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Snapped Ankles
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Key Information
Snapped Ankles are an English, London-based post-punk band, incorporating elements of performance art and art rock. They signed to The Leaf Label in 2017 and have released five albums, two EPs and numerous singles to date. The band members' identities are unknown, due to the fact that the group performs in ghillie suits, but they claim to be "forest folk...descended from the trees".[1][2][3][4]
History
[edit]Formed in East London in 2011, the band began performing at DIY nights creating live improvisations by chopping up 1960s films before sequencing and augmenting them with synthesisers.[5] [6] The band released their first single, "True Ecology (Shit Everywhere)", in December 2012, on Ears Have Eyes records. Their next release came in early 2015 with "I Want My Minutes Back", issued on white label, and reissued in 2017 as their first release on The Leaf Label. From 2015 to 2016, they performed in Daniel Oliver's participatory performance show 'Weird Seance'.[7] In May 2017, they performed a live session on Marc Riley's BBC 6 Music show.[8]
The group's first release specifically for The Leaf Label, 12-inch EP The Best Light Is The Last Light, was released in June 2017, with debut album Come Play the Trees following that September.[3] The Quietus described the album as "propulsive and angular", praised it as "the embodiment of the weird, wonderful and true ecology of it all, presented by a bunch of folks dressed like ditches" and compared the band to "a pagan Can or a forested Fall".[9] Loud and Quiet describe the album as "hyperactive post-punk for the ailing state of the nation" and "bounding forward uncannily like The Fall's recent work".[10] In December 2017, Electronic Sounds placed the album at number 9 in their top 30 albums of the year and The Quietus at 14 in their list of 100.[11][12]
Snapped Ankles released Violations, an EP of cover versions, for Record Store Day 2018. It was released on limited edition vinyl and featured songs by The Fugs, Can, Joey Beltram and The Comateens.[13][14] Their second album Stunning Luxury was released on The Leaf Label on 1 March 2019. Described as a "10-song Gang of Four style takedown of modern capitalism" and "a stridently political album that loses neither its sense of humour nor its capacity for bangers", the album's themes and settings are based in the city and suburbs rather than the forests of 2017's Come Play The Trees. The album's lyrics attacks gentrification and other aspects of modern city life.[15][16][17] The Quietus placed the album at #16 in their Albums Of The Year 2019.[18]
The band's first live album, 21 Metres to Hebden Bridge, was released in September 2020. Named after the distance between the pool table and stage at The Trades Club in Hebden Bridge, where it was recorded in October 2019, the album was released for the delayed Record Store Day 2020.[19][20]
Snapped Ankles' third studio album, Forest Of Your Problems, was released on The Leaf Label in July 2021. It was Rough Trade's Album of the Month, and they described it as the group's "most spellbinding potion of woodwose krautrock to date" and a "bewitching and hypnotic incantation with swirling melodies, primal rhythm and feral funk that harks back to the feeling of possessed mania of Can or Joy Division."[21] Loud and Quiet gave the album 8/10 and described it as a "Goat-meets-The Fall soundworld that perfectly captures the group’s psychotic, eerie vision".[22]
Hard Times Furious Dancing, the band's fifth studio album, was released on The Leaf Label on 28th March 2025.
