Steve Cropper

Steven Lee Cropper (born October 21, 1941), sometimes known as "The Colonel", is an American guitarist, songwriter and record producer. He was the guitarist of the Stax Records house band, Booker T. & the M.G.'s, which backed artists such as Otis Redding, Wilson Pickett, Sam & Dave, Carla Thomas, Rufus Thomas and Johnnie Taylor. He also acted as the producer of many of these records. He was later a member of the Blues Brothers band. Rolling Stone magazine ranked him 36th on its list of the 100 greatest guitarists of all time, while he has won two Grammy Awards from his seven nominations.

Born on a farm near Willow Springs, Missouri, Cropper lived in Dora and West Plains before moving with his family to Memphis at age 9. In Memphis, he was exposed to black church music, which had an impact on him musically. Cropper acquired his first guitar at age 14.

He admired guitarists including Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the The "5" Royales and Billy Butler of the Bill Doggett band.

Cropper and guitarist Charlie Freeman formed the Royal Spades, who eventually became the Mar-Keys. The name referred to the marquee outside Stax studios, known as Satellite Records at the time. Eventually, the Mar-Keys began playing on sessions and had a hit single of their own with "Last Night" in 1961.

Besides being impressed with the young guitarist's playing, Stax Records president Jim Stewart saw professionalism and maturity beyond Cropper's years. When American Records founder Chips Moman left Stax, Cropper became the company's A&R man. He became a founding member of the Stax house band Booker T. & the M.G.'s, along with Hammond organ player Booker T. Jones, bassist Lewie Steinberg (who was replaced by Donald "Duck" Dunn soon thereafter) and drummer Al Jackson Jr. As a house guitarist, he played on many recordings such as "(Sittin' On) the Dock of the Bay", co-written with and performed by Otis Redding and Sam & Dave's "Soul Man" on which he was mentioned by name. When Cropper played on the song's remake by the Blues Brothers, lead singer John Belushi again mentioned Cropper. On the early Stax recordings, Cropper is known to have played a 1956 Fender Esquire and later used a blonde Fender Telecaster.

At this time, Cropper's fame was not limited to the United States. The Beatles favored Cropper's playing, and his production on Otis Redding records. John Lennon and Paul McCartney made tentative plans to record in Memphis and to work with the guitarist. However Brian Epstein canceled the sessions, citing security problems. Regarding this period, Rob Bowman, in his book Soulsville U.S.A.: The Story of Stax Records, quoted Booker T. Jones as saying:

We were writing sounds too, especially Steve. He's very sound-conscious and he gets a lot of sounds out of a Telecaster without changing any settings — just by using his fingers, his picks and his amps.

Along with influential work with Booker T & The MG's, Cropper co-wrote "Knock on Wood" with Eddie Floyd, "In the Midnight Hour" with Wilson Pickett and "(Sittin' On) The Dock of the Bay" with Otis Redding. In 1969, Cropper released his first solo album, With a Little Help From My Friends.