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Super-Charger Heaven
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| "Super-Charger Heaven" | ||||
|---|---|---|---|---|
| Single by White Zombie | ||||
| from the album Astro-Creep: 2000 | ||||
| B-side | "Where the Side Walk Ends, the Bug Parade Begins" | |||
| Released | 1996 | |||
| Recorded | 1995 at NRG Studios, Los Angeles | |||
| Length | 3:37 | |||
| Label | Geffen | |||
| Songwriters | Rob Zombie, White Zombie | |||
| Producer | Terry Date | |||
| White Zombie singles chronology | ||||
| ||||
| Astro-Creep: 2000 track listing | ||||
| ||||
| Audio | ||||
| "Super-Charger Heaven" on YouTube | ||||
"Super-Charger Heaven" is the third and final single off White Zombie's 1995 studio album, Astro-Creep: 2000. The song can also be found on Rob Zombie's Past, Present & Future, the greatest hits album The Best of Rob Zombie, and a remix can be found on Supersexy Swingin' Sounds. The artwork for the single incorporates the Japanese superhero Devilman, who is also referenced in the chorus of the song.
Music and lyrics
[edit]Like many White Zombie songs, the song contains clips from old horror films. The song opens with spoken words: "Look, I know the supernatural is something that isn't supposed to happen, but it does happen", a sample from the 1963 film The Haunting.
The song contains a section of spoken Latin, from the 1976 horror film To the Devil a Daughter. The Latin states: Insipiens in corde suo, non est deus. Non est qui faciat bonum, non est usque ad unum. Es excommunicatus, ex unione fidelium. ("The fool (hath said) in his heart, There is no God. There is none that doeth good, no, not one. Thou art excommunicated from the union of the faithful.") The first two sentences of the Latin passage are quotations from Psalm 53.
Another line from the same film, "It is not heresy, and I will not recant!", is also spoken by actor Christopher Lee and sampled in "Super-Charger Heaven".
The lyrics contain the line "Bury me an angel,/God, I need some inspiration", a reference to the 1971 film Bury Me an Angel. The song also includes the line "ring-a-ding rhythm", which was a film about jazz by Amicus Films.
Music video
[edit]The music video, the third music video made for a song off the album, features the band playing live on stage at California, Las Vegas, and Detroit. Alice Cooper joins the band on stage for a few brief seconds during the video.
Appearances
[edit]- It is featured in the 1995 action movie Judge Dredd, starring Sylvester Stallone.
- It is featured in the 1996 Nicolas Winding Refn's neo-noir crime drama Pusher.
- It is featured in the freestyle motocross movie 'Crusty Demons of Dirt'.
- It is used in the Daria episode "Ill".
- It is used in numerous promos for the Ocean dub of Dragon Ball Z for Cartoon Network in the mid-1990s.
- in 2001 the staff of KBPI in Denver, CO produced a parody titled "Bronco Fan".
First single track listing
[edit]- "Super-Charger Heaven (LP version)" - 3:37
- "Where the Side Walk Ends, the Bug Parade Begins" - 2:41
Second single track listing
[edit]- "Super-Charger Heaven (LP Version)" - 3:37
- "El Phantasmo and the Chicken-Run Blast-O-Rama (LP version)" - 4:13
- "More Human than Human (Princess of Helium Ultra Mix)" - 4:17
Charts
[edit]| Chart (1996) | Peak position |
|---|---|
| US Mainstream Rock Tracks (Billboard)[1] | 39 |
References
[edit]- ^ Billboard.com single charts for White Zombie
Super-Charger Heaven
View on GrokipediaBackground and development
Songwriting
The songwriting for "Super-Charger Heaven" drew heavily from horror and science fiction genres, aligning with White Zombie's signature fusion of industrial metal and cinematic aesthetics. Influences included classic horror films from the 1950s through 1980s, as well as sci-fi elements like Star Trek and Ultraman, which informed the track's atmospheric tension and thematic depth.[9] These inspirations stemmed from frontman Rob Zombie's childhood fascination with comics, B-movies, and heavy metal, shaping the song's dystopian vibe within the band's evolving sound.[9] Rob Zombie played a central role in lyric development, infusing apocalyptic and demonic motifs that contributed to the album Astro-Creep: 2000's overarching narrative of futuristic horror and synthetic delusions. He typically composed lyrics in the studio, singing them over evolving instrumental beds to ensure they integrated seamlessly with the music's intensity. This approach allowed the themes of "Super-Charger Heaven" to evoke a hellish, otherworldly realm, reinforcing the track's position as a cornerstone of the album's conceptual unity.[10] Band collaboration was essential during pre-production in 1994 and early 1995, with daily rehearsal sessions in a dedicated studio where members jammed for hours and captured ideas on a boom box. Bassist Sean Yseult and guitarist J. Yuenger contributed primary riffs, which Zombie would refine, while drummer John Tempesta added rhythmic drive to build the song's riff-heavy, propulsive structure. This iterative process emphasized experimentation over rigid planning, blending heavy guitar layers with industrial elements to craft a track primed for live energy.[10][9] "Super-Charger Heaven" emerged as a pivotal track in White Zombie's transition to mainstream metal success, encapsulating the album's bold shift toward broader accessibility while retaining their noisy, genre-defying edge. Its release as the third single from Astro-Creep: 2000 helped propel the album to No. 6 on the Billboard 200 and over 2.6 million U.S. sales, marking the band's commercial peak before their 1998 disbandment.[7]Recording