Music, imagery and live performance
[edit]The band perform in "shamanistic costumes" and their live performances include elements of performance art and art-rock. Their unique live show is known for "whipping audiences into a manic, frenzied, ecstatic state."[23][4]
The Leaf Label describes the band's sound as "primal motoric rhythms, the rush of white noise and post-punk angles; an aural onslaught played out on homemade log synths, electrified guitars and sticks beating hell on taut animal skin". The Quietus called them "a band defying convention at every turn and toying with their own mythology as they see fit".[6]
In the same article, the band describe Come Play The Trees as "[having] a bunch poppy, post-punk groove tracks, but then we've got some songs that are made just using the single oscillator log-synths. They're sort of non-songs". They go on to say, "when you've got an instrument that can only make one note, long or short, and barely make a tune at all, it feels like a political statement about going back to these situations where we had to be based in places that barely had locks on the doors and where we were using PAs and drums kids made out of bits that we cobbled together. That's what I like to see in a band. I want to see bands that have thrown it together, rather than having all the new gear from Denmark Street".[6]
The band also cites the diverse influences of Morris dancing, Old Norse texts, Jean-Luc Godard, Lightning Bolt, Fela Kuti and London warehouse parties.[6][24]
Discography
[edit]Albums
[edit]- Come Play the Trees (The Leaf Label, 2017)
- Stunning Luxury (The Leaf Label, 2019)
- 21 Metres from Hebden Bridge (The Leaf Label, 2020; RSD 2020 leaf green vinyl limited edition)
- Forest of Your Problems (The Leaf Label, 2021)
- Hard Times Furious Dancing (The Leaf Label, 2025)
EPs
[edit]- True Ecology (Ears Have Eyes, 2012)
- The Best Light Is the Last Light (The Leaf Label, 2017)
- Violations (The Leaf Label, 2018)
- Four to the Forest Floor (The Leaf Label, 2018)
Singles
[edit]- "I Want My Minutes Back" (The Leaf Label, 2017)
- "The Invisible Real That Hurts (Danalogue Dirty Orbit Mix)" (The Leaf Label, 2017)
- "CIA Man (NSA Man Violation)" (The Leaf Label, 2018)
- "Drink and Glide" (The Leaf Label, 2019)
- "Rechargeable" (The Leaf Label, 2019)
- "Letter from Hampi Mountain" (The Leaf Label, 2019)
- "Rhythm Is Our Business" (The Leaf Label, 2021)
- "The Evidence" (The Leaf Label, 2021)
- "Shifting Basslines of the Cornucopians" (The Leaf Label, 2021)
- "Raoul" (The Leaf Label, 2025)
- "Pay the Rent" (The Leaf Label, 2025)
References
[edit]- ^ "WATCH: New Snapped Ankles". The Quietus. Retrieved 14 July 2017.
- ^ "Snapped Ankles get cinematic on 'Jonny Guitar Calling Gosta Berlin'". DIY. 11 May 2017. Retrieved 14 July 2017.
- ^ a b "NEWS: Snapped Ankles - Come Play The Trees out today". The Leaf Label. Retrieved 2 October 2017.
- ^ a b "Snapped Ankles discuss the inspirations for new album 'Forest of Your Problems'". Brooklyn Vegan. Retrieved 1 July 2021.
- ^ Patrick Glen. "Snapped Ankles was the only gig happening in London last night where four people dressed as trees played in a warehouse". Loud and Quiet. Retrieved 8 January 2018.
- ^ a b c d Murray, Eoin. "Screaming Hedges: An Interview With Snapped Ankles". The Quietus. Retrieved 14 July 2017.
- ^ "Weird Seance". Danieloliverperformance.com. 2015. Retrieved 7 July 2021.
- ^ "Marc Riley: Snapped Ankles, 8 May 2017", BBC. Retrieved 22 October 2017
- ^ "Resistance Is Fertile: Snapped Ankles' Come Play The Trees". The Quietus. Retrieved 2 October 2017.
- ^ "Snapped Ankles Come Play The Trees". Loud And Quiet. Retrieved 2 October 2017.
- ^ "Albums of the Year". Electronic Sound. Retrieved 8 January 2018.
- ^ "Albums of the Year". The Quietus. Retrieved 8 January 2018.
- ^ "LISTEN: New Snapped Ankles". The Quietus. Retrieved 13 September 2018.
- ^ "Snapped Ankles - Violations for Record Store Day 2018". The Leaf Label. Retrieved 13 September 2018.
- ^ "Snapped Ankles make music to soundtrack the apocalypse". The Line Of Best Fit. Retrieved 7 August 2019.
- ^ "Snapped Ankles – Stunning Luxury". The Skinny. Retrieved 7 August 2019.
- ^ "Stunning Luxury". The Leaf Label. Retrieved 7 August 2019.
- ^ "Quietus Albums Of The Year 2019". The Quietus. Retrieved 9 December 2019.
- ^ "21 Metres to Hebden Bridge". The Leaf Label. Retrieved 30 June 2021.
- ^ "21 Metres to Hebden Bridge". Discogs. Retrieved 30 June 2021.
- ^ "Album of the Month - July 2021". Rough Trade. 2 July 2021. Retrieved 3 July 2021.
- ^ "Forest Of Your Problems". Loud And Quiet. Retrieved 11 July 2021.
- ^ "INTRODUCING: SNAPPED ANKLES". With Guitars. Retrieved 14 July 2017.
- ^ "Snapped Ankles bring the roar and the rumble on new single "Jonny Guitar Calling Gosta Berlin"". Line Of Best Fit. Retrieved 14 September 2017.
