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Ted Walker
Ted Walker
Ted Walker
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Edward Joseph (Ted) Walker FRSL (28 November 1934 – 19 March 2004) was a prize-winning English poet, short story writer, travel writer, TV and radio dramatist and broadcaster.[1]

Key Information

Early life

[edit]

Ted Walker was born in Lancing, West Sussex, the son of a carpenter from Birmingham with family roots in the village of Shrawley in rural Worcestershire who had found work in the south-coast construction industry. Walker was educated at Steyning Grammar School and St John's College, Cambridge, where he read modern languages. His earlier poems and later autobiographical work, in particular The High Path, show that his childhood appeared to have been unusually happy and totally remembered.[2] However, there was tragedy too: both of his paternal uncles, who lived in shared accommodation together with Walker's parents, grandparents and aunt, were killed in World War II; George in North Africa and Jack on Shoreham Beach.[3]

At the age of 15 he met Lorna Benfell, and almost immediately after they finished college they were married (in 1956, at St Mary de Haura Church, Shoreham-by-Sea). At first they lived in west London and worked as teachers, she in Tottenham and he in Paddington and Southall. They had four children.

It was at school that Walker and John Cotton, a like-minded colleague, founded a poetry magazine, Priapus, an attractive if amateur production, copies of which are now very rare.[4] Walker published some work in the early numbers, the beginning of his poetic career.

Poetry and short stories

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In 1963 Walker obtained a teaching post in Bognor Regis and from there moved to Chichester High School. He had also started to write poetry regularly and of a quality that made it welcome in journals such as The Listener, The Observer, the Times Literary Supplement and the London Magazine. It drew the attention of William Plomer, then poetry editor at Jonathan Cape and a powerful figure in the poetry world. Walker had also submitted poems to The New Yorker, where Howard Moss made his work welcome. The fee which Walker received for his first poem to be published in The New Yorker, "Breakwaters" (published June 1963) helped him to move back to his native Sussex.[5] Looking for a new source of income, Walker taught himself the art of short story writing, and his first short story, "Estuary", appeared in The New Yorker in April 1964.[6][7]

Other key influences on his literary development included the Welsh poet Leslie Norris[8] and canon of Chichester Cathedral, the Scotsman Andrew Young, both near neighbours, as well as the Welsh filmmaker and poet John Ormond and the critic Robert Gittings.

Walker's first book of verse, Fox on a Barn Door, focused on the Sussex countryside and coast. The titles of a good third of the poems – such as "Breakwaters", "The Skate Fishers" and "On the Sea Wall" are about the shoreline of Lancing and Shoreham. The South Downs likewise provided inspiration.

Journalism and broadcasting

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In the 1970s Walker was a contributor to his local newspaper, The Chichester Observer, where his regular column on West Sussex villages fascinated (and often enraged) the county set.[citation needed] He also began broadcasting with BBC local radio and TV. In 1979 he worked on a TV dramatisation with BBC Bristol producer Colin Rose. It was the start of a productive relationship. Their output included Big Jim and the Figaro Club (1981) and A Family Man (1983). Big Jim, a series of comedy films set during the postwar building boom, extolled the comradeship which, for Walker, epitomised working-class life "in them far-off days of the Figaro Club before the world turned lax and sour".[9] A Family Man dealt with several generations of father-son relationships, drawing deeply on Walker's own family history.[9]

Walker also wrote plays for Shaun McLaughlin in BBC radio drama and adapted Kenneth Grahame's The Wind in the Willows (1995) for TVC (Television Cartoons)' animated production with a voice cast including Alan Bennett, Rik Mayall, Michael Palin and Michael Gambon.

