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Count Five was an American garage rock band formed in San Jose, California, in 1964,[2][3][4] best known for their hit single "Psychotic Reaction".[1]

Key Information

History

[edit]
Count Five featured in October 22, 1966 issue of KRLA Beat

The band was founded in 1964 by lead guitarist John "Mouse" Michalski (born 1948, Cleveland, Ohio) and bassist Roy Chaney (born 1948, Indianapolis, Indiana). The two, who were friends at Pioneer High School, had previously played in several short-lived bands, most notably a surf rock group named the Citations. As the British Invasion's influence took effect, the band changed in musical direction. After going by the name the Squires for a short time, along with several line-up changes, the Count Five was born. John "Sean" Byrne (1947–2008, born Dublin, Ireland) played rhythm guitar and performed lead vocals; Kenn Ellner played tambourine and harmonica, while sharing lead vocals; and Craig "Butch" Atkinson (1947–1998, born San Jose, California) played drums.[5] The Count Five were recognizable for their habit of wearing Count Dracula–style capes when playing live.[6]

"Psychotic Reaction", an acknowledged cornerstone of garage rock,[7] was initially devised by Byrne, with the group refining it and turning it into the highlight of their live sets. The song was influenced by the style of contemporary musicians such as the Standells and the Yardbirds.[8] The band was rejected by several record labels before they got signed to the Los Angeles-based Double Shot Records. "Psychotic Reaction" was released as a single, peaking at number five in the U.S. charts in late 1966,[9] and it became the title track to their only studio album in 1966. The band enjoyed limited success afterwards before breaking up in 1969.

Count Five reunited in April 1987 when they performed a concert at One Step Beyond nightclub in Santa Clara, California. This was released as Psychotic Reunion LIVE!.[10]

Legacy

[edit]

"Psychotic Reaction" was included on the 1972 compilation album Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968.[11] This inclusion was noted as bringing the single and the band to a whole new generation of listeners.[12]

The band was immortalized in a 1971 essay by rock journalist Lester Bangs, entitled "Psychotic Reactions and Carburetor Dung". In the essay, Bangs credited the band for having released several albums after Psychotic Reaction: Carburetor Dung, Cartesian Jetstream, Ancient Lace and Wrought-Iron Railings, and Snowflakes Falling on the International Dateline—each displaying an increasing sense of artistry and refinement. However, none of these subsequent albums existed except in Bangs's own imagination.[13]

"Psychotic Reaction" can be heard playing on the jukebox in an early scene in Wim Wenders's film Alice in the Cities (1974) and in the party scene in The Sense of an Ending (2017). It can also be heard on the season one finale of the HBO drama series Vinyl.[14]

The song was covered by Mouse and the Traps in a 1966 single, the Radiators From Space in a 1977 single, the Cramps on their 1983 live album Smell of Female, by the Fuzztones on their 1987 album Live in Europe! and the Vibrators in 2009, among others.

Members

[edit]
  • John "Sean" Byrne – lead vocals, rhythm guitar
  • Kenn Ellner – backing and lead vocals, tambourine, harmonica
  • John "Mouse" Michalski – lead guitar
  • Roy Chaney – bass guitar
  • Craig "Butch" Atkinson – drums
  • David "Dave" Eugene McDowell – lead guitar

Discography

[edit]

Studio album

[edit]

Compilations

[edit]
  • Dynamite Incidents (1983)
  • Psychotic Reaction (1987)
  • Rarities: The Double Shot Years (2014)

Live album

[edit]
  • Psychotic Reunion LIVE! (1987)[16]

Singles

[edit]
  • "Psychotic Reaction" / "They're Gonna Get You" (1966) US No. 5[17]
  • "Peace of Mind" / "The Morning After" (1966) US No. 125
  • "You Must Believe Me" / "Teeny Bopper, Teeny Bopper" (1967)
  • "Merry-Go-Round" / "Contrast" (1967)
  • "Revelation in Slow Motion" / "Declaration of Independence" (1968)
  • "Mailman" / "Pretty Big Mouth" (1969)[7]

