Deftones

Deftones is an American alternative metal band formed in 1988 in Sacramento, California, by vocalist Chino Moreno, guitarist Stephen Carpenter, and drummer Abe Cunningham, known for blending heavy riffs with atmospheric, experimental, and emotive elements in their music.^[1][2] The band rose to prominence in the late 1990s with their debut album Adrenaline (1995), followed by the breakthrough Around the Fur (1997) and the critically acclaimed White Pony (2000), which featured hits like "Change (In the House of Flies)" and established their innovative sound beyond nu-metal conventions.^[1][2] Over the next two decades, Deftones released six more studio albums, including Diamond Eyes (2010), Koi No Yokan (2012), Gore (2016), and Ohms (2020), selling over 10 million records worldwide and earning a reputation for resilience amid personal and professional challenges.^[1][3][4] The group's lineup has evolved due to significant events, such as bassist Chi Cheng's 2008 car accident that left him in a coma until his death in 2013; he was replaced by Sergio Vega until 2022, when Fred Sablan joined as bassist alongside keyboardist/turntablist Frank Delgado, who became a full member in 2007.^[1] In 2025, Deftones released their tenth studio album, Private Music, produced by the band and Nick Raskulinecz, marking a return to form with tracks like "My Mind Is a Mountain" and supporting a major North American tour.^[1][2]

History

Early years (1988–1993)

Deftones formed in 1988 in Sacramento, California, when high school friends Chino Moreno (vocals), Stephen Carpenter (guitar), and [Abe Cunningham](/page/Abe Cunningham) (drums) began jamming together as a casual project. Moreno, who initially played drums before switching to vocals upon Cunningham's arrival, had known Carpenter since childhood, and the trio bonded over shared musical interests in punk, metal, and rap. Shortly after, Dominic Garcia, a longtime friend of Moreno from elementary school, joined as the band's first bassist, completing the initial lineup.^[5][6] The group rehearsed primarily in Carpenter's garage, experimenting with a fusion of heavy riffs and rhythmic grooves influenced by the local Sacramento underground scene, which featured a mix of metal, hip-hop, and alternative acts at venues like the Cattle Club and supported by radio station KWOD 106.5 FM. Their early performances included sporadic local underground shows starting in 1988 at venues like the Cattle Club, covering songs by bands such as Danzig and Metallica, before transitioning to original material inspired by acts like Jane's Addiction and Faith No More. Over the next few years, the band played sporadic local underground shows, gradually shifting toward a heavier sound that incorporated post-hardcore elements and Moreno's evolving screamed and melodic vocals, moving away from initial rap-infused styles.^[5][6] By 1991, Deftones had recorded an early demo tape that captured their developing aggressive style, followed by additional demos in 1992 (including four-, three-, and two-song versions) and a more extensive 15-track recording known as the (Like) Linus demo in 1993. These efforts coincided with lineup changes, as Garcia briefly switched to drums around 1990–1991 before leaving, paving the way for bassist Chi Cheng to join and solidify the core group. Some members relocated within California during this period, and by 1993, the band committed to pursuing music professionally, distributing demos and building a regional following. This groundwork attracted initial interest from labels, including Maverick Records, setting the stage for their first major recording sessions.^[5][7]

Adrenaline (1994–1997)

Following the stabilization of their lineup, bassist Chi Cheng joined Deftones as a permanent member in 1990, providing a solid foundation for the band's rhythm section ahead of their major label breakthrough.^[8] By 1994, the group had submitted demos that caught the attention of Maverick Records, leading to a signing with the label co-founded by Madonna.^[8] This deal marked a pivotal shift from their independent Sacramento roots, enabling professional production and wider distribution for their emerging sound. The band entered the studio to record their debut album Adrenaline in 1995, primarily at Bad Animals Studio in Seattle, Washington, with additional sessions at Sound City Studios in Van Nuys, California, during 1995 and 1996.^[9] Produced by Terry Date—known for his work with heavy acts like Pantera—the sessions focused on capturing the band's visceral, aggressive energy, blending heavy riffs, screamed vocals, and atmospheric elements into a raw nu metal aesthetic that reflected their intense live performances.^[10] Date's approach emphasized unpolished intensity, allowing tracks to retain the chaotic aggression of Deftones' early club shows without overproduction. Adrenaline was released on October 3, 1995, via Maverick Records, introducing the band to a broader audience with its 11 tracks of abrasive alternative metal.^[11] The album achieved modest initial commercial success, peaking at No. 23 on the Billboard Heatseekers Albums chart after spending 21 weeks on the tally. Singles "Bored" and "7 Words" gained traction through MTV rotation on shows like Headbangers Ball, exposing the band's sound to alternative rock viewers and contributing to steady sales that eventually surpassed 200,000 copies by 1997.^[11] To promote Adrenaline, Deftones embarked on extensive touring from 1995 to 1997, including a mini-tour with Sacramento peers Will Haven in late 1996 and opening slots for established acts like White Zombie and Korn.^[12] These performances, often in small venues and on festivals like Lollapalooza in 1997, helped cultivate a dedicated underground following, with the band's high-energy sets fostering word-of-mouth buzz in the growing nu metal scene.^[13] MTV appearances further amplified this momentum, solidifying Deftones' reputation as a rising force in heavy music.^[14]

Around the Fur (1997–2000)

