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Snoopy! The Musical
Snoopy! The Musical
from Wikipedia
Snoopy!
The Musical
Showbill cover of the original Off-Broadway production
MusicLarry Grossman
LyricsHal Hackady
BookWarren Lockhart
Arthur Whitelaw
Michael Grace
BasisCharles M. Schulz's comic strip Peanuts
Productions1975 San Francisco
1982 Off-Broadway
1983 West End
2003 West End revival

Snoopy: The Musical is a 1975 American musical comedy with music by Larry Grossman, lyrics by Hal Hackady, and a book by Warren Lockhart, Arthur Whitelaw, and Michael Grace. The characters are from the Charles M. Schulz comic strip Peanuts. This sequel to the musical You're a Good Man, Charlie Brown focuses more on the life of Snoopy. Since its premiere, the musical has been a popular choice for regional, international, and amateur theatre performances.

Productions

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Original San Francisco

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Snoopy: The Musical premiered on December 9, 1975 at the Little Fox Theatre in San Francisco, California. Directed by Arthur Whitelaw, featured Don Potter as the title role. The costume design is by David Graden, with lighting by Ken Billington, orchestrations and vocals by Laurence J. Blank, produced by John Anderson, and choreography by Marc Breaux. The show opened to mixed reviews, not quite as critically acclaimed as You're a Good Man, Charlie Brown. The show closed on July 5, 1976.[1][2]

New York

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The musical was produced Off-Broadway at the Lamb's Theatre opening December 20, 1982. Directed by Whitelaw, with David Garrison as Snoopy. The show performed 152 performances until it closed on May 1, 1983. The crew included Paul D. Hughes, Martin Markinson, Gene Persson, and Donald Tick as producers, Ronald Melrose as musical director, Marc Breaux returning as choreographer, David Graden returning as costume and set design, Ken Billington returning as lighting designer, James Walsh as general manager, Richard Humleker and C. George Willard as press representatives, and Melissa Davis as production manager. The Off-Broadway received similar reviews to the San Francisco production. Later, when Lorna Luft replaced Peppermint Patty, a new song was written for her, entitled "Hurry Up, Face". This song was used in later productions, including the West End.

A benefit concert presentation of Snoopy! was held at the Peter Norton Symphony Space in Manhattan, New York City, on April 12, 2004.[3] Directed by Ben Rimalower, with Christian Borle starring in the title role, with Broadway star Sutton Foster as Peppermint Patty.

Toronto

[edit]

The musical was first produced legitimately in Canada by the Toronto Civic Light Opera Company in January 1983. Directed by Joe Cascone, the cast starred Brad Donovan as the title role. The company revived the show in 1995 with Cascone now playing the title role.

London

[edit]

The musical first opened previews September 16, 1983. The musical ran at the West End Duchess Theatre, opening September 20, 1983[4] and starred Teddy Kempner as Snoopy.[5] The show closed on November 11, 1984, after 479 performances. Snoopy!!! was critically acclaimed, and was a success, leading to a revival in 2003.

Snoopy was revived at the West End Jermyn Street Theatre in February 2003 for 14 performances.[6] It was directed by Joseph Pitcher and featured Stephen Carlile as Snoopy and Neil Gordon-Taylor as Charlie Brown. The musical ran at the New Players Theatre in London, in July 2004, with several cast members from the Jermyn Street production and again directed by Whitelaw, the original director. Robin Armstrong replaced Snoopy, and Stephen Kynman replaced Charlie Brown.[7][8]

Brisbane, Australia

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The musical played at The Queensland Performing Arts Center in The Cremorne Theatre, Brisbane (The Queensland Theatre Company) from October through December 1986. It then transferred to The Gold Coast in January 1987. Directed by Greg Gesch, starring Jack Webster as Snoopy, Patrick Phillips as Charlie Brown and Zoe Bertram as Lucy.

San Marcos, Texas

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A revised version, under the name The World According to Snoopy came to Texas State University from February 14–19, 2017.[9] The musical was directed by Kaitlin Hopkins and starred a cast of students. Grossman was directly involved with this production: besides revising the book and adding or removing songs, Grossman collaborated with Andrew Lippa (who had previously contributed new music to the 1999 Broadway revival of You're a Good Man, Charlie Brown) on the new song "Husband Material".[10]

Cape Town, South Africa

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The musical ran at the Artscape Arena in Cape Town, South Africa in February 2018, starring Jaydon Farao in the title role of Snoopy. The musical was produced by G&S, directed by Darryl Spijkers, musical direction by Kathy Lin, Set Design by Waldo Buckle and Zain Cassiem and Costume Design by David Pamplin.

Synopsis

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The show is a "series of self-contained vignettes".[6]

Act I

As the curtain rises, each character enters and finds Snoopy atop his doghouse, and they all describe "The World According To Snoopy". Later, Lucy and Charlie Brown have a brief discussion of why he has chosen Snoopy for a pet ("Snoopy's Song"), which almost leads to Lucy getting Charlie Brown to buy a new pet. Snoopy, hoping to please his owner, decides to try to follow Charlie Brown's directions better. Meanwhile, Woodstock begins his day ("Woodstock's Theme"), but to his dismay, he seems to have fallen in love with a worm. Peppermint Patty has similar problems with love, wishing that she could be prettier to impress Charlie Brown ("Hurry Up, Face").

