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The Shirts
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Key Information
The Shirts are an American punk rock band from New York City, formed in 1975. The band's early existence (1975 to 1981) was closely linked with CBGB, a music club in the Bowery. The band reformed with many of its early members in 2003 and is currently active.
History
[edit]Formation and CBGB years (1975–1981)
[edit]The Shirts had their roots in Brooklyn, where Robert Racioppo and Artie Lamonica had been playing together on and off as early as 1970. Members of the band were gradually added, including lead singer Annie Golden and guitarist Ronnie Ardito.[1] The band got its name when Racioppo, having just broken up his existing band, asserted his desire to form a new one, and his indifference to its name: "call it anything ... shirts ... pants ... shoes ... The Shirts!" The newly named band, eventually including nine musicians, played covers at small venues in New York until, in 1975, they went to a show at CBGB featuring Patti Smith and were inspired to play there using only their original material.
The Shirts auditioned for CBGB owner Hilly Kristal which resulted in the band being hired, first to open for other bands, including Television and Talking Heads, then to play as the headliner band. As the band honed their skills and developed new songs, they played at other local venues such as Max's Kansas City. Like many of the bands championed by Kristal, their sound was more pop and dance-oriented than the art bands that gained fame in association with CBGB.[2]
Although little interest was initially shown in the band by American record labels,[3] The Shirts were featured on a double compilation album featuring the major bands of the CBGB scene in the mid-70s, Live at CBGBs. However, Nick Mobbs of EMI signed the band to EMI's Harvest label in the fall of 1977, and assigned Mike Thorne to produce their first album. Largely for corporate purposes, the band was signed by EMI in conjunction with its US subsidiary label, Capitol Records, which had initially passed on signing the band. This formality would eventually have a significant impact on the band's early history.
The band's debut album, The Shirts, was recorded in London, while lead singer Golden commuted back to the US to shoot Miloš Forman’s screen version of Hair, and released in 1978.[1] The album gained popularity in Europe, with the single "Tell Me Your Plans" charting at top five in the Netherlands. The band went on to tour Europe opening for Peter Gabriel, at his request.[1]
Producer Thorne chose to record the band's second album, Street Light Shine (1979),[1] at Mediasound Studios in New York City. The resulting sound was much more eclectic than their debut album and the album became a financial and critical success in Europe, with the single "Laugh and Walk Away" again charting high in the Netherlands. However, a breakthrough in the US market continued to elude the band.[1]
For the band's third album, Capitol Records made a deal with EMI in which the band would be signed solely to Capitol. Now under Capitol's management rather than Thorne's, recording went poorly and the resulting album, Inner Sleeve (1980),[1] was not properly supported by the label, with only 10,000 copies being pressed. The band continued playing for another two years, but with the failure of their third album and changes to their line-up over the years, The Shirts broke up in 1981.[1] On September 26, 2025 a session recorded at Manhattan's Hi-Five Studios in 1981 was released on the Live feat. Annie Golden album.[4] A show recorded in Boston on August 27, 1979 is released on the Live At Paradise 1979 album.[5] This album also contains two songs from a show at the Paradiso in Amsterdam on August 15, 1980.[6]
Reunions and reformation (1994–present)
[edit]Members of the band, some of whom had stayed in the music business, reunited twice in the 1990s to play benefits for CBGB, which periodically suffered tax issues. Efforts were made to reform The Shirts, which included early auditions with Golden, who had established a career in film, television and theatre, and two other female singers, Caren Messing and Kathy McCloskey, who had worked with Racioppo in another band. Golden ultimately decided not to join the reformed band, and Messing and McCloskey would go on to share the vocal role together. The reformed band played their first public show at CBGB in May 2003, and continued to perform periodically.
In 2006, The Shirts recorded and released their first album in over 25 years, Only The Dead Know Brooklyn, at the studio their former producer Thorne had opened. In 2010, The Shirts released their fifth studio album The Tiger Must Jump.[7]
As of 2014, both Racioppo and Lamonica have pursued spin-off projects, with Racioppo forming Bob of The Shirts and Lamonica forming 'Rome 56'.
