Something Rotten!
View on Wikipedia| Something Rotten! | |
|---|---|
2015 Broadway Playbill | |
| Music | Karey Kirkpatrick Wayne Kirkpatrick |
| Lyrics | Karey Kirkpatrick Wayne Kirkpatrick |
| Book | Karey Kirkpatrick John O'Farrell |
| Setting | 1595, South London |
| Premiere | April 22, 2015: St. James Theatre |
| Productions | 2015 Broadway 2017–2019 US tour |
Something Rotten! is a musical comedy with a book by John O'Farrell and Karey Kirkpatrick and music and lyrics by Karey and Wayne Kirkpatrick. Set in 1595, the story follows the Bottom brothers, Nick and Nigel, who struggle to find success in the theatrical world as they compete with the wild popularity of their contemporary William Shakespeare.
Something Rotten! opened on Broadway at the St. James Theatre on April 22, 2015, where it played for 708 performances. It was nominated for ten Tony Awards, including Best Musical, and won one for Best Featured Actor in a Musical (Christian Borle). Tours and international productions have followed.
Background
[edit]The musical began with an idea that brothers Karey and Wayne Kirkpatrick had had since the 1990s. They finally joined with John O'Farrell to write several songs and presented those songs and a treatment to the producer Kevin McCollum in 2010. The team then joined with Casey Nicholaw, who brought in several of the actors, resulting in the workshop in 2014.[1]
Something Rotten! was expected to have a pre-Broadway tryout at the 5th Avenue Theatre, Seattle, Washington, in April 2015. However, when a Broadway theatre became available, Kevin McCollum decided to open the show without the Seattle tryout. "David Armstrong, artistic director of 5th Avenue Theater, said ... that after the positive buzz surrounding the musical's workshop in October [2014], he and Mr. McCollum began discussing the possibility of the show bypassing Seattle in favor of Broadway."[2] The developmental lab took place in New York City in October 2014 with Casey Nicholaw as director and choreographer.[3]
Productions
[edit]Broadway (2015–2017)
[edit]Something Rotten! began previews on Broadway at the St. James Theatre on March 23, 2015, and officially opened on April 22, starring Christian Borle as William Shakespeare, Brian d'Arcy James as Nick Bottom, John Cariani as Nigel Bottom, Heidi Blickenstaff as Bea Bottom and Brad Oscar as Thomas Nostradamus. It was directed and choreographed by Casey Nicholaw, with the sets designed by Scott Pask, costumes by Gregg Barnes and lighting by Jeff Croiter.[4] The production closed on January 1, 2017 after 742 performances.[5] It was nominated for ten Tony Awards, including Best Musical, and won one (for Borle as Best Featured Actor in a Musical).
US national tours (2017–2019)
[edit]
The show launched a US national tour with previews at Proctor's Theatre in Schenectady, New York on January 10, 2017, before officially opening at the Boston Opera House on January 17.[5] The tour cast featured Rob McClure (Nick Bottom), Adam Pascal (Shakespeare) and Josh Grisetti (Nigel Bottom).[5]
The show also launched a Non-Equity national tour beginning on September 19, 2018 at the RiverCenter for the Performing Arts in Columbus, Georgia. The tour starred Matthew Janisse (Nick Bottom), Matthew Baker (Shakespeare), and Richard Spitaletta (Nigel Bottom) and was staged by Steve Bebout (associate director of the original Broadway production).[6] In June 2019, the show played a short run of June 9–30 at the Chungmu Art Center Grand Theater in Seoul, South Korea, marking the final destination on the tour.[7]
International productions
[edit]A Swedish-language production ran from November 8, 2018 to March 3, 2019 at the Wermland Opera in Karlstad, Sweden, directed by Markus Virta. The translation was by Calle Norlén.[8] A South Korean production in Korean played in late 2020, at the Chungmu Art Center Grand Theater,[9] though some of the performances were cancelled due to the COVID-19 pandemic.[10] A Czech-language production played from June 19 to 23, 2021, from September 2021 to June 2022, and on May 22, 2023,[11] at Nová Scéna, produced by J. K. Tyl Theatre, in Plzeň, Czech Republic. The translation was by Pavel Bár and the director, Lumír Olšovský.[12]
Another production in Swedish ran at Åbo Svenska Teater in Turku, Finland during the 2023–2024 season.[13] A production in Germany played from November 7, 2023 to January 14, 2024, at The English Theatre Frankfurt, directed and choreographed by Ewan Jones.[14] An Austrian production, the first German-language production of "Something Rotten!" (the earlier production in Frankfurt, Germany was in English), premiered on November 16, 2024, at the Landestheater Linz with Gernot Romic as Nick Bottom and Christian Fröhlich as Shakespeare. The production swapped the sexes of several minor characters: Lord Clapham was Lady Clapham (Alexandra-Yoana Alexandrova) and Nostradamus was Nancy Nostradamus (Daniela Dett).[15]
Stratford Festival (2024)
[edit]A production at the Canadian Stratford Festival began previews on April 16, 2024, and opened on May 28 at the Festival Theatre, directed by Donna Feore.[16][17] The production closed in November 2024.[18][19] The production is planned to be revived for the 2026 season at the Festival Theatre with Feore again directing and choreographing.[20]
West End concert (2024)
[edit]A concert staging played at Theatre Royal, Drury Lane, in London's West End on August 5 and 6, 2024. Jason Manford starred opposite Richard Fleeshman, Gary Wilmot, Evelyn Hoskins and Marisha Wallace. It was directed by Tim Jackson.[21][22]
Planned productions
[edit]A production of the musical is planned to play at the Manchester Opera House from 16 June to 19 July 2026, with Manford reprising the role of Nick and Jackson returning as director.[23]
Synopsis
[edit]Act I
[edit]The Minstrel welcomes everyone ("Welcome to the Renaissance"). Nick Bottom runs a theatre troupe with his brother Nigel. They are rehearsing their upcoming play, Richard II, when Lord Clapham, a patron of the troupe, announces that Shakespeare is doing Richard II. The news outrages Nick, as Shakespeare has already done Richard III, and the thought of going backwards seems absurd to him. Lord Clapham tells the brothers he is stopping their funds unless they have another play by the next morning, sending Nick into a rant: "God, I Hate Shakespeare".
