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Sycorax
Sycorax /ˈsɪkəræks/ is an unseen character in William Shakespeare's play The Tempest (1611). She is a vicious and powerful witch and the mother of Caliban, one of the few native inhabitants of the island on which Prospero, the hero of the play, is stranded.
According to the history provided by the play, Sycorax, while pregnant with Caliban, was banished from her home in Algiers to the island on which the play takes place. Memories of Sycorax, who dies several years before the main action of the play begins, define several of the relationships in the play. Relying on his filial connection to Sycorax, Caliban claims ownership of the island. Prospero constantly reminds Ariel of Sycorax's cruel treatment to maintain the sprite's service.
Scholars generally agree that Sycorax, a foil for Prospero, is closely related to the Medea of Ovid's Metamorphoses. Postcolonialist writers and critics see Sycorax as giving voice to peoples, particularly women, recovering from the effects of colonisation. Later versions of The Tempest, beginning with William Davenant's seventeenth-century adaptation, have given Sycorax a vocal role in the play, but maintained her image as a malevolent antagonist to Prospero.
In The Tempest, Prospero describes Sycorax as an ancient and foul witch native to Algiers, and banished to the island for practising sorcery "so strong / That [she] could control the Moon". Prospero further relates that many years earlier, sailors had brought her to the island, while she was pregnant with her son, Caliban, and abandoned her there, as, due to her pregnancy, she was spared being put to death. She proceeded to enslave the spirits there, chief among them Ariel, whom she eventually imprisoned in a pine tree for disobedience. Sycorax birthed Caliban and taught him to worship the demonic god Setebos. She dies long before the arrival of Prospero and his daughter, Miranda. Caliban grows to hate Prospero's presence and power on the island, claiming that the land belongs to him since it was his mother's before Prospero appeared.
Scholars have unearthed very few facts about Shakespeare's sources for Sycorax. In fact, other than her connection to the magical sorceresses Medea and Circe of Greek mythology, nothing conclusive has been proposed.
Several competing linguistic theories have been put forth. Some scholars argue that her name may be a combination of the Greek sys ("sow") and corax ("crow" or "raven"). Another rough translation produces the phrase "the Scythian raven", an etymological description of Medea (Batman upon Bartholome, a work which Shakespeare is likely to have used for reference, gives the name Corax for a raven) Also, psychorrhax ("heartbreaker"), may be a play on the Greek word psychoraggia ("death struggle"). Another possibility is the Arabic transliteration shokoreth for "deceiver". Another recent idea suggests that, for thematic as well as historical reasons, the name is the reverberant combination of syllables in the name Corax of Syracuse, the often acknowledged founder of rhetoric, and the worthy, fictionalised rival of Prospero. An especially odd and early guess at a meaning by one critic was sic or rex, a Latin homophone alluding to Queen Elizabeth's pride.
The general idea for Sycorax's character may have come from the classical literature familiar to many in Shakespeare's day. Sycorax is similar to Medea, a witch in Ovid's Metamorphoses, in that both are powerful, magical female figures. Scholars have also pointed out that Sycorax resembles the magical Circe from Greek mythology as well as perhaps a version of Circe found in the mythology of the Coraxi tribe in modern-day Georgia.
Sycorax also draws on contemporary beliefs regarding witches. For example, she may embody the belief that all witches have blue eyes. The character may even be a reference to a specific historical personage. According to Romantic literary critic Charles Lamb, a witch, whose name has been lost to history, had been banished from North Africa about half a century before the time Shakespeare was writing the play; her similarity to Sycorax has struck a few scholars as notable. Lamb's claims, however, remain unverified.
Sycorax
Sycorax /ˈsɪkəræks/ is an unseen character in William Shakespeare's play The Tempest (1611). She is a vicious and powerful witch and the mother of Caliban, one of the few native inhabitants of the island on which Prospero, the hero of the play, is stranded.
According to the history provided by the play, Sycorax, while pregnant with Caliban, was banished from her home in Algiers to the island on which the play takes place. Memories of Sycorax, who dies several years before the main action of the play begins, define several of the relationships in the play. Relying on his filial connection to Sycorax, Caliban claims ownership of the island. Prospero constantly reminds Ariel of Sycorax's cruel treatment to maintain the sprite's service.
Scholars generally agree that Sycorax, a foil for Prospero, is closely related to the Medea of Ovid's Metamorphoses. Postcolonialist writers and critics see Sycorax as giving voice to peoples, particularly women, recovering from the effects of colonisation. Later versions of The Tempest, beginning with William Davenant's seventeenth-century adaptation, have given Sycorax a vocal role in the play, but maintained her image as a malevolent antagonist to Prospero.
In The Tempest, Prospero describes Sycorax as an ancient and foul witch native to Algiers, and banished to the island for practising sorcery "so strong / That [she] could control the Moon". Prospero further relates that many years earlier, sailors had brought her to the island, while she was pregnant with her son, Caliban, and abandoned her there, as, due to her pregnancy, she was spared being put to death. She proceeded to enslave the spirits there, chief among them Ariel, whom she eventually imprisoned in a pine tree for disobedience. Sycorax birthed Caliban and taught him to worship the demonic god Setebos. She dies long before the arrival of Prospero and his daughter, Miranda. Caliban grows to hate Prospero's presence and power on the island, claiming that the land belongs to him since it was his mother's before Prospero appeared.
Scholars have unearthed very few facts about Shakespeare's sources for Sycorax. In fact, other than her connection to the magical sorceresses Medea and Circe of Greek mythology, nothing conclusive has been proposed.
Several competing linguistic theories have been put forth. Some scholars argue that her name may be a combination of the Greek sys ("sow") and corax ("crow" or "raven"). Another rough translation produces the phrase "the Scythian raven", an etymological description of Medea (Batman upon Bartholome, a work which Shakespeare is likely to have used for reference, gives the name Corax for a raven) Also, psychorrhax ("heartbreaker"), may be a play on the Greek word psychoraggia ("death struggle"). Another possibility is the Arabic transliteration shokoreth for "deceiver". Another recent idea suggests that, for thematic as well as historical reasons, the name is the reverberant combination of syllables in the name Corax of Syracuse, the often acknowledged founder of rhetoric, and the worthy, fictionalised rival of Prospero. An especially odd and early guess at a meaning by one critic was sic or rex, a Latin homophone alluding to Queen Elizabeth's pride.
The general idea for Sycorax's character may have come from the classical literature familiar to many in Shakespeare's day. Sycorax is similar to Medea, a witch in Ovid's Metamorphoses, in that both are powerful, magical female figures. Scholars have also pointed out that Sycorax resembles the magical Circe from Greek mythology as well as perhaps a version of Circe found in the mythology of the Coraxi tribe in modern-day Georgia.
Sycorax also draws on contemporary beliefs regarding witches. For example, she may embody the belief that all witches have blue eyes. The character may even be a reference to a specific historical personage. According to Romantic literary critic Charles Lamb, a witch, whose name has been lost to history, had been banished from North Africa about half a century before the time Shakespeare was writing the play; her similarity to Sycorax has struck a few scholars as notable. Lamb's claims, however, remain unverified.