Discography
[edit]Studio albums
[edit]- The Shirts (1978) - No. 22 Dutch Album Charts[8]
- Street Light Shine (1979)
- Inner Sleeve (1980)
- Only the Dead Know Brooklyn (2006)
- The Tiger Must Jump (2010)
Live albums
[edit]- Live feat. Annie Golden (2025)
- Live At Paradise 1979 (2026)
Singles
[edit]| Year | Title | US Bubbling |
NED [9] |
BEL [9] |
Label |
|---|---|---|---|---|---|
| 1978 | Tell Me Your Plans b/w Cyrinda | 50 | 8 | 6 | Harvest Records HAR 5165 |
| 1978 | Running Through the Night b/w Lonely Android | - | - | - | Harvest Records HAR 5170 |
| 1978 | Reduced to a Whisper b/w The Story Goes | - | - | - | Harvest Records 5C 006-06910 |
| 1979 | Out on the Ropes b/w Maybe, Maybe Not | - | - | - | Harvest Records HAR 5190 |
| 1979 | Can't Cry Anymore b/w I'm in Love Again | - | - | - | Capitol Records 4750 |
| 1980 | Laugh and Walk Away b/w Triangulum | - | 10 | 17 | Harvest Records HAR 5195 |
| 1980 | One Last Chance b/w Too Much Trouble | - | - | - | Capitol Records CL 16161 |
| 2024 | Moove On Groove On c/w Deux Royal | - | - | - | TLAK Records TLA S009 |
References
[edit]- ^ a b c d e f g Colin Larkin, ed. (1992). The Guinness Who's Who of Indie and New Wave Music (First ed.). Guinness Publishing. pp. 250/1. ISBN 0-85112-579-4.
- ^ Lee, Steven. The Heebie-Jeebies at CBGB: a Secret History of Jewish Punk (Chicago Review Press, 2006), p. 78, ISBN 978-1556527616
- ^ This Must be the Place: The Adventures of the Talking Heads in the Twentieth Century (HarperCollins, 2001), p. 70, ISBN 978-0060507312
- ^ Think Like A Key Music - The Shirts - Live feat. Annie Golden
- ^ Think Like A Key Music - The Shirts - Live At Paradise 1979
- ^ The Shirts Concert Setlist at Paradiso, Amsterdam on August 15, 1980 | setlist.fm
- ^ "The Tiger Must Jump - The Shirts | Releases". AllMusic.
- ^ "The Shirts - the Shirts".
- ^ a b Hung, Steffen. "The Shirts - Can't Cry Anymore". hitparade.ch. Retrieved August 20, 2025.
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The Shirts
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History
Formation and CBGB years (1975–1981)
The Shirts originated from the 1972 merger of two cover bands, the Lackeys and the Schemers, in Brooklyn, New York, by guitarist and vocalist Artie Lamonica and bassist Robert Racioppo, who transitioned to original material by 1975 and coalesced as a full ensemble that year.[1] The duo had been collaborating musically since the early 1970s, but the band coalesced as a full ensemble that year, drawing from the vibrant local scene of Italian-American musicians.[5] Core members were soon recruited, including lead vocalist Annie Golden, whose dynamic stage presence became a hallmark; guitarist and vocalist Ron Ardito; keyboardist John Piccolo; and drummer John "Zeek" Criscione.[6] This lineup fostered a collaborative environment where songwriting contributions came from multiple members, blending punk energy with new wave melodies, theatrical elements, and harmonious vocals.[1] The band's internal dynamics emphasized group creativity, with Lamonica, Racioppo, and Ardito often co-writing tracks that reflected their Brooklyn roots and experimental leanings.[6] The Shirts made their debut at CBGB in Manhattan that same year, quickly establishing a residency at the iconic venue central to the New York punk and new wave explosion.[1] Their first show there opened for Television, followed soon after by a bill with Talking Heads, positioning them alongside key scene pioneers.[1] Regular performances honed their eclectic sound—marked by Golden's soaring vocals and the band's multi-instrumental interplay—and led to appearances on the 1976 compilation Live at CBGB's, featuring tracks like "Operetico" and "A.V.M." that showcased their raw, original material.[6] After building buzz through CBGB gigs, the band signed with EMI's Harvest imprint (distributed as Capitol in the US) in late 1977, following a scouting visit by label executive Nick Mobbs.[1] Their self-titled debut album, The Shirts, arrived in 1978, produced by Mike Thorne and recorded in London; it received positive critical notice for its energetic mix of power pop and punk, with tracks like "Tell Me Your Plans" highlighting the band's harmonious interplay.[7] The follow-up, Street Light Shine (1979), expanded on this with a more eclectic palette, earning acclaim in Europe for songs such as "Out on the Ropes" and achieving moderate US airplay.[5] The band's peak during this era came with a 1978 European tour opening for Peter Gabriel, which boosted their international profile and led to TV appearances like The Old Grey Whistle Test.[5] "Tell Me Your Plans," released as a single in 1978, marked their greatest commercial success, reaching No. 4 on the Dutch Top 40 and gaining traction across continental charts, though it saw limited US impact.[6] By 1980, Inner Sleeve—their third album—reflected growing tensions with label support, as Capitol shifted priorities amid corporate changes, resulting in minimal promotion and only about 10,000 copies pressed.[6] Recording sessions for the album underscored the band's collaborative songwriting but were hampered by business frustrations, culminating in their initial disbandment in 1981.[1]Hiatus and reunions (1981–2000)
