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Taking Woodstock

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Taking Woodstock

Taking Woodstock is a 2009 American historical musical comedy-drama film about the Woodstock Festival of 1969, directed by Ang Lee. The screenplay by James Schamus is based on the memoir Taking Woodstock: A True Story of a Riot, a Concert and a Life by Elliot Tiber and Tom Monte. The film premiered at the 2009 Cannes Film Festival, and opened in New York and Los Angeles on August 26, 2009, before its wide theatrical release two days later. It received mixed reviews and was a box office failure.

Set in 1969, the film is based on the true story of Elliot Tiber, an aspiring Greenwich Village interior designer whose parents, Jake and Sonia, own the small dilapidated El Monaco Resort in White Lake, in the town of Bethel, New York. A hippie theater troupe, The Earthlight Players, rents the barn, but can barely pay any rent. Due to financial trouble, the motel may close. Elliot pleads with the local bank not to foreclose on the mortgage and Sonia delivers a tirade about her struggles as a Russian refugee. The family is given until the end of the summer to pay up.

Elliot plans to hold a small musical festival and has obtained a $1 permit from the town's chamber of commerce (of which he is also the president). Upon hearing the Woodstock Festival organizers face opposition against the originally planned location, he offers his permit and the motel accommodations to organizer Michael Lang. A neighbor, Max Yasgur, provides his nearby farmland; they agree on a $5,000 fee, but after realizing how many people will attend, Yasgur demands $75,000, which the organizers reluctantly accept. Elliot comes to agreement about the fee for the motel more smoothly. Initial objections by his mother quickly disappear when she sees the cash paid in advance.

Elliot and Yasgur encounter some expected opposition. The local diner refuses to continue serving Elliot, inspectors target the motel (and only his) for building code violations, and some local boys paint a swastika and hate words on the motel. However, resistance quickly dissolves in the tidal wave of peace and love (and commerce) brought to the area. The Tiber family works hard serving the massive influx of visitors and become wealthy in the process. A cross-dressing veteran, Vilma, is hired as a security guard. Elliot also struggles with hiding his homosexuality from his family, when he connects romantically with one of the event organizers staying at the motel.

On the concert's first day, Elliot, his father, and Vilma hear the music begin in the distance. Elliot's father, transformed and enlivened by all the new life in town, tells Elliot to go watch the concert. Elliot hitches a ride through the peaceful traffic jam on the back of a benevolent state trooper's motorcycle and arrives at the event. He meets a hippie couple, who invite him to join them on an LSD trip in their VW Bus a short distance from the crowd. Elliot initially has trouble relaxing but gradually melts into a psychedelic union with them. When they finally emerge after sundown, Elliot watches the vast crowd and brilliant lights of the distant concert ripple with harmonious hallucinatory visuals that swell into serene white light.

Elliot returns home from his liberating experience and has breakfast with his parents. He suggests to his mother that they now have enough money to replace him, but she cannot bear to release him. Elliot storms out, facetiously suggesting his mom eat the hash brownies Vilma has just offered. After another beautiful day at the festival, during which his Vietnam veteran friend, Billy, appears to overcome his post-traumatic stress disorder, Elliot returns home to find his parents laughing and cavorting hysterically, having eaten Vilma's hash brownies. The once-brittle family (particularly Sonia) is united in joy and delirious affection.

The next morning, however, Sonia inadvertently reveals that she has secretly saved $97,000 in cash in the closet's floorboards. Elliot is upset that his mother hid this while he used his own savings to help his parents.

After the final day of the concert, Elliot decides to move to California. He packs up his things and says farewell to his father, who encouraged him to strike out on his own. As Elliot pays one last visit to the concert and looks out over the muddy desolation of the Yasgur farm, Lang rides up on horseback and they marvel at how despite the obstacles, the event was a success. Lang mentions his next big project: staging a truly free concert in San Francisco with the Rolling Stones.

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