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Snoopy! The Musical
View on Wikipedia| Snoopy! | |
|---|---|
| The Musical | |
Showbill cover of the original Off-Broadway production | |
| Music | Larry Grossman |
| Lyrics | Hal Hackady |
| Book | Warren Lockhart Arthur Whitelaw Michael Grace |
| Basis | Charles M. Schulz's comic strip Peanuts |
| Productions | 1975 San Francisco 1982 Off-Broadway 1983 West End 2003 West End revival |
Snoopy: The Musical is a 1975 American musical comedy with music by Larry Grossman, lyrics by Hal Hackady, and a book by Warren Lockhart, Arthur Whitelaw, and Michael Grace. The characters are from the Charles M. Schulz comic strip Peanuts. This sequel to the musical You're a Good Man, Charlie Brown focuses more on the life of Snoopy. Since its premiere, the musical has been a popular choice for regional, international, and amateur theatre performances.
Productions
[edit]Original San Francisco
[edit]Snoopy: The Musical premiered on December 9, 1975 at the Little Fox Theatre in San Francisco, California. Directed by Arthur Whitelaw, featured Don Potter as the title role. The costume design is by David Graden, with lighting by Ken Billington, orchestrations and vocals by Laurence J. Blank, produced by John Anderson, and choreography by Marc Breaux. The show opened to mixed reviews, not quite as critically acclaimed as You're a Good Man, Charlie Brown. The show closed on July 5, 1976.[1][2]
New York
[edit]The musical was produced Off-Broadway at the Lamb's Theatre opening December 20, 1982. Directed by Whitelaw, with David Garrison as Snoopy. The show performed 152 performances until it closed on May 1, 1983. The crew included Paul D. Hughes, Martin Markinson, Gene Persson, and Donald Tick as producers, Ronald Melrose as musical director, Marc Breaux returning as choreographer, David Graden returning as costume and set design, Ken Billington returning as lighting designer, James Walsh as general manager, Richard Humleker and C. George Willard as press representatives, and Melissa Davis as production manager. The Off-Broadway received similar reviews to the San Francisco production. Later, when Lorna Luft replaced Peppermint Patty, a new song was written for her, entitled "Hurry Up, Face". This song was used in later productions, including the West End.
A benefit concert presentation of Snoopy! was held at the Peter Norton Symphony Space in Manhattan, New York City, on April 12, 2004.[3] Directed by Ben Rimalower, with Christian Borle starring in the title role, with Broadway star Sutton Foster as Peppermint Patty.
Toronto
[edit]The musical was first produced legitimately in Canada by the Toronto Civic Light Opera Company in January 1983. Directed by Joe Cascone, the cast starred Brad Donovan as the title role. The company revived the show in 1995 with Cascone now playing the title role.
London
[edit]The musical first opened previews September 16, 1983. The musical ran at the West End Duchess Theatre, opening September 20, 1983[4] and starred Teddy Kempner as Snoopy.[5] The show closed on November 11, 1984, after 479 performances. Snoopy!!! was critically acclaimed, and was a success, leading to a revival in 2003.
Snoopy was revived at the West End Jermyn Street Theatre in February 2003 for 14 performances.[6] It was directed by Joseph Pitcher and featured Stephen Carlile as Snoopy and Neil Gordon-Taylor as Charlie Brown. The musical ran at the New Players Theatre in London, in July 2004, with several cast members from the Jermyn Street production and again directed by Whitelaw, the original director. Robin Armstrong replaced Snoopy, and Stephen Kynman replaced Charlie Brown.[7][8]
Brisbane, Australia
[edit]The musical played at The Queensland Performing Arts Center in The Cremorne Theatre, Brisbane (The Queensland Theatre Company) from October through December 1986. It then transferred to The Gold Coast in January 1987. Directed by Greg Gesch, starring Jack Webster as Snoopy, Patrick Phillips as Charlie Brown and Zoe Bertram as Lucy.
San Marcos, Texas
[edit]A revised version, under the name The World According to Snoopy came to Texas State University from February 14–19, 2017.[9] The musical was directed by Kaitlin Hopkins and starred a cast of students. Grossman was directly involved with this production: besides revising the book and adding or removing songs, Grossman collaborated with Andrew Lippa (who had previously contributed new music to the 1999 Broadway revival of You're a Good Man, Charlie Brown) on the new song "Husband Material".[10]
Cape Town, South Africa
[edit]The musical ran at the Artscape Arena in Cape Town, South Africa in February 2018, starring Jaydon Farao in the title role of Snoopy. The musical was produced by G&S, directed by Darryl Spijkers, musical direction by Kathy Lin, Set Design by Waldo Buckle and Zain Cassiem and Costume Design by David Pamplin.
Synopsis
[edit]The show is a "series of self-contained vignettes".[6]
- Act I
As the curtain rises, each character enters and finds Snoopy atop his doghouse, and they all describe "The World According To Snoopy". Later, Lucy and Charlie Brown have a brief discussion of why he has chosen Snoopy for a pet ("Snoopy's Song"), which almost leads to Lucy getting Charlie Brown to buy a new pet. Snoopy, hoping to please his owner, decides to try to follow Charlie Brown's directions better. Meanwhile, Woodstock begins his day ("Woodstock's Theme"), but to his dismay, he seems to have fallen in love with a worm. Peppermint Patty has similar problems with love, wishing that she could be prettier to impress Charlie Brown ("Hurry Up, Face").