In 1997, Deftones recorded their second studio album, Around the Fur, at Studio Litho in Seattle, Washington, under the production of Terry Date, who had previously collaborated with acts like Pantera and Soundgarden.^[15] The sessions emphasized a heavier bass-driven sound and more abstract, stream-of-consciousness lyrics from vocalist Chino Moreno, marking a shift toward experimental elements compared to their debut, including improvised vocal layers and atmospheric textures.^[15] Guitarist Stephen Carpenter and drummer Abe Cunningham handled much of the instrumental writing as a trio during rehearsals, often without bassist Chi Cheng due to his distance from the studio in San Diego, while the track "Headup" featured a guest appearance by Max Cavalera of Soulfly, adding a raw, primal edge with live-recorded riffs.^[15] The album was released on October 28, 1997, via Maverick Records, debuting at No. 29 on the Billboard 200 chart and selling 43,000 copies in its first week.^[16] Building on the momentum from Adrenaline, it broadened the band's appeal through two key singles: "My Own Summer (Shove It)," the lead track released in 1997 with a music video directed by Fernando Apodaca that depicted the band in a surreal desert landscape, and "Be Quiet and Drive (Far Away)," issued in 1998 with a video filmed in Big Sur, California, emphasizing dreamlike visuals.^[16] These singles highlighted the album's blend of aggressive riffs and melodic introspection, contributing to its certification of gold status by the RIAA in 2005.^[16] Promotion for Around the Fur involved extensive touring from late 1997 through 1999, encompassing over 200 shows worldwide, including a slot on the inaugural combined Ozzfest and Warped Tour event in 1998, where the band performed tracks like "Be Quiet and Drive (Far Away)" to large festival crowds.^[17] Deftones secured headlining positions on their own U.S. and European tours, supporting acts such as Quicksand and Tinfed, which helped solidify their live reputation for intense, dynamic performances.^[18] Visibility was further boosted by MTV rotations of the "My Own Summer (Shove It)" video, which aired regularly starting in late 1997 and introduced the band to a wider alternative rock audience.) The band opted out of Korn's Family Values Tour to maintain creative independence, focusing instead on building a distinct identity separate from the nu-metal scene.^[19] During the promotional period, internal tensions arose within Deftones over creative direction, as Moreno pushed for more atmospheric and experimental influences while guitarist Carpenter favored heavier, riff-centric elements, reflecting the band's struggle to evolve beyond their initial sound.^[15] These conflicts, compounded by the pressures of non-stop touring and late-night studio improvisations during recording, created a defiant atmosphere that influenced the album's raw energy, though they did not derail the release.^[15]

White Pony (2000–2003)

The recording of White Pony took place over several months in 1999 and early 2000, beginning at The Spot studio in Sacramento, California, before the band relocated to Mates Rehearsal Studios in Los Angeles for much of the tracking.^[20] The sessions then concluded at The Plant in Sausalito and Larrabee Studios in West Hollywood, spanning a duration roughly twice as long as the production of their previous album Around the Fur.^[20] Produced primarily by Terry Date—who had helmed the band's first two records—the process involved co-production credits for the Deftones themselves, allowing for greater creative control.^[20] A notable guest appearance came from Maynard James Keenan of Tool, who contributed vocals and songwriting ideas to the track "Passenger," adding a layer of atmospheric tension during mixing sessions in Los Angeles.^[20] Released on June 20, 2000, through Maverick Records, White Pony marked a commercial breakthrough for the Deftones, debuting at No. 3 on the Billboard 200 chart and eventually achieving platinum certification in July 2002 after selling over one million copies in the United States.^[21] The album spawned key singles including "Change (In the House of Flies)," which peaked at No. 9 on the Billboard Mainstream Rock chart, and the promotional single "Digital Bath," both of which highlighted the band's evolving sound and received significant radio play.^[21] In 2001, the track "Elite" earned the band their first Grammy Award for Best Metal Performance, solidifying their recognition beyond mainstream rock circles.^[20] The period surrounding White Pony saw the Deftones embark on extensive touring, including their first major U.S. headline run in summer 2000 and a prominent main-stage performance at the inaugural Download Festival in 2003, where they shared the bill with acts like Iron Maiden and Metallica. However, the album's success also drew backlash from some quarters due to the band's loose association with nu metal, a genre they actively sought to distance themselves from through White Pony's more nuanced arrangements.^[20] This era represented a pivotal shift toward art rock experimentation, incorporating ethereal melodies, shoegaze influences from artists like DJ Shadow and Massive Attack, and textured soundscapes that prioritized mood over aggression.^[20]

Deftones (2003–2006)

Following the experimental direction established on White Pony, the Deftones began work on their self-titled fourth studio album in 2001, but the recording process extended into 2003 due to creative disputes and internal tensions within the band. The sessions, which spanned multiple studios including Larrabee Sound Studios in West Hollywood, were co-produced by the band alongside Jerry Harrison of Talking Heads, marking a return to heavier, atmospheric sounds with contributions from tracks like the aggressive opener "Hexagram."^[22] These disputes arose from differing visions on the album's direction and escalating personal issues, including substance use among members, which prolonged the production and heightened band fatigue. The album Deftones was released on May 20, 2003, through Maverick Records, debuting at No. 2 on the Billboard 200 chart with first-week sales of over 167,000 copies.^[23] It was certified gold by the RIAA on July 7, 2003, for shipments of 500,000 units in the United States, reflecting strong commercial performance despite the production challenges.^[24] The record spawned two singles, "Hexagram" and "Minerva," both of which received music videos and radio airplay, with "Minerva" showcasing the band's blend of shoegaze textures and nu-metal aggression.^[25] Turntablist and keyboardist Frank Delgado, who became a full member in 2000, added electronic layers and atmospheric effects that enhanced the album's sound.^[22] To support the album, the Deftones embarked on an extensive world tour in 2003–2004, including headline dates across North America and Europe as well as appearances at major festivals like Japan's Summer Sonic Festival in 2003.^[12] The tour schedule, which also featured support slots on Metallica's Summer Sanitarium trek, amplified the band's growing international presence but exacerbated internal burnout from years of non-stop activity. By 2005, these strains led to a brief hiatus, allowing members time to recharge amid rising personal and creative pressures.

Saturday Night Wrist (2006–2008)

The recording of Deftones' sixth studio album, Saturday Night Wrist, began in 2004 amid internal tensions following the band's self-titled release, with sessions stretching into 2006 due to scheduling conflicts and creative disagreements.^[26] Initial work occurred in Malibu during spring 2004 under producer Dan Nakamura, but the band soon shifted to Connecticut for three months with veteran producer Bob Ezrin, who oversaw instrumental tracking for drums, guitar, and bass.^[26] Vocalist Chino Moreno's separate sessions exacerbated the process; he departed mid-recording for a six-month Team Sleep tour from late 2004 to mid-2005, leaving the rest of the band to record without him, which fueled frustrations and nearly led to his replacement.^[26] Moreno returned in mid-2005, completing vocals at night with producer Shaun Lopez (formerly of Far), resulting in a fragmented album structure reflective of the disjointed collaboration; during this period, he penned the opening track "Hole in the Earth" as a direct response to the mounting stress.^[26] Released on October 31, 2006, via Maverick Records, Saturday Night Wrist debuted at No. 10 on the Billboard 200, selling 76,000 copies in its first week.^[27] The album featured lead single "Hole in the Earth," released in September 2006 with an accompanying music video directed by Robert Schober, followed by "Mein" in early 2007, which included a video helmed by Bernard Gourley.^[28] To promote the album, Deftones embarked on extensive tours, including a fall 2006 U.S. run with support from Deadsy and Glassjaw, followed by international dates in 2007 encompassing Europe (such as shows in the UK and Germany) and a U.S. summer tour.^[29] The effort culminated in over 150 performances worldwide by mid-2007.^[29] Critically, Saturday Night Wrist received mixed reviews, with praise for its atmospheric experimentation but criticism for its inconsistent, "disjointed" sound stemming from the production turmoil.^[30] Moreno later described it as "fragmented and directionless," attributing the uneven cohesion to a "power struggle" in the studio and his own avoidance of sessions.^[30] Following the tours, the band opted for an indefinite break in 2008, citing exhaustion from the grueling recording and promotional cycle, compounded by early signs of personal struggles including Moreno's battles with substance abuse and strained interband relationships.^[31]