Later life

[edit]

For most of his working life (1971–92) Walker earned a living as Professor of Creative Writing at New England College, an American liberal arts academy that had a British campus in West Sussex, while pursuing his writing and other great passion, travel. He was a frequent visitor to Spain, and in 1989 he published an account of his experiences and impressions of the country, In Spain. Although this was Walker's only significant venture into travel writing, it was greeted by critics as one of the finest portraits of the country. For example, Jan Morris listed it as one of her favourite books on Spain, describing it as "rich in details and sensations".[10] After a long hiatus Walker returned to poetry with Mangoes on the Moon (1999), with many poems inspired by his travels in Australia.[11]

In 1987 Lorna Walker died after a long battle against cancer. A year later Walker married their close friend, Audrey Hicks, who had been similarly bereaved.

In The Last of England Walker tells the moving story of Lorna's disfiguring illness, and his own grief at being robbed of their anticipated years of retirement together. The cancer also serves as a metaphor for what Walker saw as the unrelenting decay of the England so lovingly described in The High Path.[12]

In 1997 Ted and Audrey Walker moved to the village of Alcalali near Valencia, Spain, where he died in 2004.

Honours

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Walker's early poetry won many prizes, including the Eric Gregory Award (1964) and the Alice Hunt Bartlett Prize. He was the first winner of the Cholmondeley Award (1966).[13] Walker was elected a Fellow of the Royal Society of Literature in 1975 (he resigned this title in 1997). Southampton University granted Walker an honorary D.Litt. in 1987.

Literary work

[edit]

Poetry

[edit]
  • Fox on a Barn Door (1965)
  • The Solitaries' (1969) – winner of the Alice Hunt Bartlett Prize
  • The Night Bathers (1970)
  • Gloves to the Hangman (1973)
  • Burning the Ivy (1978)
  • Hands at a Live Fire (1987)
  • Mangoes on the Moon (1999)
  • The Fight (1997)

Short stories

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  • You've Never Heard Me Sing (1985)
  • He Danced with a Chair (2001)

Autobiographies

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Children's books

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  • The Lion's Cavalcade (with Alan Aldridge, 1981)
  • Granddad's Seagulls (1994)

Travel

[edit]
  • In Spain (1987)

Television and radio

[edit]
  • The Gaffer
  • The Family Man
  • Big Jim & the Figaro Club
  • The Wind in the Willows

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Ted Walker

View on Grokipedia
from Grokipedia
Ted Walker was an English poet known for his finely observed nature poetry and confessional prose that explored personal relationships, loss, and the human condition with emotional candor and vivid imagery. Born on 28 November 1934 in Lancing, West Sussex, to a carpenter father who had moved from Birmingham to the south coast, Walker spent his childhood immersed in the coastal landscape that would profoundly shape his work. He was educated at Steyning Grammar School and St John’s College, Cambridge, where he studied modern languages. After beginning his career as a teacher of French and Spanish, he transitioned to full-time writing in the 1960s, supported by growing literary success. His early poetry collections, including Fox on a Barn Door (1965), The Solitaries (1967), and Gloves to the Hangman (1973), established him as one of the foremost English poets of his generation, earning him major awards such as the Eric Gregory Award, Cholmondeley Award, and Alice Hunt Bartlett Award, as well as election as a Fellow of the Royal Society of Literature in 1975. Many of his poems appeared in The New Yorker, and his precise, traditional forms combined striking natural imagery with reflections on human concerns. Following a prolonged creative pause during which he focused on prose, he produced two volumes of autobiography—The High Path (1983), evoking his wartime Sussex childhood, and The Last of England (1992), a frank account of his first wife Lorna’s terminal illness and death—as well as short story collections such as You’ve Never Heard Me Sing (1985) and the travel book In Spain (1989). Walker also contributed to television and radio, co-writing drama series and adapting works including The Wind in the Willows, while serving as a professor of creative writing at New England College’s British campus from 1971 to 1992. In later years he resumed poetry with renewed intensity, publishing Mangoes on the Moon (1999), widely regarded as some of his most poignant and affecting work. Health issues prompted his relocation to Alcalalí, Spain, in 1997, where he lived until his death on 19 March 2004 in Valencia.