In school, the group hopes that the teacher will not call on them to answer a question about the famous poet Edgar Allan Poe. The girls are having trouble, while the boys are confident ("Edgar Allan Poe"). Linus says everything correct, with Charlie Brown saying the opposite. On Mother's Day, Snoopy reflects on how much he misses his lost mother ("Mother's Day"). Meanwhile, Sally, Peppermint Patty, and Lucy have a happy discussion on what they've learned in their lives ("I Know Now").
On Halloween, Linus, along with a reluctant Snoopy, awaits the arrival of the Great Pumpkin in the pumpkin patch ("The Vigil"). To his dismay, the great pumpkin never arrives, like every year. The next morning, the group looks up at the clouds where they imagine Mount Rushmore, dragons and twenty milk-white horses ("Clouds"), but when asked what he sees, Charlie Brown can only sadly say, "A horsie and a duckie."
Snoopy enters as the Easter Beagle to hand out bright Easter eggs to everyone, except Charlie Brown. A dejected Charlie Brown, musing on the new independence of his pet, is left alone ("Where Did That Little Dog Go?"). Similar events progress, and Lucy, Peppermint Patty, and Sally try to sell Snoopy for less than a dime ("Dime a Dozen"), though Snoopy is quick to realize that he must mend his ways and wishes that he could start over ("Daisy Hill").
Life soon goes back to normal and the gang seems to have forgotten those events. They are however, beginning to think, as Lucy says, that they live "in the most boring place in the whole stupid world!", all of them asking the same question, if anything good will happen. They decide to organize a party, but Snoopy isn't allowed. Snoopy decides he will have his own party and still will have a fun time ("When Do the Good Things Start?")
- Act II
The show reopens with the whole gang thinking about how friends help each other all the time ("Friend"). Unfortunately, Playbeagle (a play on Playboy) has decided not to publish Snoopy's manuscript, but Snoopy's spirits remain undaunted even amid the throes of rejection, as he begins his new story ("The Great Writer"). The story is only a spoof off classic movies, and is rejected by the writers. Later, Peppermint Patty expresses her love for Charlie Brown ("Poor Sweet Baby"), but soon says that "it'll never happen" out of embarrassment. Sally asks Linus if he can go to the movies, but he rejects. However, Sally is still confident that one day Linus will marry her ("Husband Material")
Sally, seeing leaves fall from a tree, remarks that there is something to learn from the cycle of life ("Don't Be Anything Less Than Everything You Can Be"). While sitting atop his doghouse, Snoopy receives a letter delivered by Woodstock: he has become Head Beagle. Snoopy celebrates his success happily, ready for anything ("The Big Bow-Wow").
Later, the gang begins a discussion of Christmas and innocence. Then, looking up at the starry sky, Charlie Brown remarks "I think that there must be a tiny star out there that is my star." They reflect on their friendships and realize that if one person changes their world, they might as well be friends forever ("Just One Person"). Linus remarks to Charlie Brown, "Well, as Lucy always says, he isn't much of a dog." Snoopy replies, "But, after all, who is?" After the show, a bow is sung with a reprise of "Don't Be Anything Less Than Everything You Can Be".
Musical numbers
[edit]
|
|
- † Added for the West End production and later
- ††Not included in the original cast recording
- (†) Added for the Off-Broadway production
- ‡ Act one finale from 1975 to 1982; Not included in any productions from 1982 to 2017
- ⹋ Added for the San Marcos production; Music by Larry Grossman and lyrics by Andrew Lippa
Major production casts
[edit]| Character | San Francisco (1975) |
Off-Broadway (1982) |
West End (1983) |
West End revival (2003) |
|---|---|---|---|---|
| Snoopy | Don Potter | David Garrison | Teddy Kempner | Stephen Carlile |
| Charlie Brown | James Gleason | Terry Kerwin | Robert Locke | Neil Gordon-Taylor |
| Lucy van Pelt | Janell Pulis | Kay Cole | Zoë Bright | Sarah Lark |
| Linus van Pelt | Jimmy Dodge | Stephen Fenning | Mark Hadfield | Stuart Piper |
| Sally Brown | Randi Kallan | Deborah Graham | Susie Blake | Clare Louise Connolly |
| Peppermint Patty | Pamela Myers | Vicki Lewis | Nicky Croydon | Kellie Ryan |
| Woodstock | Cathy Cahn | Anthony Best | Alex Woodhall | |
Notable cast replacements
[edit]- Off-Broadway
- Snoopy - Jason Graae
- Peppermint Patty - Lorna Luft
Recordings
[edit]Around 1976, the original cast album was released with all songs from the original production. The musical was re-released on CD in 1991, while on digital in 2000, with a strange glitch making all the songs in caps lock.
| Snoopy!!! The Musical: Original Cast Recording | |
|---|---|
| Soundtrack album cast recording by Original Cast of Snoopy!!! | |
| Released | 1976 |
| Recorded | September 7, 1975 |
| Studio | Wally Heider Studios, San Francisco |
| Genre | |
| Length | 41:09 |
| Label | DRG Records |
| Producer | Larry Grossman and Jim Ed Norman |
All tracks are written and composed by Larry Grossman and Hal Hackady.