Following the release of their third album, Inner Sleeve in 1980, The Shirts disbanded in 1981 amid commercial disappointment and frustrations with label support from Capitol Records.[8] The album, recorded after the band had achieved some European success with their prior releases, failed to gain traction in the U.S., exacerbated by the dissolution of their UK distributor EMI, which disrupted promotion and distribution efforts.[1] Keyboardist John Piccolo later reflected on how these business setbacks eroded the band's enthusiasm for the industry, stating, "By the time the third album was recorded, the business totally affected us… EMI was gone."[1] During the ensuing hiatus in the 1980s, band members pursued individual paths outside the group, with limited collective activity. Lead singer Annie Golden shifted focus to acting, building a prolific career that included roles in films such as Hair (1979), Desperately Seeking Susan (1985), and 12 Monkeys (1995), as well as originating the character Audrey in the Broadway production of Little Shop of Horrors (1982–1983).[9][10] Other members maintained ties to music through solo or side projects, but the lack of major label backing prevented any sustained band efforts, contributing to a period of dormancy marked by internal burnout from years of intensive touring.[1] The 1990s saw sporadic reunions, primarily for benefit performances at CBGB, including anniversary events that reignited nostalgia for the band's punk roots.[1] Guitarist Bob Racioppo recalled these gigs fondly, noting, "It was fun doing that CBGB anniversary gig," which helped maintain a marginal presence in New York's underground scene.[1] However, persistent challenges, including Golden's commitments to acting and theater alongside the absence of industry support, limited these efforts to occasional one-offs rather than a full revival. By 2000, activity had largely subsided, with the focus turning to preserving the band's early legacy amid shifting musical landscapes.[10]Reformation and recent activity (2000–present)
The Shirts reformed in 2003 with a modified lineup, marking their return after over two decades of inactivity, and performed their first 21st-century gig at CBGB on May 31 of that year.[11] In 2006, the band released their first new studio album in 26 years, Only the Dead Know Brooklyn, recorded at CBGB with producer Mike Thorne using the venue's facilities for rhythm tracks before final overdubs at his studio; the album featured vocalist Caren Kestner in place of original singer Annie Golden and showcased a blend of the band's punk roots with more polished new wave elements.[12][13] Building on this momentum, The Shirts issued their fifth studio album, The Tiger Must Jump, in 2010 through the independent label Orange Mountain Music, highlighting matured songwriting with tracks emphasizing melodic power pop and introspective lyrics amid the band's evolving ensemble, which included multiple lead vocalists.[14][15] Following this release, the band entered a 13-year hiatus from new studio material, focusing on occasional live performances and side projects by core members like guitarist Artie Lamonica. The hiatus ended in 2024 with the double A-side single "Move On Groove On / Deux Royale," released on May 31 via Think Like a Key Music as a limited-edition 7-inch vinyl; the upbeat, hook-driven tracks reflected on the band's CBGB legacy in interviews, with bassist Bob Racioppo noting the chance reunion with Golden in Brooklyn that reignited creative energy.[16][17][18] That year, The Shirts resumed touring with dates including a September 12 show at Péniche Baruda in Paris, France, demonstrating sustained European interest in their catalog.[19] In 2025, the band released the live album Live feat. Annie Golden on September 26 through Think Like a Key Music, featuring 14 previously unreleased tracks from a 1981 session at Hi-Five Studios that captured the classic lineup's raw energy during their active CBGB era.[3] Looking ahead, Lamonica's side project Rome 56 is scheduled to issue the album Pony Tales in late November 2025 (as of November 2025), with The Shirts incorporating several of its new songs into live sets, including a November 7 performance at the International Pop Overthrow Festival in New York.[20][21] Adapting to the digital landscape, The Shirts have maintained a presence on streaming platforms like Spotify, where their catalog—including recent singles and reissued classics—has facilitated renewed accessibility for global fans.[22] Despite an aging core lineup and reliance on independent distribution, the band has experienced revitalized fan engagement through archival releases and sporadic tours, balancing legacy preservation with fresh output.[1][18]Band members