On the way home, Nick encounters Shylock the Jew who wants to help fund the troupe, but Nick rejects this as it is illegal to employ a Jew. Nick and his wife Bea are saving for a better life, and when Nick tries to open the Money Box, Bea pulls it away, instead offering to help them by working, but Nick is adamant ("Right Hand Man"). Despite Nick's arguments, Bea goes out to do jobs that Nick claims are for men. Nick reveals that he hates Shakespeare because he is jealous of Shakespeare's success ("God, I Hate Shakespeare" (reprise)). He seeks a way to top Shakespeare and steals from the Money Box to see a soothsayer named Thomas Nostradamus (the nephew of Nostradamus). Nick asks him what the next big thing in theatre will be, and Nostradamus says that it will be "a musical", where the speaking stops, and the story is told through songs. Nick finds this ridiculous but quickly warms up to the idea ("A Musical").
Nigel has just met Portia, the daughter of Brother Jeremiah, and they immediately fall in love. Nick tells him that he shouldn't pursue her because she is a Puritan. Nick soon tells Nigel about the musical idea but does not tell him about seeing Nostradamus. Nigel wants to musicalize "The Brothers from Cornwall", the story of how they came to England, but Nick says it has to be bigger and decides to adapt the Black Death. The troupe performs a song for Lord Clapham ("The Black Death"). Lord Clapham is disgusted and deserts the troupe, and Brother Jeremiah threatens to have Nick executed if he continues with his work.
Nigel tries to write a new play. Portia sneaks out to see him; they discover that they both love poetry ("I Love the Way"). Nigel tells Portia he sent one of his sonnets to Shakespeare for feedback. A messenger arrives with an invitation for Nigel to attend Shakespeare in the Park and an after-party. Nigel takes Portia as his "plus one", and they watch Shakespeare perform ("Will Power").
Bea tells Nick she's pregnant, and he is ecstatic, yet also worried. Shylock also has an invitation to the after-party and tells Nick that Nigel is attending it. Furious at Nigel, Nick goes to the party to tell him off. There, Portia gets drunk, and Shakespeare asks to read Nigel's journal of poems and writings. Nick chastises Shakespeare for trying to steal Nigel's ideas and reprimands Nigel for his naiveté. Brother Jeremiah arrives to find a drunk Portia and once again admonishes Nigel. Desperate and out of options, Nick agrees to let Shylock invest in his play.
Nick goes back to Nostradamus with the remaining money from the Money Box to ask what Shakespeare's new hit is going to be. Nostradamus sees Hamlet but misinterprets it as "Omelette" and sees the protagonist eating a danish pastry rather than being a Danish prince. Nick dreams of a future in which crowds cheer for him and Shakespeare bows down to him ("Bottom's Gonna Be on Top").
Act II
[edit]The Minstrel notes the stresses that the Bottom brothers and Shakespeare face ("Welcome to the Renaissance" (reprise)). Shakespeare laments of trying to write hits while managing his fame. A spy tells him that the brothers are trying to steal his upcoming hit. Shakespeare decides to disguise himself as "Toby Belch" and audition for the brothers' troupe to steal the play ("Hard to Be the Bard").
The troupe is rehearsing Omelette: The Musical ("It's Eggs!"). Shylock is their new investor, but they cannot find a title that would make his role legal. Some of the actors wonder why Nostradamus is at their theatre; Nick says that he is an actor. "Toby Belch" arrives and is hired. Shakespeare is surprised to learn that his next hit is supposed to be about eggs.
Nigel sneaks out to London Bridge to see Portia and reads her another poem about his love for her. Portia says that everyone will change their minds about their relationship when they hear Nigel's beautiful sonnets ("We See the Light"). Nigel is not happy with Omelette, believing it won't work. Brother Jeremiah interrupts the lovers and imprisons Portia in a tower for disobeying. Saddened, Nigel is inspired to write a different play that is revealed to be Hamlet. At the theatre, Nigel tells Nick about this, and Shakespeare realizes that this is his next hit and takes advantage of Nick and Nigel's argument to get it ("To Thine Own Self"). Nick is having qualms about Omelette as well but dismisses these doubts when he learns the musical is sold out. Shakespeare steals Nigel's hit under the guise of "improving it". Bea tells Nigel that they should trust Nick because they can always call on him if they need him ("Right Hand Man" (reprise)).
Nick and the troupe prepare for the show ("Something Rotten!"). It opens with a bombastic dance number filled with references to musicals such as The Lion King and The Phantom of the Opera ("Make an Omelette"). Shakespeare removes his disguise and reveals Nick's plot, horrifying Nigel and the troupe.