| No. | Title | Length |
|---|---|---|
| 1. | "Overture" / "The World According to Snoopy" | 2:03 |
| 2. | "Woodstock's Theme" | 0:49 |
| 3. | "Edgar Allan Poe" | 2:39 |
| 4. | "I Know Now" | 2:30 |
| 5. | "The Vigil" | 3:21 |
| 6. | "Clouds" | 2:55 |
| 7. | "Where Did That Little Dog Go?" | 2:31 |
| 8. | "Daisy Hill" | 2:49 |
| 9. | "Friend" | 3:48 |
| 10. | "The Great Writer" | 6:04 |
| 11. | "Poor Sweet Baby" | 3:05 |
| 12. | "Don't Be Anything Less Than Everything You Can Be" | 2:55 |
| 13. | "The Big Bow-Wow" | 2:57 |
| 14. | "Just One Person" | 2:43 |
| Total length: | 41:09 | |
| Snoopy!!! The Musical: Original London Cast Recording | |
|---|---|
![]() | |
| Soundtrack album cast recording by Original London Cast of Snoopy!!! | |
| Released | 1983 |
| Recorded | September 12, 1983 |
| Studio | Abbey Road Studios, London |
| Genre | |
| Length | 57:02 |
| Label | That's Entertainment Records |
| Producer | Norman Newell |
In 1983, the original West End original cast album was released. In 1998, it was released on CD, and in 2004, it was released on digital. The cast recording had the new songs for the West End production, including "Hurry Up, Face" from the 1982 Off-Broadway production. All tracks are written and composed by Larry Grossman and Hal Hackady. In 2018, in the collection Broadway to West End highlights from the original cast album were released, excluding "Overture", "Woodstock's Theme", "Hurry Up, Face", "Mother's Day", "The Vigil", "Dime a Dozen", "When Do the Good Things Start?", "Entr'acte", and "Don't Be Anything Less Than Everything You Can Be" (reprise).
| No. | Title | Length |
|---|---|---|
| 1. | "Overture" | 3:08 |
| 2. | "The World According to Snoopy" | 1:41 |
| 3. | "Snoopy's Song" | 2:20 |
| 4. | "Woodstock's Theme" | 0:35 |
| 5. | "Hurry Up, Face" | 2:17 |
| 6. | "Edgar Allan Poe" | 2:50 |
| 7. | "Mother's Day" | 3:36 |
| 8. | "I Know Now" | 3:07 |
| 9. | "The Vigil" | 3:35 |
| 10. | "Clouds" | 2:54 |
| 11. | "Where Did That Little Dog Go?" | 2:33 |
| 12. | "Dime a Dozen" | 2:03 |
| 13. | "Daisy Hill" | 3:17 |
| 14. | "When Do the Good Things Start?" | 3:54 |
| 15. | "Entr'acte" | 1:51 |
| 16. | "The Great Writer" | 6:04 |
| 17. | "Poor Sweet Baby" | 3:20 |
| 18. | "Don't Be Anything Less Than Everything You Can Be" | 2:47 |
| 19. | "The Big Bow-Wow" | 3:25 |
| 20. | "Just One Person" / "Don't Be Anything Less Than Everything You Can Be Reprise" | 3:36 |
| Total length: | 57:02 | |
Response
[edit]Reviewing the Off-Broadway production during its Boston tryout, Carolyn Clay of The Boston Phoenix said that the show "is small and cute and very eager; there is just more whimsy than meat on this pup's bones." Clay was particularly miffed at the lead character's attenuated appearances: "rather than hoof himself dog-tired in the service of art, [Snoopy] grants his presence judiciously, particularly in the show's wearyingly jejune first act — the low point of which comes when Snoopy’s canary chum Woodstock, played by Cathy Cahn, turns out to be a mime (perhaps the cat has her tongue)."[11]
In his review of the 1982 Lamb's Theatre production, Mel Gussow wrote: "If the musical [Snoopy!!!] were nose-to-nose with Mr. (David) Garrison's performance, it would be a subject for celebration. Sadly, this sequel ...is a hand-me-down...the show meanders all over play-school country. The book, which is credited to three individual writers as well as a task force called 'Charles M. Schulz Creative Associates' is a pastepot of Peanuts dialogue that wanders into various other neighborhoods in order to accommodate the score."[12]
In the 1983 West End production The Guardian reviewed "The astringency of the jokes is belied by Hal Hackady's lyrics which place great stress on the American success ethic... This innocent-looking revue certainly makes its point that the child is father of the wisecracking man; but I still can't help feeling that brevity is the soul of strip".
In reviewing the 2004 London production, the Whats On Stage reviewer noted "...this is a show for all ages and all seasons - and as a sunny summer's entertainment, could hardly be bettered. The musical retains the fast, sharp comic appeal and instantly recognisable characterisations of the line-drawing originals, but also irresistibly brings it to human form by buoying up its snapshot scenes with the tuneful ease of the light, bright melodies of composer Larry Grossman's settings to Hal Hackaday's apt, witty lyrics."[6]
References
[edit]- ^ Listing Archived 2020-10-22 at the Wayback Machine ConcordTheatricals.com, accessed October 20, 2020
- ^ Suskin, Steven. Show tunes (2000), Oxford University Press US, ISBN 0-19-512599-1, p. 350
- ^ "Snoopy!" Archived 2011-06-29 at the Wayback Machine playbill.com
- ^ Snoopy at the Duchess Theatre Archived 2009-11-16 at the Wayback Machine thisistheatre.com, accessed July 30, 2009
- ^ "Snoopy!!! (London Version)|Concord Theatricals". Archived from the original on 2020-12-05. Retrieved 2020-12-09.