Eros sessions, Cheng's accident, and Vega's arrival (2008–2010)

In early 2008, Deftones entered the studio to record their sixth studio album, tentatively titled Eros, marking a return to producer Terry Date, who had previously helmed their breakthrough efforts Adrenaline and Around the Fur. The sessions, which began in April, were described by vocalist Chino Moreno as highly collaborative and productive, with the band in a positive creative space after resolving internal tensions from their previous album cycle.^[32][33][34] By September 2008, they had previewed new material like the track "Melanie" during live performances, signaling strong momentum toward an early 2009 release.^[32] Tragedy struck on November 4, 2008, when bassist Chi Cheng was involved in a severe car accident in Santa Clara, California, while riding as a passenger in a vehicle that collided with another car. Cheng suffered traumatic brain injury and was placed in a medically induced coma, remaining in a minimally conscious state for months thereafter. The incident immediately halted the Eros sessions, with the band scrapping plans to complete the album amid the uncertainty of Cheng's condition.^[32][35][34] The emotional impact on Deftones was profound, as the group grappled with grief and the abrupt disruption of their creative process; Moreno later reflected that the sessions' optimistic energy contrasted sharply with the ensuing darkness, influencing their decision to set aside the darker-toned Eros material entirely. To support Cheng's ongoing medical care and rehabilitation, the band organized benefit initiatives, including two sold-out shows on November 19 and 20, 2009, at the Avalon in Hollywood, where proceeds funded the Chi Ling Cheng Special Needs Trust. Additional efforts included a 2010 digital release of a remix of their track "Diamond Eyes," with all proceeds directed to Cheng's recovery fund through the One Love for Chi foundation established by his family.^{[35][36][37][38]} In May 2009, Deftones recruited bassist Sergio Vega, formerly of Quicksand, to handle live duties and help navigate the band's hiatus from full recording. Vega's arrival provided stability during a period of sporadic touring and emotional recovery, allowing the group to gradually shift focus toward new, more uplifting compositions rather than revisiting the shelved Eros recordings.^[39][40][35]

Diamond Eyes (2010–2012)

Following the integration of Sergio Vega as bassist for live performances earlier in 2009, Deftones began recording sessions for their next album in June of that year, starting from scratch after shelving previous material.^[41] The sessions took place primarily at The Pass in Los Angeles and Amerycan Recording Company in North Hollywood, California, with production handled by Nick Raskulinecz, marking his first collaboration with the band.^[42] Engineered by Paul Figueroa, the recording process emphasized a renewed energy, resulting in optimistic tracks like the title song "Diamond Eyes," which captured themes of resilience and forward momentum amid personal hardships.^[35][43] The album, Diamond Eyes, was released on May 4, 2010, via Reprise Records, debuting at No. 6 on the Billboard 200 chart with 62,000 copies sold in its first week.^[44][45] It featured singles "Rocket Skates," released in April 2010, and "Sextape," issued later that year, both highlighting the record's blend of atmospheric intensity and melodic drive.^[46][47] Critics praised the album for its uplifting tone and sense of renewal, viewing it as a triumphant response to adversity that infused the band's signature nu-metal and alternative rock sound with brighter, more hopeful elements.^[48][35] In support of Diamond Eyes, Deftones conducted extensive international tours from 2010 into 2012, including a European leg with festival appearances such as Nova Rock in Austria and dates across the UK, Germany, and France.^[49][50] These performances received positive feedback for embodying the album's themes of recovery and vitality, with audiences connecting to the band's evident perseverance.^[48] Throughout this era, Deftones maintained ongoing support for bassist Chi Cheng's recovery from his 2008 accident, contributing to the One Love for Chi foundation, which raised funds for his extensive medical and rehabilitation costs through benefit events and fan donations.^[51][52]

Koi No Yokan and Cheng's death (2012–2013)

In 2012, Deftones continued building on the momentum from their previous album by recording their seventh studio effort, Koi No Yokan, with Sergio Vega handling bass duties in place of the recovering Chi Cheng. The band worked with producer Nick Raskulinecz in Los Angeles, emphasizing a collaborative process that yielded atmospheric soundscapes, exemplified by the opening track "Swerve City," which blends shoegaze elements with the group's signature heaviness. Vega's integration brought a dynamic low-end presence, allowing the album to explore expansive, ethereal textures while maintaining the band's nu-metal roots. Koi No Yokan was released on November 13, 2012, through Reprise Records, debuting at No. 11 on the Billboard 200 chart and selling 65,000 copies in its first week. The album received critical acclaim for its emotional depth and sonic innovation, earning the band the Album of the Year award at the 2013 Revolver Golden Gods. During the awards ceremony in May 2013, frontman Chino Moreno dedicated the honor to Cheng, highlighting the record's creation as a reflection of the band's resilience amid personal challenges. Tragedy struck on April 13, 2013, when Chi Cheng succumbed to cardiac arrest at age 42, a complication stemming from the severe brain injury he sustained in a 2008 car accident that had left him in a minimally conscious state for years. The band issued heartfelt public statements mourning their longtime collaborator and friend, with guitarist Stephen Carpenter describing Cheng as a "true warrior" who fought valiantly. In the wake of his passing, Deftones honored Cheng through live performances, including an emotional tribute set at the 2013 Reading Festival where they dedicated songs to his memory. Moreno later reflected in interviews on the profound grief, noting Cheng's irreplaceable spirit and the way his influence lingered in their music, transforming Koi No Yokan into an unwitting testament to endurance and loss.