In school, the group hopes that the teacher will not call on them to answer a question about the famous poet Edgar Allan Poe. The girls are having trouble, while the boys are confident ("Edgar Allan Poe"). Linus says everything correct, with Charlie Brown saying the opposite. On Mother's Day, Snoopy reflects on how much he misses his lost mother ("Mother's Day"). Meanwhile, Sally, Peppermint Patty, and Lucy have a happy discussion on what they've learned in their lives ("I Know Now").

On Halloween, Linus, along with a reluctant Snoopy, awaits the arrival of the Great Pumpkin in the pumpkin patch ("The Vigil"). To his dismay, the great pumpkin never arrives, like every year. The next morning, the group looks up at the clouds where they imagine Mount Rushmore, dragons and twenty milk-white horses ("Clouds"), but when asked what he sees, Charlie Brown can only sadly say, "A horsie and a duckie."

Snoopy enters as the Easter Beagle to hand out bright Easter eggs to everyone, except Charlie Brown. A dejected Charlie Brown, musing on the new independence of his pet, is left alone ("Where Did That Little Dog Go?"). Similar events progress, and Lucy, Peppermint Patty, and Sally try to sell Snoopy for less than a dime ("Dime a Dozen"), though Snoopy is quick to realize that he must mend his ways and wishes that he could start over ("Daisy Hill").

Life soon goes back to normal and the gang seems to have forgotten those events. They are however, beginning to think, as Lucy says, that they live "in the most boring place in the whole stupid world!", all of them asking the same question, if anything good will happen. They decide to organize a party, but Snoopy isn't allowed. Snoopy decides he will have his own party and still will have a fun time ("When Do the Good Things Start?")

Act II

The show reopens with the whole gang thinking about how friends help each other all the time ("Friend"). Unfortunately, Playbeagle (a play on Playboy) has decided not to publish Snoopy's manuscript, but Snoopy's spirits remain undaunted even amid the throes of rejection, as he begins his new story ("The Great Writer"). The story is only a spoof off classic movies, and is rejected by the writers. Later, Peppermint Patty expresses her love for Charlie Brown ("Poor Sweet Baby"), but soon says that "it'll never happen" out of embarrassment. Sally asks Linus if he can go to the movies, but he rejects. However, Sally is still confident that one day Linus will marry her ("Husband Material")

Sally, seeing leaves fall from a tree, remarks that there is something to learn from the cycle of life ("Don't Be Anything Less Than Everything You Can Be"). While sitting atop his doghouse, Snoopy receives a letter delivered by Woodstock: he has become Head Beagle. Snoopy celebrates his success happily, ready for anything ("The Big Bow-Wow").

Later, the gang begins a discussion of Christmas and innocence. Then, looking up at the starry sky, Charlie Brown remarks "I think that there must be a tiny star out there that is my star." They reflect on their friendships and realize that if one person changes their world, they might as well be friends forever ("Just One Person"). Linus remarks to Charlie Brown, "Well, as Lucy always says, he isn't much of a dog." Snoopy replies, "But, after all, who is?" After the show, a bow is sung with a reprise of "Don't Be Anything Less Than Everything You Can Be".

Musical numbers

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† Added for the West End production and later
††Not included in the original cast recording
(†) Added for the Off-Broadway production
‡ Act one finale from 1975 to 1982; Not included in any productions from 1982 to 2017
⹋ Added for the San Marcos production; Music by Larry Grossman and lyrics by Andrew Lippa

Major production casts

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Character San Francisco
(1975)
Off-Broadway
(1982)
West End
(1983)
West End revival
(2003)
Snoopy Don Potter David Garrison Teddy Kempner Stephen Carlile
Charlie Brown James Gleason Terry Kerwin Robert Locke Neil Gordon-Taylor
Lucy van Pelt Janell Pulis Kay Cole Zoë Bright Sarah Lark
Linus van Pelt Jimmy Dodge Stephen Fenning Mark Hadfield Stuart Piper
Sally Brown Randi Kallan Deborah Graham Susie Blake Clare Louise Connolly
Peppermint Patty Pamela Myers Vicki Lewis Nicky Croydon Kellie Ryan
Woodstock Cathy Cahn Anthony Best Alex Woodhall

Notable cast replacements

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Off-Broadway

Recordings

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Around 1976, the original cast album was released with all songs from the original production. The musical was re-released on CD in 1991, while on digital in 2000, with a strange glitch making all the songs in caps lock.

Snoopy!!! The Musical: Original Cast Recording
Soundtrack album cast recording by
Original Cast of Snoopy!!!
Released1976 (1976)
RecordedSeptember 7, 1975
StudioWally Heider Studios, San Francisco
Genre
Length41:09
LabelDRG Records
ProducerLarry Grossman and Jim Ed Norman

All tracks are written and composed by Larry Grossman and Hal Hackady.

