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The Absolute Universe
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| The Absolute Universe | ||||
|---|---|---|---|---|
Cover of the Extended Version, Forevermore | ||||
| Studio album by | ||||
| Released | February 5, 2021 | |||
| Recorded | September 2019–2020 | |||
| Studio | Fenix Studio (Varnhem, Sweden) mobile recordings in Sweden, the UK and the USA | |||
| Genre | Progressive rock[1][2][3][4] | |||
| Length | 64:15 (abridged version) 90:14 (extended version) 96:30 (ultimate version) | |||
| Label | Inside Out | |||
| Producer | Transatlantic[5] | |||
| Transatlantic chronology | ||||
| ||||
| Singles from The Absolute Universe | ||||
The Absolute Universe is the fifth and final[9] studio album of the progressive rock supergroup Transatlantic, released on February 5, 2021, by Inside Out.[10]
Announced on November 11, 2020, The Absolute Universe is a concept album about "the world's struggles in 2020"[11] and it is Transatlantic's first new studio album since 2014's Kaleidoscope. The album is released in three different formats: a 64-minute abridged version entitled The Breath of Life, a 90-minute extended version entitled Forevermore and a 96-minute deluxe edition that combines parts of both the abridged and extended versions. With regards to the different albums drummer Mike Portnoy said:[10]
[...] the single CD is not merely an edited version of the double CD. They each contain alternate versions and even in some cases, new recordings. We wrote fresh lyrics and have different people singing on the single CD version tracks as compared to those on the double CD.
The band released three videos in support of the album, "Overture/Reaching for the Sky" on November 20, 2020,[6] "The World We Used to Know" on December 11, 2020,[7] and "Looking for the Light" on January 15, 2021.[8]
Background and production
[edit]Due to tours, vacations and ultimately COVID-19, the album's production suffered several delays.[3] The 90-minute version (Forevermore) was originally written in September 2019 when the four members gathered in Sweden.[12][3][13] Drummer Mike Portnoy recorded his parts in Nashville in November and keyboardist and vocalist Neal Morse recorded his parts in December and January.[13]
Soon after a tour in Australia, Morse took some time off in New Zealand and started writing his solo album Sola Gratia, which diverted him completely from the Transatlantic album.[13] In March 2020, he listened to the album again and contemplated shortening it so it could be released in a single disc - which some members already supported by the time of the album's writing, according to him. He created a shorter version of the album himself and sent it to the other members via an e-mail with a subject line that read "Am I crazy?"[13]
Bassist Pete Trewavas agreed with Morse, but Portnoy and vocalist/guitarist Roine Stolt preferred the original version.[14] The disagreement caused further delays.[3] In May,[13] Portnoy ultimately came with the suggestion of releasing two different versions, which was endorsed by all members and the label.[3][13][14]
Morse was then tasked with creating the shorter version, titled The Breath of Life, while Stolt would produce the longer version, Forevermore.[3][13] Morse would later say The Absolute Universe is the album that involved "the longest process" and "the most work" he's ever done in his career.[13]
The album's structure is similar to their third album The Whirlwind, in that all songs combined form one single listening experience.[3]
Lyrical themes
[edit]Neal Morse started writing lyrics for the album in March 2019, and he felt the band would possibly want to do a follow-up to The Whirlwind. When they gathered in studio, however, they rejected the idea, but some of the lyrics remained, resulting in some references to Whirlwind.[13]
In December 2019/January 2020, Morse wrote a second round of lyrics inspired by his twenties and by The Fountainhead, Atlas Shrugged and The Virtue of Selfishness by Russian-American author Ayn Rand, which he called "kind of the mother of Libertarianism".[13] He commented that he wrote lyrics about "how I went down this road of selfishness basically, and then how the Lord brought me out of it and how much better it is to not be in that place."[13]
The third round of writing came in June–July 2020 and was inspired by the effects of the COVID-19 pandemic in the United States (particularly Nashville).[13]
Commenting on the lyrics written by bassist and vocalist Pete Trewavas back in 2019, Stolt felt they somehow anticipated the COVID-19 situation.[13] Trewavas himself described the idea behind the album as follows:[12]
The idea behind The Absolute Universe started out as a broad and encompassing look at the human condition. Someone moving though their life, trying to find out who they are, where they fit in etc. This worked well as a concept to hang all the music we had on. It also allowed us to move through all the different subject matter we had lyrically. [...] You find a lot out about people in adverse conditions. Who your friends are for example, how people cope under duress and dealing with stress. All these things get reflected on in different ways on both versions of the album.
He felt The Breath of Life version, captained by Morse, focused more on the consequences of the COVID-19 restrictions on people's lives.[12]
Critical reception
[edit]| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Classic Rock | |
| Metal Hammer (Germany) | 6/7[4] |
| Metal Hammer (Portugal) | 4.5/5[1] |
| Prog | |
| Prog Radio | |
| Rock Hard | 8.5/10[17] |
| Sonic Perspectives | 9.3/10[3] |
The Absolute Universe was well received by critics.