External links
[edit]Snapped Ankles
View on GrokipediaHistory
Formation and early activity (2011–2016)
Snapped Ankles formed in East London in 2011, emerging from the city's underground warehouse and DIY scene as a collective of anonymous musicians initially focused on live improvisation rather than recorded output.[5][6] The group originated among friends who began performing interstitial sets between other artists' acts and during film screenings at informal events, drawing on manipulated samples from 1960s recordings to create spontaneous, krautrock-influenced electronic soundscapes.[7][8] This approach positioned them within East London's vibrant but transient art-warehouse communities, particularly in areas like Hackney, where rapid gentrification was already disrupting such spaces by the mid-2010s.[5][9] During their early years, the band's activity centered on live performances at DIY nights, warehouse parties, and experimental art events, where they developed a reputation for high-energy, ritualistic sets blending post-punk rhythms with woodland-themed visuals and custom-built instruments like log synths.[7][10] These gigs often served as soundtracks to multimedia installations or films, emphasizing communal, immersive experiences over conventional song structures, and helped cultivate a cult following in London's alternative circuits without mainstream exposure.[8] By 2015, they issued their first physical release, the single "I Want My Minutes Back," distributed on white-label vinyl in limited quantities to support touring and further embed their presence in the underground ecosystem.[1] This period solidified their outsider ethos, with performances characterized by ghillie suit attire and a rejection of traditional band hierarchies, reflecting a deliberate fusion of music, performance art, and critique of urban displacement.[5][11]Label signing and initial releases (2017–2019)
In 2017, Snapped Ankles signed to the independent record label The Leaf Label.[12] That year, the label reissued the band's earlier single "I Want My Minutes Back," originally released in 2015.[1] Following this, Snapped Ankles issued their first release under the label with the four-track EP The Best Light Is the Last Light on 16 June 2017.[1] The EP featured tracks emphasizing the band's electronic and improvisational style, building anticipation for their full-length debut.[8] The band's debut studio album, Come Play the Trees, was released on 15 September 2017 via The Leaf Label.[13] Comprising ten tracks, the album showcased their unique woodland-inspired electronica, with contributions from drummer Ursula Russell and bassist JD Parry alongside core members.[13] Snapped Ankles supported the release with extensive touring, including performances that highlighted their distinctive stage setup.[13] Building on the momentum from their debut, Snapped Ankles released their second album, Stunning Luxury, on 1 March 2019 through The Leaf Label.[14] The record expanded on their post-punk and krautrock influences, receiving attention within indie music circles for its energetic compositions.[15] During this period, the band maintained their anonymous personas while increasing live activity across Europe and the UK.[11]Evolving career and recent output (2020–present)
The COVID-19 pandemic disrupted Snapped Ankles' live activities following their 2019 album Stunning Luxury, leading the band to compose material remotely, which culminated in their third studio album, Forest of Your Problems, released on July 2, 2021, via The Leaf Label.[16] [17] The record, featuring tracks like "The Evidence" previewed in May 2021, incorporated log synths, guitars, and vocals from member Austin, reflecting adaptation to isolation while maintaining their experimental post-punk sound.[18] Post-release, the band resumed touring internationally, building a reputation for energetic performances that supported the album's reception.[19] In 2023, Snapped Ankles issued the Blurtations EP on April 22 for Record Store Day, limited to 1,200 yellow vinyl copies, consisting of covers paying homage to the surrealist post-punk band Blurt, including "Planet You" with an accompanying video released in March.[20] [21] This release extended themes from Forest of Your Problems, emphasizing their archival influences amid sporadic live dates.[19] A companion Parasite Sessions edition of the 2021 album followed on February 2, 2024, featuring additional tracks such as "The Limits of Growth" derived from the original sessions.[22] The band's output intensified in 2025 with their fourth studio album, Hard Times Furious Dancing, released March 28 via The Leaf Label, marking a shift toward more explicit political critique through motorik rhythms and calls for communal resistance via dance.[23] [24] Singles preceding it included "Raoul" in January, "Pay the Rent" in February, and "Smart World," highlighting tracks optimized for live delivery.[25] A live album, Dancing In Transit: Live 2025, capturing performances of these songs, followed on July 18.[26] This period saw their most ambitious touring schedule, encompassing a UK and European run starting in Essen, Germany, with dates through October and November, including shows in Penzance, Falmouth, and Angers.[27] [28]Musical style and influences