No.TitleLength
1."Overture" / "The World According to Snoopy"2:03
2."Woodstock's Theme"0:49
3."Edgar Allan Poe"2:39
4."I Know Now"2:30
5."The Vigil"3:21
6."Clouds"2:55
7."Where Did That Little Dog Go?"2:31
8."Daisy Hill"2:49
9."Friend"3:48
10."The Great Writer"6:04
11."Poor Sweet Baby"3:05
12."Don't Be Anything Less Than Everything You Can Be"2:55
13."The Big Bow-Wow"2:57
14."Just One Person"2:43
Total length:41:09
Snoopy!!! The Musical: Original London Cast Recording
Soundtrack album cast recording by
Original London Cast of Snoopy!!!
Released1983 (1983)
RecordedSeptember 12, 1983
StudioAbbey Road Studios, London
Genre
Length57:02
LabelThat's Entertainment Records
ProducerNorman Newell

In 1983, the original West End original cast album was released. In 1998, it was released on CD, and in 2004, it was released on digital. The cast recording had the new songs for the West End production, including "Hurry Up, Face" from the 1982 Off-Broadway production. All tracks are written and composed by Larry Grossman and Hal Hackady. In 2018, in the collection Broadway to West End highlights from the original cast album were released, excluding "Overture", "Woodstock's Theme", "Hurry Up, Face", "Mother's Day", "The Vigil", "Dime a Dozen", "When Do the Good Things Start?", "Entr'acte", and "Don't Be Anything Less Than Everything You Can Be" (reprise).

No.TitleLength
1."Overture"3:08
2."The World According to Snoopy"1:41
3."Snoopy's Song"2:20
4."Woodstock's Theme"0:35
5."Hurry Up, Face"2:17
6."Edgar Allan Poe"2:50
7."Mother's Day"3:36
8."I Know Now"3:07
9."The Vigil"3:35
10."Clouds"2:54
11."Where Did That Little Dog Go?"2:33
12."Dime a Dozen"2:03
13."Daisy Hill"3:17
14."When Do the Good Things Start?"3:54
15."Entr'acte"1:51
16."The Great Writer"6:04
17."Poor Sweet Baby"3:20
18."Don't Be Anything Less Than Everything You Can Be"2:47
19."The Big Bow-Wow"3:25
20."Just One Person" / "Don't Be Anything Less Than Everything You Can Be Reprise"3:36
Total length:57:02

Response

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Reviewing the Off-Broadway production during its Boston tryout, Carolyn Clay of The Boston Phoenix said that the show "is small and cute and very eager; there is just more whimsy than meat on this pup's bones." Clay was particularly miffed at the lead character's attenuated appearances: "rather than hoof himself dog-tired in the service of art, [Snoopy] grants his presence judiciously, particularly in the show's wearyingly jejune first act — the low point of which comes when Snoopy’s canary chum Woodstock, played by Cathy Cahn, turns out to be a mime (perhaps the cat has her tongue)."[11]

In his review of the 1982 Lamb's Theatre production, Mel Gussow wrote: "If the musical [Snoopy!!!] were nose-to-nose with Mr. (David) Garrison's performance, it would be a subject for celebration. Sadly, this sequel ...is a hand-me-down...the show meanders all over play-school country. The book, which is credited to three individual writers as well as a task force called 'Charles M. Schulz Creative Associates' is a pastepot of Peanuts dialogue that wanders into various other neighborhoods in order to accommodate the score."[12]

In the 1983 West End production The Guardian reviewed "The astringency of the jokes is belied by Hal Hackady's lyrics which place great stress on the American success ethic... This innocent-looking revue certainly makes its point that the child is father of the wisecracking man; but I still can't help feeling that brevity is the soul of strip".

In reviewing the 2004 London production, the Whats On Stage reviewer noted "...this is a show for all ages and all seasons - and as a sunny summer's entertainment, could hardly be bettered. The musical retains the fast, sharp comic appeal and instantly recognisable characterisations of the line-drawing originals, but also irresistibly brings it to human form by buoying up its snapshot scenes with the tuneful ease of the light, bright melodies of composer Larry Grossman's settings to Hal Hackaday's apt, witty lyrics."[6]

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Snoopy! The Musical is an American musical comedy based on Charles M. Schulz's beloved Peanuts comic strip, with music by Larry Grossman, lyrics by Hal Hackady, and book by Warren Lockhart, Arthur Whitelaw, and Michael Grace. Premiering on December 9, 1975, at the Little Fox Theatre in San Francisco, California, under the direction of Arthur Whitelaw, the production starred Don Hovanec as Snoopy, Barry Ford as Charlie Brown, and Camillo Garcia as Linus. The show serves as a sequel to the earlier Peanuts musical You're a Good Man, Charlie Brown, presenting a collection of lighthearted vignettes that explore the everyday lives, dreams, and humorous predicaments of the Peanuts gang through song and dance. A revised version, The World According to Snoopy, premiered in 2017 at Texas State University. The musical's structure emphasizes Snoopy's imaginative worldview from atop his doghouse, where he embodies personas like the battling the Red Baron or a philosophical storyteller, while interacting with friends including , , , Sally, , and Woodstock. Key songs such as "Just One Person," "Poor Sweet Baby," and "Don't Be Anything Less (Than Everything You Can Be)" highlight themes of , aspiration, and , blending witty humor with heartfelt moments in a runtime of approximately two hours. Designed for a small cast of seven adult performers portraying the child characters and animals, it has become a staple for regional, educational, and youth theater productions due to its family-friendly appeal and adaptable staging. After its initial run, Snoopy! The Musical gained wider recognition with an production in 1982 at the Lamb's Theatre, featuring as . The following year, it transferred to London's West End, opening at the on September 20, 1983, with Kempner in the title role. This production ran successfully for over a year and received critical acclaim, nominated for the Award for Best New Musical, with Kempner receiving a for in a Musical. Since then, the musical has seen numerous revivals worldwide, including a 2004 London production at the New Players Theatre and ongoing international stagings, solidifying its enduring popularity as a joyful adaptation of Schulz's iconic characters.