- ^ a b c Shenton, Mark."Snoopy!The Musical" Archived 2011-06-16 at the Wayback Machine, whatsonstage.com, 21 July 2004
- ^ Loveridge, Lizzie."A CurtainUp Review:Snoopy the Musical" Archived 2009-11-16 at the Wayback Machine curtainup.com, February 17, 2003
- ^ "Snoopy! The Musical Returns," Archived 2011-06-10 at the Wayback Machine britishtheatreguide.info, 12 June 2004
- ^ "Snoopy!!! Musical Will Get Re-Imagined|Playbill". Archived from the original on 2020-11-08. Retrieved 2020-04-20.
- ^ Beaver, Lynn. "Review: THE WORLD ACCORDING TO SNOOPY - A Dazzling Debut". BroadwayWorld. Archived from the original on 27 January 2023. Retrieved 27 January 2023.
- ^ Clay, Carolyn (November 16, 1982). "Dog day afternoon - Snoopy!!!: the paws that refresh". The Boston Phoenix. Retrieved October 2, 2024.
- ^ Gussow, Mel. "Stage: Snoopy is Back On Doghouse Singing", The New York Times, December 24, 1982, p.C6
External links
[edit]Snoopy! The Musical
View on GrokipediaDevelopment
Creation and Creative Team
Snoopy!!! The Musical features a book written by Warren Lockhart, Arthur Whitelaw, and Michael L. Grace in collaboration with Charles M. Schulz Creative Associates, music composed by Larry Grossman, and lyrics by Hal Hackady. Grossman, known for his work on Broadway scores, brought a playful and melodic style to the production, while Hackady's witty lyrics captured the whimsical essence of the Peanuts characters. The creative team aimed to expand on the universe established in earlier adaptations, focusing on Snoopy's imaginative adventures.[1] Conceived as a sequel to the 1967 musical You're a Good Man, Charlie Brown, the show began development in the early 1970s, drawing directly from Charles M. Schulz's beloved comic strip for its source material. Schulz, through his creative associates, played a key role in approving the adaptation to ensure fidelity to the Peanuts characters and themes he had created since 1950. This involvement helped maintain the strip's signature humor and heart, allowing the musical to authentically extend Snoopy's world beyond the original stage production. The first performances occurred in 1975, marking the beginning of its journey from workshop to full production.[1] The musical premiered on December 9, 1975, at the Little Fox Theatre in San Francisco, California, where it ran until July 5, 1976, providing an extended tryout period for refinement. Directed by co-book writer Arthur Whitelaw, the initial run served as a crucial workshopping phase, during which the creative team revised the structure and songs based on audience feedback and internal reviews. For instance, the number "Friend" was ultimately dropped following the premiere to streamline the narrative flow. These adjustments strengthened the show's pacing and emotional impact, setting the stage for future productions.[9][10]Relation to Peanuts and Predecessor Musical
Snoopy! The Musical is a stage adaptation derived from the characters and scenarios in Charles M. Schulz's comic strip Peanuts, which debuted in 1950 and became one of the most widely syndicated newspaper comics. The musical draws on vignettes inspired by the strip's depictions of holidays, such as Mother's Day, and the everyday adventures of Snoopy and the Peanuts gang, including Woodstock and Peppermint Patty.[1][11] Serving as a direct sequel to the 1967 musical You're a Good Man, Charlie Brown, Snoopy! The Musical shifts the narrative emphasis from Charlie Brown as the central protagonist to Snoopy, highlighting the beagle's personality and escapades as the focal point.[12][3] Both productions utilize a revue-style format composed of interconnected sketches and songs that evoke the episodic nature of the Peanuts comic strips, but Snoopy! The Musical incorporates additional fantasy elements rooted in Snoopy's imaginative worldview, such as his literary aspirations depicted in the song "Edgar Allan Poe."[12][13] Key differences include a longer runtime of approximately two hours (120 minutes) compared to its predecessor, a larger song count ranging from 15 to 18 numbers depending on the production version, and the addition of more ensemble pieces featuring the full Peanuts ensemble.[1]Productions
Original and Early U.S. Productions
The original production of Snoopy!!! The Musical premiered on December 9, 1975, at the Little Fox Theatre in San Francisco, California. Directed by co-author Arthur Whitelaw, the show featured a cast led by Don Potter as Snoopy and James Gleason as Charlie Brown, and it ran until September 6, 1976, spanning nearly nine months and establishing the musical as a viable sequel to You're a Good Man, Charlie Brown.[1][14] After a period of development, the musical received revisions to its book and opened Off-Broadway at the Lamb's Theatre on December 20, 1982, once again under Whitelaw's direction. This New York staging, with David Garrison in the lead role of Snoopy, addressed pacing issues from the original by streamlining vignettes for a more concise structure suited to urban audiences. The production completed 152 performances before closing on May 1, 1983.[15][16] Both runs attracted strong family attendance, reflecting the enduring appeal of Charles M. Schulz's Peanuts characters, though the Off-Broadway engagement faced competitive pressures in a crowded theater season, limiting its box office longevity compared to the extended San Francisco engagement.[1]West End and International Premieres