Chris Roberts from Classic Rock said the band takes the listener "on a journey through the tropes of modern, technically flawless AOR-tinted prog, the playing proficient, the soul of it elusive." On the other hand, he remarked that "the casual listener might wish the band would more frequently twist instead of stick."[11]
Scott Medina from Sonic Perspectives said the album matches the quality of The Whirlwind and while he admitted those who prefer epic songs could feel "less enthusiastic", he said "there's no denying that this sounds just like what most people imagine when they think 'Transatlantic'. About the different versions, he commented that Forevermore "has more of Stolt" and "carries a bit more shadow and mystery", while The Breath of Life feels "a little more direct and accessible" and has been injected with "a little more light and love" by Morse. He praised all musicians' performances.[3]
Writing for the Portuguese edition of Metal Hammer, and based on the Forevermore version, João Braga thought the album title is representative of its style and innovation and remarked that the band has released an album that is long due to the number of tracks rather than to their size. He also thought the first part is more "positive" and "inspiring" in terms of instrumentation, while the second one is filled with "ballads or, at least, ambient and spiritual tracks backed by strong progressive rock."[1]
In the German edition of the magazine, Frank Thießies recommended the abridged version "for casual listeners to enjoy the great harmony-bristling chants, Hammond and Moog fountains as well as The Beatles-colored to Pink Floyd-colored Melodic Prog" and the extended version to those who "can't get enough of Morse's melody bliss anyway and can do with a few more progressive twists and bonus minutes per song".[4]
Rock Hard' Michael Rensen said the album "is not just a fanatic, but an exciting rollercoaster ride lasting several hours through the Classic Prog Wonderland". He thought that the band had better moments in the past and that they work better when Morse is the vocalist, but still believed Transatlantic delivered "the finest genre fare despite all the compositional routine".[17]
On AllMusic, Thom Jurek said The Absolute Universe (Forevermore version) "showcases Transatlantic's consummate composing, production, and arrangement skills in near-perfect balance with emotional intelligence, and keen psychological and spiritual insight. They navigate these songs with compassionate empathy, openness, and a consummate sense of musical possibility. You really can't ask for more from popular art."[15]
Writing for Prog magazine, Grant Moon said the two versions offer "if not the best of both worlds, certainly the most of them", but questioned if an "objective producer" could have helped them "see the wood for the trees, make choices, and fashion the one great album currently residing inside two very good ones".[5]
Track listing
[edit]All tracks written and arranged by Neal Morse, Mike Portnoy, Roine Stolt and Pete Trewavas
Forevermore (extended version)
[edit]| No. | Title | Length |
|---|---|---|
| 1. | "Overture" | 8:12 |
| 2. | "Heart Like a Whirlwind" | 5:11 |
| 3. | "Higher Than the Morning" | 5:30 |
| 4. | "The Darkness in the Light" | 5:43 |
| 5. | "Swing High, Swing Low" | 3:48 |
| 6. | "Bully" | 2:11 |
| 7. | "Rainbow Sky" | 3:19 |
| 8. | "Looking for the Light" | 4:00 |
| 9. | "The World We Used to Know" | 9:22 |
| Total length: | 47:12[18] | |
| No. | Title | Length |
|---|---|---|
| 1. | "The Sun Comes Up Today" | 5:39 |
| 2. | "Love Made a Way (Prelude)" | 1:26 |
| 3. | "Owl Howl" | 7:06 |
| 4. | "Solitude" | 5:41 |
| 5. | "Belong" | 2:49 |
| 6. | "Lonesome Rebel" | 2:54 |
| 7. | "Looking for the Light (Reprise)" | 5:13 |
| 8. | "The Greatest Story Never Ends" | 4:18 |
| 9. | "Love Made a Way" | 8:03 |
| Total length: | 43:02[18] | |
The Breath of Life (abridged version)
[edit]| No. | Title | Length |
|---|---|---|
| 1. | "Overture" | 5:52 |
| 2. | "Reaching for the Sky" | 5:41 |
| 3. | "Higher Than the Morning" | 4:32 |
| 4. | "The Darkness in the Light" | 5:43 |
| 5. | "Take Now My Soul" | 3:31 |
| 6. | "Looking for the Light" | 4:05 |
| 7. | "Love Made a Way (Prelude)" | 2:13 |
| 8. | "Owl Howl" | 5:27 |
| 9. | "Solitude" | 4:24 |
| 10. | "Belong" | 2:23 |
| 11. | "Can You Feel It" | 3:17 |