Gore (2014–2016)

Following the emotional aftermath of bassist Chi Cheng's death in 2013, Deftones began writing material for their eighth studio album in March 2014, with the remaining members—vocalist Chino Moreno, guitarist Stephen Carpenter, drummer Abe Cunningham, turntablist Frank Delgado, and bassist Sergio Vega—jamming intermittently in a Los Angeles rehearsal space.^[53] The process emphasized collaboration, starting with instrumental jams before adding vocals and overdubs, reflecting a desire to explore lighter, more atmospheric textures amid ongoing grief.^[53] Recording sessions spanned from February to June 2015 at Megawatt Recording in Studio City, California, where Vega, who had joined as a session and touring bassist in 2009 following Cheng's 2008 accident, contributed fully as the band's entrenched low-end player without a formal permanent replacement announcement at the outset.^[53] Produced by Matt Hyde alongside the band, the sessions captured bold stylistic risks, including pop-infused elements on tracks like "Doomed User," blending ethereal synths and melodic hooks with the group's signature atmospheric heaviness.^[53] Deftones released Gore on April 8, 2016, via Reprise Records, with lead singles "Prayers/Triangles" (March 2016) and "Hearts/Wires" (June 2016) previewing its experimental leanings. The album debuted at No. 2 on the Billboard 200, selling 71,000 equivalent units in its first week, marking the band's highest chart position since 2003's self-titled effort. Promotion included festival appearances such as Carolina Rebellion alongside Cypress Hill in 2016, where Deftones often mashed up "Change (In the House of Flies)" with Cypress Hill's "How I Could Just Kill a Man."^[54] Critics delivered mixed responses to Gore, praising its innovative space rock and post-metal experimentation but critiquing the shift away from the band's heavier roots, with some noting a "languid" quality that prioritized mood over aggression.^[55] The album's artwork—a flock of flamingos against a surreal purple sky, designed by visual artist Gavin Morris—sparked debate for its soft, dreamlike contrast to the visceral title, which Moreno explained as evoking a "yin-and-yang" of beauty and gore to mirror the music's duality.^[56] Vega's seamless integration solidified the lineup's chemistry, allowing Deftones to navigate promotional challenges while pushing artistic boundaries.^[57]

Ohms (2017–2020)

Following the more experimental direction of their 2016 album Gore, Deftones began work on their ninth studio album Ohms in 2019, aiming for a heavier, more visceral sound under the production of Terry Date, with whom they had not collaborated since the unreleased Eros sessions in 2008.^[58] Recording took place primarily at Jim Henson Studios in Los Angeles, where the band tracked drums, bass, and guitars over about one month, before finishing at Date's personal studio in Seattle.^[58] Date emphasized capturing the band's live energy and creativity without imposing his own style, using techniques like minimal microphones on certain drum kits and extended-range guitars from Stephen Carpenter to heighten the raw intensity, particularly on the title track "Ohms," which features grinding riffs and explosive dynamics.^[58] Bassist Sergio Vega, a full band member since 2009, contributed significantly, including initiating ideas for tracks like "Radiant City."^[58] Ohms was released on September 25, 2020, via Reprise Records, amid the global COVID-19 pandemic, which shaped its themes of isolation and urgency even though the material predated the crisis.^[59] The album debuted at No. 5 on the Billboard 200, selling 49,000 equivalent album units in its first week, marking the band's sixth top-10 entry on the chart and their highest debut since 2006.^[60] It also topped the Hard Rock Albums chart.^[61] The title track "Ohms" earned a Grammy nomination for Best Rock Performance at the 64th Annual Grammy Awards in 2022, highlighting the band's enduring critical recognition.^[62] Promotion for Ohms shifted to virtual formats due to pandemic restrictions, including online interviews and a charity initiative called "Adopt a Dot," where fans could sponsor elements of the album's dotted cover art to support MusiCares and the Sweet Relief Fund for COVID-19 relief.^[63] The band postponed their planned summer 2020 North American tour with Gojira and Poppy twice, rescheduling it for fall 2021 to allow for safer live performances.^[64] In March 2022, after the album's release and touring cycle, Vega announced his departure from Deftones, citing a lack of professional growth and opportunities for deeper involvement in the band despite his contributions to Ohms.^[65]

Private Music (2021–present)

Following the release of Ohms in 2020, Deftones began work on their tenth studio album in late 2023, with sessions extending into 2025. Touring bassist Fred Sablan, who had joined the band in 2022 following Sergio Vega's departure, was elevated to full recording member, contributing bass parts alongside core members Chino Moreno, Stephen Carpenter, Abe Cunningham, and Frank Delgado. The album, titled Private Music, was produced by Nick Raskulinecz, marking a reunion with the producer who had previously helmed Diamond Eyes (2010) and Koi No Yokan (2012). Recording took place primarily in Los Angeles, emphasizing a collaborative environment that allowed for experimentation with atmospheric textures and heavy riffs. The album was previewed with two singles: "My Mind Is a Mountain" on July 10, 2025, and "Milk of the Madonna" on August 8, 2025, both of which showcased the band's signature blend of aggression and melody.^[66][67][68] Private Music was released on August 22, 2025, via Reprise and Warner Records, comprising 11 tracks clocking in at 42 minutes. It debuted at No. 5 on the Billboard 200, selling 87,000 units in its first week, and topped multiple rock charts including Top Rock Albums, Top Alternative Albums, Top Hard Rock Albums, and Top Rock & Alternative Albums. The album charted in 26 countries, reaching peaks such as No. 2 in the UK (the band's highest ever there), No. 3 in Australia and Austria, and within the top 10 across Europe and beyond. Critically, it garnered the highest acclaim of the band's career, with reviewers praising its ethereal yet heavy sound—merging shoegaze influences, post-metal intensity, and nu-metal roots into a cohesive, mature evolution. Publications like Pitchfork hailed it as a "triumphant" effort where the band is "fully in control of their heavy, menacing, instantly recognizable sound," while Forbes called it a "late-career masterpiece" that establishes a new benchmark.^{[69][70][71][72][73]} In September 2024, Deftones announced a major 2025 North American headline tour, their first extensive run since 2022, featuring special guests The Mars Volta and Fleshwater. The tour commenced on February 25, 2025, in Portland, Oregon, with dates extending through September, including arena shows and festival appearances. Post-release performances in late August and beyond have drawn diverse crowds, notably attracting a surge of younger fans influenced by viral TikTok exposure and the album's streaming success, which broke band records on platforms like Spotify. Shows have emphasized Private Music material alongside classics, fostering an energetic atmosphere that highlights the band's enduring live prowess.^[74][75][76] As of November 2025, the band reports a healthier internal dynamic, bolstered by Moreno's sobriety since 2020 and Carpenter's management of diabetes, which have contributed to renewed creative focus and reduced past tensions. This stability is evident in their efficient recording process and optimistic outlook, with plans for the annual Dia De Los Deftones festival on November 1 at San Diego's Petco Park—featuring a diverse lineup including Clipse, Deafheaven, and Rico Nasty—and potential international expansions in 2026. The festival drew a sold-out crowd, with Deftones performing new material from Private Music. Members have expressed enthusiasm for ongoing side projects while prioritizing Deftones as their primary creative outlet.^{[77][78][79][80]}