References

[edit]
[edit]
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Count Five

View on Grokipedia
from Grokipedia
Count Five was an American garage rock band formed in , in 1964, best known for their debut single "," which peaked at number five on the in 1966 and became a defining track of the genre. The band's original lineup consisted of lead vocalist and guitarist John "Sean" Byrne, lead guitarist John "Mouse" Michalski, bassist Roy Chaney, drummer Craig "Butch" Atkinson, and harmonica player and vocalist Kenn Ellner, who often performed in signature Dracula-style capes that contributed to their theatrical stage presence. Evolving from the local group , Count Five signed with Double Shot Records and released their debut album, , later that year, featuring raw, psychedelic-infused garage rock sounds influenced by the and emerging West Coast . Despite touring with major acts like and , the band struggled to replicate their initial success, releasing a few singles before disbanding that same year amid internal pressures and members pursuing higher education. As prototypical one-hit wonders of the garage rock scene, Count Five's legacy endures through "Psychotic Reaction," which has been covered by artists including and & the Heartbreakers, inducted into the Rock and Roll Hall of Fame's list of "500 Songs That Shaped Rock & Roll," and honored with the band's induction into the San Jose Rock Hall of Fame in 2006, despite the deaths of members including John Byrne in 2008.

Background

Formation

Count Five was founded in 1964 at Pioneer High School in , by bassist Roy Chaney and guitarist John "Mouse" Michalski as an instrumental surf rock group initially named the Citations, later renamed . The duo, both students at the school, drew inspiration from the waning trend but soon sought to expand their sound amid the rising tide of the . By 1965, the band evolved toward a style, heavily influenced by British acts, prompting a name change to Count Five after recruiting additional members to solidify the lineup. John "Sean" Byrne, a recent Irish immigrant, joined as lead singer and rhythm guitarist after Michalski overheard him performing songs; Kenn Ellner was added on vocals and (later incorporating harmonica); and Craig "Butch" Atkinson came on as drummer, replacing an earlier member. This adopted a distinctive horror-themed image, including capes during performances, to stand out in the local scene. The group built a regional following through early performances at high school events, teen dances, and local venues in San Jose, where they focused on covers of British bands such as and Yardbirds. These weekend gigs, constrained by school schedules, helped refine their raw, energetic sound while fostering connections in the vibrant South Bay music community. Initial recording efforts, including demos of original material, faced rejections from several labels as the band shopped their sound in the mid-1960s scene. Persistence paid off in 1966 when they secured a deal with Double Shot Records, a newly established independent label based in Hollywood. This signing marked the transition from local obscurity to broader opportunities, though it came after multiple setbacks in securing professional interest.

Musical Style and Influences

Count Five's core musical style was rooted in the raw, energetic of the mid-1960s, characterized by aggressive guitar riffs, straightforward chord progressions, and frantic, driving rhythms that conveyed a urgency and simplicity. This unpolished approach set them apart from more refined pop-rock contemporaries, emphasizing primal intensity over technical sophistication and aligning with the underground ethos of the era. As prototypical exponents of the genre, their sound captured the adolescent rebellion and DIY spirit central to 's appeal. In their later recordings, the band incorporated psychedelic elements, including guitar feedback and distorted solos, which added layers of experimentation to their foundational garage rock base. These features drew from the burgeoning West Coast psychedelic scene, particularly the San Francisco Sound, blending it with their aggressive style to create a more expansive, trippy dimension without abandoning their raw edge. The band's influences were heavily shaped by the , with providing a gritty foundation that infused their tracks with bluesy swagger and attitude. Similarly, the Yardbirds' innovative guitar work inspired Count Five's own explorations in distortion and feedback, while acts like Them contributed to their raw, emotive vocal delivery. This synthesis of transatlantic rock energies, combined with local psychedelic undercurrents, defined their distinctive tendencies.