Following the success of its Off-Broadway run in New York, Snoopy! The Musical transferred to London's West End, opening at the Duchess Theatre on September 20, 1983, under the direction of Arthur Whitelaw.[13][5] The production starred Teddy Kempner as Snoopy and ran for 479 performances, closing on November 11, 1984.[13][17] To suit the British audience, the London version incorporated new songs, including "Mother's Day," performed by Snoopy reflecting on his absent mother, as featured on the original London cast recording.[18][19] Prior to the West End transfer, the musical achieved its Canadian premiere in January 1983, produced by the Toronto Civic Light Opera Company and directed by Joe Cascone. This staging marked the show's first legitimate professional outing outside the United States and enjoyed a brief run, introducing Peanuts characters to Canadian theatergoers through local performers.[20] The Toronto Civic Light Opera Company revived the production in 1995, with Cascone taking on the role of Snoopy alongside actors such as Julie Lennick as Lucy. The musical reached Australia with its premiere at the Cremorne Theatre in Brisbane's Queensland Performing Arts Centre, presented by the Queensland Theatre Company from October 28 to December 13, 1986.[21] Featuring an all-Australian cast, the production emphasized the whimsical ensemble dynamics of the Peanuts gang and transferred briefly to the Gold Coast Arts Centre in Surfers Paradise for January 1987 performances.[21][22] This outing highlighted the show's adaptability to international stages while preserving its core humor rooted in Charles M. Schulz's comic strip.[1]Regional and Recent Revivals
Following the initial professional productions of the 1980s, Snoopy! The Musical has seen a resurgence through regional, educational, and amateur stagings, particularly in the 2000s and 2010s, facilitated by licensing agreements that make the show accessible for non-professional venues.[1] A notable early revival in this vein was a one-night benefit concert presentation on April 12, 2004, at the Peter Norton Symphony Space in New York City, directed by Ben Rimalower and benefiting the Pied Piper Children's Theatre; the cast featured Broadway stars including Sutton Foster as Sally, Hunter Foster as Charlie Brown, Christian Borle as Snoopy, and Ann Harada as Lucy.[23][24] This trend toward increased amateur and educational mountings has been supported by Concord Theatricals, which handles licensing for the original, West End, and revised versions of the musical, enabling broader access for schools, community theaters, and youth programs worldwide.[1] In 2017, a significantly revised edition titled The World According to Snoopy—developed by director Kaitlin Hopkins, musical director Adam Cates, and composer Larry Grossman—premiered at Texas State University in San Marcos, Texas, running February 14–19; this workshop production incorporated new material, including the song "Husband Material," to update the story for contemporary audiences while retaining the Peanuts characters' core dynamics.[3][25] The musical continued to expand internationally with its first African production in February 2018 at the Artscape Arena in Cape Town, South Africa, presented by Artscape and the Suidoosterfees festival; this staging featured a diverse South African cast, including Jaydon Farao as Snoopy and Craig Morris as Charlie Brown, and included additional songs from the expanded London version such as "Hurry Up, Face" and "Mother's Day."[26] Recent years have highlighted ongoing educational and youth-focused revivals, such as the 2019 mounting by the Original Kids Theatre Company in the United States, the 2021 production by ThinkTank Theatre (a youth-oriented company) in Tampa, Florida, from May 7–16 at Stageworks Theatre, and the July 19–28, 2024, staging by Santa Monica College's Theatre Arts Department in California.[27][28][29] These efforts underscore the show's enduring appeal for training young performers and engaging new generations with Charles M. Schulz's characters through accessible, community-driven interpretations.[1]Plot Summary
Act One
The first act of Snoopy! The Musical unfolds as a series of interconnected vignettes centered on Snoopy's imaginative worldview, introducing the core Peanuts ensemble through their daily interactions and quirks. It opens with the characters—Charlie Brown, Lucy, Linus, Sally, Peppermint Patty, and Woodstock—entering the stage and discovering Snoopy perched atop his doghouse, as they collectively paint a picture of his unassuming yet fantastical existence.[30] From Snoopy's elevated perch, the audience glimpses his fantasies of grandeur, blending the mundane routines of his human companions with his own heroic daydreams, setting a tone of whimsical observation.[4] Snoopy's relationships with the gang emerge through lighthearted yet poignant scenes that highlight their bonds and tensions. Charlie Brown reflects on his choice of Snoopy as a pet, while Lucy pressures him to consider a replacement, prompting Snoopy to redouble his efforts to obey commands in hopes of proving his worth. Peppermint Patty's morning pep talk to herself underscores her tomboyish energy and unrequited crush on Charlie Brown, while Woodstock's introductory antics reveal his playful loyalty to Snoopy, including a brief infatuation with a worm that emphasizes their non-verbal companionship. In a schoolroom vignette spoofing literary dread, the children collectively dread reciting facts about Edgar Allan Poe, showcasing Linus's intellectual depth, Lucy's bossiness, and the group's shared childhood anxieties.[30][31] Further vignettes deepen the character introductions and thematic layers, weaving humor with subtle melancholy drawn from Peanuts' everyday struggles. On Mother's Day, Snoopy wistfully recalls his lost mother at the Daisy Hill Puppy Farm, introducing his backstory of abandonment and resilience; the London production includes a dedicated song for this moment.[30][31][13] The girls—Sally, Peppermint Patty, and Lucy—bond over simplistic life advice, contrasting the boys' more introspective moments. A Halloween sequence features Linus enlisting a reluctant Snoopy to vigil in the pumpkin patch for the Great Pumpkin, capturing themes of faith and friendship amid the night's eerie anticipation.[30][31] The act builds toward a collective sense of boredom and longing, as the ensemble questions when excitement will arrive, underscoring the mild wistfulness beneath their playful lives while affirming Snoopy's central, imaginative role.[30]Act Two