In court, Nick, Nigel, Nostradamus, and Shylock are on trial and are about to be sentenced to beheading. Bea enters disguised as a lawyer and makes Nick confess that he stole from the Money Box; she tells the judge that beheading him would be redundant because he has already lost his head. She has made a deal with Shakespeare that they will be exiled to America ("To Thine Own Self" (reprise)). She says that they always wanted a new country house, and now they are getting a house in a new country. Portia then arrives, having escaped the tower. She renounces her father's ideals and joins the Bottoms in exile.
The Bottom Family, Portia, Shylock, Nostradamus and their acting troupe find new opportunities in the New World ("Finale"). When they hear about the opening of Shakespeare's new masterpiece, Hamlet, Nostradamus sighs, "I was this close!"
Music
[edit]Musical numbers
[edit]Source:[24]
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Recording
[edit]Ghostlight Records released the Original Broadway Cast Album of Something Rotten! on June 2, 2015 in digital music stores and July 17, 2015 on CD.[25]
In the recording, "Something Rotten!" and "Make an Omelette" are combined into one track because of the brevity of the former.
Musical references
[edit]The show includes references to numerous musicals. For example, during the song "A Musical", "Nostradamus and the chorus men don sailor hats, which harkens to several nautical-themed musicals, including South Pacific, Anything Goes, On the Town and Dames at Sea."[26] The TheaterMania reviewer noted that the song "A Musical" "encapsulates the entire book-musical form in six hilarious minutes. It's so chock-full of witty references and energetic dance; it's hard to see how it could be topped."[27] Variety also pointed out that the song "A Musical" "simultaneously celebrates and sends up everything we hold dear about this peculiar art form, from the 'jazzy hands' of Bob Fosse to the synchronized line dancing of the Rockettes."[28]
Characters and cast
[edit]The original casts of the major-market productions are as follows:
| Character | Original Broadway Cast (2015)[29] |
US National Tour (2017–18)[30] |
|---|---|---|
| Nick Bottom | Brian d'Arcy James | Rob McClure |
| Nigel Bottom | John Cariani | Josh Grisetti |
| William Shakespeare | Christian Borle | Adam Pascal |
| Bea Bottom | Heidi Blickenstaff | Maggie Lakis |
| Portia | Kate Reinders | Autumn Hurlbert |
| Thomas Nostradamus | Brad Oscar | Blake Hammond |
| Brother Jeremiah | Brooks Ashmanskas | Scott Cote |
| Shylock | Gerry Vichi | Jeff Brooks |
| Lord Clapham | Peter Bartlett | Joel Newsome |
| Master of the Justice | Patrick John Moran | |
| Minstrel | Michael James Scott | Nick Rashad Burroughs |
Notable Broadway replacements
[edit]- Nick Bottom: Rob McClure
- Nigel Bottom: Josh Grisetti
- William Shakespeare: Will Chase, Adam Pascal
- Bea Bottom: Leslie Kritzer
- Portia: Catherine Brunell
- Lord Clapham/Master of the Justice: Edward Hibbert
Awards and honors
[edit]Original Broadway production
[edit]| Year | Award | Category | Nominee | Result |
|---|---|---|---|---|
| 2015 | ||||
| Tony Award[31] | Best Musical | Nominated | ||
| Best Book of a Musical | Karey Kirkpatrick & John O'Farrell | Nominated | ||
| Best Original Score | Karey Kirkpatrick & Wayne Kirkpatrick | Nominated | ||
| Best Leading Actor in a Musical | Brian d'Arcy James | Nominated | ||
| Best Featured Actor in a Musical | Christian Borle | Won | ||
| Brad Oscar | Nominated | |||
| Best Costume Design of a Musical | Gregg Barnes | Nominated | ||
| Best Direction of a Musical | Casey Nicholaw | Nominated | ||
| Best Choreography | Nominated | |||
| Best Orchestrations | Larry Hochman | Nominated | ||
| Drama Desk Award[32] | Outstanding Musical | Nominated | ||
| Outstanding Actor in a Musical | Brian d'Arcy James | Nominated | ||
| Outstanding Featured Actor in a Musical | Christian Borle | Won | ||
| Brad Oscar | Nominated | |||
| Outstanding Director of a Musical | Casey Nicholaw | Nominated | ||
| Outstanding Choreography | Nominated | |||
| Outstanding Lyrics | Karey & Wayne Kirkpatrick | Nominated | ||
| Outstanding Book of a Musical | Karey Kirkpatrick & John O'Farrell | Nominated | ||
| Outstanding Orchestrations | Larry Hochman | Nominated | ||
| Outer Critics Circle Award[33] | Outstanding New Broadway Musical | Nominated | ||
| Outstanding Book of a Musical | Karey Kirkpatrick & John O'Farrell | Nominated | ||
| Outstanding New Score | Karey & Wayne Kirkpatrick | Nominated | ||
| Outstanding Director of a Musical | Casey Nicholaw | Nominated | ||
| Outstanding Choreographer | Nominated | |||
| Outstanding Set Design | Scott Pask | Nominated | ||
| Outstanding Costume Design | Gregg Barnes | Nominated | ||
| Outstanding Lighting Design | Jeff Croiter | Nominated | ||
| Outstanding Actor in a Musical | Christian Borle | Nominated | ||
| Brian d'Arcy James | Nominated | |||
| Outstanding Featured Actor in a Musical | John Cariani | Nominated | ||
| Outstanding Featured Actress in a Musical | Heidi Blickenstaff | Nominated | ||
| Drama League Award | Outstanding Production of a Broadway or Off-Broadway Musical | Nominated | ||
| Distinguished Performance Award | Christian Borle | Nominated | ||
| Brian d'Arcy James | Nominated | |||
| 2016 | Grammy Award | Best Musical Theater Album | Blickenstaff, Borle, Cariani, James, Oscar & Kate Reinders (principal soloists); Kurt Deutsch, K. & W. Kirkpatrick, Lawrence Manchester, Kevin McCollum & Phil Reno (producers); K. & W. Kirkpatrick (composers/lyricists) | Nominated |
References
[edit]- ^ "How 3 Broadway novices wrote 'Something Rotten!'". San Francisco Chronicle. Associated Press. March 24, 2015.