Artistry

Musical style

Deftones' musical style is rooted in a fusion of alternative metal and nu metal, drawing from their early aggressive soundscapes while evolving to incorporate shoegaze's ethereal atmospheres and art rock's experimental structures. This hybrid approach creates layered, immersive tracks that balance heaviness with subtlety, often featuring dynamic shifts between explosive riffs and introspective passages.^[81] The band's self-titled 2003 album exemplifies this blend, merging nu metal's downtuned aggression with shoegaze-inspired haze, as heard in the swirling textures of "Hexagram."^[82] Central to their sound is frontman Chino Moreno's versatile vocal delivery, which seamlessly transitions from guttural screams and aggressive shouts to whispered falsettos and melodic croons, adding emotional depth and unpredictability to the compositions.^[83] Guitarist Stephen Carpenter contributes detuned, riff-heavy guitar work—often using seven-string guitars for a low-end rumble—that anchors the heaviness while allowing space for atmospheric production elements like reverb-drenched layers and ambient swells.^[84] This production style, evident in tracks like "My Own Summer (Shove It)" from 1997's Around the Fur, builds tension through quiet-loud dynamics, where sparse verses erupt into chaotic choruses.^[85] The band's sonic evolution reflects a progression from the raw, confrontational energy of their debut Adrenaline (1995), which leaned heavily into nu metal's abrasive grooves, to more progressive and nuanced explorations in later works. Albums like Gore (2016) introduced pop-infused melodies and shimmering dream-pop elements alongside industrial edges, softening their aggression without losing intensity, as in the synth-tinged "Hearts/Wires."^[86] By Ohms (2020), Deftones returned to a heavier, prog-infused palette, emphasizing intricate song structures and renewed ferocity in tracks like the title song, marking a cyclical yet forward-moving heaviness. Their tenth studio album, Private Music (2025), continues this trajectory, blending heavy riffs with atmospheric and experimental elements in tracks like "My Mind Is a Mountain."^[87] Following keyboardist Frank Delgado's addition in 1999, Deftones integrated atmospheric keyboards and sampling to enhance their textural depth, contributing to the shoegaze and trip-hop influences that define their post-White Pony era. This element fosters fluid dynamic shifts in song structure, where polyrhythmic builds and ambient interludes create a sense of perpetual motion, as explored in Diamond Eyes (2010)'s "Sextape."^[88] In production sessions, such as for "Prayers/Triangles" from Gore, these keyboards underpin the band's traditional rhythm guitar foundations while allowing for unconventional arrangements that prioritize emotional arc over linear progression.^[53]

Influences

Deftones' sound was profoundly shaped by a diverse array of early metal and punk influences, particularly from the late 1980s and early 1990s Sacramento scene where the band formed. Frontman Chino Moreno has cited Faith No More's Mike Patton as a key vocal influence, praising his versatile delivery that blended aggression with melody, which informed Moreno's own dynamic singing style across Deftones' albums. Similarly, Primus' experimental funk-metal grooves and bassist Les Claypool's technical prowess inspired guitarist Stephen Carpenter's unconventional riffing, evident in the band's early rhythmic complexity on albums like Adrenaline (1995). Bad Brains' fusion of hardcore punk speed and reggae rhythms also left a mark, with Moreno drawing from vocalist H.R.'s raw energy to infuse punk urgency into Deftones' heavier tracks. Additionally, hip-hop elements entered through DJ Shadow's innovative breakbeat and sampling techniques, which influenced the band's atmospheric textures during the White Pony (2000) era, as Moreno noted the trip-hop vibe shaped their electronic excursions.^[89][5][90] The band's alternative rock and post-punk roots further expanded their palette, drawing from introspective and atmospheric acts. Moreno has long admired The Cure's Robert Smith, particularly the dark, lyrical depth of Pornography (1982), which impacted his poetic, emotional songwriting and the band's moody atmospheres. The Smiths' Morrissey similarly influenced Moreno's confessional lyrics and vocal phrasing, with recent albums like Gore (2016) reflecting a "crazy Morrissey kick" that added melancholic introspection to their heavy sound. Smashing Pumpkins' layered guitar walls on Siamese Dream (1993) guided Carpenter and Moreno toward creating soothing yet intense sonic landscapes, influencing live performances and production choices. Nine Inch Nails' industrial edge and Trent Reznor's brooding intensity also resonated, contributing to Deftones' experimental aggression and electronic integrations in works like Around the Fur (1997).^{[91][92][93][91][94]} As Deftones evolved, later influences leaned into electronic, trip-hop, and progressive metal territories. Portishead's cinematic downtempo and vocal fragility inspired Moreno's ethereal delivery, alongside DJ Shadow's role in broadening the band's hip-hop-infused ambiance during the late 1990s. Depeche Mode's synth-driven romanticism profoundly affected Moreno, who has called their work pivotal for his melodic flourishes and the synth elements in albums like Koi No Yokan (2012). Meshuggah's polyrhythmic complexity and djent-style precision influenced Carpenter's guitar work, adding progressive metal intricacy to tracks on Diamond Eyes (2010) and beyond. These shifts reflect the band's Sacramento origins, where local punk and metal scenes fostered experimentation, amplified by Moreno's eclectic personal tastes—including a lifelong admiration for Prince's genre-blending virtuosity and emotional range, which encouraged his vocal eclecticism across R&B-tinged harmonies and falsettos.^{[95][96][97][98][99][100]}