Career

Rise to Fame

In early 1966, during a rehearsal jam session, Count Five—consisting of Sean Byrne, John Michalski, Roy Chaney, Ken Ellner, and Craig Atkinson—composed their signature single "Psychotic Reaction," initially as an instrumental riff that had been played in practices for months before lyrics were added. The song's title and theme drew from a psychology-related discussion in Byrne's high school health education class, where a classmate suggested "psychotic reaction" as a term for emotional turmoil, leading to collaborative development among the group. Credited to all five members, the track captured the raw energy of garage rock with its frenetic guitar riff and driving rhythm, elements rooted in the band's British Invasion influences. The single was recorded at Original Sound Studios in and released on Double Shot Records in June 1966, marking the label's second single and quickly propelling the band from local San Jose obscurity to broader attention. It received rapid airplay on West Coast stations such as , KHJ, and KFWB, generating national buzz through heavy rotation on garage rock playlists and teen-oriented programming. To amplify their enigmatic image, Count Five adopted Dracula-inspired costumes, including capes and theatrical stage antics reminiscent of horror films, which were showcased in promotional photos and live performances, further endearing them to young fans. The band was also featured in KRLA Beat magazine, highlighting their rising mystique and contributing to early media coverage. By September 1966, "Psychotic Reaction" entered the , steadily climbing through sustained radio play and grassroots appeal among teenagers drawn to its rebellious, high-energy vibe. This initial ascent established the band as a sensation, setting the stage for their national breakthrough while emphasizing the single's raw, unpolished charm over polished production.

Peak and Album Release

The success of the single "" marked Count Five's commercial peak, reaching No. 5 on the chart in October 1966. The track, driven by its fuzz-toned guitar riff and frenetic energy, propelled sales. Capitalizing on this momentum, the band released their debut studio album, , in October 1966 through Double Shot Records. Produced by Joseph Hooven and Hal Winn, the album comprises 11 tracks, blending originals like "They're Gonna Get You" and "Peace of Mind" with covers such as The Who's "," all emphasizing the group's raw style. The cover artwork depicts the band members peering into a freshly dug , underscoring their eccentric . During this height of popularity, Count Five embarked on regional tours across the , drawing enthusiastic crowds with high-energy live sets often featuring the band in Dracula-style capes. They also appeared on the television program in October 1966, performing "Psychotic Reaction" and "Peace of Mind" to a national audience.

Decline and Breakup

Following the breakthrough success of "Psychotic Reaction," Count Five's subsequent releases struggled to maintain momentum. Their follow-up single, "Peace of Mind," bubbled under the at No. 125 in late 1966, a sharp drop from their debut's No. 5 position, attributed to waning interest in amid the rising popularity of psychedelic sounds and inadequate promotional support from their label, Double Shot Records. Efforts to adapt included 1967 singles like "You Must Believe Me" and "Merry-Go-Round," which incorporated emerging psychedelic influences but failed to chart, reflecting broader challenges in transitioning their raw garage style to more experimental territory. Double Shot's limited resources as a small independent label, focused primarily on a handful of acts, further restricted visibility and marketing for these tracks. Touring activity diminished by 1967 as the movement dominated the scene, overshadowing garage bands like Count Five and reducing opportunities for live performances that had fueled their initial rise. Later singles, including the psychedelic-leaning "Revelation in Slow Motion" in 1968 and "Mailman" in 1969, generated negligible chart presence, marking the end of their recording output under Double Shot. The band disbanded in 1969 upon completing their contractual commitments, with members opting to pursue higher education, leaving behind a legacy as a quintessential of the era.

Members

Original Lineup

The original lineup of Count Five consisted of five core members who remained consistent throughout the band's active period from 1965 to 1969, with no major substitutions during their core career. This stability allowed the group to develop a cohesive sound rooted in , characterized by high-energy performances and their signature Dracula-inspired capes on stage. The members, all in their late teens or early twenties during the band's rise, brought diverse backgrounds to the ensemble, contributing to its raw, edge. John "Sean" Byrne (1947–2008) served as the lead vocalist and rhythm guitarist, while also acting as the primary songwriter for the band. Born in Dublin, Ireland, Byrne immigrated to , where he joined the group after hearing their initial incarnation as ; his Irish-American heritage influenced his stage persona, and he penned the band's breakthrough hit in 1965. During live shows, Byrne's commanding presence and rhythmic guitar work anchored the band's frenetic style. John "Mouse" Michalski handled duties and was a co-founder of the band, originally forming it in 1964 with bassist Roy Chaney as a outfit before evolving into Count Five. Born in , , in 1948, Michalski's aggressive, fuzz-toned solos became a hallmark of the band's sound, adding intensity to tracks like "" and emphasizing their psychedelic influences. His technical prowess on guitar helped define the group's raw, feedback-laden performances. Roy Chaney played and co-founded the band alongside Michalski in 1964, providing the steady rhythmic foundation that underpinned Count Five's high-tempo songs. Born in , , in 1948, Chaney relocated to San Jose and contributed to the band's transition from surf instrumentals to vocal-driven rock; his bass lines offered a solid groove amid the chaotic energy of their arrangements. Kenn Ellner, born in 1948 in , New York, and raised in San Jose, contributed backing and occasional lead vocals, along with and harmonica, enhancing the band's energetic stage presence with his charismatic delivery. He joined after the initial formation and often shared vocal duties with , infusing performances with harmonica riffs that evoked bluesy garage vibes; his role as a frontman helped captivate audiences during their 1966-1967 peak. Craig "Butch" Atkinson (March 17, 1947–1998) manned the drums, driving the band's frantic tempos and propulsive rhythms that fueled their sound. Originally from , but based in San Jose, Atkinson joined the lineup in its solidified form and delivered powerful, relentless beats on tracks like "," maintaining the high pace essential to their live sets and recordings.

