity, and stylish despite narrative inconsistencies. The holds an average rating of 5.1/10 on based on over 2,000 votes and 2.7/5 on from thousands of logs, as of November 2025, where reviewers highlight Kinski's intense presence and the 's trashy allure as key draws for late-night viewings. It has also earned praise in genre literature, such as the book Euro Horror by Darrell Buxton and Adam McNaughton, for director Fernando Di Leo's bold genre experimentation in merging tropes with horror conventions. The film's legacy endures through its influence on subsequent erotic slashers, contributing to the wave of Italian sex comedies that infused horror with overt sensuality, as seen in titles blending with murderous intrigue. Restoration efforts have further boosted its accessibility and appreciation; Raro Video's Blu-ray edition featured a high-definition transfer that revitalized its visual flair, drawing renewed interest from collectors and streaming audiences. By 2025, Slaughter Hotel continues to be reevaluated by European horror scholars for its role in the giallo's evolution, emphasizing its provocative mix of exploitation and psychological dread.

References

  1. https://www.kinolorber.com/product/slaughter-hotel-blu-ray
  2. https://www.themoviedb.org/movie/27439-la-bestia-uccide-a-sangue-freddo
  3. https://mubi.com/en/us/films/slaughter-hotel
  4. https://dailygrindhouse.com/thewire/exploitation-education-slaughter-hotel-1971/
  5. https://villains.fandom.com/wiki/Mr._Hume
  6. https://www.hysteria-lives.co.uk/hysterialives/Hysteria/slaughter_hotel.htm
  7. https://theses.gla.ac.uk/4730/1/2013Mackenziephd.pdf
  8. http://giallofiles.blogspot.com/2013/05/slaughter-hotel.html
  9. https://netlibrary.aau.at/obvuklhs/content/titleinfo/5971505/full.pdf
  10. https://filmfolly.com/review/slaughter-hotel-a-masked-killer-spreads-terror-in-a-psychiatric-clinic
  11. https://suburbanpagans.wordpress.com/2022/08/19/slaughter-hotel/
  12. https://offscreen.com/view/italy_by_caliber_9
  13. http://wwwbillblog.blogspot.com/2014/12/
  14. https://www.rockshockpop.com/articles/movies-aa/378810-slaughter-hotel
  15. https://www.grindhousedatabase.com/index.php/Slaughter_Hotel
  16. https://www.blu-ray.com/movies/Cold-Blooded-Beast-Blu-ray/177307/
  17. https://www.imdb.com/title/tt0066827/locations/
  18. https://fulvuedrive-in.com/review/2508/Slaughter%2BHotel
  19. https://monsterhuntermoviereviews.com/2015/02/12/slaughter-hotel-1971/
  20. https://www.filmscoremonthly.com/board/posts.cfm?forumID=7&pageID=21&threadID=149261&archive=0
  21. https://www.genregrinder.com/post/slaughter-hotel-blu-ray-review-originally-published-2014
  22. https://www.imdb.com/title/tt0066827/
  23. https://www.themoviedb.org/movie/27439-la-bestia-uccide-a-sangue-freddo/cast?language=en-US
  24. https://www.themoviedb.org/person/589731-monica-strebel?language=en-US
  25. https://www.moviemeter.nl/film/29985
  26. https://www.themoviedb.org/person/2121385-piero-nistri
  27. https://www.rottentomatoes.com/m/slaughter_hotel_1971
  28. https://www.terrortrap.com/blu-dvd-reviews/raro-video/slaughterhotel/
  29. https://rateyourmusic.com/film/la-bestia-uccide-a-sangue-freddo/
  30. https://moviesandmania.com/2014/09/09/hallmark-releasing-corp-distribution-company/
  31. http://www.dvdsleuth.com/SlaughterHotelReview/
  32. https://letterboxd.com/film/slaughter-hotel/
  33. http://www.dvdcompare.net/comparisons/film.php?fid=6859
  34. https://www.dvdcompare.net/review.php?rid=8078
  35. http://www.terrortrap.com/blu-dvd-reviews/raro-video/slaughterhotel/
  36. https://kinolorber.com/product/slaughter-hotel-blu-ray
  37. https://www.blu-ray.com/movies/Slaughter-Hotel-Blu-ray/114061/
  38. http://www.thedigitalbits.com/item/slaughter-hotel-bd
  39. https://www.justwatch.com/us/movie/slaughter-hotel
  40. https://watch.plex.tv/movie/asylum-erotica
  41. https://play.google.com/store/movies/details/Slaughter_Hotel?id=EzgbTxLPCTw
  42. https://www.cede.com/en/movies/?view=detail&aid=10047159
  43. https://brotherbelial.com/products/slaughter-hotel-1971-le-200-mediabook-b-blu-ray-region-b
  44. https://dvdhorrorman.com/products/slaughter-hotel-blu-ray-raro-video-slipcover-booklet-new
  45. https://nocturno.it/movie/la-bestia-uccide-a-sangue-freddo/
  46. https://www.filmscoop.it/film_al_cinema/labestiauccideasanguefreddo.asp
  47. https://www.melonfarmers.co.uk/hitscn.htm
  48. https://www.horrorsociety.com/2014/11/26/slaughter-hotel-blu-ray-dvd/
  49. http://www.discape.ca/list/italian-horror-films-of-the-1970s
  50. https://fixquotes.com/movies/slaughter-hotel/
Add your contribution
Related Hubs
User Avatar
No comments yet.