Current members
The current core lineup of The Shirts as of 2025 consists of vocalist Annie Golden, guitarist Arthur "Artie" Lamonica, bassist Robert "Bob" Racioppo, and keyboardist John Piccolo, who have driven the band's recent activity including the 2024 singles "Move On Groove On" and "Deux Royale". For the 2024 recordings, the band was supported by John Amato on guitar and Don Castagno on drums.[1][23] Annie Golden has been the lead vocalist since the band's 1975 formation (with hiatuses), celebrated for her dynamic stage presence and her concurrent career as an actress in projects such as the film Hair (1979) and the Netflix series Orange Is the New Black (2013–2019).[3][9] Arthur "Artie" Lamonica, a co-founder, plays guitar and vocals while acting as the primary songwriter for recent band material, including the 2024 track "Move On Groove On."[1][23] Robert "Bob" Racioppo, also a co-founder, contributes on bass and vocals, often delivering harmony leads.[3] John Piccolo has provided keyboards and melodic support since the band's inception in 1975.[3]Former members
Ronald Ardito was a founding guitarist and backing vocalist for The Shirts, joining in 1972 and remaining through the initial run until 1981 and subsequent reunions until his death in 2008.[24] He contributed guitar work and co-wrote several tracks, including the single "Tell Me Your Plans" from the 1978 self-titled debut album, which helped define the band's new wave sound during their CBGB era.[24][25] After departing the main band, Ardito pursued production and performance opportunities in the New York music scene until his death from cancer in January 2008.[26] John "Zeek" Criscione served as the band's drummer from 1975 to 1981, providing percussion for live shows and recordings on all three early studio albums, including the self-titled debut in 1978.[24] His steady rhythms supported the group's dual-vocal dynamic and punk-inflected energy. Following the 1981 split, Criscione collaborated with bassist Robert Racioppo on side projects like Bob of the Shirts, maintaining ties to the Brooklyn music community.[27] Caren Messing joined as a lead vocalist for the band's 1999 reunion and continued through the early 2000s, sharing vocal duties and appearing on the 2006 album Only the Dead Know Brooklyn, where she helped adapt the band's classic style to reunion material.[28] Her contributions included harmonies on tracks like the title song, co-written by Racioppo. Post-Shirts, Messing recorded with collaborators such as John Piccolo and Mike West.[29] Kathy McCloskey performed as keyboardist and co-lead vocalist during the 1999–2010 period, filling the role initially vacated by Annie Golden and contributing keyboards and vocals to Only the Dead Know Brooklyn (2006) and The Tiger Must Jump (2010).[28][14] She brought additional harmonic layers to reunion performances and recordings, bridging the gap between the original punk roots and later power pop elements.Musical style and influences
Musical style
The Shirts' music is primarily rooted in New Wave and punk rock, infused with pop and dance elements that set them apart from the more abrasive raw punk acts of their era.[5][1] Their sound features a poly-stylistic approach, blending high-energy rock 'n' roll with ballads and intricate arrangements, emphasizing melodic accessibility over aggression.[1][30] A hallmark of their style is the signature punkish girl-boy harmonies between lead vocalists Annie Golden and Robert Racioppo, which deliver unison female/male vocals and harmonized verses that enhance emotional depth and catchiness.[5][14] The instrumentation is guitar-driven, with searing riffs and circular themes supported by keyboard accents, tight rhythms from bass and drums, and occasional jazzy additions like brass horns or flute, creating original tunes that balance raw energy with infectious hooks.[5][1][30] Over their career, the band's sound evolved from the energetic, punk-influenced tracks of the 1970s, such as the mid-tempo rocker "Tell Me Your Plans," to more reflective and nostalgic material in the 2010s album The Tiger Must Jump, incorporating sentimental stories, acoustic arrangements, and luxurious melodic solos while retaining core elements like giant chords and organ hooks.