- ^ Healy, Patrick. " 'Something Rotten!' to Skip Seattle Premiere and Debut on Broadway in March", The New York Times, December 16, 2014.
- ^ Hetrick, Adam (September 30, 2014). "Casey Nicholaw-Helmed Musical Comedy Something Rotten! Taps Christian Borle, Brian D'Arcy James and Beth Leavel for NYC Lab". Playbill. Retrieved March 25, 2022.
- ^ Hetrick, Adam (March 23, 2015). "Something Rotten! Puts a Shakespearean Twist on Broadway Musical Comedy, Starting Tonight". Playbill. Retrieved March 25, 2022.
- ^ a b c Gans, Andrew. " Something Rotten! Closes on Broadway January 1" Playbill, January 1, 2017.
- ^ Gans, Andrew. " Something Rotten! National Tour Begins September 19" Playbill, September 19, 2018
- ^ Lee, Jimin. "BWW Review: Something Rotten! at Chungmu Art Center Grand Theater, 'It's Eggs!'", Broadwayworld.com, June 24, 2019
- ^ "Something Rotten!". Wermland Opera (in Swedish). Retrieved 2022-04-25.
- ^ "공연의 모든 것 - 플레이DB". www.playdb.co.kr (in Korean). Retrieved 2020-06-12.
- ^ Mee-yoo, Kwon. "COVID-19 stuns struggling theater industry", Korea Times, August 25, 2020
- ^ Listing of performances at J. K. Tyl Theatre, May 2023, Other Stages
- ^ "Something Rotten: Wayne Kirkpatrick", Operabase. Retrieved September 2, 2024
- ^ "Something Rotten!". Åbo Svenska Teater (in Swedish). Retrieved 2026-02-19.
- ^ "Something Rotten!". english-theatre.de. Retrieved April 4, 2024.
- ^ "Something Rotten!". Retrieved November 20, 2024.
- ^ "Something Rotten!". Stratford Festival. Retrieved May 28, 2024.
- ^ Chong, Joshua (September 12, 2023). "Stratford Festival's 2024 season features three Shakespeare classics, two musicals and an Ibsen masterpiece". Toronto Star. Retrieved August 31, 2024.
- ^ "Something Rotten!: Stratford Festival", Playbill. Retrieved November 21, 2024
- ^ "Stratford Festival enters final week of 2024 season". CTV News Kitchener. November 8, 2024. Retrieved January 5, 2025.
- ^ ""The Stratford Festival announces Antoni Cimolino’s final season as Artistic Director", Stratford Festival, August 12, 2025
- ^ Wild, Stephi. Jason Manford Will Lead Something Rotten! Concert at Theatre Royal Drury Lane, BroadwayWorld.com, May 1, 2024
- ^ Wiegand, Chris. "Something Rotten! is a riotous Shakespeare musical ripe for the West End", The Guardian, August 6, 2024
- ^ "Something Rotten! musical announces UK premiere details". 2025-11-04. Retrieved 2025-11-04.
- ^ "Songs" ibdb.com, retrieved January 27, 2018
- ^ Hetrick, Adam (April 27, 2015). "Something Rotten! Broadway Cast Album Being Recorded Today". Playbill. Retrieved March 25, 2022.
- ^ "Study Guide, pp 16ff" rottenbroadway.com, accessed February 23, 2016
- ^ Stewart, Zachary. "review. 'Something Rotten'" TheaterMania, April 22, 2015
- ^ Stasio, Marilyn. "Broadway Review: ‘Something Rotten’" Variety, April 22, 2015
- ^ *Something Rotten! at the Internet Broadway Database
- ^ "Cast & Creative Team - Something Rotten". www.rottenbroadway.com. Archived from the original on February 11, 2017. Retrieved 2017-11-26.
- ^ "Tony Nominations 2015: Full List". Variety. April 28, 2015. Retrieved May 17, 2015.
- ^ Cox, Gordon (April 23, 2015). "Drama Desk Nominations: 'Hamilton' Leads the Polls (FULL LIST)". Variety. Retrieved May 17, 2015.
- ^ Clement, Olivia (May 11, 2015). "Curious Incident Top Winner at Outer Critics Circle Awards". Playbill. Retrieved March 25, 2022.
External links
[edit]Something Rotten!