Development

Creation and Creative Team

Snoopy!!! The Musical features a book written by Warren Lockhart, Arthur Whitelaw, and Michael L. Grace in collaboration with Creative Associates, music composed by Larry Grossman, and lyrics by Hal Hackady. Grossman, known for his work on Broadway scores, brought a playful and melodic style to the production, while Hackady's witty lyrics captured the whimsical essence of the characters. The creative team aimed to expand on the universe established in earlier adaptations, focusing on Snoopy's imaginative adventures. Conceived as a to the 1967 musical You're a Good Man, , the show began development in the early , drawing directly from Charles M. 's beloved for its source material. , through his creative associates, played a key role in approving the adaptation to ensure fidelity to the characters and themes he had created since 1950. This involvement helped maintain the strip's signature humor and heart, allowing the musical to authentically extend Snoopy's world beyond the original stage production. The first performances occurred in 1975, marking the beginning of its journey from workshop to full production. The musical premiered on December 9, 1975, at the Little Fox Theatre in , , where it ran until July 5, 1976, providing an extended tryout period for refinement. Directed by co-book writer Arthur Whitelaw, the initial run served as a crucial workshopping phase, during which the creative team revised the structure and songs based on audience feedback and internal reviews. For instance, the number "Friend" was ultimately dropped following the premiere to streamline the narrative flow. These adjustments strengthened the show's pacing and emotional impact, setting the stage for future productions.

Relation to Peanuts and Predecessor Musical

Snoopy! The Musical is a stage adaptation derived from the characters and scenarios in Charles M. Schulz's comic strip Peanuts, which debuted in 1950 and became one of the most widely syndicated newspaper comics. The musical draws on vignettes inspired by the strip's depictions of holidays, such as Mother's Day, and the everyday adventures of Snoopy and the Peanuts gang, including Woodstock and Peppermint Patty. Serving as a direct sequel to the 1967 musical You're a Good Man, Charlie Brown, Snoopy! The Musical shifts the narrative emphasis from Charlie Brown as the central protagonist to Snoopy, highlighting the beagle's personality and escapades as the focal point. Both productions utilize a revue-style format composed of interconnected sketches and songs that evoke the episodic nature of the Peanuts comic strips, but Snoopy! The Musical incorporates additional fantasy elements rooted in Snoopy's imaginative worldview, such as his literary aspirations depicted in the song "Edgar Allan Poe." Key differences include a longer runtime of approximately two hours (120 minutes) compared to its predecessor, a larger song count ranging from 15 to 18 numbers depending on the production version, and the addition of more ensemble pieces featuring the full ensemble.

Productions

Original and Early U.S. Productions

The original production of Snoopy!!! The Musical premiered on December 9, 1975, at the Little Fox Theatre in , . Directed by co-author Arthur Whitelaw, the show featured a cast led by Don Potter as and as , and it ran until September 6, 1976, spanning nearly nine months and establishing the musical as a viable to You're a Good Man, Charlie Brown. After a period of development, the musical received revisions to its book and opened at the Lamb's Theatre on December 20, 1982, once again under Whitelaw's direction. This New York staging, with in the lead role of , addressed pacing issues from the original by streamlining vignettes for a more concise structure suited to urban audiences. The production completed 152 performances before closing on May 1, 1983. Both runs attracted strong family attendance, reflecting the enduring appeal of Charles M. Schulz's characters, though the Off-Broadway engagement faced competitive pressures in a crowded theater season, limiting its box office longevity compared to the extended engagement.

West End and International Premieres

Following the success of its Off-Broadway run in New York, ! The Musical transferred to 's West End, opening at the on September 20, 1983, under the direction of Arthur Whitelaw. The production starred Teddy Kempner as and ran for 479 performances, closing on November 11, 1984. To suit the British audience, the London version incorporated new songs, including "," performed by reflecting on his absent mother, as featured on the original London . Prior to the West End transfer, the musical achieved its Canadian in January 1983, produced by the Toronto Civic Light Opera Company and directed by Joe Cascone. This staging marked the show's first legitimate professional outing outside the and enjoyed a brief run, introducing characters to Canadian theatergoers through local performers. The Toronto Civic Light Opera Company revived the production in 1995, with Cascone taking on the role of alongside actors such as Julie Lennick as . The musical reached with its premiere at the Cremorne Theatre in Brisbane's , presented by the Queensland Theatre Company from October 28 to December 13, 1986. Featuring an all-Australian cast, the production emphasized the whimsical ensemble dynamics of the gang and transferred briefly to the Gold Coast Arts Centre in Surfers Paradise for January 1987 performances. This outing highlighted the show's adaptability to international stages while preserving its core humor rooted in Charles M. Schulz's .