Act Two opens with the ensemble's performance of "Friend," a number that examines the Peanuts characters' views on companionship and mutual support, underscoring the value of reliable relationships in their daily lives.[25] This vignette sets a tone of camaraderie, building on the individual challenges introduced in Act One by emphasizing how the group dynamics provide emotional strength. The song features solos and harmonies from Charlie Brown, Linus, Lucy, Sally, Peppermint Patty, and Snoopy, illustrating diverse interpretations of what constitutes a true friend.[32] Snoopy's personal ambitions take center stage in "The Great Writer," where he embodies his fantasy as a struggling novelist atop his doghouse, grappling with writer's block and the pursuit of literary fame.[33] This sequence highlights his creative frustrations and imaginative escapades, including interactions with Woodstock as his editor, while weaving in humorous vignettes of holiday and personal moments.[1] Peppermint Patty contributes a poignant reflection in "Poor Sweet Baby," expressing her vulnerabilities, followed by Sally's humorous take on her crush on Linus in "Husband Material" and her song about self-improvement, "Don't Be Anything Less (Than Everything You Can Be)." Snoopy then receives news of becoming Head Beagle in "The Big Bow-Wow," celebrating his aspirations. The act builds to a climactic ensemble reflection in "Just One Person," where the Peanuts gang contemplates individuality, hope, and the transformative power of belief from others, serving as an uplifting anthem that integrates Snoopy's heroic fantasies with the group's shared experiences.[1] The resolution arrives in "I Know Now," affirming the enduring bonds among Charlie Brown, Snoopy, and their friends, as they embrace life's lessons with optimism and unity, concluding the vignette-driven narrative on a note of collective warmth and acceptance.[34]Music and Songs
List of Musical Numbers
The musical numbers in Snoopy! The Musical feature music by Larry Grossman and lyrics by Hal Hackady throughout, except for the adapted Cole Porter song "I Get a Kick Out of You" from the 1934 musical Anything Goes. The score emphasizes Snoopy's fantasies and the Peanuts gang's interactions, with some additions in later productions like the 1983 London premiere and the 2017 revision. Below is the list of primary numbers by act, including brief notes on their roles in highlighting character dynamics or plot moments.Act One
| Song Title | Performers | Role/Context |
|---|---|---|
| Overture | Orchestra | Instrumental opening that sets a whimsical tone for Snoopy's imaginative world. |
| The World According to Snoopy | Ensemble | Opening ensemble number introducing Snoopy's optimistic philosophy on life. |
| Hurry Up, Face | Peppermint Patty | Peppermint Patty's energetic solo expressing impatience and determination in her pursuits. |
| Edgar Allan Poe | Ensemble | Playful ensemble piece where characters parody Poe's gothic style during Snoopy's writing aspirations. |
| The Vulture | Charlie Brown, Snoopy | Duet exploring Snoopy's fantasy as a vulture, underscoring themes of loneliness and imagination. |
| Dr. Lucy | Lucy, Charlie Brown | Comic duet in Lucy's psychiatric booth, satirizing therapy and sibling tensions. |
| I Get a Kick Out of You (adapted) | Lucy, Charlie Brown | Adapted Cole Porter standard used in a flirtatious therapy scene, adding humor to Lucy's bossiness. |
| Don't Be Anything Less Than Everything You Can Be | Peppermint Patty, Ensemble | Motivational ensemble anthem encouraging self-improvement and ambition among the kids. |
| Sparky's Advice | Linus | Linus's reflective solo drawing on Charles Schulz's (Sparky's) wisdom for guidance in uncertainty. |
| Woodstock's Theme | Woodstock, Orchestra | Instrumental bird's-eye view underscoring Woodstock's supportive role as Snoopy's sidekick. |
| The Great Pumpkin | Linus, Sally | Duet capturing Linus's faith in the Great Pumpkin, blending wonder and skepticism. |
| Clouds | Charlie Brown | Charlie Brown's melancholic solo contemplating daydreams and fleeting happiness. |
| Dancing in the Rain | Ensemble | Joyful ensemble dance number celebrating resilience and fun amid challenges. |
| I Told You So | Lucy | Lucy's triumphant solo gloating over her know-it-all persona in interpersonal conflicts. |
Act Two
| Song Title | Performers | Role/Context |
|---|---|---|
| Friend | Ensemble | Ensemble opener reaffirming friendships as a core Peanuts theme post-intermission. |
| The Great Writer | Snoopy | Snoopy's solo delving into his authorial dreams, filled with literary parodies. |
| Poor Sweet Baby | Peppermint Patty | Reflective solo in which Peppermint Patty laments Charlie Brown's predicaments, highlighting friendship and empathy. |
| Valentine's Day | Sally, Linus | Duet highlighting Sally's crush on Linus during a holiday-themed romantic mishap. |
| Mother's Day | Snoopy | Added for the London production; Snoopy's poignant reflection on maternal loss and longing. |
| Husband Material | Sally | Added for the 2017 revision; Sally's humorous solo assessing boys' potential as future partners. |
| Just One Person | Ensemble | Inspirational ensemble closer emphasizing the impact of individual kindness. |
| Finale | Company | Reprise medley wrapping up Snoopy's adventures and the gang's unity. |
| Bows | Company | Traditional curtain call with reprises for audience applause. |
Revisions and Additions