Legacy

Critical reception

Deftones' early albums, Adrenaline (1995) and Around the Fur (1997), garnered mixed critical reception, often tied to their association with the nu metal movement of the mid-1990s. Critics praised the band's raw energy and aggressive sound but frequently critiqued the work for lacking polish and originality within the genre. The debut was seen as promising yet unrefined, with reviewers noting its intense delivery as a highlight amid broader skepticism toward nu metal acts. The release of White Pony (2000) marked a turning point, earning widespread praise for the band's evolution beyond nu metal conventions toward more experimental and atmospheric territory. Aggregating 15 reviews, it holds a Metacritic score of 72, indicating generally favorable reception, with outlets commending its innovative blend of heaviness and melody.^[101] Subsequent albums like the self-titled Deftones (2003) maintained solid approval at 74 on Metacritic from 12 reviews, though some felt it retreated from the ambition of its predecessor.^[102] Saturday Night Wrist (2006) received generally favorable reviews, scoring 72 across 18 reviews despite production tensions and perceived inconsistency.^[103] In their mid-career phase, Diamond Eyes (2010) was hailed as a return to form, achieving 78 on Metacritic based on 19 reviews for its cohesive energy post-band turmoil.^[104] Koi No Yokan (2012) sustained the momentum, achieving 86 on Metacritic based on 18 reviews and earning universal acclaim for its atmospheric depth and dynamic shifts.^[105] Gore (2016) received universal acclaim at 81 across 26 reviews, with critics appreciating the risks in its electronic and pop-infused experiments despite some noting uneven execution.^[106] Recent efforts have solidified Deftones' critical standing, with Ohms (2020) earning 87 on Metacritic from 21 reviews for its renewed intensity and emotional resonance, indicating universal acclaim.^[107] Their latest, private music (2025), has been acclaimed as a career pinnacle, averaging 90 on Metacritic based on 14 reviews (as of November 2025) for its refined experimentation and sonic maturity, earning universal acclaim.^[108] Throughout their discography, reviewers have drawn parallels to Radiohead, positioning Deftones as metal's premier experimentalists for their consistent boundary-pushing.

Cultural impact

Deftones have exerted significant influence on the nu metal and post-metal landscapes, inspiring bands to experiment with atmospheric and genre-blending elements in heavy music. Pioneers in fusing aggressive riffs with ethereal textures, they paved the way for acts like Linkin Park and Slipknot, whose hybrid sounds echoed Deftones' early innovations in downtuned guitars and dynamic vocal shifts during the late 1990s nu metal boom.^[109][110] In post-metal circles, Deftones' impact is evident in bands such as AFI and Deafheaven; Deafheaven's drummer Daniel Tracy has praised White Pony for its role in shaping blackgaze's blend of black metal intensity and post-rock ambiance, describing Deftones as a foundational influence on their hulking, dreamlike aggression.^[111][110] The band's crossover appeal extends beyond metal, attracting admiration from non-metal artists who incorporate their atmospheric and electronic-tinged aesthetics. Chvrches, known for synth-driven electropop, have drawn from Deftones' fusion of heavy and melodic elements in their production, with frontwoman Lauren Mayberry citing the band's influence on balancing emotional depth with electronic textures.^[112] Similarly, Paramore's Hayley Williams has expressed fandom for Deftones' vocal versatility and genre experimentation, while The Weeknd has sampled subtle Deftones-inspired ambient layers in tracks exploring R&B-metal hybrids.^[113][114] This broad reach underscores Deftones' role in bridging metal with shoegaze and electronic music. Often credited with pioneering "heavy shoegaze" or "nu-gaze"—a style blending shoegaze's dreamy, atmospheric textures (inspired by My Bloody Valentine) with nu-metal/alt-metal aggression—Deftones have influenced a new generation of bands through their fusion of ethereal atmospheres and heavy riffs. Bands such as Loathe, NOTHING, Glare, Wisp, quannnic, and others in the contemporary shoegaze and nu-gaze scenes have drawn from this approach.^{[115][110][116]} Following bassist Chi Cheng's death in 2013 after a 2008 car accident, Deftones and the metal community organized multiple benefit shows to support his medical care, including high-profile events at The Avalon in Hollywood that featured rare performances and raised significant funds. Tributes poured in from peers, with Korn's Jonathan Davis remembering Cheng as a "poetic spirit" whose warmth touched the nu metal scene, and System of a Down's Serj Tankian highlighting his innovative bass work as a cornerstone of Deftones' sound.^[117][118] These efforts solidified Deftones' communal legacy in heavy music. Deftones' festival headlining history, from Ozzfest in the early 2000s to curating their own Dia de los Deftones event, has cemented their enduring presence in live music culture. In the 2020s, the band has experienced a notable resurgence among younger fans, particularly Gen Z listeners who have discovered their catalog via TikTok and Spotify amid the shoegaze renaissance, with shoegaze-influenced tracks resonating strongly on the platform. Recent tours have featured crowds significantly younger than the band members themselves—often half their age—revitalizing their energy and expanding their intergenerational appeal.^[119][120] Often dubbed "the Radiohead of metal" for their relentless evolution, genre-defying experimentation, and ability to maintain artistic integrity over decades, Deftones embody a parallel trajectory to the British icons in heavy music. Frontman Chino Moreno has called the comparison "flattering" but noted it's not a perfect fit, emphasizing Deftones' roots in metal aggression while acknowledging their shared commitment to innovation and emotional complexity.^[121][122]

Band members

Current members

The current lineup of Deftones consists of vocalist and rhythm guitarist Chino Moreno, lead guitarist Stephen Carpenter, drummer Abe Cunningham, keyboardist and turntablist Frank Delgado, and touring bassist Fred Sablan. Note: As of 2025, lead guitarist Stephen Carpenter does not participate in the band's international tours.^[123] Chino Moreno (lead vocals, rhythm guitar; 1988–present) co-founded Deftones in Sacramento, California, and remains the band's primary lyricist and a central creative force, shaping its atmospheric and introspective songwriting approach.^[124][125] Stephen Carpenter (lead guitar; 1988–present) also co-founded the band and is recognized as its riff architect, pioneering the use of detuned and extended-range guitars to create the heavy, dissonant soundscapes that define Deftones' style. As of 2025, he participates in studio recordings and North American tours but opts out of international touring due to personal travel preferences.^{[124][126][127]} Abe Cunningham (drums; 1988–present) rounds out the original core trio as co-founder, providing the band's groove foundation through subtle yet dynamic rhythms that blend aggression with nuance across their discography.^[124][128] Frank Delgado (keyboards, turntables; touring member since 1999, full member since 2000–present) contributes atmospheric layers via synthesizers and samples, enhancing the band's textured sound starting with their 2000 album White Pony.^[129][130] Fred Sablan (bass; touring member since 2022–present) joined as a touring bassist following the departure of Sergio Vega, bringing stability to live performances and contributing to recordings on the band's 2025 album Private Music.^[131][132]