"Super-Charger Heaven" was recorded in late 1994 at NRG Recording Studios in Los Angeles, California, during the sessions for White Zombie's album Astro-Creep: 2000.[11][12] The track was produced by Terry Date, a veteran engineer known for his collaborations with heavy metal bands including Pantera on albums like Vulgar Display of Power (1992) and the Deftones on Adrenaline (1995), who helped refine the band's raw industrial edge into a more polished production.[13][14][15] Date's approach involved multi-tracking, utilizing up to 72 tracks per song to layer elements effectively.[16] The recording featured the band's core lineup of Rob Zombie on vocals, Jay Yuenger (credited as J.) on guitar, Sean Yseult on bass, and John Tempesta on drums, with Tempesta having joined specifically for this album.[13] Engineering duties were handled by Date alongside Ulrich Wild, focusing on integrating heavy guitar riffs with electronic and programmed elements contributed by keyboardist Charlie Clouser.[17] The song's final runtime was set at 3:37, capturing its dense sonic architecture through meticulous tracking and overdubbing.[18]Composition
Music
"Super-Charger Heaven" represents White Zombie's fusion of industrial metal, groove metal, and noise rock, marked by aggressive, downtuned guitar riffs and relentless pounding rhythms that evoke a mechanical intensity.[19][20] The track's instrumentation centers on heavily distorted guitars handled by Jay Yuenger, which deliver chunky, no-frills riffs, complemented by driving bass lines from Sean Yseult and thunderous drumming by John Tempesta.[21][19] Electronic samples and keyboard elements further amplify the song's synthetic, industrial edge, creating a throbbing, psychedelic undercurrent.[19][7] Clocking in at a mid-tempo of 92 beats per minute—often perceived in double-time at 184 BPM due to its groove—the song features dynamic shifts from steady, strip-club-like rhythms to explosive climaxes that heighten its visceral impact. Structurally, it opens with an atmospheric intro built from horror film samples, such as dialogue and sound effects, before launching into a stripped-down verse-chorus format anchored by a signature riff-driven chorus.[6][19] The arrangement builds tension through verses and refrains, escalating to a crushing breakdown that underscores the track's heavy metal thunder.[19][7]Lyrics
The lyrics of "Super-Charger Heaven" explore themes of demonic possession, apocalyptic machinery, and hellish imagery, drawing on surreal vignettes like a twisted resurrection of Jesus in a roadside motel and hellhounds transporting souls across the River Styx, all infused with Rob Zombie's signature blend of B-movie horror tropes and occult symbolism. These elements evoke a narrative of moral duality and infernal temptation, where human frailty collides with supernatural forces, mirroring Zombie's longstanding interest in low-budget horror films and esoteric motifs that blend the grotesque with the mechanical.[5][22] The song prominently features sampled dialogue to heighten its horror-infused atmosphere. The introduction includes a spoken excerpt from the 1963 film The Haunting: "Look, I know the supernatural is something that isn't supposed to happen, but it does happen," establishing an acceptance of the uncanny.[23] A pivotal mid-song interlude samples the excommunication scene from the 1976 film To the Devil a Daughter, reciting the Latin phrase from Psalm 53, "Dixit insipiens in corde suo: Non est Deus" (translated as "The fool says in his heart, 'There is no God'"), followed by the defiant line "It is not heresy. And I will not recant," which reinforces the track's themes of blasphemous rebellion and spiritual exile.[24] Additionally, the lyrics directly reference the 1971 biker horror film Bury Me an Angel through the plea "Bury me an angel, God, I need some inspiration," symbolizing a desperate quest for divine intervention amid damnation.[25] Structurally, the song employs stream-of-consciousness verses that cascade through fragmented, nightmarish scenes—such as "nitro-burning and fuel injection" machinery fused with strychnine-laced souls or deformed witches worshiping dogs—contrasted by insistent, repetitive choruses that hammer the hook "Devilman, Devilman, calling / Devilman, running in my head," positioning "super-charger heaven" as a pulsating metaphor for a demonic, engine-revving afterlife of unchecked power and chaos.[5] This rhythmic repetition builds a hypnotic urgency, underscoring the possession motif without resolving into traditional narrative closure. Rob Zombie's vocal delivery further intensifies the otherworldly disorientation, utilizing a growled, theatrical style that shifts between guttural snarls in the verses and barked exclamations in the choruses, creating an auditory illusion of internal torment and supernatural invasion.Release
Formats and track listings
"Super-Charger Heaven" was released as the third single from White Zombie's album Astro-Creep: 2000 by Geffen Records in 1995.[26] The single appeared in multiple formats, including promotional vinyl and CD releases in 1995, a commercial CD maxi-single in 1996, 12" vinyl promos, and later digital reissues on platforms like Spotify and Apple Music.[26] The initial promotional format was a green marbled 7" 45 RPM vinyl single issued in the US in 1995 on Psychoholic Records, featuring the album version of the title track backed by the non-album b-side "Where the Sidewalk Ends, the Bug Parade Begins," an instrumental track from the Astro-Creep: 2000 recording sessions originally included as a hidden track on the album.[27]| Track | Title | Duration |
|---|---|---|
| A | Super-Charger Heaven | 3:37 |
| B | Where the Sidewalk Ends, the Bug Parade Begins | 2:41 |
| No. | Title | Duration |
|---|---|---|
| 1 | Super-Charger Heaven (LP Version) | 3:37 |
| 2 | El Phantasmo and the Chicken-Run Blast-O-Rama (LP Version) | 4:13 |
| 3 | More Human than Human (Princess of Helium Ultra-Mix) | 4:17 |