The London production of Snoopy!!! The Musical in 1983 introduced several additions to the original score to enhance character development and thematic depth. These included four new songs: "Hurry Up, Face," "Mother's Day," "Dime a Dozen," and "When Do the Good Things Start?," all composed by Larry Grossman with lyrics by Hal Hackady. "Mother's Day," performed by Snoopy, poignantly explores his longing for his absent mother, adding an emotional layer to his backstory that was not present in the Off-Broadway version.[13][10] In 2017, a revised version titled The World According to Snoopy premiered at Texas State University in San Marcos, Texas, as part of the Harrison/Bowman New Works Commission in collaboration with Theatre Under the Stars. This adaptation, with a revised book by Kaitlin Hopkins, Adam Cates, and Larry Grossman, incorporated contemporary updates to appeal to modern audiences by streamlining the narrative and refreshing select musical elements. Key additions included the new song "Husband Material," with music by Grossman and lyrics by Andrew Lippa, which features Sally Brown daydreaming about future romantic prospects. These changes aimed to condense pacing without losing the Peanuts characters' signature charm and wit.[3] Across various productions, minor edits to the score have occurred to suit staging needs, such as adjustments to holiday-themed numbers like "Valentine's Day" for seasonal or regional performances, allowing flexibility in runtime and audience engagement. For instance, the song "The Vulture," originally a spirited ensemble piece led by Lucy, was occasionally shortened in early Off-Broadway runs to tighten the first act's flow.[1] Concord Theatricals, the licensing agent for the musical, offers multiple versions—including the Original, London, and The World According to Snoopy editions—enabling directors to select inclusions based on production scale, venue, and interpretive vision. This approach supports tailored stagings while preserving the core score's integrity, with options for incorporating or omitting added songs as needed.[13][3][1]Casts and Characters
Principal Roles and Casting Approach
Snoopy! The Musical features a compact ensemble of principal roles drawn from Charles M. Schulz's Peanuts comic strip, centering on the anthropomorphic beagle Snoopy as the lead character alongside his human companions. Snoopy is portrayed as a charismatic, imaginative, and good-natured beagle who occasionally displays selfish, gluttonous, or lazy tendencies, requiring an actor with strong physical comedy skills to embody his dog-like movements and fantastical daydreams.[35] Charlie Brown serves as the everyman protagonist, depicted as a kind-hearted but insecure boy often facing misfortune, with a vocal range of B3-A5 that highlights his nervous yet optimistic demeanor.[35] Lucy van Pelt embodies the bossy and antagonistic personality, self-confident and fond of her brother and friends despite her sharp edges, sung in a Gb3-F5 range.[35] Supporting the core group are Linus van Pelt, the intelligent and philosophical blanket-holding brother of Lucy with a B3-G5 vocal range; Sally Brown, Charlie's sweet and innocent little sister (Ab3-A5); and Peppermint Patty, the laid-back, athletic tomboy (G3-Ab5).[35] Woodstock, Snoopy's devoted and accident-prone avian sidekick, is a non-speaking, non-singing role typically performed through puppetry or mime by an actor of any gender.[35] Minor characters such as Schroeder, Marcie, and others are often handled by the ensemble through doubling, allowing flexibility in productions.[1] The casting approach emphasizes adult performers portraying the child characters, a convention rooted in the musical's origins to enable sophisticated vocal and comedic demands while evoking the whimsical innocence of the Peanuts world.[1] Productions typically feature a small ensemble of 6-8 actors, with a balanced gender breakdown of 3 men, 3 women, and 1 role open to any gender (often Woodstock), and no dedicated chorus, promoting intimate staging and versatile doubling for secondary figures like Marcie.[1] Recent revivals have incorporated gender-neutral casting options for greater inclusivity, particularly for roles like Woodstock and select ensemble parts.[36]Original and Major Production Casts
The world premiere of Snoopy!!! The Musical opened on December 9, 1975, at the Little Fox Theatre in San Francisco, California, running for approximately nine months.[1] The production was directed by Arthur Whitelaw and featured a cast led by Don Potter as Snoopy, James Gleason as Charlie Brown, and Pamela Myers as Peppermint Patty, with Janell Pulis portraying Lucy van Pelt.[1][9] The Off-Broadway production premiered on December 20, 1982, at the Lamb's Theatre in New York City, running for 152 performances until May 1, 1983. Directed by Whitelaw, the cast was headed by David Garrison as Snoopy and Terry Kerwin as Charlie Brown, with Kay Cole as Lucy van Pelt, Vicki Lewis as Peppermint Patty, and Stephen Fenning as Linus van Pelt.[37] The musical transferred to the West End at the Duchess Theatre in London on September 20, 1983, for a run of 479 performances closing on November 11, 1984.[13] Under Whitelaw's direction, principal roles were played by Teddy Kempner as Snoopy, Robert Locke as Charlie Brown, Zoe Bright as Lucy van Pelt, Mark Hadfield as Linus van Pelt, Nicky Croydon as Peppermint Patty, and Susie Blake as Sally Brown.[13][38] A revival opened on February 11, 2003, at the Jermyn Street Theatre in London, directed by Joseph Pitcher and running for 14 performances.[39] The cast included Stephen Carlile as Snoopy and Neil Gordon-Taylor as Charlie Brown, with Sarah Lark as Lucy van Pelt and Stuart Piper as Linus van Pelt.[40][39]| Production | Snoopy | Charlie Brown | Lucy van Pelt | Other Key Roles |
|---|---|---|---|---|