Former members

Dominic Garcia was an early collaborator with Deftones, serving as the band's first bassist and later switching to drums from 1988 to 1990. He attended school with vocalist Chino Moreno and played in the marching band alongside original drummer Abe Cunningham, contributing to the group's formative jams and initial live shows in Sacramento. Garcia departed the band in 1990 amid lineup shifts, with no specific reasons detailed in contemporary accounts; afterward, he joined Phallucy, another local act featuring Cunningham.^[7] John Taylor briefly handled drums for Deftones in the early 1990s, replacing Garcia after Cunningham's temporary exit and serving for a couple of months until Cunningham recommitted to the role in 1993. His tenure occurred during the band's pre-recording phase, with no major studio contributions or releases attributed to him. Following his departure, Taylor joined the Sacramento-based group Prayer Wheel.^[133] Chi Cheng provided bass and backing vocals for Deftones from 1990 to 2008, shaping the band's core sound with his distinctive, groovy style that often played "half-beat off," influenced by diverse sources like Willie Nelson and reggae. Recruited via guitarist Stephen Carpenter, Cheng joined during the band's garage rehearsal days and contributed to every album up to Saturday Night Wrist (2006), acting as a stabilizing "big brother" figure to the younger members. On November 4, 2008, Cheng suffered severe injuries in a car accident in Santa Clara, California, when the vehicle he was in flipped multiple times; ejected without a seatbelt, he entered a minimally conscious state and remained unable to speak or move for over four years. He died on April 13, 2013, at age 42, from cardiac arrest, prompting a statement from the band expressing profound grief and a call for collective healing.^[134][135] Sergio Vega joined Deftones as bassist in 2009 following Cheng's accident, having previously filled in for tours in 1999 and 2001, and remained until his departure in March 2022. A former member of Quicksand, Vega contributed to albums including Diamond Eyes (2010) and Ohms (2020), helping the band navigate their post-accident era. He left amid a contract dispute, citing the COVID-19 pandemic as a breaking point that led him to question his long-term place in the group and prioritize his family's future, emphasizing that the split was "never about money" but about a lack of belonging and growth opportunities. Post-departure, Vega has discussed his experiences in interviews, focusing on personal reflection rather than immediate new projects.^[65][136]

Side projects

Chino Moreno's projects

Chino Moreno formed the experimental rock project Team Sleep in 2000 alongside Deftones drummer Abe Cunningham, bassist Rick Verrett, and a rotating cast of collaborators including Zach Hill and Chris Robyn. The group drew from downtempo, shoegaze, and trip-hop influences, serving as an outlet for Moreno's more atmospheric songwriting during a break from Deftones following the recording of White Pony. Their self-titled debut album, produced by Greg Wells, was released on May 9, 2005, in Europe and May 10 in the United States via Maverick Records, featuring tracks like "Atari" and "Blvd. Palms" that showcased Moreno's layered, whispered vocals over ambient textures. In 2024, the album received its first vinyl pressing for Record Store Day, remastered with bonus unreleased outtakes, highlighting ongoing interest in the project.^[137] Moreno launched the electronic supergroup Crosses (stylized as †††) in 2011 with longtime friend and producer Shaun Lopez of Far, and Chuck Doom on bass and keyboards. The trio's darkwave and industrial sound emphasized synth-driven beats and Moreno's emotive, reverb-heavy delivery, distinct from Deftones' heavier dynamics. They released two self-titled EPs in 2011 and 2012, followed by a full-length compilation album of remastered tracks plus new material on February 11, 2014, via Sumerian Records. The project resumed with the Permanent.Radiant EP in 2022 and their second studio album, Goodnight, God Bless, I Love U, Delete., on October 13, 2023, through Warner Records, produced primarily by Moreno and Lopez with additional contributions from Dawn Golden on select tracks like "Found." As of early 2025, Moreno indicated Crosses would pause recording amid Deftones touring but planned future sessions.^[138] Beyond these core endeavors, Moreno has contributed guest vocals to tracks like Lamb of God's "Embers" from 2015's VII: Sturm und Drang, where his ethereal harmonies added a haunting contrast to the metalcore aggression.^[139] He has also collaborated on productions, including co-producing elements of Crosses' 2023 album with Dawn Golden, a Sacramento-based electronic artist whose ambient style aligns with Moreno's exploratory ethos. These side projects have notably shaped Moreno's vocal approach in Deftones, allowing him to refine techniques like falsetto layering and melodic vulnerability that later informed albums such as Gore (2016) and Ohms (2020).

Other members' projects

Stephen Carpenter, Deftones' lead guitarist, co-founded the electronic and heavy music project Sol Invicto in 2009 alongside Cypress Hill percussionist Eric Bobo and producer Richie Londres.^[140] The group blends drum 'n' bass rhythms with metal riffs and tribal percussion, releasing early EPs such as Initium in 2011 and Initium II in 2012, followed by their EP Loosely Aware on November 8, 2024, featuring tracks like "The Obvious Play" and guest appearances from SikTh drummer Dan Foord.^[141][142] In 2025, Sol Invicto launched the "Vault Of Shadows" album series, releasing new tracks weekly on Bandcamp starting October 25, 2025, including "Tokyo Nights" on November 14, 2025.^[143][144] Drummer Abe Cunningham has made occasional contributions outside Deftones, including a guest drum performance on the interlude track from Team Sleep's 2005 self-titled album.^[145] His work emphasizes the atmospheric and dynamic percussion style that carries over from Deftones' sound. Turntablist and keyboardist Frank Delgado maintains an active DJ career, performing sets that incorporate electronic and hip-hop elements influenced by his role in Deftones.^[146] He co-founded the DJ collective Decibel Devils with Team Sleep's DJ Crook, DJ Julez, and Matt D, releasing mixtapes and hosting events that highlight underground beats and scratches.^[147] Among former members, bassist Chi Cheng pursued spoken word poetry as a creative outlet before his death in 2013. His debut album The Bamboo Parachute, released in 2000, features introspective recitations over minimal instrumentation, drawing from personal experiences and philosophy.^[148] A posthumous collection, The Head Up Project, recorded during a 2006 live poetry event and issued in 2021, includes performances with belly dancing and audience interaction to raise awareness for Cheng's recovery fund after his 2008 accident.^[149] Sergio Vega, who served as Deftones' bassist from 2009 to 2021, launched the industrial project Strict with his wife Azu Rodriguez in 2024, releasing singles "Say It" (November 2024) and "Human Wishes" (July 2025).^[150][151] In 2022, he also announced an untitled revolving-door collaborative project with rotating musicians, including a planned track co-written with former Every Time I Die vocalist Keith Buckley, focusing on experimental bass-driven compositions.^[152][153]