Core elements and instrumentation
Snapped Ankles' music centers on a fusion of electronic post-punk and krautrock, characterized by metronomic rhythms, oscillating synthesizers, and driving bass lines that create hypnotic, groove-oriented tracks.[29][30] Their sound emphasizes high-energy organic-rave elements, blending analogue electronic textures with percussive intensity to evoke primal, ritualistic propulsion.[30] This core approach draws from influences like Kraftwerk's analogue innovations, prioritizing tangible, hands-on instrumentation over purely digital production.[30] The band's instrumentation revolves around a four-member core lineup, augmented by occasional additional performers, enabling a machine-like rhythmic foundation.[30] Key components include guitars for jagged riffs, bass for saw-toothed lines, heavy drums for fills and grooves, and old-school analogue synthesizers such as the Roland SH-09 for spiky leads and arpeggios.[29] Distinctive to their setup are homemade log synths—primitive DIY percussion synthesizers mounted on wooden logs or chunks, which produce velocity-sensitive, unpitchable tones merging organic percussion with electronic noise.[29][30] These handcrafted elements, developed as a reaction against digital sterility, incorporate vintage synth circuits and hand percussion, often played with sticks to yield random, tactile sounds during live jams.[30] Loop pedals and effects further layer dreamy atmospheres over the foundational beats.[29] This setup facilitates unstructured drum-led jam-outs that evolve into structured synth-driven compositions, underscoring a balance between chaos and precision in their post-punk framework.[30] The log synths, in particular, serve dual purposes as both sonic generators and performative props, reinforcing the band's woodland-derived aesthetic while enabling immersive, processional live dynamics.[29]Thematic content and lyrical approach
Snapped Ankles' thematic content centers on the tension between primal nature and encroaching modernity, often framed through their self-constructed woodland mythology where urban expansion represents existential threat to organic existence. In their debut album Come Play the Trees (2017), lyrics depict the city "encroaching on the forest," with nature positioned as a force reclaiming territory amid social decay, as in repeated invocations of diminishing control and economic hardship: "It's getting harder to be in control / It's getting harder to be on the dole."[31][32] This narrative critiques gentrification and capitalist overreach, portraying woodland entities—evoking the woodwose folklore of wild forest dwellers—as resistors against sterile development.[33] Subsequent works extend this to broader societal indictments, including wealth disparities and environmental depletion. On Forest of Your Problems (2021), "Shifting Basslines of the Cornucopians" addresses resource hoarding by elites, while other tracks like "Undilated Lovers" scrutinize the super-rich's self-preservation amid collapse.[34][35] Their 2025 album Hard Times Furious Dancing escalates to condemn resource waste in "decaying society," urging rationing and calculation in the face of systemic failure.[36] Themes of paranoia, suburban horror, and apocalyptic voids recur, blending ecological alarm with human frailty.[37][38] Lyrically, Snapped Ankles employ a surreal, recited style that aligns with their ritualistic sound, often drawing on cinematic references and abstract structures to evoke unease and invitation to primal release.[5] Delivery glides across vocal registers with precision, integrating filmic motifs and voodoo-inspired problem-solving imagery to heighten the shamanistic tone, as in inspirations from African divination cards.[39][30] This approach resists straightforward narrative, favoring chanted urgency and mythological allegory to confront contemporary ills like inequality and alienation without didacticism.[37]Persona and aesthetics
Anonymity and woodland mythology
Snapped Ankles cultivate anonymity by performing in elaborate ghillie suits adorned with moss, branches, and verdant masks that obscure individual features, rendering members indistinguishable and emphasizing a collective forest entity over personal identities.[40][41] While pseudonyms such as Austin for vocals and guitar, Chestnutt for keyboards, and Zampirolo for drums are used in communications, the band avoids disclosing full real names—though vocalist Austin has been identified as Paddy Austin in select interviews—to sustain the mystique of elusive woodland inhabitants.[42][40] This approach strips away conventional musician egos, allowing the group to embody a primal, non-human presence that transcends individual recognition.[41] Central to their persona is a self-constructed woodland mythology drawing from English folklore's woodwose—mythical wild men of the woods—and pagan traditions, positioning the band as ancient forest dwellers who have infiltrated urban spaces.[40][30] They claim descent from trees, maintaining "feral energy" amid London's gentrification, with instruments like log-based synthesizers reinforcing this origin as artifacts scavenged from ancient woods.[43] The narrative evokes primeval fears of nature, as articulated by Austin: "the idea of the man from the forest who brought with him this fear of the forest and fear of nature," blending threat with allure to critique modern disconnection from ecology.[42] Influences include pagan deities, Morris dancing, and occult rituals, infusing their aesthetic with shamanistic urgency against anthropocentric encroachment.[41] This mythology evolves across releases, from the arboreal summons of Come Play the Trees (2017) to the imperiled groves of Forest of Your Problems (2021), framing their output as communiqués from a besieged natural realm.[40]Visual and performative identity