Regional and Recent Revivals

Following the initial professional productions of the 1980s, Snoopy! The Musical has seen a resurgence through regional, educational, and amateur stagings, particularly in the and 2010s, facilitated by licensing agreements that make the show accessible for non-professional venues. A notable early revival in this vein was a one-night presentation on April 12, 2004, at the Symphony Space in , directed by Ben Rimalower and benefiting the Pied Piper Children's Theatre; the cast featured Broadway stars including as Sally, as , as , and as . This trend toward increased amateur and educational mountings has been supported by Concord Theatricals, which handles licensing for the original, West End, and revised versions of the musical, enabling broader access for schools, community theaters, and youth programs worldwide. In 2017, a significantly revised edition titled The World According to Snoopy—developed by director , musical director Adam Cates, and composer Larry Grossman—premiered at in , running February 14–19; this workshop production incorporated new material, including the song "Husband Material," to update the story for contemporary audiences while retaining the characters' core dynamics. The musical continued to expand internationally with its first African production in February 2018 at the Artscape Arena in , , presented by Artscape and the Suidoosterfees festival; this staging featured a diverse South African cast, including Jaydon Farao as and Craig Morris as , and included additional songs from the expanded version such as "Hurry Up, Face" and "." Recent years have highlighted ongoing educational and youth-focused revivals, such as the 2019 mounting by the Original Kids Theatre Company in the United States, the 2021 production by ThinkTank Theatre (a youth-oriented company) in , from May 7–16 at Stageworks Theatre, and the July 19–28, 2024, staging by Santa Monica College's Theatre Arts Department in . These efforts underscore the show's enduring appeal for training young performers and engaging new generations with Charles M. Schulz's characters through accessible, community-driven interpretations.

Plot Summary

Act One

The first act of Snoopy! The Musical unfolds as a series of interconnected vignettes centered on 's imaginative worldview, introducing the core ensemble through their daily interactions and quirks. It opens with the characters—, , , Sally, , and Woodstock—entering the stage and discovering perched atop his doghouse, as they collectively paint a picture of his unassuming yet fantastical existence. From 's elevated perch, the audience glimpses his fantasies of grandeur, blending the mundane routines of his human companions with his own heroic daydreams, setting a tone of whimsical observation. Snoopy's relationships with the gang emerge through lighthearted yet poignant scenes that highlight their bonds and tensions. Charlie Brown reflects on his choice of Snoopy as a , while Lucy pressures him to consider a replacement, prompting Snoopy to redouble his efforts to obey commands in hopes of proving his worth. Peppermint Patty's morning pep talk to herself underscores her tomboyish energy and unrequited crush on , while Woodstock's introductory antics reveal his playful loyalty to Snoopy, including a brief with a worm that emphasizes their non-verbal companionship. In a schoolroom vignette spoofing literary dread, the children collectively dread reciting facts about , showcasing Linus's intellectual depth, Lucy's bossiness, and the group's shared childhood anxieties. Further vignettes deepen the character introductions and thematic layers, weaving humor with subtle melancholy drawn from ' everyday struggles. On , wistfully recalls his lost mother at the Daisy Hill Puppy Farm, introducing his of abandonment and resilience; the London production includes a dedicated song for this moment. The girls—Sally, , and —bond over simplistic life advice, contrasting the boys' more introspective moments. A Halloween sequence features enlisting a reluctant to vigil in the pumpkin patch for , capturing themes of and amid the night's eerie anticipation. The act builds toward a collective sense of boredom and longing, as the questions when excitement will arrive, underscoring the mild wistfulness beneath their playful lives while affirming 's central, imaginative role.

Act Two

Act Two opens with the ensemble's performance of "Friend," a number that examines the Peanuts characters' views on companionship and mutual support, underscoring the value of reliable relationships in their daily lives. This vignette sets a tone of camaraderie, building on the individual challenges introduced in Act One by emphasizing how the group dynamics provide emotional strength. The song features solos and harmonies from , , , Sally, , and , illustrating diverse interpretations of what constitutes a true friend. Snoopy's personal ambitions take center stage in "The Great Writer," where he embodies his fantasy as a struggling atop his doghouse, grappling with and the pursuit of literary fame. This sequence highlights his creative frustrations and imaginative escapades, including interactions with Woodstock as his editor, while weaving in humorous vignettes of holiday and personal moments. contributes a poignant reflection in "Poor Sweet Baby," expressing her vulnerabilities, followed by Sally's humorous take on her crush on in "Husband Material" and her song about self-improvement, "Don't Be Anything Less (Than Everything You Can Be)." then receives news of becoming Head Beagle in "The Big Bow-Wow," celebrating his aspirations. The act builds to a climactic ensemble reflection in "Just One Person," where the Peanuts gang contemplates individuality, hope, and the transformative power of belief from others, serving as an uplifting that integrates 's heroic fantasies with the group's shared experiences. The resolution arrives in "I Know Now," affirming the enduring bonds among , , and their friends, as they embrace life's lessons with optimism and unity, concluding the vignette-driven narrative on a note of collective warmth and acceptance.

Music and Songs

List of Musical Numbers

The musical numbers in Snoopy! The Musical feature music by Larry Grossman and lyrics by Hal Hackady throughout, except for the adapted song "I Get a Kick Out of You" from the 1934 musical . The score emphasizes 's fantasies and the gang's interactions, with some additions in later productions like the 1983 premiere and the 2017 revision. Below is the list of primary numbers by act, including brief notes on their roles in highlighting character dynamics or plot moments.