View on GrokipediaBackground and development
Conception and influences
The conception of Something Rotten! originated in the mid-1990s when brothers Karey Kirkpatrick and Wayne Kirkpatrick began brainstorming ideas for a musical set in the Elizabethan era, drawing inspiration from their experiences writing in the shadow of Shakespeare's enduring popularity after adapting Romeo and Juliet for the stage.[5] The brothers envisioned a story about struggling playwrights in 1595 London, a time when theater was booming amid the rivalry between emerging troupes and the rising star of William Shakespeare, whose works dominated the scene at venues like the Globe Theatre.[6] This historical backdrop allowed the creators to explore themes of artistic competition and innovation in Renaissance England, incorporating elements of the era's cultural tensions, such as Puritan opposition to theater.[6] Key influences included the vibrant 1595 London theater scene, where playwrights vied for patronage and audience favor, and the broader tropes of Broadway musicals, which the show parodies through irreverent humor and satirical take on theatrical excess.[7] John O'Farrell, who joined as co-bookwriter, collaborated with Karey Kirkpatrick to craft a narrative centered on brothers Nick and Nigel Bottom overshadowed by Shakespeare, depicted as a rock-star figure stealing ideas and glory.[7] The parody extends to mocking Shakespearean conventions while celebrating them, blending Elizabethan history with modern musical theater clichés like sudden song breaks and elaborate dance numbers.[6] A pivotal creative decision was to have the protagonists invent the "first musical" as a song-and-dance adaptation of Hamlet, envisioned through a prophetic seer, which satirizes the absurdity of injecting Broadway-style spectacle into Shakespeare's tragedy.[7] This concept emerged during early development, emphasizing the show's dual homage to Shakespearean drama and the evolution of musical theater.[5] In 2010, Karey Kirkpatrick pitched the idea to producer Kevin McCollum, leading to the formation of the core creative team and initial workshops in 2010-2011 to refine the script and score.[5]Writing and composition
The book for Something Rotten! was co-written by John O'Farrell and Karey Kirkpatrick, who joined the project in the late 1990s, with active development accelerating in 2011 by incorporating a series of comedy sketches that expanded on an earlier concept of two Elizabethan playwrights competing against William Shakespeare.[8][9] O'Farrell, drawing briefly on influences like Shakespeare parodies, contributed expertise in iambic pentameter and sonnet structures to shape the script's witty dialogue and narrative framework.[9] The music and lyrics were composed by brothers Wayne Kirkpatrick and Karey Kirkpatrick, who fused Renaissance-era musical elements—such as lute-like instrumentation and period harmonies—with modern pop and rock influences to evoke both historical authenticity and contemporary theatrical energy.[9] This stylistic blend allowed the score to parody Shakespearean themes while nodding to iconic Broadway musicals, creating a layered comedic effect through mashups of classical and anachronistic sounds.[9] Revisions to the book and score commenced with private industry readings in 2014, where O'Farrell and Karey Kirkpatrick collaborated remotely via Skype to refine the structure, ultimately cutting and rewriting over 40 songs to heighten humor and pacing.[8] Further adjustments continued through 2014 workshops, including private presentations in October, ahead of a planned pre-Broadway tryout at Seattle's 5th Avenue Theatre in spring 2015; however, the production bypassed Seattle due to an available Broadway venue, with the team adding targeted comedic references to Shakespeare plays like Hamlet and The Merchant of Venice during this phase to sharpen satirical elements.[8][10][9]Productions
Original Broadway production
The original Broadway production of Something Rotten! marked the musical's world premiere, following the cancellation of a planned pre-Broadway tryout at Seattle's 5th Avenue Theatre scheduled for spring 2015. Producers opted to bypass the out-of-town run when the St. James Theatre became available, allowing the show to open directly in New York.[11][10] Previews began March 23, 2015, with the official opening night on April 22, 2015, at the St. James Theatre.[3] Directed and choreographed by Tony Award winner Casey Nicholaw, the production featured scenic design by Scott Pask, costumes by Gregg Barnes, lighting by Jeff Croiter, and sound by Peter Hylenski.[12] The creative team's approach blended high-energy choreography with elaborate, period-inspired sets to capture the Renaissance setting and satirical tone. The original cast included Brian d'Arcy James as Nick Bottom, Christian Borle as William Shakespeare, and John Cariani as Nigel Bottom.[4] The production ran for 708 performances, concluding on January 1, 2017.[3]North American tours
The first North American tour of Something Rotten! launched following the Broadway production's success, bringing the musical's Elizabethan satire to audiences across the United States and Canada. Previews began on January 10, 2017, at Proctor's Theatre in Schenectady, New York, with the official opening at the Boston Opera House from January 17 to 29, 2017.[13][14] The production was led by Broadway veterans, including Rob McClure as Nick Bottom, Adam Pascal as Shakespeare, and Josh Grisetti as Nigel Bottom, with Maggie Lakis portraying Bea and Autumn Hurlbert as Portia.[15][16] The tour itinerary featured prominent venues such as the Ahmanson Theatre in Los Angeles, where it performed from November 21 to December 31, 2017, and the Oriental Theatre in Chicago in July 2017, among others like the National Theatre in Washington, D.C., and Segerstrom Center for the Arts in Costa Mesa, California.[13][17][18] To suit the demands of touring, the production incorporated adaptations for varying stage configurations and capacities, maintaining the show's high-energy choreography and elaborate sets while optimizing for mobility and regional theaters.[19] The first tour concluded on May 20, 2018, after extensive runs that showcased the musical's humor to diverse audiences.[13] A second national tour followed, debuting in September 2018 at the RiverCenter for the Performing Arts in Columbus, Georgia, and extending into 2019 with stops including the Marcus Center for the Performing Arts in Milwaukee from October 16 to 21, 2018.[20][21] This iteration also featured a cast of experienced Broadway performers, such as Matthew Baker in a supporting role, continuing the tradition of drawing on theater talent familiar with the show's demanding comedic style.[20] Like its predecessor, it emphasized scalable staging to accommodate smaller and mid-sized houses, ensuring the production's vibrant musical numbers and sight gags remained intact. Combined, the two tours delivered over 500 performances, significantly broadening the musical's footprint in North America.[22]International and regional productions