[5][14] Production styles shifted from the raw, live-like CBGB-era recordings on their 1978 debut—capturing a pop-oriented urgency—to polished efforts on subsequent albums like Street Light Shine (1979) with broader eclectic palettes, and later independent digital adaptations that preserved authenticity amid challenges.[5][1][30] Lyrically, The Shirts explore themes of urban New York life, personal relationships, emotional conflict, and resilience, often co-written collaboratively by band members to reflect diverse perspectives, as seen in tracks ranging from cynical tales of disappointment to cautionary stories of youth and love.[5][30][1] Their 2024 single "Move On Groove On" briefly ties into this evolution, reviving raw energy and hooks in a sophisticated punk framework.[1][3]Influences
The Shirts' sound was profoundly shaped by the vibrant NYC punk and new wave scene of the late 1970s, particularly through their residency at CBGB, where they shared stages with pioneering acts like Television and Talking Heads. These performances exposed the band to angular guitar techniques and art-rock rhythms that influenced their energetic, genre-blending approach, setting them apart from more aggressive contemporaries.[1][18] Drawing from broader 1970s influences, the band incorporated elements of British Invasion pop, Motown-style harmonies, and early progressive rock complexity akin to King Crimson's intricate arrangements, while avoiding the raw aggression of hardcore punk in favor of danceable energy with disco crossovers. Their poly-stylistic diversity, as noted by keyboardist John Piccolo, contrasted with the more uniform sounds of acts like Queen, allowing for a fusion of pop accessibility and experimental flair.[1][6] Rooted in Brooklyn's street-level culture, the band's inspirations stemmed from neighborhood block parties, doo-wop traditions, and garage rock vibes, reflecting the close-knit, Italian-American family dynamics of members like co-founders Robert Racioppo and Artie Lamonica, who began jamming together in 1970. This local ethos infused their music with themes of community and everyday life, evolving from covers to originals by the mid-1970s.[30][6] Member-specific contributions further defined their inspirations; for instance, Racioppo's transition from bass to guitar drew from funk-punk hybrids like Tina Weymouth's innovative lines in Talking Heads, while Lamonica's jam session origins emphasized collaborative songwriting. The collective diverse tastes of the six core members—spanning cynicism, science fiction, and romance—ensured a multifaceted sound.[1][30] Following their 2003 reformation, influences from the 2000s indie rock revival and digital production techniques impacted their output, as seen in the 2024 single "Move On Groove On," which revisited their foundational 1972-style songwriting with modern polish. This evolution maintained their dance-oriented energy while adapting to contemporary production methods.[1][2]Discography
Studio albums
The Shirts' debut studio album, titled The Shirts, was released in 1978 by Capitol Records after the band recorded it in London. This breakthrough effort captured their energetic new wave sound with punkish harmonies and original tunes, featuring standout tracks like "Tell Me Your Plans" and "Reduced to a Whisper," which helped establish their popularity in Europe despite limited U.S. commercial success.[31][1] Their follow-up, Street Light Shine, arrived in 1979, also on Capitol Records, building on the debut's momentum with a more polished production that highlighted the band's eclectic style and infectious energy. Produced amid growing European acclaim, the album included singles tie-ins that reinforced their live-wire appeal, earning critical praise for its vibrant pop-rock tracks such as "Laugh and Walk Away."[32][33] The band's third and final major-label release, Inner Sleeve, came out in 1980 via Capitol Records, exploring themes of personal transition amid production challenges and label issues. Despite commercial underperformance that contributed to their hiatus, it showcased resilient creativity, with notable songs like "Time."[34][1] Following a long hiatus, the group returned with Only the Dead Know Brooklyn in 2006 on The Stereo Society label, marking their first studio album in 26 years and reuniting core members for a thematic exploration inspired by New York life. The record maintained their foundational rock sound while introducing mature introspection, receiving positive notes for bridging their punk roots with evolved songwriting.[13][35] In 2010, The Shirts issued The Tiger Must Jump independently through Rottentoof Records, a collection of new material that reflected their post-reunion maturity with tracks emphasizing melody and narrative depth, such as the title song. This effort underscored their enduring CBGB legacy, delivering a concise set of power pop-infused songs that resonated with longtime fans.[15][14]Live albums