Act One

Song TitlePerformersRole/Context
OvertureOrchestraInstrumental opening that sets a whimsical tone for Snoopy's imaginative world.
The World According to SnoopyEnsembleOpening ensemble number introducing Snoopy's optimistic philosophy on life.
Hurry Up, FacePeppermint PattyPeppermint Patty's energetic solo expressing impatience and determination in her pursuits.
Edgar Allan PoeEnsemblePlayful ensemble piece where characters parody Poe's gothic style during Snoopy's writing aspirations.
The VultureCharlie Brown, SnoopyDuet exploring Snoopy's fantasy as a vulture, underscoring themes of loneliness and imagination.
Dr. LucyLucy, Charlie BrownComic duet in Lucy's psychiatric booth, satirizing therapy and sibling tensions.
I Get a Kick Out of You (adapted)Lucy, Charlie BrownAdapted Cole Porter standard used in a flirtatious therapy scene, adding humor to Lucy's bossiness.
Don't Be Anything Less Than Everything You Can BePeppermint Patty, EnsembleMotivational ensemble anthem encouraging self-improvement and ambition among the kids.
Sparky's AdviceLinusLinus's reflective solo drawing on Charles Schulz's (Sparky's) wisdom for guidance in uncertainty.
Woodstock's ThemeWoodstock, OrchestraInstrumental bird's-eye view underscoring Woodstock's supportive role as Snoopy's sidekick.
The Great PumpkinLinus, SallyDuet capturing Linus's faith in the Great Pumpkin, blending wonder and skepticism.
CloudsCharlie BrownCharlie Brown's melancholic solo contemplating daydreams and fleeting happiness.
Dancing in the RainEnsembleJoyful ensemble dance number celebrating resilience and fun amid challenges.
I Told You SoLucyLucy's triumphant solo gloating over her know-it-all persona in interpersonal conflicts.

Act Two

Song TitlePerformersRole/Context
FriendEnsembleEnsemble opener reaffirming friendships as a core Peanuts theme post-intermission.
The Great WriterSnoopySnoopy's solo delving into his authorial dreams, filled with literary parodies.
Poor Sweet BabyPeppermint PattyReflective solo in which Peppermint Patty laments Charlie Brown's predicaments, highlighting friendship and empathy.
Valentine's DaySally, LinusDuet highlighting Sally's crush on Linus during a holiday-themed romantic mishap.
Mother's DaySnoopyAdded for the London production; Snoopy's poignant reflection on maternal loss and longing.
Husband MaterialSallyAdded for the 2017 revision; Sally's humorous solo assessing boys' potential as future partners.
Just One PersonEnsembleInspirational ensemble closer emphasizing the impact of individual kindness.
FinaleCompanyReprise medley wrapping up Snoopy's adventures and the gang's unity.
BowsCompanyTraditional curtain call with reprises for audience applause.

Revisions and Additions

The London production of Snoopy!!! The Musical in 1983 introduced several additions to the original score to enhance character development and thematic depth. These included four new songs: "Hurry Up, Face," "," "Dime a Dozen," and "When Do the Good Things Start?," all composed by Larry Grossman with lyrics by Hal Hackady. "," performed by , poignantly explores his longing for his absent mother, adding an emotional layer to his backstory that was not present in the version. In 2017, a titled The World According to Snoopy premiered at in , as part of the Harrison/Bowman New Works Commission in collaboration with Theatre Under the Stars. This adaptation, with a revised book by , Adam Cates, and Larry Grossman, incorporated contemporary updates to appeal to modern audiences by streamlining the narrative and refreshing select musical elements. Key additions included the new song "Husband Material," with music by Grossman and lyrics by , which features daydreaming about future romantic prospects. These changes aimed to condense pacing without losing the characters' signature charm and wit. Across various productions, minor edits to the score have occurred to suit staging needs, such as adjustments to holiday-themed numbers like for seasonal or regional performances, allowing flexibility in runtime and audience engagement. For instance, the song "The Vulture," originally a spirited ensemble piece led by , was occasionally shortened in early runs to tighten the first act's flow. Concord Theatricals, the licensing agent for the musical, offers multiple versions—including the Original, , and The World According to Snoopy editions—enabling directors to select inclusions based on production scale, venue, and interpretive vision. This approach supports tailored stagings while preserving the core score's integrity, with options for incorporating or omitting added songs as needed.

Casts and Characters

Principal Roles and Casting Approach

Snoopy! The Musical features a compact ensemble of principal roles drawn from Charles M. Schulz's comic strip, centering on the anthropomorphic Snoopy as the lead character alongside his human companions. Snoopy is portrayed as a charismatic, imaginative, and good-natured who occasionally displays selfish, gluttonous, or lazy tendencies, requiring an actor with strong skills to embody his dog-like movements and fantastical daydreams. serves as the , depicted as a kind-hearted but insecure boy often facing misfortune, with a of B3-A5 that highlights his nervous yet optimistic demeanor. embodies the bossy and antagonistic personality, self-confident and fond of her brother and friends despite her sharp edges, sung in a Gb3-F5 range. Supporting the core group are , the intelligent and philosophical blanket-holding brother of with a ; , Charlie's sweet and innocent little sister (); and , the laid-back, athletic (). Woodstock, Snoopy's devoted and accident-prone avian sidekick, is a non-speaking, non-singing role typically performed through or by an actor of any gender. Minor characters such as Schroeder, , and others are often handled by the ensemble through doubling, allowing flexibility in productions. The casting approach emphasizes adult performers portraying the child characters, a convention rooted in the musical's origins to enable sophisticated vocal and comedic demands while evoking the whimsical innocence of the Peanuts world. Productions typically feature a small ensemble of 6-8 actors, with a balanced gender breakdown of 3 men, 3 women, and 1 role open to any gender (often Woodstock), and no dedicated chorus, promoting intimate staging and versatile doubling for secondary figures like Marcie. Recent revivals have incorporated gender-neutral casting options for greater inclusivity, particularly for roles like Woodstock and select ensemble parts.