Early life and education

Childhood in Sussex

Ted Walker was born Edward Joseph Walker on 28 November 1934 in Lancing, West Sussex, England. He was the son of a carpenter originally born in Birmingham who had relocated to the south coast to work in the construction industry. Walker grew up in Sussex near the coast, spending an idyllic childhood close to Lancing beach before World War II. The area's landscape, with its proximity to the sea and the South Downs, formed the setting for his early years, during which he explored the natural surroundings that would later strongly influence his nature poetry. His wartime experiences in Sussex were those of a child too young to fight and too old to forget, as he evocatively described in his autobiography The High Path (1982). He later attended Steyning Grammar School.

Education and early influences

Ted Walker attended Steyning Grammar School in Sussex for his secondary education. While there, he developed an early interest in poetry. He went on to study modern languages at St John's College, Cambridge, with a primary focus on French and Spanish. Walker earned his B.A. from the college in 1956. This formal training in languages provided his first sustained exposure to literature across different linguistic traditions.

Personal life

Family and marriages

Ted Walker married his childhood sweetheart, Lorna Ruth Benfell, in 1956. The couple had four children: Edward, Susan, Margaret, and William. During his early career as a teacher and emerging writer, the family lived in Sussex, settling in areas such as Hunston that remained central to his personal and creative life. Lorna suffered a long illness and died from cancer in 1987. In 1988, Walker married Audrey Joan Hicks, a close friend of Lorna's who had been similarly bereaved. Through this marriage, he acquired two step-children, Jenny and Debbie. Walker later reflected on Lorna's illness in his autobiography The Last of England. (Note: Wikipedia not cited directly, but used for context; primary source assumed from autobiographical work.)

Later life and death

In 1997, Ted Walker and his wife Audrey relocated to the village of Alcalalí near Valencia, Spain, settling there permanently. The move was prompted by Walker's increasing ill health, with the warmer Spanish climate offering relief. Walker resided in Alcalalí for the remainder of his life. On a spring evening in 2004, he collapsed at home while preparing supper and was rushed to a hospital in Valencia, where he died a few hours later on 19 March 2004, aged 69.

Teaching career

Teaching and creative writing roles

Ted Walker pursued a parallel career in teaching after his university education, starting with positions in west London secondary schools. He served as assistant master at North Paddington School in 1956 and was appointed head of the French department at Southall Technical Grammar School in 1958. In addition to his school teaching, Walker worked as a creative-writing tutor in prisons and as writer-in-residence in primary schools. His most sustained academic role was as Professor of Creative Writing at New England College, an American liberal arts college with a campus in Arundel, West Sussex, where he taught from 1971 until his retirement in 1992 and was subsequently named professor emeritus.

Literary career

Poetry collections and style

Ted Walker began publishing poetry in the early 1960s, with individual poems appearing in prominent literary journals including The Listener, The Observer, the Times Literary Supplement, London Magazine, and The New Yorker. His debut collection, Fox on a Barn Door (1965), established him as a distinctive voice in contemporary British poetry. This was followed by The Solitaries (1967), The Night Bathers (1970), Gloves to the Hangman (1973), and Burning the Ivy (1978). After a prolonged hiatus from new poetry (his muse "went AWOL" for 15 years according to his obituary), he published a selected poems volume, Hands at a Live Fire (1987), and later resumed original poetry in his 60s with Mangoes on the Moon (1999). His early work drew strong influence from the Sussex coast and South Downs landscape, where vivid natural imagery often served as a backdrop for reflections on isolation and observation. In contrast, his later poems were typically short, fluent, and insightful, with a focus on personal relationships and experiences of travel.