| 12. | "Looking for the Light (Reprise)" | 4:57 |
| 13. | "The Greatest Story Never Ends" | 2:58 |
| 14. | "Love Made a Way" | 9:16 |
| Total length: | 64:15[19] | |
Blu-ray
[edit]| No. | Title | Length |
|---|---|---|
| 1. | "Overture" | 9:18 |
| 2. | "Reaching for the Sky" | 5:40 |
| 3. | "Higher Than the Morning" | 5:29 |
| 4. | "The Darkness in the Light" | 5:42 |
| 5. | "Take Now My Soul" | 3:31 |
| 6. | "Bully" | 2:11 |
| 7. | "Rainbow Sky" | 3:19 |
| 8. | "Looking for the Light" | 3:59 |
| 9. | "The World We Used to Know" | 9:21 |
| 10. | "The Sun Comes Up Today" | 5:38 |
| 11. | "Love Made a Way (Prelude)" | 1:25 |
| 12. | "Owl Howl" | 7:05 |
| 13. | "Solitude" | 5:41 |
| 14. | "Belong" | 2:49 |
| 15. | "Lonesome Rebel" | 2:53 |
| 16. | "Can You Feel It" | 3:17 |
| 17. | "Looking for the Light (Reprise)" | 5:12 |
| 18. | "The Greatest Story Never Ends" | 5:58 |
| 19. | "Love Made a Way" | 8:02 |
| Total length: | 96:30[20] | |
Personnel
[edit]- Neal Morse – vocals, piano, Hammond organ, minimoog, mellotron, acoustic guitars & churango
- Roine Stolt – vocals, electric & acoustic 6 & 12 strings guitars, ukulele, keyboards & percussion
- Pete Trewavas – vocals, bass
- Mike Portnoy – vocals, drums & percussion
Additional musicians
- Gideon Klein – cello, viola & string bass
- Josee Weigand – violin & viola
Charts
[edit]| Chart (2021) | Peak position |
|---|---|
| Austrian Albums (Ö3 Austria)[21] | 7 |
| Belgian Albums (Ultratop Flanders)[22] | 40 |
| Belgian Albums (Ultratop Wallonia)[23] | 29 |
| Dutch Albums (Album Top 100)[24] | 4 |
| Finnish Albums (Suomen virallinen lista)[25] Forevermore |
29 |
| French Albums (SNEP)[26] | 83 |
| German Albums (Offizielle Top 100)[27] | 3 |
| Portuguese Albums (AFP)[28] | 30 |
| Scottish Albums (OCC)[29] Forevermore |
10 |
| Scottish Albums (OCC)[30] The Breath of Life |
31 |
| Scottish Albums (OCC)[31] Ultimate |
76 |
| Spanish Albums (PROMUSICAE)[32] Forevermore |
42 |
| Spanish Albums (PROMUSICAE)[33] The Breath of Life (vinyl albums) |
81 |
| Spanish Albums (PROMUSICAE)[34] The Ultimate Edition (vinyl albums) |
20 |
| Swedish Albums (Sverigetopplistan)[35] | 32 |
| Swiss Albums (Schweizer Hitparade)[36] | 3 |
| UK Albums (OCC)[37] Forevermore |
56 |
References
[edit]- ^ a b c Braga, João (February 5, 2021). "Transatlantic "The Absolute Universe – Forevermore"". Metal Hammer (Portugal) (in Portuguese). Retrieved February 8, 2021.
- ^ a b c Höpfer, Manuel (February 7, 2021). "Transatlantic neues Album "The Absolute Universe" veröffentlicht". Metal.de (in German). Retrieved February 8, 2021.
- ^ a b c d e f g h i j Medina, Scott (January 12, 2021). "Transatlantic – The Absolute Universe (Album Review)". Sonic Perspectives. Retrieved February 8, 2021.
- ^ a b c Thießies, Frank (February 5, 2021). "Kritik zu Transatlantic THE ABSOLUTE UNIVERSE". Metal Hammer (Germany) (in German). Retrieved February 9, 2021.
- ^ a b c Moon, Grant (February 5, 2021). "Transatlantic – The Absolute Universe review". Prog. Retrieved February 9, 2021.
- ^ a b "Transatlantic launch video for "Overture / Reaching For The Sky"". Retrieved April 8, 2022.
- ^ a b Divita, Joe (December 11, 2020). "Prog Supergroup Transatlantic (Portnoy, Morse) Debut Epic Song". Loudwire. Retrieved February 9, 2021.
- ^ a b "Transatlantic launch video for 'Looking For The Light'". Retrieved April 8, 2022.
- ^ "Mike Portnoy says Transatlantic's new live releases will be their last". January 2, 2023.
- ^ a b "Transatlantic Announce 'The Absolute Universe'". November 11, 2020. Retrieved December 18, 2020.
- ^ a b c Roberts, Chris (February 5, 2021). "Transatlantic's The Absolute Universe: not one technically flawless concept album, but two". Classic Rock. Retrieved February 8, 2021.
- ^ a b c Volohov, Dan (February 7, 2021). "Interview: Pete Trewavas (Transatlantic/Marillion)". Louder Than War. Retrieved February 9, 2021.
- ^ a b c d e f g h i j k l m Medina, Scott (January 12, 2021). "NEAL MORSE and ROINE STOLT Talk TRANSATLANTIC's 'The Absolute Universe' Record: 'This Is Us Attempting to Take an Album Where No Band Has Gone Before'". Sonic Perspectives. Retrieved February 8, 2021.
- ^ a b Beckner, Justin (February 8, 2021). "Transatlantic Guitarist Speaks on What It's Like Working With Mike Portnoy & Neal Morse, Names 5 Essential Prog Albums You Should Listen To". Ultimate Guitar. Retrieved February 9, 2021.