Snapped Ankles cultivate a distinctive visual identity rooted in woodland mythology, performing in elaborate costumes that evoke primal forest dwellers. Members don ghillie suits constructed from natural materials like twigs and foliage, complemented by face masks, antlers, and other elements mimicking mythical creatures such as the woodwose or Sasquatch-like figures.[11][41] This attire serves to obscure individual identities, fostering an air of anonymity and collective persona that aligns with their thematic exploration of nature and urban disconnection.[6][30] Their performative style integrates performance art, transforming stages into immersive woodland environments through custom instrumentation, including synthesizers fashioned from logs and decayed wood. These props not only produce sound but also reinforce the visual narrative of organic, shamanistic rituals, blending post-punk energy with ritualistic movements and environmental symbolism.[29][11] Live shows often feature hypnotic, repetitive actions that draw audiences into a simulated forest realm, emphasizing themes of primal instinct over polished rock conventions.[44] While full costumes were standard in early performances, later shows have occasionally scaled back due to practical issues like odor accumulation, yet the core aesthetic of nature-infused otherworldliness persists.[45]Live performances
Stage setup and energy
Snapped Ankles construct their stage setups to immerse audiences in a woodland mythology, featuring band members clad in ghillie suits that mimic camouflaged forest dwellers, often evoking figures from folklore like Krampus or mummers.[46][47] Custom instruments, including log synths carved from tree trunks and other homemade devices, integrate into the scenery as both functional tools and symbolic elements, blurring lines between performance art and music.[7] Early warehouse gigs eschewed traditional stages, opting for immersive installations that encouraged direct audience interaction without barriers.[48] Live shows radiate a primal, collective energy driven by tribal electronica rhythms that build to shamanistic intensity, channeling motorik propulsion akin to krautrock pioneers.[41] The band's manic delivery fosters an unhinged, trance-like atmosphere, with elongated improvisations and high-volume propulsion that propel crowds into synchronized movement.[49] This fervor, sustained through relentless beats and theatrical lighting, transforms venues into ritualistic spaces, emphasizing communal release over individual spotlighting.[50]
Evolution and challenges
Snapped Ankles' live performances originated in 2011 within East London's warehouse art scene, where they soundtracked films and events in unconventional spaces such as Epping Forest car parks, hairdressers, and skate bowls, emphasizing elastic, mood-driven sets over rigid structures.[7][29] By 2017, following the release of their debut album Come Play The Trees, their shows evolved into more stabilized motorik rock performances, incorporating homemade log synths, jagged guitars, and krautrock elements while retaining a forest monster aesthetic with lightweight pagan-inspired suits.[7] This progression allowed for greater audience engagement, including off-stage processions, additional live drummers, and direct crowd interactions, such as members entering the audience during tracks like "Dancing In A State Of Possession."[29] Over time, the band adapted their theatrical setup for practicality, shifting from full foliage costumes—which became unusable due to odor after a single gig—to sharper suits and boilersuits, while maintaining DIY instrumentation like bark-covered synths to evoke woodland mythology.[45] Post-2020, they reworked material for live contexts after lockdown delays, focusing on ecological production elements like recycled vinyl to align with their themes, and expanded to larger UK tours, culminating in their biggest 2025 headline run including Fabric in London.[45][51] Key challenges included overcoming venue-imposed barriers like safety fences that hindered their experimental format, as well as logistical demands of transporting and maintaining custom organic-electronic instruments.[29] The COVID-19 pandemic interrupted touring for a band reliant on live energy, delaying album production by six months despite continued studio work in their woodland setup.[52][45] More recently, financial strains from the cost-of-living crisis and Brexit—reducing EU opportunities for nearly 50% of UK musicians—prompted the 2025 GoFundTrees campaign to subsidize tour bus costs through fan donations, HIIT sessions, and merch sales.[51][53]Discography