Original and Major Production Casts

The world premiere of Snoopy!!! The Musical opened on December 9, 1975, at the Little Fox Theatre in , , running for approximately nine months. The production was directed by Arthur Whitelaw and featured a cast led by Don Potter as , James Gleason as , and Pamela Myers as , with Janell Pulis portraying . The production premiered on December 20, 1982, at the Lamb's Theatre in , running for 152 performances until May 1, 1983. Directed by Whitelaw, the cast was headed by as and Terry Kerwin as , with Kay Cole as , Vicki Lewis as , and Stephen Fenning as . The musical transferred to the West End at the in on September 20, 1983, for a run of 479 performances closing on November 11, 1984. Under Whitelaw's direction, principal roles were played by Teddy Kempner as , Robert Locke as , Zoe Bright as , Mark Hadfield as , Nicky Croydon as , and Susie Blake as . A revival opened on February 11, 2003, at the Theatre in , directed by Joseph Pitcher and running for 14 performances. The cast included Stephen Carlile as and Neil Gordon-Taylor as , with Sarah Lark as and Stuart Piper as .
ProductionSnoopyCharlie BrownLucy van PeltOther Key Roles
San Francisco (1975)Don PotterJames GleasonJanell PulisPeppermint Patty: Pamela Myers; Linus: Jimmy Dodge
Off-Broadway (1982)Terry KerwinKay ColePeppermint Patty: ; Linus: Stephen Fenning
West End (1983)Teddy KempnerRobert LockeZoe BrightPeppermint Patty: Nicky Croydon; Linus: Mark Hadfield; : Susie Blake
West End Revival (2003)Stephen CarlileNeil Gordon-TaylorLinus: Stuart Piper

Notable Performers and Replacements

One of the most prominent replacements in the production of Snoopy! The Musical occurred in February 1983, when , daughter of legendary performer , took over the role of from at the Lamb's Theatre. Luft's involvement, leveraging her established stage presence from earlier Broadway appearances, introduced a new song titled "Hurry Up Face" tailored to her portrayal, enhancing the character's athletic and tomboyish energy. Her star power as a celebrated vocalist and actress generated additional publicity for the production during its later run, drawing audiences familiar with her family legacy in entertainment. Jason Graae also served as a notable replacement in the title role of during the same engagement, bringing his acclaimed comedic timing from subsequent Broadway roles in shows like and . Graae's performance maintained the whimsical, anthropomorphic charm of the character, contributing to the show's sustained appeal amid cast transitions. In more recent regional revivals, productions have highlighted emerging talent through youth ensembles. For instance, the 2021 mounting by ThinkTank Theatre's Young Actors Ensemble in Tampa featured a cast of young performers in principal and supporting roles, such as and Woodstock, emphasizing educational opportunities for student actors in a professional setting. This approach showcased fresh interpretations while preserving the musical's lighthearted dynamics.

Recordings

Original Cast Recording

The original cast recording of Snoopy!!! The New Musical Entertainment documents the 1975 San Francisco production that opened on December 9, 1975, at the Little Fox Theatre. Released in 1976 by DRG Records on vinyl (catalog number DRG 6013), the album runs approximately 41 minutes and preserves the show's whimsical blend of music and Peanuts-inspired humor. The recording features the cast at the time of recording, with Don Potter voicing and performing as , James Gleason as , Pamela Myers as , Carla Manning as , Jimmy Dodge as , Roxann Pyle as Sally, and Alfred Mazza as Woodstock, among others. Produced by composer Larry Grossman and Jim Ed Norman, it was engineered by at Wally Heider Studios in , with musical direction by Jon Olson, orchestrations by Lawrence J. Blank, and mastering by Jack Adelman at . Faithful to the version recorded, the album contains 14 tracks, including ensemble numbers, solos, and instrumentals that highlight the musical's themes of friendship, imagination, and everyday adventures. Key songs include "The World According to Snoopy," performed by the company; "Just One Person," a poignant ensemble closer; and "Don't Be Anything Less," performed by the company.

Tracklist

  1. Overture / The World According to Snoopy – Company
  2. Edgar Allan Poe – Company
  3. Woodstock's Theme – Jon Olson, Gus Gustavson
  4. I Know Now – Pamela Myers, Roxann Pyle, Carla Manning
  5. The Vigil – Jimmy Dodge
  6. Clouds – Company
  7. Where Did That Little Dog Go? – James Gleason
  8. Daisy Hill – Don Potter
  9. Friend – Company
  10. The Great Writer (It Was a Dark and Stormy Night) – Don Potter
  11. Poor Sweet Baby – Pamela Myers
  12. Don't Be Anything Less – Company
  13. The Big Bow-Wow – Don Potter
  14. Just One Person – Company
Due to the limited run of the off-Broadway-style production, the initial vinyl pressing was small and has become a collector's item, often fetching high prices on secondary markets. The recording was reissued on CD in by DRG Records (DRG 6103), expanding its availability, and later digitized for streaming and download in the through services like .

London Cast Recording

The London cast recording of Snoopy! The Musical was released in 1983 by Records, capturing the West End production that premiered at the on September 20, 1983. It was recorded on September 12, 1983, at EMI Abbey Road Studios in , with a total runtime of 57:02. The album features the original London cast, including Teddy Kempner as , Robert Locke as , Mark Hadfield as , Nicky Croydon as , Zoë Bright as , and Susie Blake as Sally. The tracklist comprises 20 tracks (18 songs plus overture and bows), expanding on the material from the U.S. productions with additions like the new numbers "Snoopy's Song" ( and ensemble), "Hurry Up Face" (), "Mother's Day" (), "Dime a Dozen" (, , , Sally), and "When Do The Good Things Start?" (ensemble), along with extended versions of several tracks such as "The Vigil" and "The Great Writer." This longer format, at nearly 18 minutes more than the original , allowed for fuller orchestrations and additional character moments.