- ^ a b Jurek, Thom. "The Absolute Universe: Forevermore – Transatlantic". AllMusic. Retrieved February 9, 2021.
- ^ The Prog Yak (February 5, 2021). "Prog Radio Album Review: Transatlantic - The Absolute Universe".
- ^ a b Rensen, Michael. "TRANSATLANTIC: The Absolute Universe: The Ultimate Edition". Rock Hard (in German). Retrieved February 9, 2021.
- ^ a b "The Absolute Universe: Forevermore (Extended Version)". Archived from the original on December 5, 2020. Retrieved December 18, 2020.
- ^ "The Absolute Universe: The Breath of Life (Abridged Vestion)". Archived from the original on December 5, 2020. Retrieved December 18, 2020.
- ^ "The Absolute Universe: 5.1 Mix (The Ultimate Version)". Archived from the original on December 5, 2020. Retrieved December 18, 2020.
- ^ "Austriancharts.at – Transatlantic – The Absolute Universe - The Ultimate Edition" (in German). Hung Medien. Retrieved February 20, 2021.
- ^ "Ultratop.be – Transatlantic – The Absolute Universe - The Ultimate Edition" (in Dutch). Hung Medien. Retrieved February 12, 2021.
- ^ "Ultratop.be – Transatlantic – The Absolute Universe - The Ultimate Edition" (in French). Hung Medien. Retrieved February 12, 2021.
- ^ "Dutchcharts.nl – Transatlantic – The Absolute Universe - The Ultimate Edition" (in Dutch). Hung Medien. Retrieved February 13, 2021.
- ^ "Transatlantic: The Absolute Universe - Forevermore" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved February 14, 2021.
- ^ "Top Albums (Week 6, 2021)". Syndicat National de l'Édition Phonographique. Retrieved February 15, 2021.
- ^ "Offiziellecharts.de – Transatlantic – The Absolute Universe - The Ultimate Edition" (in German). GfK Entertainment Charts. Retrieved February 12, 2021.
- ^ "Portuguesecharts.com – Transatlantic – The Absolute Universe - The Breath of Life". Hung Medien. Retrieved March 3, 2021.
- ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved February 13, 2021.
- ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved February 13, 2021.
- ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved February 13, 2021.
- ^ "Listas semanales: 5.2.2021 - 11.2.2021". Promusicae. Retrieved February 12, 2021.
- ^ "Listas semanales: 5.2.2021 - 11.2.2021". Promusicae. Retrieved February 12, 2021.
- ^ "Listas semanales: 5.2.2021 - 11.2.2021". Promusicae. Retrieved February 12, 2021.
- ^ "Swedishcharts.com – Transatlantic – The Absolute Universe - The Breath of Life". Hung Medien. Retrieved February 13, 2021.
- ^ "Swisscharts.com – Transatlantic – The Absolute Universe - The Breath of Life". Hung Medien. Retrieved February 14, 2021.
- ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved February 13, 2021.
The Absolute Universe
View on GrokipediaBackground and development
Conception and initial ideas
Following the release of Kaleidoscope in January 2014 and the band's subsequent touring activities, Transatlantic members began contemplating a successor project. In late 2018 or early 2019, Neal Morse, the band's keyboardist and primary vocalist, initiated discussions by emailing fellow members Mike Portnoy (drums), Roine Stolt (guitar and vocals), and Pete Trewavas (bass) to propose developing new material, identifying a suitable recording window amid their individual commitments.[7] Morse emphasized creating an ambitious work akin to prior concept albums like The Whirlwind (2009), focusing on a cohesive, extended narrative.[7] Initial songwriting commenced in March 2019 with Morse preparing demos, setting the foundation for a thematic exploration of contemporary societal challenges, including division and uncertainty observed in 2019 global events.[7] The band envisioned a continuous, long-form composition divided into sections, drawing from their history of epic suites such as Bridge Across Forever (2001). Trewavas highlighted the creative freedom in this approach, stating, "We decided we’d write a long piece of music… it gives a lot of scope for the writing."[6] Stolt contributed substantially, arriving with roughly 1.5 hours of pre-developed musical sketches, which informed the album's expansive scope.[6] Early collaborative sessions in September 2019 at Fenix Recording Studios in Sweden involved brainstorming via a whiteboard to outline motifs and structure, though debates arose over length—Portnoy and Stolt advocated retaining material for a double-disc format exceeding 90 minutes, while Morse and Trewavas pushed for condensation. Portnoy floated the innovative solution of dual versions, asking, "Would it be crazy to suggest we have two albums?" This concept, initially contentious, resolved tensions by allowing an extended edition (Forevermore, 18 tracks) and an abridged one (The Breath of Life, 14 tracks), with Stolt's lyrics addressing issues like political leadership in the United States.[6] Stolt later affirmed his resistance to cuts, saying, "I felt that we shouldn’t really cut the album."[6]Songwriting process