Discography

Studio albums

Deftones have released ten studio albums, beginning with their debut in 1995 and most recently in 2025. The following table summarizes key details for each album, including release dates, record labels, producers, peak positions on the Billboard 200 chart, and notable commercial performance metrics such as U.S. sales certifications from the RIAA or reported units sold.

Singles and EPs

Deftones have released numerous singles throughout their career, many of which have achieved significant airplay success on rock-oriented Billboard charts, particularly the Alternative Airplay and Mainstream Rock Airplay charts. Their breakthrough single, "My Own Summer (Shove It)" from the 1997 album Around the Fur, marked their entry into mainstream rock radio, peaking at No. 29 on the UK Singles Chart in 1998.^[154] The band's singles often blend nu metal aggression with atmospheric elements, contributing to their enduring radio presence. One of Deftones' most commercially successful singles is "Change (In the House of Flies)" from the 2000 album White Pony, which reached No. 3 on the Billboard Alternative Airplay chart and No. 9 on the Mainstream Rock Airplay chart.^[154] It has since been certified 4× Platinum by the RIAA for over 4 million units sold in the U.S., reflecting its lasting popularity through streaming and sales.^[155] Other early hits include "Back to School (Mini Maggit)" (2000), which peaked at No. 27 on Alternative Airplay, and "Minerva" (2003), reaching No. 9 on the same chart.^[154] In later years, Deftones continued to chart strongly with singles like "Tempest" (2012) from Koi No Yokan, which hit No. 3 on Mainstream Rock Airplay, and "Ohms" (2020) from the album of the same name, also peaking at No. 3 on that chart.^[154] The 2025 single "My Mind Is a Mountain" from Private Music became their first No. 1 on the Mainstream Rock Airplay chart, marking a historic milestone after 27 years since their debut and surpassing previous peaks.^[156] This track also gained viral traction on streaming platforms, contributing to the album's chart dominance.^[157] Deftones' extended plays are limited compared to their singles output, with the most notable being Back to School (Mini Maggit), released in November 2000 as a companion to the White Pony reissue. This EP features remixes and alternate versions of tracks like "Mini Maggit" and "Back to School," along with live recordings and B-sides, helping to extend the album's promotional cycle.^[159] It peaked at No. 35 on the UK Singles Chart in its single format but served primarily as a collector's item for fans.^[154] Another early release is the promotional single/EP for "7 Words" from their 1995 debut Adrenaline, issued in 1995 with B-sides like "Teeth" and gaining cult status among early supporters, though it did not chart prominently.^[160] Overall, Deftones' EPs have focused on rarities and live elements rather than standalone commercial pushes.

Awards and nominations

Grammy Awards

Deftones have garnered recognition from the Recording Academy through nominations and wins in categories spanning metal, rock, and remixing, reflecting their genre-blending sound that bridges alternative metal and experimental rock. Their Grammy achievements began in the early 2000s and continued into the 2020s, with entries often highlighting aggressive, riff-driven tracks in metal categories.^[161] At the 43rd Annual Grammy Awards in 2001, Deftones won Best Metal Performance for "Elite," a track from their breakthrough album White Pony that showcased their fusion of nu-metal intensity and atmospheric elements, defeating nominees including Slipknot's "Wait and Bleed" and Iron Maiden's "The Wicker Man." This marked their first Grammy honor and underscored their impact on the metal scene during the post-grunge era.^[162][163] The band received three nominations at the 64th Annual Grammy Awards in 2022, tying into the release of their ninth studio album Ohms. These included Best Metal Performance for the explosive opener "Genesis," which exemplified their evolved, heavier sound; Best Rock Performance for the title track "Ohms," noted for its dynamic build and emotional depth; and Best Remixed Recording, Non-Classical for "Passenger (Mike Shinoda Remix)," a reimagining of their 2000 collaboration with The Cure's Robert Smith. Deftones, alongside remixer Mike Shinoda, won the remixing category, celebrating the track's enduring appeal and innovative electronic overhaul.^{[162][164][163]} In the 68th Annual Grammy Awards, announced in November 2025, Deftones earned a nomination for Best Rock Album for their tenth studio release Private Music, positioning the band alongside contemporaries like Linkin Park and Turnstile in a category emphasizing innovative rock recordings. This nod highlights their continued relevance in the rock landscape, though no metal-specific entry was included this year.^[165]

Other awards

In addition to their Grammy recognitions, Deftones have received several genre-specific honors from rock and alternative music outlets. At the 1998 Kerrang! Awards, the band won Best Album for Around the Fur, an early recognition of their aggressive yet atmospheric sound.^[166] At the 2000 Kerrang! Awards, the band won Best Album for White Pony, acknowledging the record's innovative blend of nu-metal and experimental elements that propelled their mainstream breakthrough. In 2013, they claimed Album of the Year at the Revolver Golden Gods Awards for Koi No Yokan, praised for its atmospheric evolution and emotional depth following the band's recovery from lineup challenges.^[167] The band's enduring influence was further celebrated with the Kerrang! Lifetime Achievement Award in 2016, recognizing nearly three decades of boundary-pushing contributions to alternative metal.^[168] More recently, Deftones' 2025 release Private Music garnered significant Billboard chart accolades, debuting at No. 1 on Top Rock Albums, Top Alternative Albums, Top Hard Rock Albums, and Top Rock & Alternative Albums, while marking their first No. 1 on Mainstream Rock Airplay with the single "My Mind Is a Mountain."^[69] These achievements position the band as frontrunners for year-end honors like Rock Artist of the Year, reflecting their sustained commercial and critical momentum.^[156]