Studio albums
Snapped Ankles' debut studio album, Come Play the Trees, was released on 29 September 2017 by The Leaf Label, featuring 10 tracks that established the band's experimental post-punk sound with woodland-inspired motifs.[31][54] The sophomore effort, Stunning Luxury, followed on 1 March 2019 via the same label, comprising 12 songs that intensified the group's krautrock and dance-punk elements, recorded amid heightened live performance demands.[14][15] Their third album, Forest of Your Problems, emerged on 2 July 2021, with 11 tracks addressing themes of environmental and societal decay through rhythmic, synth-driven compositions.[16][17] The fourth studio release, Hard Times Furious Dancing, arrived on 28 March 2025, delivering 11 pieces that blend urgent percussion and electronic pulses to critique modern economic pressures.[23][55]| Album | Release date | Label |
|---|---|---|
| Come Play the Trees | 29 September 2017 | The Leaf Label |
| Stunning Luxury | 1 March 2019 | The Leaf Label |
| Forest of Your Problems | 2 July 2021 | The Leaf Label |
| Hard Times Furious Dancing | 28 March 2025 | The Leaf Label |
Extended plays and live releases
Snapped Ankles released their debut extended play, The Best Light Is the Last Light, on June 30, 2017, through The Leaf Label.[56] The four-track EP, issued as a limited-edition 12-inch vinyl at 45 RPM, featured original compositions including "Jonny Guitar Calling Gosta Berlin" and "Fukushima Failure," building on the band's early post-punk and synth-driven sound following their initial single "I Want My Minutes Back."[57][58] In 2018, the band issued Violations, a covers-focused EP released initially on April 21 via their official shop, with a Record Store Day edition on June 29 through The Leaf Label.[59][60] The 12-inch vinyl EP reinterpreted tracks such as The Slits' "CIA Man (NSA Man Violation)" and Primal Scream's "Energy Flash (Dancing in a Hyperbolic Time Chamber Violation)," drawing from influences in punk and electronic music to explore the band's "violated" takes on favorites from their sonic library.[61][62] Blurtations, another EP of cover versions honoring the post-punk band Blurt, followed on April 22, 2023, as a Record Store Day exclusive limited to 1,200 yellow vinyl copies worldwide via The Leaf Label, with digital and further availability on May 6.[20][21] The six-track 12-inch release included reinterpretations like "Alouette" and "Machina Machina," extending the band's tradition of homage seen in Violations while aligning with their experimental ethos.[63] The band's first live release, 21 Metres to Hebden Bridge, documented a 2019 performance at Hebden Bridge Trades Club and was issued in November 2020.[64][65] This eight-track album captures the raw energy of their sold-out shows, featuring live renditions of tracks such as "Let's Revel" and "I Want My Minutes Back," presented as a "ragged-edged document" of their touring intensity during that period.[66][67] In 2025, Snapped Ankles released Dancing In Transit: Live 2025 on July 18, comprising seven live recordings from performances supporting their album Hard Times Furious Dancing.[26][68] Tracks like "Pay the Rent (Live)" and "摆烂 Bai Lan (Live)" highlight the band's stage adaptations, available initially as a pay-what-you-feel digital download and later in formats including cassette.[69][70]Singles and compilations
Snapped Ankles' singles typically serve as album teasers or independent statements, blending post-punk rhythms with electronic elements, and have been issued via independent labels starting with self-releases and later The Leaf Label. Their early output includes "True Ecology (Shit Everywhere)", a 2012 single on Ears Have Eyes Recordings that established their raw, woodland-infused sound.[1] In 2015, the band self-released the 7-inch single "I Want My Minutes Back" on white label vinyl, critiquing digital surveillance; it gained wider distribution upon reissue by The Leaf Label in 2017.[1] Later singles expanded their thematic range. "Drink and Glide" appeared as a Leaf Label single tied to promotional efforts, while "Barbecue in Brazil" emerged as a 2022 standalone track satirizing ecotourism's environmental hypocrisy, released post their 2021 album Forest of Your Problems.[71][72] In support of their 2025 album Hard Times Furious Dancing, singles included "Smart World" on March 18, addressing AI's societal encroachment, alongside "Pay The Rent" and "Raoul".[73][3]| Title | Release Year | Label | Notes |
|---|---|---|---|
| True Ecology (Shit Everywhere) | 2012 | Ears Have Eyes Recordings | Debut single |
| I Want My Minutes Back | 2015 (self), 2017 (reissue) | Self-released / The Leaf Label | 7" vinyl, surveillance theme |
| Drink and Glide | ca. 2019 | The Leaf Label | Promotional single |
| Barbecue in Brazil | 2022 | The Leaf Label | Standalone, ecotourism critique |
| Smart World | 2025 | The Leaf Label | AI-themed, album lead |
| Pay The Rent | 2025 | The Leaf Label | Album single |
| Raoul | 2025 | The Leaf Label | Album single |