The musical Something Rotten! has seen a growing number of international productions outside North America, facilitated by licensing through Music Theatre International (MTI), which has enabled adaptations in various languages and cultural contexts.[1] The European premiere took place at Wermland Opera in Karlstad, Sweden, where a Swedish-language production ran from November 8, 2018, to March 3, 2019. Directed by Johan Huldt, the show featured local talent and received praise for its energetic staging and humorous take on Shakespearean rivalry, drawing audiences with its blend of Renaissance satire and modern musical numbers.[23][24] The first German-language production, an Austrian staging billed as the German-language premiere, opened on November 16, 2024, at the Landestheater Linz, directed by Alexander Maass.[25] Earlier, an English-language production ran at English Theatre Frankfurt from November 17, 2023, to March 31, 2024, with a reprise scheduled from November 14, 2025.[26][27] In the United States, beyond Broadway and national tours, Something Rotten! has thrived in regional and community theaters, with MTI licensing enabling widespread access for non-professional groups. The regional premiere occurred at Marriott Theatre in Lincolnshire, Illinois, from September 4 to October 20, 2019, featuring a full orchestra and innovative set design that evoked Elizabethan London with contemporary flair.[28] Other notable pre-2024 stagings include Le Petit Théâtre du Vieux Carré in New Orleans (January 17 to February 9, 2020), where the production incorporated local jazz influences in musical numbers, and Cape Rep Theatre in Brewster, Massachusetts (December 6, 2019, to January 5, 2020), praised for its intimate venue adaptation and strong ensemble performances. These community efforts underscore the musical's versatility for diverse audiences, often emphasizing themes of creativity and perseverance in theater.[29][30]Recent and upcoming productions
In 2024, Something Rotten! enjoyed a prominent summer production at the Stratford Festival in Ontario, Canada, running from May 28 to October 27 at the Festival Theatre, where it was praised for its bawdy humor and fusion of Shakespearean elements with musical comedy.[31][32] Later that year, the musical made its UK debut as a sold-out concert staging at London's Theatre Royal Drury Lane on August 5 and 6, featuring a star-studded cast and drawing enthusiastic reviews for its high-energy performances.[33][34] Several regional productions are scheduled for 2025 in the United States. The Rose Center Theater in Westminster, California, will present the show from June 27 to July 20, emphasizing its family-friendly Broadway-style spectacle.[35] Spotlight Youth Theatre in Glendale, Arizona, follows with performances from September 5 to 21, highlighting the musical's appeal to young audiences through its witty take on Renaissance theater.[36] Centerstage Theatre in Federal Way, Washington, stages it from May 23 to June 15, focusing on the brothers' comedic quest for theatrical innovation.[37] Additionally, The Ruth and Nathan Hale Theater in Salt Lake City, Utah, offers a run from August 22 to October 4, noted for its uproarious choreography and show-stopping numbers.[38][39] Looking ahead, the musical's fully staged UK premiere is set for 2026, beginning at Manchester's Opera House from June 16 to July 19, led by comedian Jason Manford as Nick Bottom, before transferring to the West End; this production builds directly on the success of the 2024 concert.[40][41]Synopsis
Act I
In 1595 London, brothers Nick and Nigel Bottom struggle to make ends meet as playwrights and theater producers, constantly overshadowed by the immense popularity of William Shakespeare. Nick, the more pragmatic and ambitious of the two, leads their small troupe in performing Nigel's latest work, a comedy, only to see it upstaged by the premiere of Shakespeare's Romeo and Juliet that night, drawing all the crowds and acclaim.[42] Frustrated by their financial woes—exacerbated by Nick's pregnant wife Bea needing support—Nick vows to create something revolutionary to outdo the Bard. Desperate for inspiration, Nick secretly visits the eccentric soothsayer Thomas Nostradamus, seeking a glimpse of "the future of theater." Through a mystical vision (aided clumsily by Nostradamus's son), Nick learns of a performing art form where actors sing, dance, and act simultaneously to tell the story, which he enthusiastically dubs "a musical." Misinterpreting the prophecy due to the seer's vague wording and his own preconceptions, Nick returns home determined to write the world's first musical, brainstorming a plot centered on eggs titled Omelette the Musical—complete with chorus lines of dancing eggs and elaborate production numbers. Meanwhile, the more idealistic Nigel begins developing his own ideas, penning a heartfelt sonnet that catches the eye of Portia, the scholarly daughter of the strict Puritan Brother Jeremiah.[43] As Nick rallies his ragtag troupe—including the dim-witted actor Robin and the enthusiastic stage manager Francis—for auditions to cast his groundbreaking show, tensions rise with Brother Jeremiah, who disapproves of theater and spies on the proceedings. Bea, disguised as a man to earn money for the family, inadvertently aids the preparations. The act ends on a note of hopeful ambition as the brothers plan their revolutionary venture.[43]Act II