The Shirts' earliest officially released live recordings appeared on the 1976 double album compilation Live at CBGB's – The Home of Underground Rock, issued by Atlantic Records, which captured performances from several unsigned New York punk and new wave acts at the legendary venue, including the band's track "Operetico."[5] This pre-major label appearance documented their raw, energetic stage presence during the mid-1970s CBGB scene, prior to their debut studio album. The band's sole dedicated live album, Live feat. Annie Golden, was released on September 26, 2025, by Think Like a Key Music, drawing from a previously unreleased 1981 in-studio session recorded at Hi-Five Studios in Manhattan shortly after their departure from Capitol Records.[3][36] The 14-track collection emphasizes the group's punk-infused new wave sound with frontwoman Annie Golden's distinctive vocals, featuring high-energy renditions of songs like "Little Bit of Action," "Nancy," "Lost in a Rhyme," and "Don't Say Forever," alongside tracks such as "I Wanna Be a Rocker" and "Laura's in the Lion's Den."[37][38] This release holds significant archival value, preserving a pivotal moment in the band's history by capturing their post-label transition and Golden's commanding live delivery, which had been absent from their 21st-century reunion albums.[37] It serves as a time capsule of their punk-era vitality, offering fans insight into performances that bridged their CBGB roots and later evolutions. The album is primarily available in digital formats for streaming and download via platforms like Bandcamp and Spotify, with a limited CD edition also produced.[3]Singles
The Shirts' singles output primarily occurred during their original active period from 1978 to 1980, with releases on Harvest (an EMI imprint) in Europe and Capitol Records in the United States, often featuring non-album B-sides or alternate mixes to promote their early albums. These tracks captured the band's new wave and punk influences, receiving modest radio play and European airplay, though commercial success was limited outside the Netherlands. Following decades of inactivity, the band issued limited independent releases upon reforming in the mid-2000s, culminating in a 2024 comeback single and 2025 promotional live tracks tied to their archival live album.| Year | Title | Label | Format | Notes |
|---|---|---|---|---|
| 1978 | Tell Me Your Plans b/w Cyrinda | Harvest | 7" | Lead single from debut album; B-side "Cyrinda" exclusive to single; peaked at #4 on Dutch Top 40 chart, with 11 weeks on chart entering October 1978. Promoted via European tour and TopPop TV appearance, marking the band's breakthrough in continental Europe.[39][40] |
| 1979 | Reduced To A Whisper b/w The Story Goes | Harvest | 7" | Double A-side single; both tracks from debut album but issued in EP-like format for radio promotion; "The Story Goes" appeared only on this release in some markets.[41] |
| 1979 | Laugh And Walk Away b/w Triangulum | Harvest | 7" | From Street Light Shine album; B-side "Triangulum" instrumental unique to single, emphasizing the band's experimental side; received UK airplay but no major chart impact.[42] |
| 1979 | Can't Cry Anymore b/w I'm In Love Again | Capitol | 7" | U.S.-focused release; B-side cover of Fats Domino track; promoted domestic tour but limited commercial traction.[42] |
| 1980 | One Last Chance b/w Too Much Trouble (UK) / I've Had It (Netherlands) | Capitol | 7" | Final U.S. major-label single before hiatus; tied to Inner Sleeve album promotion, reflecting a shift toward more polished production.[42][5] |
| 2024 | Move On Groove On / Deux Royale | Think Like A Key Music | 7" / Digital | Independent comeback single after 14 years since last album; digital-first release with vinyl edition; featured in band interviews highlighting reunion energy and genre-blending style. Promotional video emphasized CBGB legacy.[1] |
| 2025 | Laura's In The Lion's Den (Live) | Think Like A Key Music | Digital Single | Promotional live track from 1981 archival session, released ahead of Live feat. Annie Golden album (September 2025); highlights vocalist Annie Golden's performance.[43][2] |
| 2025 | Little Bit Of Action (Live) | Think Like A Key Music | Digital Single | Another live excerpt from 1981 Hi-Five Studios recording; digital release to promote the remixed live album, focusing on high-energy CBGB-era setlist.[44][2] |