Post-Band Activities and Reunions

Following the band's breakup in 1969, the members of Count Five pursued diverse paths, with many maintaining ties to music through local performances and side projects while transitioning to other professions. and rhythm guitarist John "Sean" Byrne worked as an but continued writing songs and performing music sporadically. He co-formed the revival band The Count in 2002 with bassist Roy Chaney and drummer Rocco Astrella, a former member of Count Five's later lineup. Byrne died on December 15, 2008, in San Jose from complications of of the liver at the age of 61. Drummer Craig "Butch" Atkinson had no documented major solo musical endeavors after the band's dissolution. He died on October 13, 1998, in , , at age 51 from surgical complications. Bassist Roy Chaney kept a low profile but remained active in the Bay Area music scene, providing bass work for local bands and rehearsing consistently—nearly 30 years by 2009—in a Campbell studio. He participated in tribute events, including a 2009 performance honoring Byrne at Avalon Nightclub in Santa Clara alongside other surviving members and guests like the Syndicate of Sound. Lead guitarist John "Mouse" Michalski and co-lead vocalist/harmonica player Kenn Ellner both engaged in local gigs and side projects during the 1970s and 1980s. Ellner later shifted focus to a legal career, earning a J.D. from in 1974 and practicing in entertainment and real estate law. He founded a concert booking agency that represented major acts such as and , and he taught an entertainment law course at for a decade beginning in 1980. Ellner continued occasional performances into later years, including a 2015 guest appearance with the Syndicate of Sound. The original lineup reunited once for a performance on April 11, 1987, at the nightclub in , featuring the original members, with Rocky Astrella substituting on drums for most of the set and Atkinson appearing on one track. The set was recorded live and released posthumously as the album Psychotic Reunion LIVE! in 2004. No additional full reunions of Count Five occurred, though surviving members took part in garage rock tributes and revivals during the 1990s and , such as the 2006 San Jose Rocks! induction ceremony where performed despite health challenges.

Discography

Studio Albums

Count Five released only one studio album, Psychotic Reaction, in October 1966 through Double Shot Records. This 11-track LP, clocking in at a total runtime of approximately 26 minutes, exemplifies the band's raw style with fuzzy guitars, driving rhythms, and energetic vocals. The album's title track, the band's breakthrough single, anchors the collection, while covers like The Who's "" and original compositions highlight their influences from acts and emerging psychedelic elements. The track listing is divided across two sides, capturing the high-energy, unpolished vibe of mid-1960s garage rock. Side A features "Double Decker Bus" (2:00), "Pretty Big Mouth" (2:07), "The World" (2:12), "" (2:25), "She's Fine" (2:12), and the explosive "" (2:56). Side B continues with "Peace of Mind" (2:17), "They're Gonna Get You" (2:25), "The Morning After" (2:55), "Can't Get Your Lovin'" (1:45), and "" (2:25). Produced on a modest by Double Shot Records co-founders Hal Winn and Joe Hooven, the was recorded in in 1966, with engineering by Sy Mitchell emphasizing the band's live-wire sound over extensive studio refinement. This approach preserved the gritty, immediate feel of their performances, prioritizing distortion and tempo over layered production. Despite the success of its , which peaked at No. 5 on the , the album itself charted modestly, reaching No. 122 on the Billboard 200. Following the band's breakup in 1969, no further studio albums were produced, leaving Psychotic Reaction as their definitive recorded output.