The songwriting for The Absolute Universe began in early 2019, with Neal Morse initiating the process by creating initial demos and coordinating schedules with bandmates Roine Stolt, [Mike Portnoy](/page/Mike Portnoy), and Pete Trewavas via email in late 2018 and early 2019.[7] Roine Stolt contributed extensively by preparing over 1.5 hours of musical demos prior to the main sessions, including ideas that evolved into tracks like "Owl Howl," while also drafting lyrics in summer 2019 addressing global societal issues such as leadership challenges.[6][7] The core writing sessions took place over approximately 10 to 14 days in late September 2019 at Fenix Recording Studios in Sweden, where the band collaboratively arranged and expanded Stolt's demos through jamming and group improvisation, producing a foundational 90-minute template for the extended Forevermore version.[6][7][8] The group utilized a whiteboard to organize and prioritize musical ideas, leveraging their collective strengths in arrangement to develop long-form, thematic pieces centered on contemporary societal struggles, though lyrics ultimately emphasized spiritual transformation and hope.[6][7] Morse added spontaneous contributions, such as composing "Love Made a Way" at 3 a.m. during the sessions, while Trewavas brought energy to the collaborative dynamic and Portnoy provided overarching conceptual guidance.[7] Both Morse and Stolt wrote competing sets of lyrics for several songs, with the band selecting the strongest elements rather than forcing compromises, which influenced vocal assignments and thematic nuances across versions.[6] This process extended beyond the initial Sweden sessions, as individual overdubs followed—Portnoy tracking drums in Nashville in November 2019 and Morse adding elements through January 2020—before editing commenced in March 2020 to create the abridged The Breath of Life version, incorporating variations in structure, lyrics, and singers to resolve debates over length and focus.[7] The dual-version approach emerged from these discussions, treating the editions as "alternate realities" rather than simple edits, with final adjustments continuing into late 2020.[6][7]Production
Recording sessions
The recording sessions for The Absolute Universe began in September 2019 at Fenix Recording Studios in Varnhem, Sweden, where Neal Morse, Mike Portnoy, Roine Stolt, and Pete Trewavas convened for pre-production, writing, and initial tracking over approximately two weeks.[7][6] Roine Stolt arrived with roughly 1.5 hours of musical material, which the group refined collaboratively through arranging sessions, including the use of a whiteboard to outline and revisit thematic ideas.[6] Following the Swedish sessions, recording shifted to remote contributions due to the members' dispersed locations: Portnoy laid down drum tracks in Nashville in November 2019, while Morse handled vocals and additional parts in his home studio from December 2019 through January 2020.[7] Mobile recording extended to sites in Sweden, the United Kingdom, and the United States, with some elements captured over a year apart to accommodate schedules, contributing to arrangement variations between the album's editions.[6] These sessions produced a core template of extended progressive compositions addressing societal themes, though debates over length and content—such as trimming material for a shorter version—arose during collaboration, ultimately yielding distinct Forevermore (extended) and The Breath of Life (abridged) releases.[7][6]Engineering and post-production
Rich Mouser engineered, mixed, and mastered The Absolute Universe at The Mouse House studio in Los Angeles, California.[9][10] This encompassed both the Forevermore extended version, spanning approximately 90 minutes across two discs, and the Breath of Life abridged version, condensed to about 60 minutes on one disc.[10][11] Strings overdubs were recorded separately by Gabe Klein.[9] The Ultimate Edition box set, released on August 6, 2021, incorporated a 5.1 surround sound mix derived from the Forevermore version, alongside stereo mixes, to provide immersive playback options via Blu-ray audio.[12] Post-production focused on integrating the band's remote contributions—Neal Morse from Nashville, Roine Stolt from Sweden, Pete Trewavas from the United Kingdom, and Mike Portnoy from New York—into cohesive tracks emphasizing progressive rock's layered arrangements without evidence of compression artifacts typical of loudness-maximized releases.[9][10]Personnel
The core lineup of Transatlantic performed on The Absolute Universe, consisting of Neal Morse on keyboards, guitars, and vocals; Mike Portnoy on drums and vocals; Roine Stolt on guitars and vocals; and Pete Trewavas on bass and vocals.[13] Additional musicians included Ted Leonard and Daniel Gildenlöw on vocals, Josee Weigand on vocals, Rich Mouser on vocals, Bill Hubauer on keyboards and vocals, Jake Livgren on keyboards, and Chris Carmichael on strings.[13] The album was produced by the four band members, with mixing and mastering handled by Rich Mouser.[13] Engineering was provided by Rich Mouser and Jerry Guidroz.[13] Artwork and design were created by Thomas Ewerhard.[13]Musical content
Style and composition
