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The Raw Shark Texts
The Raw Shark Texts is the debut novel by British author Steven Hall, released in 2007. The book was released by Canongate Books in the US and the UK and published by HarperCollins in Canada. The title is a play on "Rorschach Tests", which are inkblot tests. The novel is a work of Meta-fiction which uses Concrete poetry, linguistic jokes and cultural references. It is the story of an amnesiac re-discovering his past life through a surreal collection of clues he has left himself while evading a steampunk villain and the shark of the title.
Eric Sanderson wakes up with no memory of who he is or any past experiences. He is told by a psychologist that he has a dissociative condition known as fugue but a trail of written clues purporting to be from his pre-amnesiac self describe a more fantastic and sinister explanation for his lack of memories. According to these, he has activated a conceptual shark called a Ludovician which "feeds on human memories and the intrinsic sense of self" and is relentlessly pursuing him and will eventually erase his personality completely.
When the Ludovician attacks Eric Sanderson, he decides to go in search of a doctor named Trey Fidorous, identified by the letters from his previous self, in the hope he may be able to help to explain what happened to him and how to defeat the shark. Eric travels through Britain in search of clues and is contacted by a mysterious figure called Mr. Nobody, who is part of a megalomaniac network intelligence called Mycroft Ward. Mr. Nobody attempts to subdue and control Eric but Eric manages to escape with the help of an associate of Fidorous named Scout. Scout takes Eric to meet Fidorous, travelling through un-space (an underground network of empty warehouses and unused cellars). They begin a romantic relationship during the journey but Eric feels betrayed when he discovers that Scout has brought him to Fidorous to use him as bait for the shark in the hope of destroying Ward.
With their help Fidorous builds a conceptual shark-hunting boat and they sail out on a conceptual ocean. After a battle with the shark they throw a laptop hooked up to the Mycroft Ward database into its mouth, destroying both Ward and the shark. Eric and Scout remain in the conceptual universe while Eric's dead body is discovered back in the real world.
The plot of Jaws is referenced extensively and fully acknowledged by the characters in the book, who view it through the device of the conceptual becoming real. The climax of the novel follows the events in the film in detail, highlighting the sense of determinism and post-modern self-awareness.
There is a passage which draws on the traditional legend of the all-powerful martial arts master defeating better armed and more numerous opponents, in which writing the characters for various fighting forms defeats the opponents using the forms themselves.
A postcard with a still from the film Casablanca is received by Dr Randle from an (apparently) deceased Eric Sanderson. The author has described Casablanca as his favourite love story.
The book uses different typographical sizes and structures to create pictures as a literal way of highlighting the cross-over between the objective reality and its description. Several pages form a flip book animation of a shark attack made out of text. The author has stated that he was interested in "text imagery" and "exploring ideas about language and the evolution of ideas and language in a visual sense".
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The Raw Shark Texts
The Raw Shark Texts is the debut novel by British author Steven Hall, released in 2007. The book was released by Canongate Books in the US and the UK and published by HarperCollins in Canada. The title is a play on "Rorschach Tests", which are inkblot tests. The novel is a work of Meta-fiction which uses Concrete poetry, linguistic jokes and cultural references. It is the story of an amnesiac re-discovering his past life through a surreal collection of clues he has left himself while evading a steampunk villain and the shark of the title.
Eric Sanderson wakes up with no memory of who he is or any past experiences. He is told by a psychologist that he has a dissociative condition known as fugue but a trail of written clues purporting to be from his pre-amnesiac self describe a more fantastic and sinister explanation for his lack of memories. According to these, he has activated a conceptual shark called a Ludovician which "feeds on human memories and the intrinsic sense of self" and is relentlessly pursuing him and will eventually erase his personality completely.
When the Ludovician attacks Eric Sanderson, he decides to go in search of a doctor named Trey Fidorous, identified by the letters from his previous self, in the hope he may be able to help to explain what happened to him and how to defeat the shark. Eric travels through Britain in search of clues and is contacted by a mysterious figure called Mr. Nobody, who is part of a megalomaniac network intelligence called Mycroft Ward. Mr. Nobody attempts to subdue and control Eric but Eric manages to escape with the help of an associate of Fidorous named Scout. Scout takes Eric to meet Fidorous, travelling through un-space (an underground network of empty warehouses and unused cellars). They begin a romantic relationship during the journey but Eric feels betrayed when he discovers that Scout has brought him to Fidorous to use him as bait for the shark in the hope of destroying Ward.
With their help Fidorous builds a conceptual shark-hunting boat and they sail out on a conceptual ocean. After a battle with the shark they throw a laptop hooked up to the Mycroft Ward database into its mouth, destroying both Ward and the shark. Eric and Scout remain in the conceptual universe while Eric's dead body is discovered back in the real world.
The plot of Jaws is referenced extensively and fully acknowledged by the characters in the book, who view it through the device of the conceptual becoming real. The climax of the novel follows the events in the film in detail, highlighting the sense of determinism and post-modern self-awareness.
There is a passage which draws on the traditional legend of the all-powerful martial arts master defeating better armed and more numerous opponents, in which writing the characters for various fighting forms defeats the opponents using the forms themselves.
A postcard with a still from the film Casablanca is received by Dr Randle from an (apparently) deceased Eric Sanderson. The author has described Casablanca as his favourite love story.
The book uses different typographical sizes and structures to create pictures as a literal way of highlighting the cross-over between the objective reality and its description. Several pages form a flip book animation of a shark attack made out of text. The author has stated that he was interested in "text imagery" and "exploring ideas about language and the evolution of ideas and language in a visual sense".