Singles and EPs

Count Five released six official singles during their active years from 1966 to 1969, all on the Double Shot Records label except the final one on Epic, with only the first two achieving national chart success. These 7-inch vinyl releases primarily promoted their sound, often featuring original compositions by band members, though none matched the commercial impact of their debut beyond the initial hits. No official EPs were issued by the band during this period. Their breakthrough single, "Psychotic Reaction" backed with "They're Gonna Get You," was released in July 1966 and became a defining anthem, peaking at No. 5 on the and spending 12 weeks on the chart. The follow-up, "Peace of Mind" paired with "The Morning After," arrived in October 1966 and reached No. 125 on the chart. Subsequent releases failed to chart nationally. In 1967, "You Must Believe Me" / "Teeny Bopper Teeny" was issued, receiving limited airplay. Later that year, "Merry-Go-Round" / "Contrast" followed, also with limited airplay. The 1968 single "Revelation in Slow Motion" / "Declaration of Independence" garnered minor regional airplay, particularly in West Coast markets, but did not achieve wider recognition. Their final single, "Mailman" / "Pretty Big Mouth," released in 1969 on Epic, saw no significant chart success or airplay, signaling the band's waning momentum before their breakup.
YearA-Side / B-SideLabel (Catalog)Chart Peak (Billboard Hot 100)
1966"Psychotic Reaction" / "They're Gonna Get You"Double Shot (104)No. 5
1966"Peace of Mind" / "The Morning After"Double Shot (106)(No. 125 Bubbling Under)
1967"You Must Believe Me" / "Teeny Bopper Teeny"Double Shot (126)-
1967"Merry-Go-Round" / "Contrast"Double Shot (115)-
1968"Revelation in Slow Motion" / "Declaration of Independence"Double Shot (119)-
1969"Mailman" / "Pretty Big Mouth" (5-10429)-

Compilations and Live Releases

Count Five's posthumous releases have primarily consisted of compilations aggregating their original material alongside archival finds, as well as a single live album documenting a later reunion performance. These efforts have helped preserve and expand access to the band's output from the mid-1960s, often highlighting unreleased material from their time with Double Shot Records. One key compilation is Rarities - The Double Shot Years, released in 2013 by The Bicycle Music Company as a digital collection of 16 tracks. This features unreleased demos, alternate mixes, and outtakes from the band's sessions during their Double Shot era, including songs like "People Hear What I Say," "Move It Up," and "," providing insight into material not included on their sole studio . Another significant reissue is Psychotic Reaction: The Complete Count Five, issued in 1994 by Performance Records. This CD compiles the band's full catalog, encompassing all singles, B-sides, and the complete Psychotic Reaction album, totaling 18 tracks that capture their original recordings in one volume for collectors and newcomers. The band's only official live release, Psychotic Reunion Live!, appeared in 1993 on Performance Records, drawing from a 1987 reunion concert in San Jose, California. This 10-track CD includes energetic renditions of classics such as "Psychotic Reaction," "Peace of Mind," and covers like "The Train Kept A-Rollin'," offering a raw, post-reunion snapshot of the original lineup's performance style. Earlier compilations featuring Count Five material include their appearance on the seminal 1972 various-artists album Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968, released by and later reissued by Rhino, where "" stands out as a cornerstone track amid other garage and psychedelic acts. Additionally, the 1983 compilation Dynamite Incidents on Outline Records (distributed by Taxim Records) gathered select tracks from the band's discography, emphasizing their high-energy singles. No live recordings from the original 1960s era have been commercially released.