The Absolute Universe exemplifies symphonic progressive rock, characterized by its melodic emphasis, intricate arrangements, and a blend of uplifting harmonies with extended instrumental passages.[14][4] The album draws on 1970s prog influences, featuring soaring vocal lines, keyboard-driven symphonic textures, and rhythmic complexity without aggressive solos or heavy distortion, prioritizing cohesion over individual virtuosity.[15][16] Compositionally, it unfolds as a loosely conceptual suite spanning approximately 90 minutes in its extended form, divided into 10 tracks that interconnect through recurring motifs and thematic continuity, akin to the band's prior album The Whirlwind.[16][17] The structure incorporates overtures, such as the opening instrumental buildup, which establishes a grand, orchestral-like scope before transitioning into vocal-led sections with dynamic shifts from introspective builds to anthemic choruses.[18] Both the abridged (The Breath of Life) and extended (Forevermore) versions maintain this flow but vary in track lengths and inclusions, with the former condensing material into a single disc while preserving core progressions and re-arrangements for brevity.[10][11] Instrumental interplay forms the compositional backbone, with layered guitars, keyboards, and polyrhythmic drumming creating a sense of forward momentum and resolution, often resolving tension through harmonious peaks rather than dissonance.[8] Reviews highlight its "technically flawless" execution, where composition serves thematic uplift, integrating subtle orchestral swells and multi-partite song forms to evoke a narrative arc without rigid verse-chorus constraints.[19][20]Instrumentation and arrangements
The core instrumentation of The Absolute Universe features the supergroup's standard lineup: Neal Morse on keyboards (including prominent Hammond organ), Roine Stolt on electric and acoustic guitars, Pete Trewavas on bass guitar, and Mike Portnoy on drums, with all four members contributing lead and harmony vocals.[21][22] This setup enables layered textures typical of progressive rock, such as riff-driven guitar work from Stolt, intricate bass lines from Trewavas, energetic drumming from Portnoy, and Morse's keyboard flourishes, including organ swells and piano accents.[23][15] Arrangements emphasize epic, multi-sectional compositions blending hard rock energy with melodic interludes, often incorporating dynamic shifts from acoustic ballads to instrumental showcases.[4] The album's dual editions—Forevermore (extended) and The Breath of Life (abridged)—feature distinct arrangements: Roine Stolt shaped the extended version with extended solos and prog flourishes, while Neal Morse reconfigured the abridged edition for concision, altering vocal leads, song structures, and select instrumentation, such as substituting marimba or additional percussion layers in tracks like "Higher Than the Morning."[24][25] These variations create parallel but non-identical experiences, with the abridged form prioritizing streamlined narratives over expansive jams.[5] The Ultimate Edition expands arrangements further with guest contributions on additional guitars and wind instruments, enhancing orchestral-like depth in select passages without full symphony involvement.[26] Overall, the production highlights seamless integration of live-feel performances and studio overdubs, yielding bombastic overtures and relentless instrumental closers that underscore the band's emphasis on musicianship over minimalism.[17][27]Lyrical themes
The lyrics of The Absolute Universe constitute a concept narrative exploring an individual's search for meaning and belonging amid personal and societal turmoil. Neal Morse, the primary lyricist, described the storyline as depicting "a guy who’s trying to find his place in the world," emphasizing themes of self-discovery and the human condition through an emotional arc of struggle and resolution.[28] Roine Stolt characterized the content as infused with "hope, redemption, and the human condition," highlighting resilience against everyday adversities.[28] The band initially did not intend a fully conceptual structure, but the material coalesced around contemporary societal pressures, evolving into a unified tale of upliftment.[21] Central motifs include ego, selfishness, and introspection, with occasional allusions to objectivist individualism akin to Ayn Rand's ideas, though framed within broader critiques of isolation rather than endorsement.[17] Morse's spiritual perspective, rooted in his Christian faith, permeates the redemption arc, portraying transformation via divine or transcendent love; for instance, in "Love Made a Way," lyrics assert "Love made a way/when there was no way out," evoking a shift from despair to renewal inspired by progressive rock precedents like Yes' "Heart of the Sunrise."[7] This culminates in affirmations of communal belonging, as reiterated in phrases like "belong/belong/ready to belong," underscoring a causal progression from alienation to integration.[24] The narrative's day-to-day realism grounds abstract struggles in relatable human experiences, such as internal conflict and external chaos, without veering into overt proselytizing, though Morse has noted the album's "heart and soul" derives from perceived spiritual insights imparted during composition.[29][7] Mike Portnoy and Stolt corroborated the focus on universal societal strains, written in 2019 but resonant with 2020's upheavals, prioritizing emotional authenticity over didacticism.[15]Release and formats
Available editions