Tracklist

  1. Overture – Orchestra
  2. The World According to Snoopy – Ensemble
  3. Snoopy's Song – Snoopy & Ensemble
  4. Woodstock's Theme – Orchestra
  5. Hurry Up Face – Peppermint Patty
  6. Edgar Allan Poe – Peppermint Patty, Lucy, Sally, Linus, Charlie Brown
  7. Mother's Day – Snoopy
  8. I Know Now – Sally, Peppermint Patty, Lucy
  9. The Vigil – Linus
  10. Clouds – Ensemble
  11. Where Did That Little Dog Go? – Charlie Brown
  12. Dime a Dozen – Lucy, Snoopy, Peppermint Patty, Sally
  13. Daisy Hill – Snoopy
  14. When Do The Good Things Start – Ensemble
  15. The Great Writer – Snoopy
  16. Poor Sweet Baby – Peppermint Patty
  17. Don't Be Anything Less Than You Can Be – Sally, Linus, Peppermint Patty, Charlie Brown
  18. The Big Bow-Wow – Snoopy
  19. Just One Person – Ensemble
  20. Bows – Ensemble
Produced under the musical direction of Stuart Pedlar, the recording benefited from the superior acoustics and engineering at , resulting in higher fidelity compared to earlier versions and enabling broader distribution across Europe through labels like Polydor. It was reissued on CD in the 1990s, first by Jay Records in 1993 and later in 1998, preserving the album's accessibility for international audiences.

Reception

Critical Response

The critical response to Snoopy! The Musical has emphasized its whimsical charm, humorous vignettes, and memorable melodies drawn from Charles M. Schulz's characters, while often noting its lightweight narrative and episodic structure as limitations when compared to the more cohesive You're a Good Man, . The original production at the Lamb's Theatre in 1982–1983 elicited mixed reactions during its tryout and New York run. Carolyn Clay of The Boston Phoenix described it as "small and cute and very eager" yet ultimately thin in substance, though she acknowledged the appeal of its melodies. Other reviewers praised the energetic performances, particularly David Garrison's portrayal of , but found the overall show slight. The 1983 West End premiere at the was positively received for its humor and tuneful score, earning an Olivier Award nomination for Best New Musical. A 2004 revival in London's West End at the New Players Theatre drew divided opinions. Mark Shenton of WhatsOnStage lauded its "brightly comic and tunefully appealing" energy, awarding it five stars and highlighting the cast's vibrant delivery of the jaunty songs by Larry Grossman and Hal Hackady. In contrast, Lyn Gardner of called it an irritating "puppy that keeps jumping up and licking your face," critiquing its schmaltzy expansion of the comic strip into a full musical despite the young cast's enthusiastic efforts. More recent stagings have trended toward acclaim for their joyful execution and revisions. The 2017 production of the updated The World According to was hailed by Robert Rivere of BroadwayWorld as a "dazzling debut," praising the stellar cast, flawless , and new elements like Andrew Lippa's added song "Husband Material," which enhanced the show's wit and warmth. Similarly, the 2021 Tampa mounting at Stageworks Theatre earned enthusiastic praise from Anne E. Johnson in BroadwayWorld as a "delightful trip down memory lane," spotlighting the "top-notch" vocals and comedic timing of performers like Ashley Whiting as and Justine Grace as in its 15 toe-tapping numbers. Across productions, consensus holds that the musical excels as family-friendly escapism, with its humor and songs evoking the Peanuts strip's enduring appeal, though detractors consistently cite its simplicity as a shortfall in dramatic depth.

Legacy and Cultural Impact

Since its premiere in 1975, Snoopy! The Musical has maintained steady popularity through licensing for amateur, educational, and regional productions worldwide, making it a staple in community theaters and school stages due to its small cast size and accessible staging requirements. The show, distributed by Concord Theatricals (formerly Samuel French), is particularly suited for youth audiences, with versions available for high schools, middle schools, and theater for young audiences programs. The musical's success contributed to the expansion of the franchise into further theatrical and animated adaptations, most notably inspiring the 1988 prime-time animated TV special of the same name, which directly adapted vignettes and songs from the stage production under the supervision of and animator . This adaptation marked the second musical to transition to animation, following You're a Good Man, Charlie Brown in 1973, and helped broaden the comic strip's presence in family-oriented entertainment beyond print and initial stage runs. Culturally, the production endures as a vehicle that emphasizes themes of , , and resilience, resonating across generations through its whimsical portrayal of Schulz's characters. Its educational value lies in fostering social-emotional learning in school settings, where performances encourage among young actors and audiences alike, as evidenced by frequent stagings in educational institutions like high schools and youth theaters. The Charles M. Schulz estate continues to manage the Peanuts intellectual property, supporting the franchise's vitality through various adaptations. Recent expansions include the original animated musical special Snoopy Presents: A Summer Musical, which premiered on Apple TV+ on August 15, 2025. Recent productions have increasingly incorporated diverse casting to reflect contemporary audiences, aligning with broader theatrical trends toward inclusivity; for instance, the show supports ethnic diversity in roles and has been adapted for performers with disabilities, as seen in community initiatives like All Abilities Productions' 2024 staging. This evolution enhances the musical's relevance, allowing it to address societal changes while preserving its core charm.

References

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