Legacy

Influence on Garage Rock

Count Five's "Psychotic Reaction," released in 1966, exemplified aggression through its raw, feedback-laden guitar riffs and frantic energy, serving as a template for the DIY ethos that later defined by emphasizing unpolished, adolescent rebellion over polished production. The song's structure, featuring a chaotic instrumental breakdown inspired by the Yardbirds, captured the visceral intensity of 's shift toward more confrontational sounds, influencing the genre's evolution into harder-edged territory. The band's inclusion on the 1972 Elektra compilation Nuggets: Original Artyfacts from the First , 1965–1968, curated by , played a pivotal role in highlighting "Psychotic Reaction" as a cornerstone of and sparking its revival among later musicians. The track, which had peaked at number five on the in 1966, helped cement Count Five's status within the genre, with Nuggets paving the way for punk's raw aesthetic by reintroducing mid-1960s garage sounds to a new generation. In the West Coast garage rock scene, Count Five bridged the instrumental surf rock of the early to emerging , inspiring Bay Area contemporaries like and the Chocolate Watch Band with their aggressive, riff-driven approach rooted in San Jose's vibrant teen music culture. This transition reflected broader shifts in California's rock landscape, where local bands adopted Count Five's model of high-energy performances to navigate the post-surf era. The band's legacy was further recognized with their induction into the San Jose Rock Hall of Fame in 2006. Scholars have recognized Count Five's contributions in academic works, such as Eric James Abbey's Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality, which analyzes "Psychotic Reaction" as emblematic of garage rock's themes of adolescent defiance against societal norms and mainstream conformity. The song was also included in the Rock and Roll Hall of Fame's list of "500 Songs that Shaped ." The band's trajectory as a quintessential further illustrated the fleeting nature of garage success amid rapid industry changes, including the dominance of the and the push toward psychedelic experimentation, leading to their disbandment by 1969 after failed follow-ups.

Covers and Media Appearances

The song "Psychotic Reaction" has inspired numerous covers across genres, reflecting its enduring status as a garage rock staple. According to SecondHandSongs, there are 25 documented cover versions as of 2025, ranging from psychedelic interpretations to punk renditions. Notable examples include Brenton Wood's soul-infused take in 1967, ' raw punk version in 1983, David Bowie's cover in the 1970s, Aerosmith's rendition in the 1970s, ' live performance in 1992, and ' 2009 revival. Other early covers, such as The Fire Escape's 1966 recording and Shockabilly's experimental 1982 adaptation, highlight the track's immediate influence on contemporaries. Covers of Count Five's other songs are rarer and less prominent. "Peace of Mind," the follow-up single from 1966, has not seen widely documented covers, though it shares stylistic similarities with tracks by Beau Brummels-inspired acts in the mid-1960s garage scene. Similarly, "They're Gonna Get You," the B-side to "Psychotic Reaction," appears in some punk compilations but lacks notable standalone covers. In media, "Psychotic Reaction" has enjoyed recurrent use, underscoring its cultural resonance. The track features in films such as (1989) and (2000), where it captures era-specific energy. It also appears in the TV series Entourage (2007) and the HBO drama Vinyl (2016), enhancing scenes of rock nostalgia. Video game inclusions include (2016) and (2018), allowing players to perform or hear the song in interactive contexts. Count Five and their music have been highlighted in rock retrospectives and various garage-focused compilations like Nuggets. As of 2025, no major new covers have emerged in the , though the song continues to influence indie and hip-hop-adjacent projects through occasional sampling.

References

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  10. https://www.worthpoint.com/worthopedia/krla-beat-magazine-1966-beatles-461152276
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  30. https://www.allmusic.com/album/rarities-the-double-shot-years-mw0002759627
  31. https://www.discogs.com/release/8979108-Count-Five-Psychotic-Reaction-The-Complete-Count-Five
  32. https://www.discogs.com/release/3828914-Count-Five-Dynamite-Incidents
  33. https://books.google.com/books?id=QbFn6T66b14C&pg=PA69
  34. https://www.rhino.com/article/make-it-a-double-nuggets-original-artyfacts-from-the-first-psychedelic-era-1965-1968
  35. https://www.theguardian.com/music/2022/oct/05/it-paved-the-way-for-all-of-us-the-classic-garage-rock-compilation-nuggets-at-50
  36. https://secondhandsongs.com/work/29814/all
  37. https://genius.com/Count-five-psychotic-reaction-sample/covers
  38. https://www.whosampled.com/Count-Five/Psychotic-Reaction/covered/
  39. https://www.youtube.com/watch?v=r_mEdaJso3E
  40. https://www.discogs.com/master/223081-Count-Five-Psychotic-Reaction-Theyre-Gonna-Get-You
  41. https://www.imdb.com/title/tt1027390/soundtrack/
  42. https://mafiagame.fandom.com/wiki/Psychotic_Reaction
  43. https://farcry.fandom.com/wiki/Psychotic_Reaction
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