The Absolute Universe was released on February 5, 2021, by InsideOut Music in two distinct album versions intended as parallel interpretations of the same material rather than simple edits: The Breath of Life (abridged version, approximately 60 minutes) and Forevermore (extended version, approximately 90 minutes).[30][31] Both versions share core compositions but incorporate variations such as alternate lyrics, different lead vocalists on select tracks, modified melodies, and some changed song titles, achieved through additional recording sessions.[21][15] The Breath of Life was issued as a special edition CD digipak, a gatefold 2LP vinyl package including a CD, and digital formats.[32] Forevermore followed the same format options, with the double-CD configuration emphasizing expanded arrangements and additional content.[33] A limited Ultimate Edition box set compiled both full versions on 2 CDs and multiple clear vinyl LPs (2LP for Breath of Life, 3LP for Forevermore), alongside a Blu-ray disc featuring a 5.1 surround sound mix, a 44-page booklet, and a poster.[9] The Blu-ray audio aligns primarily with the Forevermore tracklist but includes high-resolution stereo and instrumental options where applicable.[34] All editions were distributed worldwide through InsideOut Music, with digital versions available via platforms like Bandcamp in 24-bit HD audio.[33]Promotion and marketing
Transatlantic announced The Absolute Universe on November 11, 2020, emphasizing its status as a concept album exploring themes of societal and personal upheaval amid 2020's global challenges, with pre-orders opening immediately through InsideOutMusic and affiliated retailers.[3] The announcement highlighted the album's unique structure, offering fans two distinct versions—an extended 90-minute edition titled Forevermore and an abridged 60-minute edition titled The Breath of Life—developed in parallel by band members Neal Morse and Roine Stolt, who each advocated for their preferred cuts, positioning the release as an interactive choice for listeners rather than a standard single product.[35][21] Pre-release marketing built anticipation through digital content, including an official album trailer uploaded to YouTube on November 9, 2020, showcasing snippets of the progressive rock arrangements and supergroup's instrumentation.[36] This was followed by the debut single "Overture / Reaching for the Sky," released with a promotional video on November 22, 2020, featuring live-performance-style footage to highlight the track's epic scope.[37] The second single, "The World We Used to Know," launched with its own video on December 11, 2020, focusing on introspective lyrics tied to the album's thematic core.[38] A third "Ultimate Edition" was marketed as a deluxe bundle compiling both versions alongside expanded booklet content, instrumental mixes, and a Blu-ray with 5.1 surround sound, available in limited formats like clear vinyl box sets to appeal to collectors and audiophiles. Post-release efforts centered on live promotion, with the band scheduling "The Absolute Universe" tours starting in Europe in August 2021—dubbed the "Final Four Flights"—followed by North American dates from April 2022 and UK/European legs concluding at festivals like Morsefest and Cruise to the Edge.[39][40] These performances, captured in Paris at L'Olympia, later supported a live album release in 2022 to extend the campaign's reach.[41]Track listings
Forevermore (extended version)
Disc 1- "Overture" – 8:11[42]
- "Heart Like a Whirlwind" – 5:11[42]
- "Higher Than the Morning" – 5:29[42]
- "The Darkness in the Light" – 5:43[42]
- "Swing High, Swing Low" – 3:48[42]
- "Bully" – 3:57[42]
- "Black as the Sky" – 2:04[42]
- "Magnolia Says" – 2:48[42]
- "The World We Used to Know" – 2:28[42]
- "The Great American Trilogy" – 13:00
- I. "My Last Day on Earth" – 3:52[42]
- II. "Some Kind of Home" – 4:55[42]
- III. "We All Need Some Light" – 4:13[42]
- "Looking for the Light (Reprise)" – 5:12[42]
- "The Greatest Story Never Ends" – 4:17[42]
- "Love Made a Way" – 8:02[42]
The Breath of Life (abridged version)
The Breath of Life is the single-disc abridged edition of The Absolute Universe, featuring condensed arrangements of the album's progressive rock suite to fit a runtime of approximately 64 minutes.[43] This version omits or shortens certain segments present in the extended editions, emphasizing a more streamlined narrative flow while retaining core musical and lyrical elements.[4] The track listing for the CD edition is:- Overture – 5:53
- Reaching for the Sky – 5:40
- Higher Than the Morning – 4:32
- The Darkness in the Light – 5:43
- Take Now My Soul – 3:31
- Looking for the Light – 4:04
- Love Made a Way (Prelude) – 2:13
- Owl Howl – 5:26
- Solitude – 4:24
- Belong – 2:22
- Can You Feel It – 3:17
- Looking for the Light (Reprise) – 4:57
- The Greatest Story Never Ends – 2:57
- Love Made a Way – 9:16 [44]
The Ultimate Edition (Blu-ray)
The Ultimate Edition Blu-ray presents a distinctive 5.1 surround sound mix of The Absolute Universe, integrating elements from both the Forevermore (extended) and The Breath of Life (abridged) album variants to form a third, hybrid version clocking in at approximately 96 minutes.[34] This edition, subtitled "The Ultimate Version," incorporates high-resolution audio with accompanying visuals for each track, enhancing the immersive experience of the progressive rock concept album's themes of time and perspective.[45] In addition to the audio-visual content, the disc features a documentary titled "The Making of The Absolute Universe," providing behind-the-scenes insights into the album's production process involving band members Neal Morse, Mike Portnoy, Roine Stolt, and Pete Trewavas.[34] Originally bundled in the deluxe box set released on February 5, 2021, via InsideOut Music, the standalone Blu-ray disc became available on May 14, 2021, with a total runtime of 3 hours and 3 minutes, encompassing the full mix and supplementary material.[46] This format was designed for audiophiles, leveraging Blu-ray's capacity for lossless 5.1 PCM surround sound and Dolby Atmos compatibility in select setups, distinguishing it from stereo CD and vinyl releases.[47] The track listing for the 5.1 mix follows a non-linear structure that blends shorter, streamlined segments from the abridged version with expansive passages from the extended counterpart, creating a unified narrative flow:- Overture (5:53)