Act II opens with the Bottom brothers' theater troupe in the midst of chaotic rehearsals for their groundbreaking production, Omelette the Musical, where mishaps abound during attempts to integrate elaborate song-and-dance sequences, such as a frenetic egg-themed number that highlights the troupe's inexperience with the form.[1] Shylock, having agreed to invest in the venture after initial reluctance, provides crucial financial backing, allowing the production to proceed despite Nick's mounting debts and the pressure from creditors like the Lord Clapham, exacerbating the brothers' tensions as Nick pushes for spectacle while Nigel yearns for sincerity.[44] As rehearsals intensify, Nigel composes a heartfelt sonnet for Portia, which not only deepens their romance but also sparks his genuine creative voice, leading him to reject the contrived elements of Omelette in favor of authentic expression; this shift causes a rift with Nick, culminating in a heated confrontation where Shakespeare intervenes by stealing Nigel's work and passing it off as his own, further sabotaging the brothers' efforts.[1] Family reconciliations follow as Nick, humbled by Nostradamus's visions of potential triumph turning to cautionary chaos, apologizes to Nigel and embraces a more honest approach to their play, while Portia defies her father Brother Jeremiah to support Nigel. The brothers unite against Shakespeare in a direct confrontation, exposing his plagiarism and affirming their independence from his shadow.[1] The act builds to its climax on opening night, with Omelette the Musical selling out under Shylock's promotion. Meanwhile, Bea Bottom goes into labor, forcing Nick to step in and deliver their child amid the pandemonium, a moment that underscores the personal stakes intertwined with their artistic ambitions.[1] Onstage disasters initially threaten the show, but the troupe improvises by incorporating their raw talents into an integrated performance that evolves into the rousing finale "Something Rotten!," blending humor, heart, and meta-commentary on the birth of musical theater. The production is a wild success with the audience, but Brother Jeremiah denounces it as heresy, leading to the theater's shutdown and Nick's arrest and sentencing to beheading. Bea reveals she has bribed the authorities, allowing Nick's escape. Shakespeare, witnessing true innovation, experiences a humbling epiphany about the collaborative essence of art. Amid rising antisemitism, Shylock joins the Bottoms, Portia, and Nostradamus in fleeing to the New World (America), where they thrive independently, resolving the brothers' financial woes and rivalries while Portia and Nigel commit to their future together. This thematic wrap-up celebrates the value of authenticity over imitation in creativity.[44][42]Music and songs
Musical numbers
The musical numbers in Something Rotten! follow the plot's progression through two acts, featuring a mix of ensemble openers, character solos, duets, and comedic production numbers that parody various theatrical styles. The score, composed by Wayne and Karey Kirkpatrick, includes patter songs and big ensemble pieces like "Make an Omelette." The complete list of songs from the original Broadway production is as follows, based on the official cast recording tracklist.[45]Act I
- Welcome to the Renaissance: An energetic opening ensemble number that sets the scene in 1595 London, introducing the Renaissance era and the Bottom brothers' struggling theater troupe.[45]
- God, I Hate Shakespeare: Nick and Nigel Bottom lament William Shakespeare's overwhelming success and fame in a comedic complaint song with the ensemble.[45]
- Right Hand Man: Nick searches for a new leading actor to replace Nigel in their play, leading to humorous auditions and a brotherly duet.[45]
- God, I Hate Shakespeare (Reprise): Nick and the ensemble reprise their frustration after the failed auditions.[45]
- Will Power: Shakespeare performs a rapid-fire patter song showcasing his theatrical prowess and ego during a performance of Romeo and Juliet.[45]
- The Bottom Line: The brothers discuss their financial woes with Puritan Brother Jeremiah, highlighting the troupe's dire economic situation in a vaudeville-style number.[45]
- Welcome to the Renaissance (Reprise): A brief ensemble reprise that transitions to Nick's quest for inspiration.[45]
- A Musical: Nick consults soothsayer Thomas Nostradamus, who reveals a vision of a "musical" play from the future, parodying Broadway shows.[45]
- Bottom's Gonna Be On Top: Nick excitedly embraces the idea of creating the first musical, plotting dance and song integration into their production of The History of Man.[45]
- Making a Woman Out of Me: Bea Bottom, disguised as a man to join the troupe, sings about her transformation and support for Nick in a lively training montage.[45]
- We See the Light: The troupe rehearses their musical adaptation, celebrating the innovative concept with an upbeat ensemble piece.[45]
Act II
- The Black and White: The Puritans, led by Brother Jeremiah, pursue the troupe in a comedic chase number highlighting religious and moral tensions in 1599 London.[45]
- Up There: Shakespeare reflects on his rise to stardom in a soaring solo about fame and legacy.[45]
- To Thine Own Self: Nigel stands up to Shakespeare, affirming his artistic integrity in a poignant solo.[45]
- Right Hand Man (Reprise): The brothers reconcile their partnership in a heartfelt reprise amid the show's climax.[45]
- Something Rotten!: Nick and Nigel confront the flaws in their over-the-top musical during a meta comedic number.[45]
- Make an Omelette: A chaotic big production number where the troupe's performance devolves into absurdity, breaking eggs and the fourth wall.[45]
- Finale: The ensemble closes with a medley celebrating authenticity and the troupe's success, including reprises of earlier themes.[45]
Style and musical references