| San Francisco (1975) | Don Potter | James Gleason | Janell Pulis | Peppermint Patty: Pamela Myers; Linus: Jimmy Dodge |
| Off-Broadway (1982) | David Garrison | Terry Kerwin | Kay Cole | Peppermint Patty: Vicki Lewis; Linus: Stephen Fenning |
| West End (1983) | Teddy Kempner | Robert Locke | Zoe Bright | Peppermint Patty: Nicky Croydon; Linus: Mark Hadfield; Sally Brown: Susie Blake |
| West End Revival (2003) | Stephen Carlile | Neil Gordon-Taylor | Sarah Lark | Linus: Stuart Piper |
Notable Performers and Replacements
One of the most prominent replacements in the Off-Broadway production of Snoopy! The Musical occurred in February 1983, when Lorna Luft, daughter of legendary performer Judy Garland, took over the role of Peppermint Patty from Vicki Lewis at the Lamb's Theatre.[41] Luft's involvement, leveraging her established stage presence from earlier Broadway appearances, introduced a new song titled "Hurry Up Face" tailored to her portrayal, enhancing the character's athletic and tomboyish energy.[42] Her star power as a celebrated vocalist and actress generated additional publicity for the production during its later run, drawing audiences familiar with her family legacy in entertainment.[43] Jason Graae also served as a notable replacement in the title role of Snoopy during the same Off-Broadway engagement, bringing his acclaimed comedic timing from subsequent Broadway roles in shows like Falsettos and A Grand Night for Singing.[44] Graae's performance maintained the whimsical, anthropomorphic charm of the beagle character, contributing to the show's sustained appeal amid cast transitions.[45] In more recent regional revivals, productions have highlighted emerging talent through youth ensembles. For instance, the 2021 mounting by ThinkTank Theatre's Young Actors Ensemble in Tampa featured a cast of young performers in principal and supporting roles, such as Peppermint Patty and Woodstock, emphasizing educational opportunities for student actors in a professional setting.[34] This approach showcased fresh interpretations while preserving the musical's lighthearted ensemble dynamics.Recordings
Original Cast Recording
The original cast recording of Snoopy!!! The New Musical Entertainment documents the 1975 San Francisco production that opened on December 9, 1975, at the Little Fox Theatre. Released in 1976 by DRG Records on vinyl (catalog number DRG 6013), the album runs approximately 41 minutes and preserves the show's whimsical blend of music and Peanuts-inspired humor.[10] The recording features the cast at the time of recording, with Don Potter voicing and performing as Snoopy, James Gleason as Charlie Brown, Pamela Myers as Peppermint Patty, Carla Manning as Lucy, Jimmy Dodge as Linus, Roxann Pyle as Sally, and Alfred Mazza as Woodstock, among others.[10] Produced by composer Larry Grossman and Jim Ed Norman, it was engineered by David Coffin at Wally Heider Studios in San Francisco, with musical direction by Jon Olson, orchestrations by Lawrence J. Blank, and mastering by Jack Adelman at RCA Records.[10] Faithful to the version recorded, the album contains 14 tracks, including ensemble numbers, solos, and instrumentals that highlight the musical's themes of friendship, imagination, and everyday adventures. Key songs include "The World According to Snoopy," performed by the company; "Just One Person," a poignant ensemble closer; and "Don't Be Anything Less," performed by the company.[46]Tracklist
- Overture / The World According to Snoopy – Company
- Edgar Allan Poe – Company
- Woodstock's Theme – Jon Olson, Gus Gustavson
- I Know Now – Pamela Myers, Roxann Pyle, Carla Manning
- The Vigil – Jimmy Dodge
- Clouds – Company
- Where Did That Little Dog Go? – James Gleason
- Daisy Hill – Don Potter
- Friend – Company
- The Great Writer (It Was a Dark and Stormy Night) – Don Potter
- Poor Sweet Baby – Pamela Myers
- Don't Be Anything Less – Company
- The Big Bow-Wow – Don Potter
- Just One Person – Company [47]
London Cast Recording
The London cast recording of Snoopy! The Musical was released in 1983 by That's Entertainment Records, capturing the West End production that premiered at the Duchess Theatre on September 20, 1983.[50] It was recorded on September 12, 1983, at EMI Abbey Road Studios in London, with a total runtime of 57:02.[50] The album features the original London cast, including Teddy Kempner as Snoopy, Robert Locke as Charlie Brown, Mark Hadfield as Linus, Nicky Croydon as Peppermint Patty, Zoë Bright as Lucy, and Susie Blake as Sally.[51][52] The tracklist comprises 20 tracks (18 songs plus overture and bows), expanding on the material from the U.S. productions with additions like the new numbers "Snoopy's Song" (Snoopy and ensemble), "Hurry Up Face" (Peppermint Patty), "Mother's Day" (Snoopy), "Dime a Dozen" (Lucy, Snoopy, Peppermint Patty, Sally), and "When Do The Good Things Start?" (ensemble), along with extended versions of several tracks such as "The Vigil" and "The Great Writer."[52][10] This longer format, at nearly 18 minutes more than the original cast recording, allowed for fuller orchestrations and additional character moments.[53]Tracklist
- Overture – Orchestra
- The World According to Snoopy – Ensemble
- Snoopy's Song – Snoopy & Ensemble
- Woodstock's Theme – Orchestra
- Hurry Up Face – Peppermint Patty
- Edgar Allan Poe – Peppermint Patty, Lucy, Sally, Linus, Charlie Brown
- Mother's Day – Snoopy
- I Know Now – Sally, Peppermint Patty, Lucy
- The Vigil – Linus
- Clouds – Ensemble
- Where Did That Little Dog Go? – Charlie Brown
- Dime a Dozen – Lucy, Snoopy, Peppermint Patty, Sally
- Daisy Hill – Snoopy
- When Do The Good Things Start – Ensemble
- The Great Writer – Snoopy
- Poor Sweet Baby – Peppermint Patty
- Don't Be Anything Less Than You Can Be – Sally, Linus, Peppermint Patty, Charlie Brown
- The Big Bow-Wow – Snoopy
- Just One Person – Ensemble
- Bows – Ensemble [50]