- Reaching for the Sky (5:40)
- Higher Than the Morning (4:32)
- The Darkness in the Light (5:43)
- Take Now My Soul (3:52)
- Overture II / Far Side of the World (6:13)
- Eclipse (1:51)
- Half Life (3:54)
- We Are the Sun (2:48)
- All of the Above (3:55)
- The Final Threes (2:59)
- Like a Supernova (2:33)
- Swing High, Swing Low (4:37)
- Love Made a Way (Prelude) (0:48)
- Owl Howl (3:16)
- Solitude (1:18)
- Belong (3:10)
- Lonesome Rebel (3:56)
- Looking for the Light (3:19)
- Love Made a Way (5:03)
- Can You Tell Me (4:48)
- Dancing with Eternity (11:47)
- The Sun Comes Up Today (4:21)[48][47]
Critical reception
Professional reviews
The Absolute Universe garnered predominantly positive reviews from progressive rock critics, who commended its epic, cohesive structure as a double concept album spanning personal and global transformation themes, along with the ensemble's virtuoso performances across guitar, keyboards, drums, and bass. Thom Jurek of AllMusic praised the Forevermore extended edition for its "consummate composing, production, and arrangement skills in near-perfect balance with emotional intelligence," highlighting tracks like "Heart Like a Whirlwind" as soaring anthems and "Love Made a Way" as the album's core, concluding that "you really can't ask for more from popular art."[49] Critics frequently addressed the release's unique dual formats—the 90-minute Forevermore and 60-minute Breath of Life with altered lyrics and arrangements—viewing them as both innovative and potentially excessive. Steven Reid in Sea of Tranquility awarded Forevermore 4.5 out of 5 stars for its "flowing freedom" and standout instrumental interplays where each member shines, while rating Breath of Life 3.5 out of 5 for sharper hooks but critiquing its poppier sheen as feeling forced and less memorable, with crescendos that verge on repetitive.[50] More tempered assessments pointed to technical excellence overshadowed by familiarity. Chris Roberts of Classic Rock called the project "technically flawless" prog with proficient playing and generous offerings for fans, but noted the "soul of it elusive" amid the 2020 crisis-themed narrative, suggesting the band's abundance lacks the twists needed to engage beyond loyal audiences.[19] The Prog Report emphasized Breath of Life's vocal contrasts and majestic opener "Reaching for the Sky," which incorporates pandemic references, as elevating it to a premier prog statement through melody-driven harmonies and complex reconstructions.[17]Fan reactions and debates
Fans of Transatlantic, particularly within the progressive rock community, largely praised The Absolute Universe for its ambitious scope and continuity with prior works like The Whirlwind, viewing it as an epic suite that rewarded repeated listens through intricate motifs and stellar musicianship.[51][52] On forums such as Prog Archives, enthusiasts noted the album "lives up to the hype," appreciating its cohesive flow and the band's unwavering consistency, which aligned with expectations for the supergroup's signature sound.[52] Similarly, in Reddit discussions, users expressed enjoyment of its Whirlwind-like structure, with some highlighting the seamless weaving of musical themes across tracks.[51] Debates among fans centered on the release's dual formats—the extended Forevermore version (90 minutes) and abridged Breath of Life version (60 minutes)—with opinions split on whether this approach enhanced artistic depth or constituted a marketing gimmick.[53] Some fans celebrated the variations, such as differing arrangements in tracks like "Heart Like a Whirlwind," describing them as delightful opportunities to compare evolutions in composition.[54] Others found the distinctions confusing or unnecessary, arguing they diluted focus without adding substantial value, especially given overlapping content.[51] Criticism from a vocal minority labeled the album repetitive and lacking innovation, with Reddit users calling it "safe" and formulaic, failing to break new ground despite strong execution.[55] This contrasted with broader fan sentiment on platforms like Facebook groups, where supporters deemed it the band's most epic statement, emphasizing its continuous 60-90 minute structure as a strength rather than a flaw.[56] These divides often reflected preferences for prog rock's exploratory ethos versus appreciation for polished, reliable supergroup output, with no consensus on a superior version emerging from community polls or threads.[53]Commercial performance
Chart positions
The Absolute Universe reached number 3 on the German Albums Chart.[57] It peaked at number 4 on the Dutch Albums Chart.[57] The album entered the Swiss Albums Chart at number 3.[58] In Austria, it achieved a peak of number 7.[57] Belgium's Ultratop chart saw a position of number 40.[57] Additional peaks included number 29 in Finland, number 32 in Sweden, number 35 in Scotland, number 47 in France, and number 75 on the UK Albums Chart.[59]| Country | Peak Position |
|---|---|
| Finland | 29 |
| Sweden | 32 |
| Scotland | 35 |
| France | 47 |
| United Kingdom | 75 |