The score of Something Rotten! features a bold-as-brass style composed by Wayne Kirkpatrick with lyrics by his brother Karey Kirkpatrick, blending Renaissance-era folk and lute-inspired sounds with modern musical theater conventions to create a satirical mash-up of 16th-century Elizabethan drama and 21st-century Broadway. This fusion draws on influences like The Beatles and Queen for rock-infused numbers portraying Shakespeare as a celebrity, while maintaining the forward momentum of traditional musical theater songs without repetitive commercial structures.[46][47] Central to the show's postmodern parody is its playful referencing of iconic Broadway genres, particularly evident in the ensemble number "A Musical," which lampoons the form itself through stylistic shifts including Bob Fosse-inspired "jazzy hands" evoking Chicago and high-kicking synchronized lines reminiscent of West Side Story's gang dances. Other songs incorporate broad allusions to classics like The Sound of Music, The Music Man, and Oklahoma!, ensuring accessible nods to musical theater history rather than obscure references. Lyrics are peppered with Shakespearean allusions, such as twisted quotes from his plays, to underscore the brothers Bottom's rivalry with the Bard and heighten the comedic tension between historical authenticity and anachronistic invention.[47][46][1] Directed and choreographed by Casey Nicholaw, the production's movement integrates tightly with the score's eclectic rhythms, using precise spatial adjustments and energetic ensemble formations to amplify comedic timing—such as subtle actor repositioning for maximum punchlines—while echoing the show's blend of grounded realism and heightened theatrical flair inspired by icons like Gene Kelly and Fred Astaire. This choreography not only propels the narrative but also visually reinforces the parody by contrasting Tudor-era pomp with brassy, over-the-top Broadway spectacle.[48][47]Recordings and releases
The original Broadway cast recording of Something Rotten! was released digitally on June 2, 2015, and in physical CD format on July 17, 2015, by Ghostlight Records.[49] Featuring principal soloists including Brian d'Arcy James, Christian Borle, John Cariani, Brad Oscar, and Kate Reinders, the album includes 18 tracks from the score by Wayne Kirkpatrick and Karey Kirkpatrick.[50] It debuted at number one on the Billboard Cast Albums chart and also charted on the Billboard 200 at number 94.[51] The recording received a Grammy Award nomination for Best Musical Theater Album in 2017.[52] Vocal selections from the musical, containing piano-vocal arrangements of 12 songs such as "Bottom's Gonna Be on Top" and "God, I Hate Shakespeare," were published by Hal Leonard in 2016.[53] These sheet music editions provide accessible arrangements for performers and educators.[54] As of November 2025, no film adaptation or associated soundtrack has been released for Something Rotten!.Cast and characters
Principal characters
Nick Bottom is the protagonist of Something Rotten!, portrayed as an ambitious and scheming playwright in 1590s London who desperately seeks to surpass the fame of his rival, William Shakespeare, often resorting to underhanded tactics and grand schemes to achieve theatrical success.[55] Driven by financial pressures and a burning envy, Nick's character embodies the frustrations of a struggling artist willing to bend rules for glory, blending humor with heartfelt determination in his quest for innovation in playwriting.[43] Nigel Bottom, Nick's younger brother, contrasts sharply as an idealistic and sensitive poet who values artistic integrity over commercial success, often clashing with Nick's pragmatic approaches while pursuing his own romantic and creative ideals.[55] Nigel's gentle, dreamy nature highlights themes of authenticity in art, as he navigates his passion for writing amid the cutthroat world of Renaissance theater.[43] William Shakespeare serves as the charismatic and egotistical superstar rival to the Bottom brothers, depicted as England's most celebrated playwright with an over-the-top flair for dramatic entrances and self-aggrandizing performances that underscore his larger-than-life celebrity status.[55] His character satirizes the Bard's historical persona, emphasizing arrogance and showmanship as he dominates the theatrical scene.[43] Bea, Nick's devoted wife, is a resourceful and supportive figure who disguises herself as a man to join the acting troupe and provide for her family, revealing her practical ingenuity and unwavering loyalty despite the era's gender constraints on women in theater.[55] Her pregnancy adds layers to her role, showcasing resilience and cleverness in aiding Nick's ambitions.[43] Portia is the intelligent and rebellious daughter of Brother Jeremiah, a Puritan who falls in love with Nigel and disguises herself to attend plays, highlighting themes of forbidden romance and defying societal conventions.[55][43] Brother Jeremiah is a stern Puritan censor and secondary antagonist, enforcing moral strictures against the Bottoms' plays and representing the repressive religious forces clashing with artistic freedom in Elizabethan England.[55] As Portia's father, his pious and disapproving demeanor heightens comedic tensions around forbidden romance and theater.[43] Nostradamus, the eccentric soothsayer consulted by Nick, is a mystical and prophetic character whose quirky visions and unconventional methods drive key plot developments, infusing the story with whimsical foresight and humorous inaccuracies about the future of theater.[55] His bumbling yet insightful persona parodies Renaissance occultism while catalyzing the brothers' misguided innovations.[43]Original casts
The original Broadway production of Something Rotten! premiered on April 22, 2015, at the St. James Theatre, directed by Casey Nicholaw.[3]| Role | Actor |
|---|---|
| Nick Bottom | Brian d'Arcy James |
| Nigel Bottom | John Cariani |
| William Shakespeare | Christian Borle |
| Bea | Heidi Blickenstaff |
| Portia | Kate Reinders |
| Nostradamus | Brad Oscar |
| Brother Jeremiah | Brooks Ashmanskas |
| Role | Actor |
|---|---|
| Nick Bottom | Rob McClure |
| Nigel Bottom | Josh Grisetti |
| William Shakespeare | Adam Pascal |
| Bea | Maggie Lakis |
| Portia | Autumn Hurlbert |
| Nostradamus | Blake Hammond |
| Brother Jeremiah | Scott Cote |