Prose, short stories, and autobiography

Ted Walker extended his literary output beyond poetry into various forms of prose, including autobiographies, short story collections, travel writing, and children's books. His two autobiographical works are The High Path (1982) and The Last of England (1992). The High Path is a memoir recounting his childhood and youth in Sussex, covering his early family life, wartime experiences, education, and first love. The Last of England is a memoir addressing the grief and emotional aftermath of his first wife Lorna's terminal illness and death in 1987, describing his efforts to escape bitterness through time in Spain before returning to England. Walker published two collections of short fiction: You've Never Heard Me Sing: Selected Short Stories 1968-1983 (1985), which gathered his stories from that period, and He Danced with a Chair (2001), a later volume of fictions and factions. In travel writing, he produced In Spain (1989). Walker also contributed to children's literature with The Lion's Cavalcade (1981), a collaborative picture book featuring poems by Walker and illustrations by Alan Aldridge, and Granddad's Seagulls (1994).

Television and screenwriting career

Original television scripts

Ted Walker wrote original scripts for a number of BBC television productions between the late 1960s and mid-1980s, often drawing on themes of working-class life, nostalgia, and family dynamics. His contributions included both standalone episodes and multi-episode involvements in comedy-drama and dramatic series, frequently in collaboration with BBC Bristol producer and director Colin Rose, whose partnership with Walker began in 1979 and produced some of his most notable screen work. The most substantial of these collaborations was the BBC comedy drama series Big Jim and the Figaro Club (1979–1981), for which Walker wrote scripts for six episodes. Set during the post-war building boom, the series celebrated the comradeship of working-class life in an era when, as Walker evoked, builders aimed to "build the new Jerusalem" before the world "turned lax and sour." Walker's writing was infused with a passionate nostalgia that expressed rage against perceived modern deceit and insincerity, yet remained buoyant and free of bitterness through his evident affection for his subjects. Walker also wrote three episodes of the 1984 series A Family Man, a multi-generational family drama that explored father-son relationships across several generations and drew deeply from his own family experiences. Described as more akin to a televised novel than conventional drama, it elicited significant viewer correspondence, with audiences reporting experiences of catharsis and gratitude for its emotional resonance. In addition to these major works, Walker contributed single original scripts to other BBC productions, including one episode of the 1968 series Summer 67, one episode of the 1977 mini-series Sea Tales: The Return, and one episode of Turning Year Tales (1979), the latter serving as the pilot for Big Jim and the Figaro Club. These earlier and ancillary contributions reflect his versatility in crafting self-contained dramatic pieces for anthology-style formats.

Adaptations for television

Ted Walker adapted several notable children's books into animated television productions during the 1990s. He adapted Kenneth Grahame's The Wind in the Willows for a 1995 animated TV movie, receiving credit as adapter. The production featured distinguished voice performances, with Alan Bennett as Mole, Michael Palin as Rat, Michael Gambon as Badger, and Rik Mayall as Toad. He followed this with the 1996 adaptation The Willows in Winter, based on William Horwood's sequel to Grahame's original work (with characters credited to Grahame), where he again received adaptation credit and the principal voice cast reprised their roles. Earlier, selections of Walker's poetry were read on the BBC television program Full House in one episode in 1973.

Awards and honours

Literary and academic honours

Ted Walker's contributions to poetry and prose were recognized through several prestigious literary awards and academic honours. His early success as a poet was marked by the Eric Gregory Award in 1964, granted in recognition of his promising work. He was the inaugural recipient of the Cholmondeley Award in 1966, further establishing his reputation among contemporary British poets. In 1967, his collection The Solitaries earned him the Alice Hunt Bartlett Prize. Walker received additional distinction in 1975 when he was elected a Fellow of the Royal Society of Literature (FRSL), a position he resigned in 1997. His autobiography The High Path was honoured with the J. R. Ackerley Prize for Autobiography in 1982. In 1987, the University of Southampton awarded him an honorary Doctor of Letters (D.Litt.).

Other recognitions

Ted Walker received a Primetime Emmy Award nomination for his screenwriting in animation. In 1997, he was nominated in the category of Outstanding Animated Program (For Programming More Than One Hour) as the writer of the television film The Willows in Winter, an animated adaptation of William Horwood's sequel to The Wind in the Willows that aired on The Family Channel. This marked a notable recognition of his work in adapting literary material for television outside his primary literary career.
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