Stranger in the Alps

Stranger in the Alps was produced by Tony Berg and Ethan Gruska.^[2] Bridgers recorded the album in between tours over 2016 at Berg's studio in Brentwood, Los Angeles.^[3] The album's title is a reference to the edited-for-TV version of the film The Big Lebowski, which changed Walter Sobchak's (John Goodman) line "Do you see what happens when you fuck a stranger in the ass?" to "Do you see what happens when you find a stranger in the Alps?"^[4] Bridgers opted to use the phrase because she found it to be "kind of poetic on accident".^[5][6]

Bridgers signed a recording contract with Dead Oceans in June 2017,^[7] and the album was scheduled for release on September 22.^[8] The album received a limited edition 5th anniversary galaxy colored vinyl pressing on September 22, 2022.^[9]

Stranger in the Alps is described as "a collection of sad folk songs." The music has been described as "equal parts Mary Lou Lord and Margo Timmins." The album incorporates fiddle and electro-noise. The album's lyrics contain references to David Bowie and Jeffrey Dahmer.^[10][11]

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	7.8/10[12]
Metacritic	82/100[13]
Review scores
Source	Rating
AllMusic	[14]
The A.V. Club	A[15]
Consequence of Sound	A−[16]
Exclaim!	9/10[17]
The Irish Times	[18]
Mojo	[19]
NME	[20]
Pitchfork	7.0/10[21]
Q	[22]
Uncut	6/10[23]

Stranger in the Alps received acclaim from critics; review aggregator Metacritic gave the album a weighted average score of 82/100 based on 16 critic reviews, indicating "universal acclaim".^[13]

Josh Modell of The A.V. Club gave the album a perfect score, saying, "Stranger in the Alps alchemizes sorrow into redemptive beauty. It's never about wallowing, but about slowly moving through it. That difference, played out over some incredible, wise-beyond-her-years songwriting, makes it one of the best albums of the year."^[15] Writing for Pitchfork, Sam Sodomsky said that the album is "a collection of songs about intimacy, documenting how our relationships affect the way we view ourselves and interact with others... Bridgers' voice has a breezy, conversational flutter [that] sounds best when she double-tracks it in layers of light falsetto", rating the album 7.0/10.^[21] Leonie Cooper of NME gave the album a score of four stars out of five, and wrote: "A kind of urban folksiness runs deep through the record, and the strummed softness of 'Would You Rather' even features Bright Eyes' Conor Oberst. The downbeat vibe is cut through by unmitigated banger 'Motion Sickness' but Strangers In The Alps is definitely album for the sad times."^[24]

Ben Salmon of Paste wrote: "Bridgers’s plainspoken lyrics and airy, inescapable melodies that make Alps not just one of 2017’s best debuts, but also one of that year’s (and this decade’s) best albums by anyone at any stage of their career. At 23-years-old, she already has a masterpiece under her belt."^[25] Q gave the album four stars out of five, and wrote: "Across these songs, Bridgers manages an unusual marriage of delicacy and lo-fi wit, and it's a union that has led her to quietly make one of the albums of the year." DIY gave the album a score of 8 of 10 and said the album "is as accomplished a solo debut as you’ll hear all year--a quietly devastating listen worthy of Phoebe Bridgers’ obvious influences."^[26] James Skinner of Drowned in Sound also gave the album this score, and said: "Some songs come close, but none hit quite as hard as Stranger in the Alps’ haunting bookends. All the same, the record is a stunning achievement, and one that heralds the arrival of a major talent, undoubtedly in it for the long haul."^[27] Steven Loftin of The Line of Best Fit also gave the album this score, and wrote: "Once the record's over, you'll feel like you’ve been dropped in a dark part of town after being left heartbroken--which is exactly what music like this should do."^[28]

Uncut gave the album a lukewarm review, awarding it a score of 6 of 10. "Throughout, her lyrics betray a convincing world-weariness."^[29] The Skinny also gave the album this score, and wrote: "Bridgers is someone finding her way, trying things out, rarely settling for easy when something more is called for. Which isn’t to say that she gets everything right – the new arrangements of both Killer and Georgia lack the immediacy of their originally released versions – but when she does, you can see her making a long career of this."^[11]

Credits adapted from liner notes.^[31]